A String and a Prayer: How to Make and Use Prayer Beads
By Eleanor Wiley and Maggie Oman Shannon
5/5
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About this ebook
Eleanor Wiley
Eleanor Wiley is a former speech pathologist and gerontologist who began her prayer bead practice at age fiftyeight. She teaches workshops on making prayer beads as a spiritual practice all over the world; her pieces have been worn by Ram Dass and His Holiness the Dalai Lama. She is the author of A String and a Prayer. Her own spiritual practice includes beading, sitting meditation with both Christian and Buddhist communities, and practicing yoga and the Twelve Steps. Wiley's prayer beads are available through her website.
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Reviews for A String and a Prayer
4 ratings1 review
- Rating: 5 out of 5 stars5/5A String & A PrayerbyEleanor WileyMaggie Oman Shannon This is a wonderful instructional and informative book on how to make prayer beads, history of prayer beads, the different styles of prayer beads, prayers to use with your prayer beads, accompanied by helpful illustrations. This spiritual and well written little book is jam packed with information that I found helpful when I went to make my own string of prayer beads. Using this book as a guide I was able to find the right colors to use, the right number of beads to use and even what type of amulet to use at the end and why. This was a fabulous experience that left me feeling that I had made something very unique to me and very special. I see my prayer beads as a new friend that I plan on using everyday in my meditation. The thing I love most about this book was that the authors were able to explain this topic to me and give me different examples of how religions have used these beads without pushing any one belief. It was so refreshing to just feel supported in my spiritual search and not forced to go anywhere particular. I would recommend this wonderful delight to spiritual crafters and seekers everywhere, who are looking for ways to feel more centered and connected in their contact with Spirit. Well Done !! Love & Light,Riki Frahmann
Book preview
A String and a Prayer - Eleanor Wiley
Advance Praise for
A STRING AND A PRAYER
HOW TO MAKE AND USE PRAYER BEADS
by ELEANOR WILEY & MAGGIE OMAN SHANNON
"A String and a Prayer is an important little book— a spiritual history, a primer of prayer forms, a treasure house of understanding. There is no one who cannot benefit from this book."
—JOAN CHITTISTER, OSB, author of Illuminated Life and In Search of Belief
Eleanor Wiley and Maggie Oman Shannon show us that a fine answer to the question of how to pray is found in our fingertips. People throughout the ages have known what many of us are relearning—the things we touch and see and finger can bring the unseen near.
—REBECCA LAIRD, editor of Sacred Journey: The Journal of Fellowship in Prayer
I wholeheartedly recommend this book to all who are interested in the subject of prayer.
—RON ROTH, author of Reclaim Your Spiritual Power
First published in 2002 by
Red Wheel/Weiser, LLC
500 Third Street, Suite 230
San Francisco, CA 94107
www.redwheelweiser.com
Copyright © 2002 Eleanor Wiley and Maggie Oman Shannon
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from Red Wheel/Weiser, LLC. Reviewers may quote brief passages.
ISBN:978-1-59003-010-3
Library of Congress Cataloging-in-Publication Data
Wiley, Eleanor.
A string and a prayer : how to make and use prayer beads / Eleanor Wiley and Maggie Oman Shannon.
p. cm.
Includes bibiographical references.
ISBN 1-59003-010-9 (pbk.)
1. Bead—Religious aspects. 2. Prayer. I. Oman Shannon, Maggie,
1958– 11. Title
BL619.B43 W55 2002
291.3′7—dc21
2002005704
How-to
figures in chapter 3 and cover illustrations by Sylvia Bennett.
Cover and workshop photos by Donna Sall Morgan.
Sacred Wheel illustration by Graham Tattersall.
The authors gratefully acknowledge the following people for permission to reprint their work:
Coleman Barks for Only Breath
from The Essential Rumi, copyright © 1995
Tami Briggs for her poem on page 117
Jennifer Tattersall for her poem on page 110
Typeset in Requiem
Text design by Joyce C. Weston
Cover design by Laura Shaw Design
Printed in Canada
TCP
10 9 8 7 6 5
www.redwheelweiser.com
www.redwheelweiser.com/newsletter
To Colette and all the young people of the Balkans who think of me as a grandmother—they are the hope of the world.
