The Paris Review

The Dates of Variously Shaped Shields

Félix Vallotton, Femme couchée dormant, 1899, oil on canvas.

It’s late, and you’re still awake. Allow us to help with Sleep Aid, a series devoted to curing insomnia with the dullest, most soporific texts available in the public domain. Tonight’s prescription: An Attempt to Classify and Date the Various Shapes Found in Heraldic Shields—Principally in England, with Incidental Datings,” the first chapter of George Grazebrook’s The Dates of Variously Shaped Shields, published in Liverpool in 1890.

It seems necessary, by way of introduction, to say a few words on the circular convex shields used from very early times by our Saxon and Norman ancestors. These were of wood, with a central boss of bronze, and were sometimes of very large size; frequently, if we may judge from contemporaneous illuminations, as much as four feet in diameter. Across the inside of the boss a handle was fixed, and the shields, which were thus held out almost at arm’s length, as represented in many ancient MSS., must have been most cumbersome. It is hard to see how the sword or lance could have been conveniently used. The round shape must have interfered greatly with the view of one’s opponent, and a bungler would inevitably slice pieces from off his own shield while attacking his enemy. Moreover, such shields must have been lightly made: we know exactly how the bosses were fastened with rivets through the shield, for they are constantly found in Anglo-Saxon grave mounds, and the wood is thus known to have been of some thickness. But we can obtain from contemporary writings many more particulars. 

By the laws of Gula [said to have been established by Hacon shield, of two boards in thickness, a spear, and an axe or a sword.

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review35 min read
An Eye In The Throat
My father answers the phone. He is twenty-three years old, and, as everyone does in the nineties, he picks up the receiver without knowing who is calling. People call all day long, and my parents pick up and say, “Hello?” and then people say, “It’s C
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages
The Paris Review19 min read
The Beautiful Salmon
I’ve always loved salmon. Not to eat, as I don’t eat fish, but I’ve always loved salmon in general because salmon jump and no one knows why. They jump all over the place—out of rivers, up waterfalls. Some say they jump to clean their gills. Others sa

Related Books & Audiobooks