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Treasure Island
Treasure Island
Treasure Island
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Treasure Island

Rating: 4 out of 5 stars

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Robert Louis Stevenson’s classic tale of pirates, treasure, and daring deeds on the high seas

Jim Hawkins, son of an English innkeeper, finds a map promising buried treasure and feels the call of adventure. Enticed by the promise of untold wealth, Jim goes to sea as a cabin boy. The Hispaniola and its crew, under the leadership of Long John Silver, sail the Spanish Main seeking hidden riches. But the voyage is far from tranquil, and before the ship drops anchor, a mutiny plot is discovered.

Robert Louis Stevenson’s timeless yarn takes readers on a perilous journey to an island far from home. This world, populated by peg-legged pirates, swashbuckling sailors, and pet parrots is as thrilling now as it was over a century ago.

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LanguageEnglish
Release dateJan 27, 2015
ISBN9781497684263
Author

Robert Louis Stevenson

Robert Louis Stevenson (1850-1894) was a Scottish novelist, poet, and essayist. His most popular works include Treasure Island, A Child’s Garden of Verses, The Strange Case of Dr. Jekyll and Mr. Hyde, and Kidnapped.

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Rating: 3.958677685950413 out of 5 stars
4/5

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  • Rating: 1 out of 5 stars
    1/5
    I listened to the audio and read the book. It never got any better. My eyes went over the words but I do not know what really happens in the book. I used wikipedia to try and separate the characters but there were just too many. The only thing I really remember is about the apple barrell.
    But I gave it all I had.
  • Rating: 5 out of 5 stars
    5/5
    It's Adventure, with capital A.If you didn't read it, you didn't have a happy childhood.
  • Rating: 4 out of 5 stars
    4/5
    Very enjoyable as an audiobook. The reader does a fantastic job with the voices and the emotion.
  • Rating: 4 out of 5 stars
    4/5
    YAAARR. This be a tale of scallywags and high seas. Adventure be at it's finest, and the rum flows like water me lads.
  • Rating: 4 out of 5 stars
    4/5
    Everyone knows the basic premise of Journey to the Centre of the Earth - but like so many novels that have made their way into the public consciousness (Frankenstein, anyone?) it's still well worth reading the original, because they're never quite what you think! Like a game of Chinese Whispers, things get so distorted and simplified along the way that nothing beats going back to the source...As most of you will already know, the novel pretty much does what it says on the tin; it begins with Professor Lidenbrock, a geologist, scientist and all-round intellectual (the book calls him a savant)*, finding an ancient piece of parchment, inscribed in code, left in a book by the Icelandic explorer Arne Saknussemm. When he finally deciphers the code, he is astonished to find that the parchment contains the precise location of the starting point of a journey to the centre of the earth. His interest piqued, the eccentric professor immediately sets out for Iceland, dragging his long-suffering nephew with him. There he hires a guide, ascends Mount Sneffels, and determinedly follows Saknessumm's footsteps down into the bowels of the earth...I made that sound like the start of the story, right? Indeed, the blurb of my Penguin Popular Classics edition states that "Their journey... begins on the summit of a volcano..." Well, yes, but what it DOESN'T mention is that 100 pages into the 250-page book, they are only just reaching the crater that marks the real start of their adventure. This is not a novel that plunges you head-first into action and excitement; it takes a LONG time to get going, and nearly half the book is taken up by the description of the trip to - and across - Iceland. I couldn't help but think that if this was a modern novel, it would probably have been returned to the author with 'PACING!!!' scrawled across it in red ink...Fortunately the pace soon picks up once the descent begins, and from that point onwards, the novel becomes a rip-roaring tale, crammed with drama and peril, excitement and discovery, all narrated by young Axel and sprinkled with scientific intrigue. It must be said that Verne doesn't always wear his science lightly - at times his novel reads more like a scientific-minded vintage travelogue - but then another dramatic event will occur, or another wonder will be uncovered, and the reader is captivated all over again. Not that the scientific elements are dull, particularly - in fact, Axel can become quite poetic about his pet subject, and some of the historical details are fascinating - but there is a liberal sprinkling of Latin names and geological