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The Financial Lives of the Poets: A Novel
The Financial Lives of the Poets: A Novel
The Financial Lives of the Poets: A Novel
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The Financial Lives of the Poets: A Novel

Rating: 4 out of 5 stars

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“Darkly funny, surprisingly tender . . . witheringly dead-on.” — Los Angeles Times

Named one of the year’s best novels by: Time • Salon.com • Los Angeles Times • NPR/Fresh Air • New West • Kansas City Star • St. Louis Post-Dispatch

A comic and heartfelt novel from the #1 New York Times bestselling author of Beautiful Ruins and Cold Millions about how we get to the edge of ruin—and how we begin to make our way back.

What happens when small-time reporter Matthew Prior quits his job to gamble everything on a quixotic notion: a Web site devoted to financial journalism in the form of blank verse?

Before long, he wakes up to find himself jobless, hobbled with debt, spying on his wife's online flirtation, and six days away from losing his home. . . . Until, one night on a desperate two a.m. run to 7-Eleven, he falls in with some local stoners, and they end up hatching the biggest—and most misbegotten—plan yet.

 

Editor's Note

Heartfelt & Hilarious...

A pointed critique of the American male’s traditional role in society, framed in a heartfelt & hilarious rock-bottom-to-comeback story.

LanguageEnglish
PublisherHarperCollins
Release dateSep 22, 2009
ISBN9780061965913
The Financial Lives of the Poets: A Novel
Author

Jess Walter

Jess Walter is the author of six novels, including the bestsellers Beautiful Ruins and The Financial Lives of the Poets, the National Book Award finalist The Zero, and Citizen Vince, the winner of the Edgar Award for best novel. His short fiction has appeared in Harper's, McSweeney's, and Playboy, as well as The Best American Short Stories and The Best American Nonrequired Reading. He lives in his hometown of Spokane, Washington.

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Rating: 3.8309859154929575 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    A nice easy read this one- done in a weekend no problem. Lots of laughs all the way through but also poignant in the right places, the life of a journalist spiralling out of control is chronicled here. He tries to keep his head above water but things just seem to go from bad to wros. Sounds depressing? No not really, the characters are colourful and amusing and the scenarios he gets himself into are excruciatingly funny and cringeworthy. Definitely lightened up my weekend!
  • Rating: 5 out of 5 stars
    5/5
    After losing his job as a journalist, Matthew Prior took a gamble on creating a website that mixed financial news and free verse. Needless to say, things didn't work out. Now he and his family are living under crushing debt and are about to lose their home, and their finances are in total meltdown. To make matters worse, Matt suspects his wife is having an online affair with an old lover from high school and his senile father has just moved in with the family. Then Matt makes a late-night trip to the 7-Eleven for milk and gets caught up in a very unfamiliar situation with some local thugs after agreeing to take a hit of their superior weed. As Matt winds his way through the troublewith his finances, marriage and family, he comes to find himself disastrously enmeshed with his new friends and must find a way to disentangle himself from all his weighty encumbrances, both new and old.I found this to be an uproariously funny book, and also one that was very economically portentous. From the moment that self-depreciating and clever Matt was introduced amid his myriad of difficulties, the humor seemed to pour off the pages in a casual and original way. I don't want to give away too much of the plot and ruin the book, but I really felt that Walter managed to create some outstandingly hysterical satire that focused on middle class American society. Although this book really brought the funny, there were some piercing and frightening fiscal portraits of today's tail-spinning economy, and it was eye-opening to see a protagonist like Matt having to navigate his way through the financial wasteland that was his life.There were two stories going on in this book: the tale of Matt's misadventures with his buddies and the interlocking story of personal financial ruin. Both played off of each other and took focus at various times in the book, and both focused on different and specific emotions. In a lighthearted way, the author manages to fuse both the reality of today's economic crisis and the story of how that crisis reflects itself in a typical American family. I thought it was really cool that some of the story was told in poetry asides, most of which were both elegantly written and fabulously funny. Walter even managed to stay grounded in popular culture and language in the sections that focused on Matt's new friends.Aside from being culturally significant and exceedingly funny, the book had some very touching and emotional scenes that made me snap back as a reader and take notice. There were, for example, many glimpses of conversation between Matt and his ailing father, some of which were startlingly sad and poignant, and Matt's nearly non-stop internal monologue on the slow destruction of his marriage and family. I thought that as a character, Matt was very straightforward and perceptive, and that his voice throughout the book was not only credible, but endearing. At times it was as if he was stuck in the middle of a comedy of errors, one situation building upon another as all threatened to collapse in a heap at his feet, but the fact that he never really lost his composure was something that I marveled at and admired.The book mainly focused on the protagonist as he fought his way through the quagmire of his life, and as such there wasn't a lot of development of secondary characters. I felt that this was just right for this book because it enabled me to realize that the focus of the narrative, in fact the very point of the narrative, was to be a reflection of Matt's thoughts as he raced to find some magical cure all for his life's ailments. As such, Matt remained the only fully developed three-dimensional character throughout the book.I also liked the fact that the book was very realistic, and that there was no license taken for dramatic effect or a more seemly narration. Matt was forced to take a real inventory of his life and face his problems in the way you or I would have to, and not everything was neatly tied up in an effortless way. Much of this book was ferociously funny, and I totally appreciated that, but what I appreciated more were the real bits of life that poked through the laughter and comedy, the real reactions and fears of the main character, who did his best trying to hold it all together.This book was one of the most engaging reads I have had in a long time, and I think that this book is one that I am going to hold on to and pass on to others who are looking for a witty and satirical slice of life. I had a lot of fun laughing at Matt's antics and situations, but in the end, I sympathized with him a lot more than I ever thought I would. I haven't read any other books by this author but I am planning on taking a much closer look at his work. His writing is powerful and at the same time capricious, and tells the story of the everyday man who is not so different from ourselves. A great read. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    This was an enjoyable read & once I picked it up, I zipped through it much more quickly than I expected. Matt Prior is the narrator & I have to admit that at first I felt he was self-indulgent (I didn't care that that was the point), I didn't much like his wife either (I loved the children & Matt's father) but somehow I was pulled in & felt that I wanted everything to work out for he & his family eventhough he was making decisions high on the epicly stupid list. The main of the story takes place over a series of days as the foreclosure of the Prior's house looms & when Matt's plan finally goes completely off the rails, I was just relieved. I was rooting for the family to lose everything except each other because I couldn't take the crazy anymore.

