Jean-Honoré Fragonard and artworks
By Edmond Goncourt and Jules Goncourt
()
About this ebook
Related to Jean-Honoré Fragonard and artworks
Related ebooks
Fragonard: His Palette Rating: 0 out of 5 stars0 ratingsFragonard: 265 Plates Rating: 0 out of 5 stars0 ratingsDelphi Complete Works of Jean-Honoré Fragonard (Illustrated) Rating: 0 out of 5 stars0 ratingsFragonard: Drawings Colour Plates Rating: 0 out of 5 stars0 ratingsFragonard Rating: 0 out of 5 stars0 ratingsRaphael and artworks Rating: 0 out of 5 stars0 ratingsPetrus Christus: 62 Masterpieces Rating: 4 out of 5 stars4/5Lives of the Most Eminent Painters Sculptors and Architects Vol. 05 ( of 10) Andrea da Fiesole to Lorenzo Lotto Rating: 0 out of 5 stars0 ratingsFelicien Rops: Drawings 104 Colour Plates Rating: 0 out of 5 stars0 ratingsLives of the Most Eminent Painters, Sculptors and Architects Vol. 09 (of 10) Michelagnolo to the Flemings Rating: 0 out of 5 stars0 ratingsFrederic Leighton: His Palette Rating: 0 out of 5 stars0 ratingsRaphael - Volume 2 Rating: 0 out of 5 stars0 ratingsParmigianino: 160 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsFrancois Boucher: 130 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsThe Deaths of Henri Regnault Rating: 3 out of 5 stars3/5Francois Boucher: 270 Colour Plates Rating: 0 out of 5 stars0 ratingsDelphi Complete Works of Giovanni Bellini (Illustrated) Rating: 0 out of 5 stars0 ratingsHans Memling Rating: 0 out of 5 stars0 ratingsIn Praise of Hands Rating: 0 out of 5 stars0 ratingsDelphi Complete Works of Nicolas Poussin (Illustrated) Rating: 0 out of 5 stars0 ratingsCanaletto Rating: 0 out of 5 stars0 ratingsFélix Vallotton and artworks Rating: 0 out of 5 stars0 ratingsJacques Louis David: 172 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsRubens: 265 Plates Rating: 0 out of 5 stars0 ratingsGiovanni Castiglione: Drawings Colour Rating: 0 out of 5 stars0 ratingsSandro Botticelli Rating: 0 out of 5 stars0 ratingsHans Holbein the younger Rating: 0 out of 5 stars0 ratingsRaphael - Volume 1 Rating: 0 out of 5 stars0 ratingsMichelangelo Rating: 4 out of 5 stars4/5Cranach: Drawings Colour Plates Rating: 0 out of 5 stars0 ratings
Visual Arts For You
How to Draw Anything Anytime: A Beginner's Guide to Cute and Easy Doodles (Over 1,000 Illustrations) Rating: 5 out of 5 stars5/5Learn to Draw: Manual Drawing - for the Absolute Beginner Rating: 4 out of 5 stars4/5Morpho: Anatomy for Artists Rating: 5 out of 5 stars5/5Art Models 10: Photos for Figure Drawing, Painting, and Sculpting Rating: 3 out of 5 stars3/5Art Models 5: Life Nude Photos for the Visual Arts Rating: 3 out of 5 stars3/5Art Models 3: Life Nude Photos for the Visual Arts Rating: 4 out of 5 stars4/5Harmonious Color Schemes; no-nonsense approach using the Color Wheel Rating: 4 out of 5 stars4/5Expressive Digital Painting in Procreate Rating: 5 out of 5 stars5/5Journal with Purpose Layout Ideas 101: Over 100 inspiring journal layouts plus 500 writing prompts Rating: 4 out of 5 stars4/5Art Models SarahAnn031: Figure Drawing Pose Reference Rating: 3 out of 5 stars3/5Art Models: Life Nudes for Drawing, Painting, and Sculpting Rating: 3 out of 5 stars3/5One Zentangle a Day: A 6-Week Course in Creative Drawing for Relaxation, Inspiration, and Fun Rating: 4 out of 5 stars4/5Sharpie Art Workshop: Techniques & Ideas for Transforming Your World Rating: 3 out of 5 stars3/5Drawing School: Fundamentals for the Beginner Rating: 4 out of 5 stars4/5Draw Every Little Thing: Learn to Draw More Than 100 Everyday Items, From Food to Fashion Rating: 5 out of 5 stars5/5The Colored Pencil Manual: Step-by-Step Instructions and Techniques Rating: 5 out of 5 stars5/515-Minute Watercolor Masterpieces: Create Frame-Worthy Art in Just a Few Simple Steps Rating: 5 out of 5 stars5/5The Designer's Guide to Color Combinations Rating: 4 out of 5 stars4/5Lettering Alphabets & Artwork: Inspiring Ideas & Techniques for 60 Hand-Lettering Styles Rating: 5 out of 5 stars5/5Anatomy for Fantasy Artists: An Essential Guide to Creating Action Figures & Fantastical Forms Rating: 4 out of 5 stars4/5Draw Like an Artist: 100 Flowers and Plants Rating: 4 out of 5 stars4/5Hand Lettering on the iPad with Procreate: Ideas and Lessons for Modern and Vintage Lettering Rating: 4 out of 5 stars4/5100 Things Every Artist Should Know: Tips, Tricks & Essential Concepts Rating: 3 out of 5 stars3/5The Art of Cartooning: The Complete Guide to Creating Successful Cartoons! Rating: 0 out of 5 stars0 ratingsWatercolor Success in Four Steps: 150 Skill-Building Projects to Paint Rating: 5 out of 5 stars5/5The Complete Peanuts Family Album: The Ultimate Guide to Charles M. Schulz's Classic Characters Rating: 5 out of 5 stars5/5Art Starts with a Line: A Creative and Interactive Guide to the Art of Line Drawing Rating: 5 out of 5 stars5/5Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic Rating: 4 out of 5 stars4/5Botanical Drawing: A Step-By-Step Guide to Drawing Flowers, Vegetables, Fruit and Other Plant Life Rating: 5 out of 5 stars5/5
Related categories
Reviews for Jean-Honoré Fragonard and artworks
0 ratings0 reviews
Book preview
Jean-Honoré Fragonard and artworks - Edmond Goncourt
Portrait of Jean-Honoré Fragonard, Marguerite Gérard, c. 1787-1791
Oil on panel, 21.8 x 16.1 cm. Private collection.
