<em>Girls</em>'s Powerful Insight on Trauma
Why do the girls of Girls act that way? That’s the question underlying five years of baffled cultural responses to Lena Dunham’s epic of questionable decisions, cruelty, narcissism, and grace. Girls has never given a straightforward answer to the question. Despite unflinching confessional dialogue and occasional backstory development and sharp cultural satire, Hannah Horvath and her friends still have an air of Athena, sprung into existence fully formed. Asking why these girls spill drinks and impulsively marry and vomit off of bunkbeds is like asking why anyone exists at all.
This has made Girls unusual in a cultural landscape where the tragic flashback is the go-to decoder of individual motivation. To take two recent examples from HBO, The Young Pope connected Pope Pious’s childhood abandonment to his adult torment, and Westworld’s so-called “key insight” was that to be. In society more broadly, ongoing dialogues about trauma, triggering, and privilege—dialogues that Dunham often wades into as a public figure—insist that personal history needs to be taken as seriously as present conduct does.