jargon that requires a little care and concentration to grasp.I think it was probably the three main characters themselves that made the novel for me (that, and the incredible prehistoric cavern with its glowing light and subterranean sea). While Axel is probably the weakest of the characters - he reminded me rather unfortunately of Fanny Price, constantly keeling over or going into a blind panic even as his middle-aged uncle strode calmly on - he has a gently wry sense of humour and describes his companions very astutely. He paints a wonderful picture of his uncle as the archetypal eccentric genius: determined, short-tempered, single-minded and completely ignorant of his own flaws. Their hulking guide Hans, in contrast, is always calm, extremely skilled and capable, strong and unshakeable; he is their rock and their saviour on many occasions, like some kind of Nordic Superman. It made me smile when Axel described his eyes as 'dreamy blue' - the hero-worship, the sheer awe with which he reveres him definitely borders on a man-crush at times!Would I recommend reading this book? Well, yes, of course - it is a classic adventure story, and as I said before, it has worked its way into the public consciousness to such an extent that it really deserves to be enjoyed in its own right. It is not a fast-paced thriller, but it is one of the most famous fictional journeys in literature; it occasionally wears its scientific background heavily, but read in the right spirit is crammed with interesting nuggets of information; its narrating character is not the most witty or memorable of men, but he describes his surroundings beautifully. I'm not sure yet whether it's going to be a keeper for me, but I AM glad to have honoured my childhood love for Verne's imagination and read the original at last!
  • Rating: 3 out of 5 stars
    3/5
    "Et quacumque viam dederit fortuna sequamur""And whatever route fortune gives, we shall follow"This IS your great-great-great-grandfather's adventure story, so reader beware. There's a lot of walking, a lot of exposition, and quite frankly, not a lot of action. But keep in mind...this is an original. Our modern day sensibilities expect high action out of our adventure stories…monsters, critters, thrill-a-minute. But in a much different time when society was in a much different state, "Journey to the Center of the Earth" set the table for the adventure/scifi stories of the future. The story revolves around German Professor and "Savant" Otto Lidenbrock, though is narrated by his nephew, Axel. The two come across a manuscript that references an Icelandic explorer's expedition to the center of the earth. Upon deciphering the document, Lidenbrock exclaims: "Let no one take it into his head before us to try and discover the center of the earth." And off they go.While much of the middle third of the book reads like a travelogue of northern Europe and anthropological tour of Iceland, the driving force of the story is the eccentric genius of Professor Lidenbrock. The professor is characterized by a certain "madness", as described by Axel. This obsessiveness is a driving characteristic that one can see across the literary spectrum of those who break new ground. In fact, one can see it across the spectrum of real life explorers as well. For without a little "crazy", who might have the strength and fortitude to forge ahead almost heedless of circumstances. Without the single-minded obsession and force of will, how would humans be driven to the hearts of darkness that lie at the root of all discovery?Like modern science fiction, Verne delves into the 19th century equivalent of cutting edge science with much speculation on portable artificial light, and various natural sciences related to deep earth biology and geology. Whereas Michael Crichton turned the real science of the possibilities of cloning extinct dinosaurs, Verne speculates on evolution, and deep earth temperatures.I couldn't help but compare the early chapters of Jules Verne's "Journey to the Center of the Earth" to H.G. Wells' "The Time Machine" or Sir Arthur Conan Doyle's "The Lost World". They share a certain vibe in their respective late 19th/early 20th century writing style and tone. They're reminiscent, but different…"Journey" has much more of a sense of humor, and is particularly light-hearted during the early stage-setting scenes in Germany.I liked it. I didn't love it, but I'm glad I read it.
  • Rating: 4 out of 5 stars
    4/5
