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    Seek My Face: A Novel
    Unavailable
    Seek My Face: A Novel
    Unavailable
    Seek My Face: A Novel
    Audiobook9 hours

    Seek My Face: A Novel

    Written by John Updike

    Narrated by Kathryn Walker

    3.5/5

    ()

    Currently unavailable

    Currently unavailable

    About this audiobook

    John Updike's twentieth novel, like his first, The Poorhouse Fair (1959), takes place in one day, a day that contains much conversation and some rain. The seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001.


    From the Hardcover edition.
    LanguageEnglish
    PublisherPenguin Random House Audio
    Release dateNov 12, 2002
    ISBN9780553756586
    Unavailable
    Seek My Face: A Novel
    Author

    John Updike

    John Updike was born in 1932, in Shillington, Pennsylvania. He graduated from Harvard College in 1954, and spent a year in Oxford, England, at the Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of the staff of The New Yorker, and since 1957 has lived in Massachusetts. He is the author of fifty-odd previous books, including twenty novels and numerous collections of short stories, poems, and criticism. His fiction has won the Pulitzer Prize, the National Book Award, the American Book Award, the National Book Critics Circle Award, the Rosenthal Award, and the Howells Medal.

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    Reviews for Seek My Face

    3.5/5

    67 ratings6 reviews

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    • 5/5
      Even though the novel takes place over the course of just a single day, it ranges from the 1930s on through the end of the twentieth century in scope. As an artist is interviewed about her life--her work, her marriages, her children, her artistic husbands, and her thoughts on gender, art, and life as a whole--the novel moves gracefully between a female artist's ever-detailed memories and the long conversation she's engaged in with a young writer and student of art. As the dynamic between the two women changes over the course of the interview, the philosophical questions of art and love are more and more a consideration between them, as are questions of how being female has affected the artist's abilities to simply be an artist. And, of course, the disconnect between the artist and the critic is often at the forefront, humorous and disturbing as it may be at varying points. At the center of the book, though, is passion, which is celebrated.I can't speak to how accurate the discussions of New York's art scene may be, or to how accurately the interview characterizes the art scene in America at mid-century, though it discusses both at length--I can, however, say that the novel is wonderfully entertaining, and beautifully conceived and written. I'd say this is a must-read for anyone whose life revolves around the creation of any form of art, or the criticism/analysis of it. Though the direct subject is painting, many of the discussions apply just so much to writing, dance, and any form of passion that consumes time, energy, and love without, necessarily, regard for the people affected.Absolutely recommended.
    • 4/5
      A recurring qualification of the writing of John Updike is that technically it is perfect, but rather uninspired. Likewise, Seek my face, is a very well-written, but rather long and ultimately boring novel.The novel, originally published in 2002, could fit into the postmodern genre, albeit somewhat late, of biographies of insignificant and fictional people. Why, otherwise, would any reader be interested to read 276 pages of what appears to be the fictional biography of the widow of Jackson Pollock?Part of the technical skill is that the time line within the novel describes events over the period of a day, a long interview which the widow of the painter has granted to a young female journalist. Touching on themes and events of the various decades of the Twentieth Century, the relation between the women changes from that of the journalist, at first perceived as intrusive and naive, to that of the widow enjoying the role of maternal initiator, in disclosing the story of her life. The novel could perhaps be read as an exploration of the question to what extent young people can bridge the generation gap and understand the life and motives of people from whose life experiences they are separated by more than one generation.Seek my face is not recommended to readers who are new to the work of John Updike.
    • 3/5
      Now in her seventies, artist Hope Chafetz reflects back on her life and her husbands in an interview with a journalist, Kathryn. The overall timeframe is just one day of an interview, but both their recorded interview and Hope's thoughts range all over the place, through the second World War, art school in New York, several artist movements, and how Hope arrived to this Vermont homestead at last.While I read, I was reminded most of Mrs. Dalloway. Not a lot happens outside of the character's thoughts - and in this case conversation - but everything from birth to death to marriage and infidelity happens. The title "Seek My Face" causes me to ask the question, "Do we ever get to know Hope?" I'm still not sure I know the answer. This is the type of story my English professors loved and I might have admired once I finished a paper on them, but as a reader leave me frustrated.
    • 4/5
      I took Seek My Face (2002) with me on our spring break a couple months ago, and that was a tough book to read during a vacation. Why? Because this novel had no chapter breaks at all. At 276 pages, it was one long story about a female artist/painter who was a major figure in the art world of the 1950s or so. This novel consists of the artist, named Hope, being interviewed over one day, and her life story unfolds over that one day. Hope’s first husband seems loosely based on Jackson Pollack, and her second husband seems like a heterosexual Andy Warhol. I did like this book (and I do, after all, like art), but I would not recommend this as a first Updike read unless you are really into the art world.
    • 2/5
      Good writing but I found the plot tiring. No real resolution at the end. Lots of stuff about modern art in America, stuff I'm not really familiar with.
    • 3/5
      The blurb on the back of this edition describes the book as "the triumphant story of postwar American art." I don't know if that's how Updike intended it, but as he presents it, there was nothing triumphant about it...just a boys' club of self-important, pretentious freaks, many of whom had little artistic skill, engaging in one big circle jerk. It's the story of successive "movements" lasting little more than a decade, only to be replaced by another even more vacuous "school" the tenets of which completely contradict it, based only on the whim of the moment with no real standards or values. Far from being triumphant, the story of postwar American art as Updike presents it is more like a nose-dive off a cliff, a nihilistic "deconstruction" of any genuine values that art can offer, expressing the view (in Updike's own words) that only rottenness matters, and beauty is of no importance whatsoever.In any case, the blurb goes on to assure us, "this book is not a thinly-veiled treatise [on the history of modern art]"---but this is clearly a case of protesting too much, as that is exactly what it is. Some artists are actually mentioned by their real names, but those who are more sort of characters in the novel (such as Pollock and the "pop artists" like Warhol and Lichtenstein) are presented in barely-fictionalized versions with false names.Still, it is well-written, and in a way it's to his credit that Updike is too honest a writer to present what is really a story of cultural decline as "triumphant" (though he is clearly sympathetic to it). Some of these characters' stories are interesting, whether you like them or not, though Updike unfortunately intersperses them with pretentious chunks of art "theory"---of course, the ideas are important to understand what these people were doing and why, but they are often rather clumsily inserted rather than skillfully integrated into the story.If you want to read a novel about modern art, I would recommend Steve Martin's An Object of Beauty, which is at least somewhat more sincere, over this.