Biography
1732:
Jean-Honoré Fragonard is born in Grasse in the south of France.
1738:
Arrives in Paris around this time.
1748-1752:
After working as a notary apprentice for a while and having shown a keen interest in drawing, Fragonard is sent to François Boucher’s studio. Boucher refuses to teach him so he is then sent to Jean-Baptiste-Siméon Chardin who trains him by creating copies. He focuses on the paintings of the Masters that he sees in churches and impressed by the quality of his paintings, Boucher finally takes him on as a student.
1752:
He wins the Prix de Rome with his painting Jéroboam Sacrificing to the Idols, a competition usually reserved for students of the Academy.
1753-1756:
Thanks to the prize, he joins the École Royale des Élèves Protégés under the direction of Carle Van Loo. His many works from this period demonstrate the influence of his masters and their training.
1756-1761:
First sojourn in Italy. He studies at the Académie de France in Rome. After a difficult start, he becomes interested in the baroque painters he emulates in his lessons. During this period, he leaves Rome on two occasions. Once to work in Tivoli and another in Naples accompanied by his painter friend, Hubert Robert, and Jean-Claude Richard, abbé de Saint-Non, who will go on to become one of his primary sponsors. The two young artists create many paintings for the abbé de Saint-Non. Upon his return to Paris, Fragonard has established himself as a reputable artist.
1765:
His is accepted at the Académie Royale de Peinture due to his painting The High Priest Corésus Sacrificing Himself to Save Calirrhoé which allows him to obtain a studio and accommodation at the Louvre in Paris.
1767:
Starting from this year he seldom takes part at the Salon. He turns his back on academic and classical painters to focus on more light-hearted subjects. The majority of the work he produces is commissioned by private clients.
1769:
Fragonard marries Marie-Anne Gérard who is also an artist and comes from Grasse. Their first child is born, a daughter named Rosalie.
1770-1773:
He creates the series Progress of Love, a collection of decorative panels made to adorn the walls of one of the dining rooms of a pavilion in Louveciennes, the residence of the countess du Berry, a mistress of Louis XV. The panels however are returned to the artist and are highly critiqued by defenders of the emerging neoclassical movement.
1773-1774:
Fragonard travels Italy and central Europe.
1780:
Birth of his son Alexandre-Évariste, who will go on to become a painter like his father.
1792-1800:
Bankrupt and out of favour after the French Revolution, Fragonard paints less and less. The painter Jacques-Louis David uses his influence and gets him a position as a curator in the recently opened museum at the Louvre.
1805:
An imperial decree requires all the resident artists, including Fragonard, to leave the Louvre.
1806:
He dies following a stroke, largely unnoticed by his contemporaries. His artwork only starts to once again receive recognition in the 19th century.
Blind Man’s Bluff, c. 1750-1752
Oil on canvas, 116.8 x 91.4 cm. Toledo Museum of Art, Toledo (Ohio)
The 18th century had no poets; I do not mean rhymers, versifiers, word-spinners; I say poets advisedly. Poetry in the noblest and most profound sense of the term, poetry which is creation through imagery, poetry which is an enchantment, an enhancement of the imagination, an ideal of pensive meditation or smiling delight offered to the human mind, that poetry which lifts up from the earth, with throbbing wings, the spirit of an age, the soul of a people, such poetry was unknown in 18th-century France; her two poets, the only two, were painters: Watteau and Fragonard.
Watteau, a child of the north, of Flanders, was the great love poet, the master of a serene and tender paradise whose art is like the Elysian Fields of passion; he was the elegiac poet amid whose tristful autumn woods, around whose wistful image of pleasure, all the sighing of nature was magically audible; he was the pensieroso of the Regence. Fragonard sang in less elevated strains; he was the poet of the Ars Amatoria of the