    “Science fiction is a genre of fiction with imaginative but more or less plausible content such as settings in the future, futuristic science and technology, space travel, parallel universes, aliens, and paranormal abilities. Exploring the consequences of scientific innovations is one purpose of science fiction, making it a "literature of ideas" Science fiction has been used by authors and film/television program makers as a device to discuss philosophical ideas such as identity, desire, morality and social structure etc.”This definition of Science fiction copied from Wiki does not really apply to Jules Verne’s [A Journey to the Centre of the Earth]: the action does not take place in the future, there are no aliens, space travel, or paranormal abilities. The book does not attempt to explore the consequences of scientific innovation and there is little evidence of a “literature of ideas” however the book feels like science fiction, because there is a healthy dollop of geology and physics from the mid 19th century that is stretched to breaking point and beyond by Verne’s imagination and there could also be a case made for a sort of parallel universe in that our three heroes discover another world below the earth’s crust.Abe books’s list of the 50 essential science fiction novels starts with Jules Verne’s classic story: claiming that it pretty much started the whole thing. I think of it more as an adventure story, which uses a scientific background to add some credibility to the fantastic story line, but it is an adventure story first and foremost..Verne presents us with three very different characters. They are the irascible, brilliant but driven scientist Professor Liedenbrock, Axel, his nephew; enthusiastic, intelligent, frightened and accident prone and Hans, the taciturn Icelander; servant to Liendenbrock who quietly gets on and does everything to ensure the survival of his two companions. They embark on an old fashioned treasure hunt, but without any treasure just Liedenbrock’s desire to travel to the centre of the earth. The story is told from Axel’s point of view and his early portrait of Liedenbrock is both amusing and witty. Axel is a student of geology and his keen interest in the landscape as they travel to an extinct volcano in Iceland gives Verne license to write some excellent prose on both the Icelandic people and their environment and although the adventure proper does not start until the party reach the volcano there are no dull patches in the early part of the book. Once they descend into the crater; Verne ramps up the excitement and there are some extraordinary events to describe; Axel’s sense of doom when he becomes separated from the party, the violent electrical storm on the inland sea and of course the amazing volcanic eruption near the end of the story.A story that was familiar to me from having read it a long time ago and from the film versions that I had seen did not disappoint when I re-read the novel today. I felt thoroughly entertained. An adventure story that has stood the test of time, but it’s not really science fictionThe version I read was the one published in 1877, which is free in the public domain and the translation by the reverend Frederick Amadeus Malleson reads well enough not to need a more modern translation. Not great literature, but a well told fantasy story that I would rate at 3.5 stars
  • Rating: 5 out of 5 stars
    5/5
    Unabridged version, so original manuscript and totally exciting to read... I enjoyed reading this novel. I think young reader must read this great book.
  • Rating: 5 out of 5 stars
    5/5
    Jules Verne is often called the first science fiction author, and though this book is more fantasy than reality, its main character definitely establishes what now seems to be the stereotypical boisterous, overzealous, obsessive-but-lovable scientist character in Otto Lidenbrock; I couldn't help but imagine Christopher Lloyd's Doc Brown whenever he was described. The plot manages to take off right away, but just when you think Lidenbrock is figuring everything out too easily, he struggles, a nice dose of reality. Verne mixes serious science with adventure, and though he definitely errs on the side of the latter (the end was just a touch too unbelievable for my taste), the novel is a classic response to the times in which it was written. The characters repeatedly have to question whether the theories and science they believe in are right based on the evidence they encounter, a metaphor that fittingly describes the challenge Darwin posed to society with the publication of his "On the Origin of Species" five years before this book was released. My biggest disappointment was that the females are relegated to stay-at-home-and-wait roles in the story; the main female character actually seemed like a strong and capable person, but didn't get to join the adventure. Otherwise, this was a fun read that would be perfect for capturing the interest of readers from the middle grades and up.
  • Rating: 4 out of 5 stars
    4/5