    Though satire, I must say that this pulled at my heart a bit. It felt a little crazy but I cared what happened to the characters. The ending was happier than I expected & I enjoyed that as well. Jess Walter certainly didn't disappoint.
  • Rating: 4 out of 5 stars
    4/5
    I think readers always have the "where did you get your idea" question running through their minds when they're reading a book. But, really man, how do you come up with financial poetry? Then how do you turn financial poetry into a book about a suburban dad who decides after endless economic hits to become a drug dealer with some dudes he meets outside 7-11 while picking up milk for his kids breakfast.I was explaining "The Financial Lives of the Poets" to my husband last night when I finished it and had to say "I know it sounds nuts but it's a great book". How can you not love a story about a newspaper business reporter who quits his job to launch a financial poetry website (WT....) only to find out the idea won't fly (really??) then gets stuck in the endless whirlpool of today's economic crisis? Then while trying to figure out a way to save his house and his way of life, becomes a drug dealer. This story never went where I thought it was going and I loved every minute of it. It made me laugh and think and there's not much more you can ask for in a book. The copy I have happens to be a PS edition which has extras at the end of the book including the incident that inspired to story. More and more books I'm getting are the PS editions and I have to say I love them. I really like being involved in what went into creating art. I love good dedications and acknowledgments too. I love feeling like I'm in the know of what goes on behind the pages of books I love. I hope more and more publishers come out with these editions. As for Jess Walter, I think I'll be checking out his other works and if he ever does decide to start up a financial poetry website I may just have to check it out.
  • Rating: 4 out of 5 stars
    4/5
    Walter's protagonist, Matt Prior, is the everyman for the current age of recession and financial despair. Though Matt is something of a journalism school Job, his story is not limited to poignancy. It is also hilarious. Walter has crafted a superb combination of poetic allusion, street 'cred' and modern American family life.Absurd though not unbelievable and warm without being mawkish. It is also comforting in that no problems of mine can quite match those of the Prior family. Likewise, it is a bit of a cautionary tale for those in reduced circumstances who may be looking for a desperate way to save the day!This book was impossible to put down!
  • Rating: 1 out of 5 stars
    1/5
    This book is funny and well written - but I couldn't finish it. Too sad.
  • Rating: 4 out of 5 stars
    4/5
    The big questions I had when reading most of this book were "What kind of book is this?" and the highly related "Did the author do this on purpose?"Matthew Prior starts out the book in a 7/11 store, buying milk for his kids. In come a couple of rambunctious young men, making a scene. (Funny. So this is a humorous book). As these young men are playing out their stoned activities, Matt thinks back to his mom in her confused final days, worrying about 7/11, and whether the terrorists would be able to cause another day like it(hmm,so not just a fluff stoned adventure book).And on it goes. Matt is losing his house and his marriage, but this is presented in a funny way (dark humor?). He lost all of their savings on a web site that mixed financial advice and poetry, with some help from his wife and her love for all thing that can be bought on E-Bay (It's got to be satire).As I'm bouncing from one of these thoughts to the next, I keep coming back to the question of whether the author is doing it on purpose-- Particularly once the book stopped being funny.I decided yes, it was deliberate, and very well done. None of us lives just one kind of a life, why should Matt occupy just one kind of a book? It doesn't need a label (other than fiction). It is funny (for a while, at least), thought provoking (all the way through) and a reflection on life and the choices we have and the choices we make.
  • Rating: 4 out of 5 stars
    4/5
    The dilemma that the protagonist faces is self-created, but the author ratchets up the tension very well. Nothing world-shaking here, no epiphanies. I enjoy the use of poetry to reveal the character and in itself. The author works on several levels at the same time.
  • Rating: 5 out of 5 stars
    5/5
    I'm old enough to remember when "middle-class" was a pejorative term. Ah, to be young again, to march in the streets and "epater les bourgeoisie". How the times have changed! Now it's all Trump or be tromped. Tea, anyone? (Earl Grey or Glenn Beck?) And so I find myself, ironically, moved to laughter and tears by Jess Walter's brilliant "The Financial Lives of the Poets". It is, after all, a dirge for the dying of The American Dream. I felt the same frisson, once upon a adolescence, reading Catcher in the Rye. Salinger's Holden spoke to me with a weary, sarcastic, wisecracking tenderness that held out the hope, that somewhere on the other side of adult bullshit, there was something...true?That same voice, Holden's, speaks through Walter's Matt Prior. Matt is a middle-aged man of our times. He's lost his 60K per year job. And he's losing his house to the mortgage company, his wife to her Facebook lover, and his Dad to senility. His boys are still his own - for the moment. As long as he remembers to stop by the 7/11 to get a gallon of milk for cereal in the morning. "Nine dollars a gallon, for chrissake!" A funny thing happens on the way back home from the checkout counter. Matt, who is nothing if not good-natured, finds himself agreeing to drive a couple of Dorito-chomping young gangsta types to a party. He finds himself taking his first toke of weed in fifteen years. He "finds himself" (fade in the Talking Heads melody in the background) on the verge of a new career.At this point, the novel could easily have turned into a variation on the popular HBO series Weeds. Down and out professional type clings to income bracket through drug sales. Walter is brilliantly funny at capturing the clashes of cultures - drug and straight, mid-20's and late-40's, innocent and criminal. He maintains that hilarious nervous heightened sensibilty that Woody Allen is famous for. So this could have been just a very funny riff, a la Seinfeld, on "nothing."But the novel soon takes a serious turn, and - I still can't figure out quite how Walters managed the trick - Walter transfigures Matt Prior, with a Gethsemane touch, into a latter day Christ that is being nailed for our sins. And you wonder, was Matt Prior, maybe, one of those little children that Holden couldn't catch from running - through the rye - and off a cliff?
  • Rating: 4 out of 5 stars
    4/5
    There's something about this book that calls out to make it into a film. I can't quite put my finger on it, not being a movie buff, but there's definitely something cinematic in its pages. If this book was more predictable, it would have the makings of a fantastic Hollywood movie. Its very lack of predictability definitely gives it great potential as an engrossing read despite the seemingly depressing premise. And Hollywood will either miss out on a thoughtful, strange, and convoluted film or they will change it beyond all recognition. The good news is that the book itself doesn't have to cater to a teenaged-boy demographic and therefore can keep all those interesting and oddball happenings and characters that populate its pages and capture readers. Matt Prior is a former business reporter who left his fairly secure (well, as secure as newspapers get these days) job to start a website marrying the concept of finances and poetry. Not surprisingly, the venture failed, leading him back to the newspaper for a brief spell before being caught in a round of lay-offs. Now out of work and floundering in debt, he is about to lose his house; his wife is on the verge of an affair with her old high school boyfriend found again through the miracles of social networking; and his father is sunk in the quicksand of dementia. Opening with Matt buying milk at the local 7/11 yet again so that his boys have milk for their cereal in the morning, the plotline immediately veers into the random and just bizarre enough to be believable realm. After buying the milk, Matt ends up driving two young stoners to a party and smoking marajuana for the first time in many years. As if his depression over finances isn't enough, Matt rashly decides that with marajuana as strong and wonderful as what he's just smoked, he can sell it himself to other former smokers looking for a toke of nostalgia and earn enough to keep from losing his house. In earning enough to keep his house, he won't have to share just what dire straits they are in with his wife and can therefore concentrate on ways to convince her to stay in their marriage and give him another chance. In convincing her to stay in their marriage, everything in life will get rosy again. Can you spot where in this line of reasoning he goes wrong? The current financial crisis is a major backdrop to Matt's unconsidered scheming. It informs his weariness and beats him down at every opportunity, manifested so soul-destroyingly in a scene where Matt, desperate to stave off foreclosure, calls the latest in a string of banks to hold his mortgage, and fails to find his way through the labyrinthine automated call system to speak to an actual person. Then in a subsequent scene he reaches a live human being, is treated sympathetically, and is promptly disconnected without even the comfort of remembering which of the random extension numbers he dialed actually netted him the live bank employee. Frustration, desperation, and futility ooze from the narrative but they are couched in a black humor so as not to overwhelm the reader. Matt's bumbling, sweat-inducing foray into drug dealing is pretty funny. He's so out of place in the whole drug and party scene but then again, as a middle-aged husband, dad, son, and man, he's pretty out of place in his own life. I really struggled to get into the book initially and I never did completely lose my judgemental feelings about Matt choosing to deal drugs but Walter did a good job making all the plot twists believable and convincing me that while I would never approve of Matt's choices, the imminent demise of your only known way of life and quite possibly your family's ultimate happiness as well can certainly make people consider things they never would have before. Not necessity but desperation making strange bedfellows and all that. Given that I am not much of a poetry reader, I know I missed many of the barely veiled homages to famous poets but those that I caught (William Carlos Williams and William Blake among them) were skillfully rendered and perfectly placed. I ended up liking the novel quite a bit more than I initially thought I would but it took a bit of perseverance in the beginning before I got into the sarcastic, satirical groove of the whole thing. An unusual, forthright look at the crisis driving so many people to the brink, read this if you want to know what happens when one man jumps off and sends his and his family's life spinning more out of control than it already is.
  • Rating: 3 out of 5 stars
    3/5
    All the reviews of this say that it's hilarious, a laugh riot. So funny!

