Made in Venice: A Travel Guide to Murano Glass, Carnival Masks, Gondolas, Lace, Paper, & More: Laura Morelli's Authentic Arts
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About this ebook
If you're traveling to Venice, Italy, you want to go home with a special souvenir: a piece of Murano glass, a work of Burano lace, a carnival mask, or one of the city's famous luxury fabrics. But selecting which mask or which goblet to buy can be an intimidating experience. How do you know if you're buying something authentic, something made in Venice, something made in a traditional way?
Art historian Laura Morelli leads you beyond the souvenir shops for an immersive cultural experience that you won't find in any other guidebook. This indispensable guide includes practical tips for locating the most authentic goods in one of the busiest tourist destinations in the world.
Laura Morelli
Laura Morelli holds a Ph.D. in art history from Yale University and is an award-winning, USA Today bestselling historical novelist. Laura has taught college students in the U.S. and in Italy. She has covered art and authentic travel for TED-Ed, National Geographic Traveler, Italy Magazine, CNN Radio, and other media. Laura is the author of the popular Authentic Arts guidebook series that includes Made in Italy. Her historical novels, including The Night Portrait, The Gondola Maker, and The Last Masterpiece, bring the stories of art history to life.
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Made in Venice - Laura Morelli
LAURA MORELLI’S AUTHENTIC ARTS
A Travel Guide To Murano Glass,
Carnival Masks, Gondolas,
Lace, Paper, & More
Laura Morelli
Copyright © 2015 by Laura Morelli.
All rights reserved. No part of this publication may be reproduced, distributed or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the author, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
Published in the United States of America.
LAURA MORELLI’S AUTHENTIC ARTS
Library of Congress Control Number 2014909164
eBook ISBNs: 978-0-9893671-5-8 (ePUB), 978-0-9893671-4-1 (mobi)
Book design and layout: Shannon Bodie, Bookwise Design
Laura Morelli’s Authentic Arts: Made in Venice /Authentic Arts Publishing. —1st ed.
Image Credits:
EPIGRAPH: © Shutterstock / Katoosha. Introduction: © Depositphotos.com / mikdam. Chapter 1: p. 2 © iStock.com / AnetteAndersen; p. 5 © Depositphotos.com / Captblack76; p. 10 © Depositphotos.com / lachris77; p. 12 Creative Commons courtesy of Nick Thompson / Flickr; p. 13 © iStock.com / achiartistul. Chapter 2: p. 16 © inavanhateren / 123RF; p. 20 © Shutterstock / jurra8; p. 22 © Eric Le Fichoux / Fotolia; p. 24 © Depositphotos.com / sedmak; p. 26 Creative Commons courtesy of John Hann / Flickr. Chapter 3: p. 32 © iStock.com / vesilvio; p. 35 © doroth / Fotolia; p. 39 © Depositphotos.com / stefanocapra; p. 40 © iStock.com / rubiophoto. Chapter 4: p. 42 Giovanni Antonio Fasolo, Portrait of a Venetian Noblewoman of the Age of 18, oil on canvas, Courtesy of the Gösta Serlachius Fine Arts Foundation, Mänttä, Finland; p. 47 © age fotostock; p. 48 © iStock.com / achiartistul; p. 50 © Depositphotos.com / ABCDK. Chapter 5: p. 54 © Gloria Guglielmo / Fotolia; p. 58 © iStock.com / sergeyskleznev; p. 59 © Folco Banfi / Dreamstime.com; p. 60 Pietro Longhi, The Rhinoceros in Venice (detail), 1751, Creative Commons courtesy of The National Gallery, London; p. 61 © Depositphotos.com / masterlu; p. 62 © iStock.com / kvkirillov; p. 64 © Shutterstock / Grigory Iofin; p. 65 Jan Grevenbroeck the Younger, masked doctor during the plague in Venice, from the Grevenbroeck manuscript, 17th century, Museo Correr, Venice, Erich Lessing / Art Resource, NY; p. 66 © Nordic Photos. Chapter 6: p. 68 © iStock.com / grandaded; p. 73 © Shutterstock / Josef Zima; p. 75 © Depositphotos.com / thepoeticimage, © iStock.com / grandaded, © iStock.com / AndyMagee; p. 76 © iStock.com / aeduard; p. 77 Creative Commons courtesy of Alessandra Elle. Resources: p. 78 © Depositphotos.com / alexvav3; p. 84 © Depositphotos.com / freeteo; p. 87 © Laura Morelli; p. 89 © iStock.com / Tashka. Author photo: Sarah DeShaw.
Contents
1 How to Shop in Venice
2 Murano Glass
3 Gondolas
4 Lace
5 Masks
6 Paper and Books
Resources
Index
About the Author
Also by Laura Morelli
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I had had my dreams of Venice.
But nothing that I had dreamed was
as impossible as what I found.
— ARTHUR SYMONS, CITIES, 1903
Venice rises from a marshy Adriatic lagoon like a surreal vision: a complicated jumble of meandering canals, mosaic-encrusted churches, gothic palace façades, and candy-striped gondola moorings. If you had no prior knowledge of Venice and heard someone describe it, you might find it hard to believe they were telling the truth.
This impossible
city is not a land mass at all, but rather a cluster of some one hundred shifting islands linked by more than four hundred bridges and canals. The entire built environment of Venice—from the humblest coffee shop to the Basilica of San Marco—stands on a foundation of wooden pilings driven one after another, side by side, vertically down into the water, into the mud. This unlikely way of constructing a city began during the perilous years of the early Middle Ages, when people sought protection among the lagoon islands from potential attackers. As the centuries passed and the population grew, the locals continued to drive pilings into the marshes to build their city. The wood did not rot because it was not exposed to oxygen; instead, it petrified into a hardened, stone-like foundation upon which sat even the most extravagant buildings constructed during the heyday of the Venetian Republic, between the fourteenth and seventeenth centuries.
Out of this fantastic, waterlogged cityscape, extraordinary artistic traditions have emerged: deeply hued glass, web-like lace, hundreds of different types of boats suited to the lagoon, carnival masks, leather-bound books, and colorful paper. These artistic traditions first lured me to Venice, and they have kept me coming back for nearly four decades. It’s impossible not to want to take a little piece of Venice home in your suitcase. In our world of megastores, corporate chains, and mass production, many of us are hungry for unique, culturally authentic and immersive experiences. I can think of no better way to appreciate Venetian culture than by experiencing the stories, the people, and the objects behind the artisanal traditions of this impossible city.
1
How to Shop in Venice
Let’s get one thing out of the way up front: shopping in Venice can be intimidating. All of us want to come home from La Serenissima with a special souvenir, but selecting which carnival mask or which piece of Murano glass to buy can be an overwhelming experience. How do you know if you’re buying something authentic, something made in Venice, something made in a traditional way? How do you gauge how