    Das Buch war deutlich besser als erwartet. Da ich kein großer Fan von Science Fiction bin, hatte ich nicht viel erwartet, es war einfach ein Experiment, den alten Klassiker einmal zu lesen. Faszinierend war für mich dann auch eher die Reise in die Vergangenheit, die das Buch mir ermöglichte, als die zum Mittelpunkt der Erde. Die alte Sprache meiner Übersetzung, die Beschreibung der Reise nach Island und vor allem die wissenschaftlichen Vorstellungen dieser Zeit. Äußerst faszinierend, gepaart mit einer spannenden Geschichte, die das Lesen leicht macht. Die von mir gelesene Ebook-Ausgabe von NTS Editions hatte des öfteren komplett falsche Wörter im Text, wo die OCR-Software offenbar s und f nicht unterscheiden konnte. Einmal erkannt machte das aber nicht mehr viel aus. Insgesamt eine klare Empfehlung, allerdings mehr an den historisch Interessierten als an Science-Fiction-Fans.
  • Rating: 4 out of 5 stars
    4/5
    A great classic!
  • Rating: 4 out of 5 stars
    4/5
    Professor Otto Lidenbrock, his nephew Axel, and their guide Hans, descend into Iceland's Snæfellsjökull volcano in an attempt to reach the center of the earth. This classic adventure tales is obviously aged, but doesn't feel dated at all; it feels as if someone contemporary wrote an adventure story in an old style - the storyline is exciting enough and has a "new" feel to it. Great story, recommended for all.
  • Rating: 3 out of 5 stars
    3/5
    Oh, I really liked Leagues... I'll have to read this one! I have a Verne collection here at home... time to dive in!
  • Rating: 5 out of 5 stars
    5/5
    I loved the adventure and suspense!!!!!!!!!!!
  • Rating: 2 out of 5 stars
    2/5
    I should first say that the 2 stars I have given this book is based on my own personal feeling when reading the book. This novel is certainly a classic - there's no denying that. But naturally it has shown its age over the many years since it was first written, and in a way I think it is unfair to judge the book through strictly modern eyes. Many modern readers, particularly children and young adults, will find it dull and didactic in the extreme; and perhaps its use now lies in the fact that it gives a unique snapshot of the birth of science fiction and the conceptions man had of the future at that point in time.
  • Rating: 3 out of 5 stars
    3/5
    I read a much abridged version of this as a kid but never the whole thing, and I'm glad to have finally read it. It was kind of historically fascinating, and I found Axel a really interesting and unexpected narrator. I think I was expecting something different from the tone, so that was really compelling for me.
  • Rating: 3 out of 5 stars
    3/5
    Interesting, and a classic of sci-fi, this is my favorite of Verne's books. That being said, it is fairly disjointed and anticlimactic. The title is accurate in that the story focuses on the journey itself, rather than the experience in the center of the Earth.
  • Rating: 4 out of 5 stars
    4/5
    It's...interesting. I hadn't realized how much the story was a treatise on evolution (as understood at the time). Now I need to read more Verne to see if he's done the same (presumably in other fields) in his other books. It's a little hard to read - the viewpoint character is ridiculously variable - wild mood-swings from "We're all going to fail and die! Now!" to "Let's go! We are great adventurers!". Got a bit hard to take. Verne did some neat elision to get past the most unbelievable part - finding the interior cavern; since the VP character (I really can't call him the hero) is unconscious after tremendous strain, that whole event never gets told. And like that. I spent much more time noticing the writing and the agenda of the author than I did enjoying the story. That may be a mood thing, but right now I feel like there's not a lot of story (and _very_ little characterization - lots of cardboard 'traits', though) to this book.
  • Rating: 5 out of 5 stars
    5/5
    I don't really do formal reviews of classics. I'll say that I greatly enjoyed this story. Following the characters down into the Earth wasn't just an adventure but a lesson in the science of the time (though not completely accurate by today's views of the world). I like a good adventure, some learning, and an all-round good story. I'm fast becoming a fan of Jules Verne's work.
  • Rating: 4 out of 5 stars
    4/5
    I thought I should read Jules Verne, H.G. Wells and books like that before I start in on steampunk. Jules Verne puts the science in science fiction. I personally love that he writes about geology or biology in his bizarre narratives. Just to learn a bit! This one does have a bit of a slow start to get to the mountain to go underground... it's around page 80. But then the story picks up speed and it keeps one-uping itself with what is found under that Icelandic volcano. I loved the story more than I thought I would of Professor Otto Lidenbrock, his nephew Axel, and the trusty Icelandic assistant Hans, always getting them out of a bind. The book is far less boring than I thought it would be. (And also, I want to avoid any movies made from these books, since I can't imagine they're better.) But try not to find it interesting when a character is lost 75 miles under the earth and then his torch goes out... and I don't want to mention anything else they find to ruin the book. I love most 19th century stories and this is no exception but it seemed like I was reading this one in five page chunks. I'm looking forward to others from Verne though! And I can't wait to get into steampunk!