    I didn't laugh even once. This is maybe the saddest book I've ever read, or at least the most poignant.

    I'm approximately the same age as Walter, and prey to the same generational conceits, fears, and acting out. There's a lot of heartbreak, a lot of realism, a lot of sad truth here. Not so much with the hilarity.

    So close to home, so well-written, so heartbreaking.
  • Rating: 2 out of 5 stars
    2/5
     If only I would have seen the recommendation by Nick Hornby on the cover of this book I could have saved the money. Not for me, a so called *funny* book, stupid people, for ever stuck in adolescence, doing stupid stuff, wasting time, money and their lives - I have no patience for that. Halfway through I gave up - these characters are not people I want to know.
  • Rating: 4 out of 5 stars
    4/5
    Synopsis:Successful throughout his life, Matt Prior finds himself in the unexpected position of being unemployed, deeply in debt and weeks away from losing his home. Things have been difficult at home and he can't bare to tell his wife the true state of their finances. Matt continues with the everyday life - caring for the children, applying for jobs, negotiating with their mortgage lender, and the usual household chores. When one late night, Matt discovers a possible solution - wacky and dangerous though it may be - to solve their financial hell, he decides to give it a go.Review: In Jess Walter's The Financial Lives of the Poets, Matt Prior goes on a hilarious and absurd adventure triggered by today's financial crisis. Matt has his own crooked logic that will leave you chuckling, whether he's plotting ways to sabotage his wife's flirtation with her high school boyfriend or eke revenge against M_ who laid him or finding ways to reassure his father during his slow descent to senility. A fun and crazy ride - highly recommended!Publisher: Harper (September 22, 2009), 304 pages.Review copy courtesy of TLC Book Tours.
  • Rating: 4 out of 5 stars
    4/5
    Matt Prior was riding high; prestigious newspaper career, beautiful wife, two fine sons and a dream house. Suddenly his world collapses, along with the US economy and he finds himself jobless, nearly bankrupt and inches away from losing the trophy wife and the house. Late one night, in a fog of hopelessness, he stumbles into a convenient store, to buy milk and falls in with a group of local thugs and drug dealers. From this unusual meeting, a pact is formed, along with a dangerous plan to pull Matt out of the swamp he is mired in.Walter is a very good writer. He’s smart and darkly humorous. The one thing the story lacks, is freshness. There are a couple juicy surprises but most of the story-lines have a somewhat stale taste. I still recommend the book and will look forward to reading his other work.
  • Rating: 5 out of 5 stars
    5/5
    Jess Walter is a writer who refuses to write books that will allow him to be pigeon-holed. His Citizen Vince is the darkly funny and oddly warm story of Vince Camden, a low-level hoodlum relocated by the Witness Protection Program to Spokane from New York, coming to terms with his new environment in the only way he knows how. His next novel, The Zero, could not be more different; it is the vaguely surrealistic story of Brian Remy, an amnesiac cop recruited by a government agency to gather paper scattered in the attacks on 9/11. And now The Financial Lives of the Poets gives us Matt Prior, possibly the most relatable character Walter has written. He's forty-something, unemployed, and awash in debt. He and his wife have a big, big mortgage, having bought a great house in a bad neighborhood when prices were up, then poured tons of money into remodeling and upgrading. Matt had been a business reporter at a newspaper but he left his reasonably secure job to venture out on his own in the world of cyber-reporting. Poetfolio.com. Doesn't that sound wonderful? Business and financial news delivered in a variety of poetic forms. Each chapter begins with one of Matt's poems, which he disparagingly refers to as pedestrian and amateurish but some of which I found to be quite lovely. Unfortunately, Matt was unable to make a go of it, and, though the newspaper took him back he was among the first to go in a recession-related personnel purge.The Financial Lives of the Poets opens with a sequence that perfectly sets the tone, both of the novel and how its action will play out, and of Matt Prior's character. Matt is waiting in line to buy milk at the 7/11, a semi-regular occurrence despite it being "like, nine dollars a gallon." He remembers his mother in her last days, worrying that the terrorists would pull off another event like "7/11" (in a beautiful, spot-on writerly touch, each time Matt thinks of 9/11 throughout the novel he thinks of it as 7/11). And then, leaving the convenience store with the milk for which he could ill afford to pay the jacked up price, Matt has an interaction with a couple of young men hanging around outside. One thing leads to another in a bizarre if seemingly inevitable way, and Matt ends up driving the guys to a party and smoking some dope with them on the way, something he hasn't done since his college days. Why haven't I done this in so long, Matt thinks to himself, and, I bet I know a lot of people just like me who haven't smoked but would like to, and, at the prices weed is going for these days I could make enough money to make that balloon payment coming due…The rest of the book takes place over a sleepless week, during which Matt takes care of his two sons and father, who has Alzheimer's, worries about his wife's blossoming Facebook (and possible real world) affair with an old boyfriend, smokes an awful lot of dope, worries about paying the mortgage and the private school tuition, smokes more dope, and makes arrangements to spend his entire pathetic retirement account of $9,000 on product which he intends to resell to his peers and former coworkers. Matt is borne along on a series of events ridiculous, pathetic, hilarious, in a manner which is all too believable.The Financial Lives of the Poets is a nearly perfect book. It's beautifully written. It's funny. And, most of all, it has heart.
  • Rating: 4 out of 5 stars
    4/5
    Absurd and fun book!
  • Rating: 4 out of 5 stars
    4/5
    Don't you love it when you find yourself really enjoying a book that you know you normally would not like?THE FINANCIAL LIVES OF THE POETS is that book for me. There are so many things about the book that should make up the recipe for being a book on Lydia's did-not-enjoy list. Instead I found myself enjoying the story immensely (although, admittedly, I did have some pretty nasty dreams because it was a little too real and bleak).Jess Walter does a fantastic job of mixing comedy (straight up laugh out loud lines as well as a self-deprecating main character) with real life topics such as the economy and financial crisis. The first chapter had me laughing out loud to the point where I was wiping away tears by the end of it. So what all did this book have that would make me not want to pick it up?- Poetry- Financial misery- An extraordinary amount of swear words- Drug useThose four things normally add up to me tossing the book away in disgust and moving on. Instead I found myself wrapped up in the story and feeling the narrators pain. It was all so.. real.Very solid book, very entertaining and I'm loving that it took me way out of my comfort zone and reminded me to keep an open mind about things. You never know when something might surprise you.
  • Rating: 4 out of 5 stars
    4/5
    This is a story of a dreamer: Matt Prior quits his job as a newspaper reporter to start a website (poetfolio) that gives financial news in the form of poetry. Faced with crushing debt, a wife who is very probably having an affair, two small childiren, and a live-in father with dementia, Matt struggles to cope. He decides to start selling pot to nostalgic baby boomers. Imaginative, laugh out loud funny at times, Matt's struggles touch issues that resonate: providing for family, parenting, making a marriage work. With his poet's soul, Matt is a character that you will root for.
  • Rating: 1 out of 5 stars
    1/5
    I swore, after reading "Citizen Vince", that I would never read another thing with Jess Walter's name on it. Imagine my chagrin upon finding this book was my book club choice this month!This book has 290 pages. It took 200 pages before any plot or anything substantive took place. So actually we end up with a Short Story, and I hate short stories!Jess Walter is 99% adolescent smart-alec banter and 1% substance, in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    Walter hilariously captures postmodern-finance, late-housing-bubble America and its desperate delusions of wealth and entitlement. The Financial Lives of the Poets is a fast-paced, culturally literate story about becoming an adult and accepting -- even appreciating -- the corresponding responsibilities and limitations. The book especially rings true for business reporters who chronicled the mania, who saw the end coming, for the crowd and for their own careers -- but couldn't stop rooting for everything to hold out just a little longer.
  • Rating: 4 out of 5 stars
    4/5
    This book is very funny and engaging. The story is all too familiar after the recession of 2008/09 - the main character quit is job to start a website (financial advice delivered in poetry!), and then the economy tanked and the website failed. He is unemployed, about to lose his house to the bank, and about to lose his wife to an old fling of hers. As depressing as all of that sounds, the book is hilarious. The main character meets some kids who let him smoke some marijuana, and he decides to spend the very last of his money in an attempt to become a drug dealer. What makes the book enjoyable is Walter's wonderful writing, his constant playing with words, and his brilliant humor. The situations keep getting more and more ridiculous, but Walter's amazing ability to conjure up characters in just a few words makes the story believable. Unfortunately the end falls a little flat... I'm not sure what I would have changed about the ending to make it work better, but for as insightful and ridiculous as the rest of the book is, the end is suddenly rather trite and down-to-earth.All in all, a very fun read.
  • Rating: 3 out of 5 stars
    3/5