—EW
This book is dedicated to my precious friend Molly Starr—and to all those like her who so lovingly and freely share their kindness, encouragement, creativity, and beauty with the world.
—MOS
Contents
List of Figures
Preface: Starting the Strand
Acknowledgments
1. Connecting to the Past: The History of Prayer Beads
The Religious Use of Beads
Hinduism Buddhism Christianity Islam Judaism
The Cultural Use of Beads
Greece and Turkey Native American African
2. Creating Personal Meaning: The Symbolism of Prayer Beads
Elements of Prayer Beads
Colors Numbers Stones Other Materials Amulets and Charms Animal Representations Shapes
Using Amulets and Patterns
Colors and Numbers
Shapes
3. Hands-on Discovery: How to Make Prayer Beads
What You'll Need
Before You Get Started
Four Basic Forms
A Circle of Prayer
A Prayer-Bead Shawl
A Prayer-Bead Bracelet A Handheld Prayer Piece
4. Opening the Door to the Divine: How to Use Prayer Beads
Your Own Practice
Beginning a New Day Walking in the Present Moment Grounding Practice Ending the Day Gaining Strength from Your Roots Special Passages Battling Addictions Celebrating Achievements Honoring Your Dreams
Making Prayer Beads for Others
Healing Leave-Taking Memorializing a Life Weddings Babies Child-Custody Cases Those in Need of Housing Those Who Are Lonely
Making Prayer Beads for Communities
Caregivers Families Teachers Women and Children Around the World Spiritual Leaders Animals Earth and the Environment Rescue Workers Political Leaders Peace Remembrance
5. Prayers for Contemplation with Beads
Resources for Further Exploration
List of Figures
Figure 1. Applying end tape
Figure 2. Closing a circle
Figure 3. Closing a crimp bead
Figure 4. Shawl styles
Figure 5. Adding crimp beads and finishing intial loop
Figure 6. Adding crimp beads and finishing end loop
Figure 7. Adding loops
Figure 8. Making a prayer-bead bracelet
Figure 9. Finishing initial loop
Preface: Starting the Strand
The use of prayer beads, like all spiritual practices, taps in to deep mysteries that unfold with time. Just as the act of touching each bead happens in succession, so too is there an inherent progression, or evolution, to one's experience of prayer beads. Both of us—Eleanor and Maggie—have been and continue to be joyfully surprised by what the creation and use of prayer beads offers. Truly they seem to have a life of their own. In this book we share many stories of people whose lives have been changed through prayer beads, beginning with our own.
Eleanor began her life as an artist at age fifty-eight. While working as a speech pathologist in long-term care, Eleanor's friend Betty asked her to make some beaded necklaces for a show in 1994. Instead of saying she couldn't, Eleanor said she didn't know how—a slight twist of language that would change her life. With a little instruction, Eleanor made several necklaces. To her surprise, they sold.
On a trip to Bali soon after that, she found what is known as a Goddess of Transition
(see photo below), a ritual object made of fossilized ivory with an opal navel. It turned out to be a very important amulet. Since Eleanor knew that she would need to find a new job when she returned home, she wanted that carved goddess to remind her of change, so she incorporated it into a bead necklace. Once in her new office, Eleanor was astonished when her new boss looked at Eleanor's beads and said, I have to have that.
Eleanor said she couldn't, but her boss persisted. Finally Eleanor said, You don't even know how much it costs,
to which her boss replied, I don't care!
Now that made Eleanor stop and think. At dinner with friends, Eleanor told this story and they all promptly asked, Well, do you want to be an artist? If you want to be an artist, you just put a price on the piece and she writes you a check!
So Eleanor named a price, and her boss paid it.
GODDESS OF TRANSITION. Fossil mastodon with opal, jade, stone,