  • Rating: 5 out of 5 stars
    5/5
    Very impressed. Had I read this book and not known when it was written I could imagine that it had been written in the past 60 years. Easy story to read and completely enjoyable. I was hooked at an early stage of the book.
  • Rating: 3 out of 5 stars
    3/5
    Through most of the novel, I was intrigued by Verne's descriptions and scientific explanations of the time period. Overall, it was an interesting story, but I was underwhelmed by the resolution and after finishing it, the whole thing seemed pretty anticlimactic. I think one has to go into reading a Verne novel with the expectations of fascinating and outdated science instead of focusing too much on the plot to really enjoy it.
  • Rating: 3 out of 5 stars
    3/5
    It was ok...a little disappointing, really. Seemed to end very abruptly and I can't find it in me to like or even sympathize with Axel...
  • Rating: 3 out of 5 stars
    3/5
    1863 German professor Otto Lidenbrock uncovers ancient icelandic writings that suggest a passage to the center of the earth. professor takes his nephew and danish guide Hans on a trip to a world only one other person has seen. The story is inventive but boring in sections weighted down with science. I would have loved to seen more of the world he encounter as it ended a bit abruptly. I read it because it is a classic and i'm sure utterly suspenseful for it's time.
  • Rating: 3 out of 5 stars
    3/5
    Not quite what I was expecting – I’m more familiar with the souped up Disney version, though I can’t say I was surprised to find out there’s no singing, no ducks and no chix in the original. It’s all right – I’ve never read Verne before, and he keeps the story moving, even though the science gets a little tedious. Also, it’s a little hard to believe you could actually walk all that way. And the ending requires some serious disbelief suspension. Still, I can see why it’s still in print.
  • Rating: 4 out of 5 stars
    4/5
    Enjoyable, if a little too longVerne was famous as a populariser of science, and it's easy to see why. The intellectual content is well-judged, softened by entertainment – it’s the journey narrative that can be a little plodding, as can his exposition, with too much spare description and repetition. Verne is good at dialogue and characters though, with a timely injection of humour now and then.
  • Rating: 3 out of 5 stars
    3/5
    I guess I've been spoiled by modern fast-paced writing. While I did enjoy this book, and it had some great parts, I found a lot of it to be time-killing "filler" type material. Was it really necessary to take 90 pages to actually descend into the earth? Not in my humble opinion.The afterword by Nimoy was interesting, though.
  • Rating: 3 out of 5 stars
    3/5
    Good bedtime reading for the 7 year old daughter and me. And it takes me waaaaay back: I loved Verne when I was 8 and 9 and 10. The plot of this book is preposterous, but so what?
  • Rating: 5 out of 5 stars
    5/5
    I loved this book! I seriously cannot believe that I avoided Verne for decades because I found Wells somewhat plodding. Of course, I've seen the movies made of both authors' works, but it was the most recent (2008) version which piqued my interest. By following the story by telling a narrative which encompassed it, I was having so much fun that I decided to read--and what a trip! It's on my favorites list now.
  • Rating: 3 out of 5 stars
    3/5
    I was a young adolescent when I first started reading this book. However, I placed the book on top of the family's station wagon when we stopped at a convenience store only to lose it when we I forget it as I hopped back in the car. Fifty years later, I finally finished it. When Professor Lidenbrock deciphers a runic note authored by Icelandic alchemist Arne Saknussemm, he discovers that the alchemist discovered and traveled a passage in Iceland to the center of the Earth. With the assistance of a Icelandic guide, the taciturn Hans, Professor Lidenbrock and his nephew Axel, and the novel's narrator, follow their predecessor in his descent into an extinct volcano to the center of the Earth.If you have seen either the 1959 movie with James Mason and Pat Boone or the 2008 film with Brendan Fraser, you will not significant differences, especially with the latter which is more a sequel to the book. In the book there are no competitors seeking to first reach the center of the Earth, no dinosaur fights on the beach, or abandoned temples at the center of the Earth. However, the book is a good read nevertheless.