    An average middle class guy loses his job as a journalist during the 2009 recession — he is days away from losing his house too. Then he stumbles into the possibility of being a drug dealer. Selling pot to his friends and acquaintances. Exploiting an under-serviced niche market. Funny book.
  • Rating: 1 out of 5 stars
    1/5
    Hated this - supposed to be funny - dealing drugs as a father is funny??? NOT!
  • Rating: 4 out of 5 stars
    4/5
    Matt Prior's life as he knew it is circling the drain the night he heads out to the 7-Eleven for some overpriced milk. He lost his job some months ago, the job he was forced to crawl back to after he risked it all on a website venture dedicated to financial advice written in mediocre poetry. It's starting to seem inevitable that he will lose his house if he doesn't come up with a significant sum of money before week's end. His wife is carrying on an affair of sorts with an old boyfriend via Facebook and text messages, and his dad's mental health is declining rapidly. When Matt, shuffling under the fluorescent lights of the 7-Eleven in his bedroom slippers, happens upon two of the sorts of guys that you'd rather not run into in a 7-Eleven he soon finds himself driving the two stoners to a party and smoking way better weed than he ever smoked in college. With a clarity that only weed can produce, Matt knows that this weed is the weed that can solve all his problems. He just needs to sell it.The Financial Lives of the Poets drew an inevitable comparison to the TV show Weeds for me. Both are at once laugh out loud funny and sad in their biting satirization of what the American dream has become. Mercilessly does Jess Walter spear the new American family unit that builds its ambitious life on hard work and mountains of debt. He harpoons the people who seemingly without a second thought take out loans on houses and cars they never had any hope of affording sold to them by slick salesmen peddling an unrealistic way of life. Walter mocks the people who, once they've attained some semblance of security, throw it away on goofy dreams and online shopping binges all the while ignoring the important things in life like their spouses, their children, and their friends. Hidden within Walter's laugh out loud satire, however, is a set of real, recognizable characters that draw readers' sympathies. There's Matt who got lost while he was trying to find his dreams, who can't sleep at night for worrying about what fate will befall his family now that he's failed as their provider. There's his wife, Lisa, who desperately misses the powerful, sexy career woman she used to be before she gave it up for kids. There's Matt's father who is slowly going senile, but still thinks he's "got it" because he can't remember that a stripper named Charity took him for all he was worth. There are countless would-be customers of Matt's pot dealing scheme who feel like they need to have a smoke just to make it through a day at the office. These are people we know, and in some cases these are people we are, and despite all his squeezing them into ridiculous situations for laughs, Walter doesn't let us forget that. The Financial Lives of the Poets is an engaging story of a family gone awry full of cannily delivered truths and a potent satire of life in today's USA.
  • Rating: 5 out of 5 stars
    5/5
    I just fell in love with Jess Walter's "Beautiful Ruins", and I was really happy to see that he's been able to do his magic with this book too. The striking element in Walter's writing (in these 2 books at least) is his sense of humor, and that's where I see some readers not liking it because they just have a different sense of humor (or they just don't have one). I understand humor is a very personal thing.
    However, while many "funny" books are just shallow, stupid, unfunny, or absurd, or very often unbalanced structural abominations (especially the ones with idiotic comments on the cover like "I barfed with laughter all the way through", or "you will be laughing so hard your hemorrhoids will explode" or something), "The Financial Lives" strikes a wonderful balance between comedy and drama, between very light-hearted moments and intimate, touching scenes. And all of it fitting in a harmonious structure. It is a joy to read. It is elegant, alla Italiana.
    Do you have an idea of how hard it is to do that? To strike this kind of balance? It takes a very unique kind of alchemist, one who knows just how many drops of this and that substance is too little or too many.
    I also loved the inventiveness of the poetry. Yes, of course is a joke, a game. But it's poetry, as well. And it bears meaning, too.
    The best books are the ones where you can feel the writer's own enthusiasm and joy of writing, and I can say I felt that playfulness and joy all through the book, despite the very serious subjects.
    Hats off, Mr Walter. This is the kind of story-telling that I wish I was able to pull off in my fantasy life as a writer.
  • Rating: 3 out of 5 stars
    3/5
    pretty good book. Defiantly made me laugh at a few parts. But overall to self hating and bitter for my taste
  • Rating: 4 out of 5 stars
    4/5
    I don't usually like books about money (like Janelle Brown's All We Ever Wanted Was Everything), but this one has heart. It's about a flawed but likeable man whose wife is having an emotional affair, and his finances are in the garbage.
  • Rating: 3 out of 5 stars
    3/5
    Jess Walter's The Financial Lives of the Poets is interesting in its sense of capturing a time and a place, but less successful in terms of that sense of being able to transcending its own time and specific circumstances.  It is a novel that captures very well that sense of panic and hopelessness of its period, of the post 2008 housing crisis, job crisis, that sense of desperate hanging on.  It is a novel of bad decisions, drawn in sharp relief, and eventual redemption.  The main characters could in many ways be everyman or everywoman, young people filled with hopes and dreams, trying to fulfill their own dreams of what they can be, but making decisions based primarily on the yearnings within themselves looking for fulfillment, working past each other out of their own need rather than together with a sense of relationship and common purpose.  Matt and Lisa's lives break into many pieces before they begin to find some sense of comfort in each other, and the book only ends with that hint of redemption, of finding, but without guaranteed resolution.
  • Rating: 4 out of 5 stars
    4/5
    I want to start my review by saying that to be totally honest with you, when I started this book I didn't think that I would enjoy it at all. But I found that once I reached the second chapter that I couldn't put this book down! This novel is very timely considering the state of our economy right now, and I could realistically see how easily a story like this could happen to anyone. In a sense this book reminded me of The House of Sand and Fog by Andre Dubus III, in that circumstances were just spinning out of control because of one bad decision.Drug use usually does turn me off, but in this book it seemed so fitting and realistic to me. Who's to say that if the average American is in similar circumstances to Matt's, unemployed, in debt up to his eyeballs and a week from losing his house, that if the opportunity arose he or she wouldn't smoke a little marijuana? Nothing else seemed to work for Matt up to this point, so what did he have to lose? So when Matt meets a couple of guys late one evening at the 7-11, they welcome him back to a way of life that he left behind in his college days.Matt knows that his home life is falling to pieces. As he tries to take care of his father that is suffering from dementia, still send his children to a private school while being unemployed, and try to monitor his wife Lisa's online flirtatious behavior with her old boyfriend Chuck, he just doesn't know how much more he can deal with! After another late night outing at the 7-11 Matt thinks that he may have a temporary solution to his financial problems, but what looks like a quick fix to his dilemma may turn his problems into the worst nightmare he could possibly imagine.If you read the summary above, you can see that Matt's failed business had to do with crafting poetry from financial journalism. He obviously wanted to try to keep the poetry alive in his life, so snippets of verse were inserted in various parts of this novel. Some of the poems were very thoughtful, raw, and honest, while others were just downright hilarious! This book is such a good reminder that we really do need to appreciate the things that we do have. It will make you think that maybe what you have now is really all you need, so why do we always want more? By wanting and getting more we are actually setting ourselves up for failure if a crisis should occur, as it had for Matt. There are so many twists and turns for Matt as we follow him through his life during this time, but they are well worth it. When Matt compares life in general to the game "Jenga", meaning that it could all fall apart at any time, it made me stop and think how true that is for so many Americans right now. This book is well worth reading and may help you to re-assess your own lifestyle. I highly recommend it, but also I feel that I need to disclose that there is a fair amount of drug use and profanity that I know many readers do not appreciate.
  • Rating: 4 out of 5 stars
    4/5
    Matt Prior is a decent family guy whose life is unraveling as he approaches middle age. He has been laid off from his job as a business reporter at a floundering newspaper, his elderly father has moved in, his mortgage is about to be foreclosed, and his wife is having an online flirtation with her high-school boyfriend. And oh yes, his website business dedicated to merging investment advice and poetry is an epic failure. A late-night milk run to his neighborhood convenience store opens up a new business opportunity for Matt, and he is just desperate enough to ignore the possible consequences of dealing in an illegal commodity. Unfortunately, these consequences rain down on him in a flood of biblical proportions. Matt’s unfailing humor, his ability to create poetry out of the financial news, and his love for his family are just a few of the things that contribute to make this an hilarious and heart-warming portrait of a middle-class good guy who discovers that you can lose it all and still have everything you need.

