The Atlantic

'<em>Moonlight</em>, Best Picture': The Oscars and the Rare Power of Shock

In an era when audiences are so sure about so much, the mistake—simple, dramatic, human—can be a wonderful thing.
Source: Lucy Nicholson / Reuters

Last year, the comedian Marc Maron brought the author Chuck Klosterman on as a guest on his WTF podcast. The two discussed many things (including Klosterman’s then-new book, But What If We’re Wrong?, which he was there to promote), but one of them was sports—and the particular thrill that they offer to audiences. Sporting events, Klosterman argued, promise that most dramatic of things: an unknown outcome. Unlike other widely watched events—the Super Bowl halftime show, the Grammys, the Oscars—the primary selling point of sporting events is that their endings are, by definition, unpredictable. Within them, anything can happen.

Well. While you can say a lot about the Oscars on Sunday, you can’t say that the glitzy awards show was boringly predictable., about “Dewey Defeats Truman” getting . It was late on a Sunday evening, and the unexpected had happened in the most unexpected of ways, and the whole thing was, as my colleague Adam Serwer , .

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