Book preview

Treasure Island - Robert Louis Stevenson

TO THE HESITATING PURCHASER

If sailor tales to sailor tunes,

Storm and adventure, heat and cold,

If schooners, islands, and maroons,

And buccaneers, and buried gold,

And all the old romance, retold

Exactly in the ancient way,

Can please, as me they pleased of old,

The wiser youngsters of today:

—So be it, and fall on! If not,

If studious youth no longer crave,

His ancient appetites forgot,

Kingston, or Ballantyne the brave,

Or Cooper of the wood and wave:

So be it, also! And may I

And all my pirates share the grave

Where these and their creations lie!

PART ONE—The Old Buccaneer

1

The Old Sea-dog at the Admiral Benbow

SQUIRE TRELAWNEY, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17__ and go back to the time when my father kept the Admiral Benbow inn and the brown old seaman with the sabre cut first took up his lodging under our roof.

I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow—a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cover and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:

"Fifteen men on the dead man’s chest—

Yo-ho-ho, and a bottle of rum!"

in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste and still looking about him at the cliffs and up at our signboard.

This is a handy cove, says he at length; and a pleasant sittyated grog-shop. Much company, mate?

My father told him no, very little company, the more was the pity.

Well, then, said he, this is the berth for me. Here you, matey, he cried to the man who trundled the barrow; bring up alongside and help up my chest. I’ll stay here a bit, he continued. I’m a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you’re at—there; and he threw down three or four gold pieces on the threshold. You can tell me when I’ve worked through that, says he, looking as fierce as a commander.

And indeed bad as his clothes were and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast, but seemed like a mate or skipper accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the Royal George, that he had inquired what inns there were along the coast, and hearing ours well spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.

He was a very silent man by custom. All day he hung round the cove or upon the cliffs with a brass telescope; all evening he sat in a corner of the parlour next the fire and drank rum and water very strong. Mostly he would not speak when spoken to, only look up sudden and fierce and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day when he came back from his stroll he would ask if any seafaring men had gone by along the road. At first we thought it was the want of company of his own kind that made him ask this question, but at last we began to see he was desirous to avoid them. When a seaman did put up at the Admiral Benbow (as now and then some did, making by the coast road for Bristol) he would look in at him through the curtained door before he entered the parlour; and he was always sure to be as silent as a mouse when any such was present. For me, at least, there was no secret about the matter, for I was, in a way, a sharer in his alarms. He had taken me aside one day and promised me a silver fourpenny on the first of every month if I would only keep my weather-eye open for a seafaring man with one leg and let him know the moment he appeared. Often enough when the first of the month came round and I applied to him for my wage, he would only blow through his nose at me and stare me down, but before the week was out he was sure to think better of it, bring me my four-penny piece, and repeat his orders to look out for the seafaring man with one leg.

How that personage haunted my dreams, I need scarcely tell you. On stormy nights, when the wind shook the four corners of the house and the surf roared along the cove and up the cliffs, I would see him in a thousand forms, and with a thousand diabolical expressions. Now the leg would be cut off at the knee, now at the hip; now he was a monstrous kind of a creature who had never had but the one leg, and that in the middle of his body. To see him leap and run and pursue me over hedge and ditch was the worst of nightmares. And altogether I paid pretty dear for my monthly fourpenny piece, in the shape of these abominable fancies.

But though I was so terrified by the idea of the seafaring man with one leg, I was far less afraid of the captain himself than anybody else who knew him. There were nights when he took a deal more rum and water than his head would carry; and then he would sometimes sit and sing his wicked, old, wild sea-songs, minding nobody; but sometimes he would call for glasses round and force all the trembling company to listen to his stories or bear a chorus to his singing. Often I have heard the house shaking with Yo-ho-ho, and a bottle of rum, all the neighbours joining in for dear life, with the fear of death upon them, and each singing louder than the other to avoid remark. For in these fits he was the most overriding companion ever known; he would slap his hand on the table for silence all round; he would fly up in a passion of anger at a question, or sometimes because none was put, and so he judged the company was not following his story. Nor would he allow anyone to leave the inn till he had drunk himself sleepy and reeled off to bed.

His stories were what frightened people worst of all. Dreadful stories they were—about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea, and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannized over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life, and there was even a party of the younger men who pretended to admire him, calling him a true sea-dog and a real old salt and such like names, and saying there was the sort of man that made England terrible at sea.