Book preview

The Financial Lives of the Poets - Jess Walter

CHAPTER 1

Another 7/11

HERE THEY ARE AGAIN—the bent boys, baked

and buzzed boys, wasted, red-eyed, dry-mouth

high boys, coursing narrow bright aisles

hunting food as fried as they are, twitchy

hands wadding bills they spill

on the counter, so pleased and so

proud, as if they’re the very

inventors of stoned—

And behind the counter, the ever-patient Rahjiv makes half-lidded eye contact with me as he rings up another patchouli-foul giggler—Reese’s Pieces, Pic-6 Lotto, Red Bull and a cheddar-jack taquito—Rahjiv probably thinking: These kids, eh Matt—or maybe not, because Rahjiv doesn’t know my name and I don’t wear a nametag. I’m just the middle-aged guy who leaves my gunmetal sedan running when I come in after midnight. When I can’t sleep. And I’ve forgotten to get milk at a regular store. Milk for the kids’ cereal. In the morning. Before school.

The milk is like nine dollars a gallon.

For years, recent immigrants like Rahjiv have been a political Rorschach: see turban, think terrorist and you’re a Red ’Merican. Assume Indian neurosurgeon fluent in five languages, stuck serving morons at midnight for minimum wage, and you’re Blue, like me. Of course I have no more proof that Rahjiv was a doctor in Delhi than some Texas trucker does that he’s a bomber. Rahjiv may have jockeyed a 7/11 in India too for all we know—so impeccable is he with change, effortlessly plastic-bagging Hostess Sno Balls and Little Debbies, Power Bars and Mountain Dews—No wait…dude. Chocolate milk! And pork rinds—as yet another stoner reassesses the aisles—And ooh, ooh! Cool Ranch Doritos!