In one way, indeed, he bade fair to ruin us, for he kept on staying week after week, and at last month after month, so that all the money had been long exhausted, and still my father never plucked up the heart to insist on having more. If ever he mentioned it, the captain blew through his nose so loudly that you might say he roared, and stared my poor father out of the room. I have seen him wringing his hands after such a rebuff, and I am sure the annoyance and the terror he lived in must have greatly hastened his early and unhappy death.

All the time he lived with us the captain made no change whatever in his dress but to buy some stockings from a hawker. One of the cocks of his hat having fallen down, he let it hang from that day forth, though it was a great annoyance when it blew. I remember the appearance of his coat, which he patched himself upstairs in his room, and which, before the end, was nothing but patches. He never wrote or received a letter, and he never spoke with any but the neighbours, and with these, for the most part, only when drunk on rum. The great sea-chest none of us had ever seen open.

He was only once crossed, and that was towards the end, when my poor father was far gone in a decline that took him off. Dr. Livesey came late one afternoon to see the patient, took a bit of dinner from my mother, and went into the parlour to smoke a pipe until his horse should come down from the hamlet, for we had no stabling at the old Benbow. I followed him in, and I remember observing the contrast the neat, bright doctor, with his powder as white as snow and his bright, black eyes and pleasant manners, made with the coltish country folk, and above all, with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting, far gone in rum, with his arms on the table. Suddenly he—the captain, that is—began to pipe up his eternal song:

"Fifteen men on the dead man’s chest—

Yo-ho-ho, and a bottle of rum!

Drink and the devil had done for the rest—

Yo-ho-ho, and a bottle of rum!"

At first I had supposed the dead man’s chest to be that identical big box of his upstairs in the front room, and the thought had been mingled in my nightmares with that of the one-legged seafaring man. But by this time we had all long ceased to pay any particular notice to the song; it was new, that night, to nobody but Dr. Livesey, and on him I observed it did not produce an agreeable effect, for he looked up for a moment quite angrily before he went on with his talk to old Taylor, the gardener, on a new cure for the rheumatics. In the meantime, the captain gradually brightened up at his own music, and at last flapped his hand upon the table before him in a way we all knew to mean silence. The voices stopped at once, all but Dr. Livesey’s; he went on as before speaking clear and kind and drawing briskly at his pipe between every word or two. The captain glared at him for a while, flapped his hand again, glared still harder, and at last broke out with a villainous, low oath, Silence, there, between decks!

Were you addressing me, sir? says the doctor; and when the ruffian had told him, with another oath, that this was so, I have only one thing to say to you, sir, replies the doctor, that if you keep on drinking rum, the world will soon be quit of a very dirty scoundrel!

The old fellow’s fury was awful. He sprang to his feet, drew and opened a sailor’s clasp-knife, and balancing it open on the palm of his hand, threatened to pin the doctor to the wall.

The doctor never so much as moved. He spoke to him as before, over his shoulder and in the same tone of voice, rather high, so that all the room might hear, but perfectly calm and steady: If you do not put that knife this instant in your pocket, I promise, upon my honour, you shall hang at the next assizes.

Then followed a battle of looks between them, but the captain soon knuckled under, put up his weapon, and resumed his seat, grumbling like a beaten dog.

And now, sir, continued the doctor, since I now know there’s such a fellow in my district, you may count I’ll have an eye upon you day and night. I’m not a doctor only; I’m a magistrate; and if I catch a breath of complaint against you, if it’s only for a piece of incivility like tonight’s, I’ll take effectual means to have you hunted down and routed out of this. Let that suffice.

Soon after, Dr. Livesey’s horse came to the door and he rode away, but the captain held his peace that evening, and for many evenings to come.

2

Black Dog Appears and Disappears

IT was not very long after this that there occurred the first of the mysterious events that rid us at last of the captain, though not, as you will see, of his affairs. It was a bitter cold winter, with long, hard frosts and heavy gales; and it was plain from the first that my poor father was little likely to see the spring. He sank daily, and my mother and I had all the inn upon our hands, and were kept busy enough without paying much regard to our unpleasant guest.