Whenever I come in here, I invariably think of my own boys, at home asleep in their beds, still a few years from such trouble (or do they already dream of midnight at the Slurpee machine?).

Two tattooed white kids in silk sweat suits step to the line behind me and I tense a little, double-pat my wallet. The fat one juggles a half-rack of malt-liquor forties while his partner rolls away to yell in his cell, Chulo! Don’ do shit ’til we get there, yo. The door closes behind the cell-phoned gangbanger and I’m finally at the front of this line with my milk—Hey Rahjiv—when something goes terribly wrong at the soda fountain and the clerk and I turn together, drawn by a hydroponic squeal from deep inside the cave of a blue hoody. A pierced, lank-haired skater, board strapped to his back, has spilled his 72-ounce Sprite and now believes it is…the funniest…fucking…thing…in the world, and Rahjiv nods wearily at me again, no doubt wishing he were back cutting craniums at Mumbai General. He casually swings my jug past the scanner.

Then he hands me my milk. For the boys. For their cereal. In the morning.

It’s like nine dollars a gallon.

I also think of my mother when I come in here. She was dying several years back and became obsessed with the terrorist attacks in New York. I hated that she should be so wracked with random anxieties as she wasted away, thumb jacking the morphine pump like it could save her life—it couldn’t—her fear of dying manifested as a fear of things she had no reason to fear anymore: random crime, global warming…and most of all, terrorists on airplanes. Matt? she asked right before she died, Do you think there will be another 7/11? I thought about correcting her, but I just said, No, Mom, there won’t be any more 7/11s.

Nice slippers, yo, says the cell-phone banger when I come outside with my milk. He’s twenty or so, in a sagging shark-colored tracksuit, black hair combed straight over his ears, elaborate tattoo rising out of his shirt at the base of his neck. And right out in the open, in front of this convenience store, he conveniently offers me a hit on a glass blunt, a little marijuana pipe shaped like a cigarette. I wave it off, but sort of wish I hadn’t—it’s been at least fifteen years, but I didn’t just spring from some relaxed-waisted suburbia with a Stoli martini in hand; I had my moments. In college they used to call me Weedeater because I devoured those Acapulco Gold joints, incense burning, black light on the walls, Pink Floyd thrumming down the dorm floor—

Oh, and they’re not technically slippers, but a casual loafer I got at the Nordstrom Rack with a gift certificate when I returned a cardigan that made me look like my grandfather. Of course I don’t tell the stoned kid that, I just smile and say, No thanks, but then I pause to get a closer look, instead of continuing on to my car. Maybe I’m just curious about this clever pipe or maybe it’s the smell of the weed or maybe it’s just this swiveling looseness I’m feeling, but I’m still in mid-pause when the fatter white gangster joins us, flat-brimmed ball cap worn sidesaddle, and now there are three of us standing in a little semicircle, as if waiting for a tee time.

Hey, says the one with the neck tattoo and the blunt, dude here can give us a ride to the party.

And I’m about to say I can’t give them a ride because I’ve got to get home (and they look mildly dangerous) when fat-in-the-hat says, Thanks, man, like he’s surprised I’d be so cool and suddenly I want to be that cool. And then the fat kid looks down at my hands, and laughs.

Damn, man. Why you buy your milk here? Shit’s like nine dollars a gallon.

The clouds are low, like a drop ceiling suffused with light from the city. They slide silently overhead. And two dope-smoking bangers in tracksuits climb into my car.

I read once that we can only fear what we’re already afraid of; that our deepest fears are the memory of some earlier, unbearable fear. If that’s true, then maybe it’s a good thing my mother never lived to see another 7/11.

This a nice ride.

Thanks.

Seats heated?

Mmm.

Feels funny. Like I pissed my pants.

You pro’ly did piss your pants, yo.

I’ll turn it down.

What kind-a-car is this?

Nissan. Maxima.

How much ’at set you back?

Oh. Not much.

But this isn’t true. With the winter floor mats, taxes and redundant two-year service contract, the car set me back $31,256. And because of several other recent setbacks—missed payments, ensuing penalties, house refi’s, debt consolidations, various family crises and my untimely job loss—after two years of payments I still somehow owe $31,000. On a car worth eighteen. This is my life now: set as far back as it will go.

My brother boosted a Maxima once, says the kid from the backseat. Or an Altima. I can’t keep ’em straight.

Car thieves. Nice.

The criminals’ names are Skeet and Jamie. Jamie? I ask the kid in front.

Yeah right, no shit, huh? says Skeet from the backseat. Dude’s got like a chick’s name, don’t he?

Eat me, Skeet, Jamie says, and he offers me the blunt again and I surprise myself by taking it this time; I just want the smallest taste of that sweet smoke, or maybe I want to make sure they haven’t done anything new to the pot….

Oh, but they have!

I suppress a cough. Nose runs. Eyes burn. Someone is composting leaves in my throat. Scraping my lungs with a shovel. Wow.

Good, huh? asks Jamie.

I hack: Not bad.

Shit’s designer. Like three hunnerd an ounce, Skeet says.

The next roll of coughs I can’t suppress. Really?

Definitely, Jamie explains, voice lilting with excitement. In this lab in British Columbia? This Nobel Prize dude? He Frankensteined that shit? It’s knock-off, but shit’s still pretty good. They can do whatever they want to it, you know? Make it do a thousand different things to your mind, yo.

And I think that must be true, because a couple of old dorm-floor hits later my brain springs a leak and my life seems to trickle out, as I tell Jamie and Skeet my whole story: how I left a good job as a business reporter two years ago to start an unlikely poetry-and-investment website, how we got buried in the housing collapse just as my senile father moved in, how I scrambled back to my old newspaper job, only to get laid off eight weeks ago. How I got fourteen weeks of severance from the paper, and have six weeks left to find a job, because fourteen minus eight is six. How last week it was seven, next week it will be five, but right now,

at this moment,

with Skeet in the backseat

and Jamie in front,

right now, as of this…very

moment—and I hold the smoke

in my chest as if I can make

this moment forever—Hooooo—

It’s six. Six weeks.

And that’s not even my most pressing deadline; I have all of seven days to liquidate my retirement and pay off a $30,000 balloon payment to the mortgage company, or risk losing our house. And it is this second deadline, I tell the boys, that has given my job search such throat-constricting immediacy, as I worry over thinning want ads, shakily fill out applications and hope my references still have the positions I’ve listed on my résumé, and how—this part has just occurred to me—I’ve gone and added another stress to a very shitty situation, because Even if I do somehow get a job interview now, they’ll probably make me take a—

—drug test! Skeet yells from the backseat, and he laughs and I laugh and he laughs and I stop laughing and he keeps laughing.