It was one January morning, very early—a pinching, frosty morning—the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward. The captain had risen earlier than usual and set out down the beach, his cutlass swinging under the broad skirts of the old blue coat, his brass telescope under his arm, his hat tilted back upon his head. I remember his breath hanging like smoke in his wake as he strode off, and the last sound I heard of him as he turned the big rock was a loud snort of indignation, as though his mind was still running upon Dr. Livesey.

Well, mother was upstairs with father and I was laying the breakfast-table against the captain’s return when the parlour door opened and a man stepped in on whom I had never set my eyes before. He was a pale, tallowy creature, wanting two fingers of the left hand, and though he wore a cutlass, he did not look much like a fighter. I had always my eye open for seafaring men, with one leg or two, and I remember this one puzzled me. He was not sailorly, and yet he had a smack of the sea about him too.

I asked him what was for his service, and he said he would take rum; but as I was going out of the room to fetch it, he sat down upon a table and motioned me to draw near. I paused where I was, with my napkin in my hand.

Come here, sonny, says he. Come nearer here.

I took a step nearer.

Is this here table for my mate Bill? he asked with a kind of leer.

I told him I did not know his mate Bill, and this was for a person who stayed in our house whom we called the captain.

Well, said he, my mate Bill would be called the captain, as like as not. He has a cut on one cheek and a mighty pleasant way with him, particularly in drink, has my mate Bill. We’ll put it, for argument like, that your captain has a cut on one cheek—and we’ll put it, if you like, that that cheek’s the right one. Ah, well! I told you. Now, is my mate Bill in this here house?

I told him he was out walking.

Which way, sonny? Which way is he gone?

And when I had pointed out the rock and told him how the captain was likely to return, and how soon, and answered a few other questions, Ah, said he, this’ll be as good as drink to my mate Bill.

The expression of his face as he said these words was not at all pleasant, and I had my own reasons for thinking that the stranger was mistaken, even supposing he meant what he said. But it was no affair of mine, I thought; and besides, it was difficult to know what to do. The stranger kept hanging about just inside the inn door, peering round the corner like a cat waiting for a mouse. Once I stepped out myself into the road, but he immediately called me back, and as I did not obey quick enough for his fancy, a most horrible change came over his tallowy face, and he ordered me in with an oath that made me jump. As soon as I was back again he returned to his former manner, half fawning, half sneering, patted me on the shoulder, told me I was a good boy and he had taken quite a fancy to me. I have a son of my own, said he, as like you as two blocks, and he’s all the pride of my ’art. But the great thing for boys is discipline, sonny—discipline. Now, if you had sailed along of Bill, you wouldn’t have stood there to be spoke to twice—not you. That was never Bill’s way, nor the way of sich as sailed with him. And here, sure enough, is my mate Bill, with a spy-glass under his arm, bless his old ’art, to be sure. You and me’ll just go back into the parlour, sonny, and get behind the door, and we’ll give Bill a little surprise—bless his ’art, I say again.

So saying, the stranger backed along with me into the parlour and put me behind him in the corner so that we were both hidden by the open door. I was very uneasy and alarmed, as you may fancy, and it rather added to my fears to observe that the stranger was certainly frightened himself. He cleared the hilt of his cutlass and loosened the blade in the sheath; and all the time we were waiting there he kept swallowing as if he felt what we used to call a lump in the throat.

At last in strode the captain, slammed the door behind him, without looking to the right or left, and marched straight across the room to where his breakfast awaited him.

Bill, said the stranger in a voice that I thought he had tried to make bold and big.

The captain spun round on his heel and fronted us; all the brown had gone out of his face, and even his nose was blue; he had the look of a man who sees a ghost, or the evil one, or something worse, if anything can be; and upon my word, I felt sorry to see him all in a moment turn so old and sick.

Come, Bill, you know me; you know an old shipmate, Bill, surely, said the stranger.

The captain made a sort of gasp.

Black Dog! said he.

And who else? returned the other, getting more at his ease. "Black Dog as ever was, come for to see his old shipmate Billy, at the Admiral Benbow inn. Ah, Bill, Bill, we have seen a sight of times, us two, since I lost them

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