Don’t freak, Slippers, Jamie says, there’s a million ways to beat a piss test.

Pecans, says Skeet from the backseat.

Pecans? Jamie turns back.

"Didn’t I read about some kind-a pecan diet in O?"

How the fuck I know what you read? An’ what the fuck Oprah be writin’ about how to pass a drug test?

"Dude, Oprah don’t write O. She just own that shit."

"And what the fuck you be doin’ readin’ it?"

"My moms reads that shit, yo…. An’ I don’t know, maybe it was in People."

So what the fuck the pecans do?

The fuck I’m supposed to know what the pecans do! Clean up your piss or somefin’.

You crazy, motherfucker.

You crazy.

You crazy.

You crazy.

You so crazy you took the short bus to school.

"You know that shit was behavioral, yo."

And I must be high because this conversation makes sense.

Jamie waves Skeet off and faces forward again. Don’t listen to that shit, Slippers. Here’s all you gotta do for that piss test. Get some of them pills. You know, online?

Not you too, Jamie. Don’t fall for the online lie—that everything we need is available at the click of a keystroke: all that shimmering data, the dating habits of the famous, videos of fat people falling down, porn…investment poetry…job listings, foreclosure information, poverty advice…and what about the thing my wife has begun seeking online?

But before I get too deep into a new round of self-pity, Jamie offers a lilting anecdote: You could do what my cousin Marshall did? Fucker wore a catheter? Connected to a baggy? With some other dude’s piss in it? And now he screens luggage at the airport? And he’s up for a supervisor job with the NTSA? And a security clearance? I shit you not, Dude’s got someone who warns him about random tests, and he keeps that catheter full of someone else’s whiz right there in his locker? And when he hears about tests, dude loads that shit up.

In the rearview, I see Skeet drink directly from my milk carton.

Hey. That was like nine dollars a gallon.

Very good pot. Far better than the dusty brown ragweed we smoked in college. And I think of my mother again, and the trouble we had at Christmas break my freshman year when she was doing laundry and found a single joint amid the pennies and pocket lint of my 501’s—she hated the sound of change rattling in her dryer—and I tried to convince her it was a rolled up note from a friend and she asked if I thought she was stupid and I said No, even though I was eighteen so of course my mother was stupid, and my parents were still together then but she never told my father about the joint, and I feel awful about her being so decent when I was such a shit; I feel awful for everything I did and everything I didn’t do, and I miss her terribly, although it’s probably good she’s not here because I couldn’t bear for her to hear about Jamie’s cousin Marshall screening bags…pissing someone else’s piss as he watches for shoe bombs and keeps us safe from the dudes planning another 7/11.

No, it’s exceptional pot—

And the party…is not a party the way I remember parties but eight young guys, short and fat and tall and lean, black, brown, white, rejected Abercrombie models standing in a flower bed outside an apartment building across from a closed pizza place, smoking and laughing and drinking malt-liquor forties, talking in likes and shits and dudes, and I fit in fine, although I can’t remember when I gave Skeet my slippers—but he’s wearing them, dude drinking from my milk jug—and I’m in my socks, sucking that blunt like a scuba diver on an air hose as I track conversations that mean nothing to me: music I’ve never heard, and skank-ass trippy chicks I don’t know, someone’s bus’-up ride—and I gather from these conversations that my new friends are between nineteen and twenty-two, have a few community college credits, some minimum-wagey part-timey jobs, a possession charge or five, and I think about the semicircle that I used to make with the old neck-tied newspaper hacks in the newsroom around the 5 p.m. TV news, arms crossed, talking in our own code about our wives and our cars, about flacks and blogs and the Dow, and I think maybe the world is made up of little circles like this one and that one, that maybe there’s no fundamental difference between the circles except the codes for the shared bits of data, that somewhere a pack of plotting terrorists is standing in their own little circle, bouncing on cold feet and ululating not about the great American devil but about Ahmed’s skank-ass trippy girlfriend and Mahmoud’s bus’ ride, and that’s when I picture my boys again, one day standing in their own circle, generational losers smoking ever-improving weed and talking about their loser dad who went in the tank after getting run in the Great Recession or whatever they’ll call it in the history books, or the history MP3 files and Christ, I’m only forty-six…I don’t want to entertain such grandpa-thought, but I feel so old, so unemployed, outdated, dead technology, impotent scrap-heap, unraveling, unraveling, unrav—

Wait, one of the felons interrupts my time-dilated self-pity; it’s tattoo-necked Jamie, the reliable one, quiet leader, and he leans in close: "Dude! Aren’t you…like. Starving?"

And the thing is, bouncing on soaked socked feet outside this apartment building, blowing on cold hands that seem to belong to someone else, thinking of my sons at home in bed and the many ways I can still let them down, it’s true—

Yes! I am so! Starving!

But maybe we’re all starving

hungry for the warm lights

and tight aisles of nacho-corn-

sour-cream-onion-and-chive-

barbecue-goodness—and again

I drive my boys, Skeet and Jamie

—And I’m hypnotized by the set of cat-eyed taillights I’m ordered to follow as we arrive—because where else can you find the hungry, a community of the hungry—you tail the dude in the tricked-out Festiva—damn he drive well—and that smell? Dude! says Jamie, and Skeet laughs proudly and Jamie says, Lay off the milk, Skeet! and I crack with laughter as Jamie explains, Dude’s lactose-infuckin’tolerant yo—to the flat green and orange stripes—the sheer hot white light goodness of…

…another 7/11. And here I am, just like my mother feared, stoned off my nut, unemployed, a week from losing my house and maybe my wife and kids, and I file in with my new friends, as per—(1) banger in sweats (2) dude in baggie jeans (3) kid in hoodie (4) another banger in sweats (and my slippers) and finally (5) middle-aged unemployed man in Chinos, pea coat, golf shirt and wet socks—and yes, Mom, in a perfect world, we could find an open grocery, but there are simply going to be times when you must go out in the world, into the dark uneasy dangerous places and so I go….

Straight to the freezer case and a siren of a meat-and-bean burrito which I tear into, unwrap and microwave—bouncing in squishy socks, watching that thing turn under the light like baby Jesus in an incubator—and that’s when Skeet freaks, he completely freaks! loses it! Turn it off, man! That shit’s poison, man! They’re nukin’ us with that shit, turning us into radiated zombies! Jamie trying to calm the poor kid through gritted teeth, Chill, man, but Skeet won’t chill, he just screams and points at the humming microwave oven as the clerk, this store’s Rahjiv yells: Get that trippin’ guy outta here before I call the cops! And everyone’s yelling, Chill, man, chill! and What else he on? and He always be trippin, yo! and Don’t call the cops, dude’s on probation!

And that’s when I remember: I am an adult and I can do…something…I can fix this, protect my boys, make the world okay, and so I grab Skeet by his round shoulders and feel his racing heart, catch his sketchy eyes and say—

Skeet. Look at me. It’s not nuclear radiation. It’s just waves. Like sound waves, my voice getting softer, slower: Tiny…waves. A deep breath. Like good vibrations, right? That’s why they call them micro…waves. See? And he’s still breathing heavily when I nod and the microwave beeps, and Skeet looks over, still panting. And it’s quiet in the store.

After a second, Skeet nods back. Smiles. It’s gonna be. Okay.

And I pat Skeet’s shoulder, grab my steaming burrito and get in line to pay—take my place with the starving and the sorry, the paranoid, yawning with fear, the hungry lonely lost children let down by their unemployed fathers, men zapped by history’s microwave, a generation of hapless, luckless, feckless fathers with no idea how to fix anything, no clue what to do except go home to face the incubated babies staring at their dry bowls of Crispix and confess—

—Sorry. But Skeet drank all the milk…right before he freaked—

Oh, I am such a shit father, shit husband, shit son, shit human being…and I’ve lost my shit job, am losing my shit house, am at the bottom of my shit-self when I glance over at the endless wet roll of the Slurpee machine and it’s instantly hypnotic—

Banana-blackraspberry-cherryCoke-piñacolada! So peaceful. Around and around it swirls and I could watch the wet blend of flavors forever—when Jamie sidles up and whispers, I’m gonna mix ’em all, man, like a soldier volunteering for a suicide mission.

Go with God, I whisper, and Jamie does, straight to a piñacolada icy blur, and then down the line, cherry Coke, black raspberry, and he smiles back, and I’m insanely proud as I step forward to pay for my burrito, eyes falling on the clerk’s wristwatch when…

for just a second…I can’t tell…if I’ve forgotten…what the numbers mean, or maybe…I’m just imagining…what it would be like…to forget what they mean…

I spend days staring at this guy’s watch before the second hand finally moves—and the position of the hands against the little numbers correlates to a memory of how this particular mechanism works (a memory from kindergarten: Miss Bean in go-go boots standing above me moving the hands of a sun-faced clock)—and I connect the relation of these symbols to a system of tracking the movement of the earth around the sun as across a forest of synapses there sparks a pattern of theoretical constructs (time, space, go-go boots) flaring into an evolutionary fire that represents a near miracle of abstract comprehension, an Einsteinian leap of cognition: It is four-thirty in the morning. That means I can still make it home to watch my boys’ last hour of sleep.

And in my mind, the Nissan Maxima of my responsibilities follows the Ford Festiva of my unraveling into this convenience store of realization:

Hey!

This is where they sell more milk!

But that shit’s like nine dollars a gallon.

Outside the store, Skeet and Jamie go off with the dude in the Festiva and I wave goodbye with my new white jug and I am in love with the predawn cool black, in love with my boys, in love with two percent.

The drive home is glorious—streetlight rollers like tide at dawn.

I blow laughter through my nose. Key in quietly. Like I’m sixteen again. My old senile father is asleep on the hide-a-bed in the living room, TV still on ESPN. This is what we were watching together when I left to get milk…almost four hours ago. Dad doesn’t stir. I try to take the remote control from him but he’s holding it against his cheek like a security blanket, so I turn off the set manually, old school. Every day now they show the top ten sports plays of the day—and I think: what if life was like this, and at bedtime we got to see our own daily highlights (No. 4: Skeet freaks over the microwave).

Lug my jug to the kitchen, milk in the door of the fridge—the food inside is also glorious: cheese stick, martini olives—chomp, chomp—I eat shark-like, without conscience, hover upstairs to find Lisa in bed, tousled short hair clinging to the pillow. My wife, she is cute—everyone says so, but lately that word has carried a kind of accusing overtone, as if there might be something unsettling about a grown woman who retains her cuteness well into her forties; and maybe that’s our problem, maybe Lisa is too cute, curled up in her cute little ball, cute back to the profoundly un-cute space where I’m not sleeping. Her cute cell phone on her nightstand, where she no doubt set it after TM-ing her old flame…and I toy with waking her, begging for a little marital goodness—smack, smack—maybe we can fix this thing the way we fixed problems when we were twenty-seven, but we’re in a smack-smack dry spell, and according to an online chat of hers that I reconned earlier, she’s not a big Matt fan these days. Anyway, this might not be the best time to win my cute wife back, given my B.C. bud-and-burrito breath, and the fact that I haven’t told her that we could lose the house as early as next week. (I imagine breaking it to her as we fire a couple off—Yes, yes, yes! Uh-uh! That-feels-so-good-we’re-about-to-be-evicted!)

So I step back into the hall; the boys’ rooms are across from one another, and I stand between them, fists on my hips. Sentry. Superhero. All I want is to keep them safe, healthy, fed. But with no job? No prospects? No money? No house? What did the man say—There is always hope, but not for us. Mouth dry. Head weighs eighty pounds.

I look around at my house—for a while anyway—before it begins its journey back to Providential Equity, or whatever company buys the company that bought the company that bought the bundle of red bills in which ours is bundled. Or is that more melodrama, mere self-pity? (They don’t just take your house. They want you to pay. You’re just the sort of homeowner they want. They’ll do whatever they can to keep you here.) No, all I have to do is liquidate, get some money together, show good faith, get someone from the mortgage lender on the phone and convince them we need a little more time…that’s all…a month…what’s one month…a single month for a journalist in his mid-forties…to find a job…during a recession…with newspapers failing faster than investment banks.

I slump against the wall, played out. Who am I kidding? I can’t save anyone. Maybe Skeet’s right. Maybe they are irradiating us; maybe we’re dead already. Mom knew it, that there would always be another 7/11. And suddenly I understand her fear of terrorism wasn’t fear for herself. She wasn’t flying on any more airplanes. She was afraid for me, afraid for her kids and her grandkids, for all the hungry, lost boys. Afraid for the world she knew she was leaving. As she lay there dying, she must have realized there was nothing she could do anymore to protect the people she loved. Just as there’s nothing I can do for my boys anymore, my boys who will one day freak out alone in the tight warm aisles of a world beyond their understanding. I may as well be dead for all the help I can be to them. (My boys stir, agreeing that it’s their scary world now, their hard, hard world: go on, old man; rest now; sleep.) And in my fraying head there plays a news medley of war and instability, financial collapse and bad schools; forbearance, foreclosure, eviction; cynicism, climate crisis, 7/11—and the melody switches to my personal theme song (Concerto of Failure and Regret in E minor) as the life bleeds out from my feet and puddles in the hallway….

And this is when the unlikeliest peace comes, and I smile. Because as fucked as the world is, as grim as the future surely seems to be, as grim as it revealed itself to be for my mother as she lay dying of the tumor that kills us all, there is a truth I cannot deny, a thing no creditor can take; even as my doomed boys stir in the cold unknowing of predawn sleep, even as the very life leaches out of me, soaks into the berber, into the cracks of my arid grave, I must grudgingly admit—

—that was one great goddamn

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