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An Evil Mind
An Evil Mind
An Evil Mind
Ebook436 pages6 hours

An Evil Mind

Rating: 4 out of 5 stars

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A prolific and ingenious serial killer is unmasked by a Los Angeles detective with a dark past of his own in this “roller coaster ride that will leave you breathless” by Top 10 Sunday Times (UK) bestselling author Chris Carter.

A freak accident in rural Wyoming leads the sheriff’s department to arrest a man for a possible double homicide, but further investigations suggest a much more horrifying discovery: a serial killer who has been kidnapping, torturing, and mutilating victims all over the United States for at least twenty-five years.

The suspect claims he is a pawn in a huge labyrinth of lies and deception—but can he be believed?

The case is immediately handed over to the FBI, but this time they’re forced to ask for help from ex-criminal behavior psychologist and lead detective with the Ultra Violent Crime Unit of the LAPD, Robert Hunter. As he begins interviewing the apprehended suspect, terrifying secrets are revealed, including the real identity of a killer so elusive that no one, not even the FBI, had any idea he existed…until now.

This dramatic and suspense-laden thriller, perfect for fans of Thomas Harris’s classic The Silence of the Lambs, has “twists and turns and cliff-hangers abound” (Booklist) and will keep you guessing until the very last page.
LanguageEnglish
Release dateDec 1, 2015
ISBN9781476765709
An Evil Mind
Author

Chris Carter

Chris Carter received his undergraduate and master’s degrees from the University of Oxford. He is the author of Science and Psychic Phenomena and Science and the Near-Death Experience. Originally from Canada, Carter currently teaches internationally.

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Reviews for An Evil Mind

Rating: 3.792105381052632 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Having enjoyed Chelsea Cain's Archie Sheridan/Grethcen Powell series I looked forward to reading her new novel One Kick. And while I wasn't disappointed, it didn't have quite the same impact or strong character building has her previous novels.

    The story centers around Kick Lannigan who was kidnapped at the age of six and held in captivity for five years before being freed. Unfortunately her abductors were part of a child pornography ring and she was not only abused but films were made of her proliferated across the Internet.

    We find Kick, now a 21 year old woman, both a very strong character but at the same time very vulnerable. She has developed herself into a serious martial artist, an expert in guns and other deadly weapons, as well as breaking and entering and getting out of handcuffs and other restraints. She vows to never let herself be hurt again. But of course there are still emotional scars that run deep, making her a powerful and sympathetic character.

    As we learn about Kick's past and present another child goes missing with similar trademarks of her abduction, suggesting it may be part of the same ring. She is offered a chance to help find the missing child that she ultimately just can't turn down.

    The rest of the novel is a harrowing chase to find the missing child that finds Kick teamed up with a mysterious stranger named Bishop who works for an arms dealer. She has to relive her past to help find the missing child.

    She even goes to the state infirmary where her abductor is dying of kidney failure trying to get information that might help locate the missing child and hopefully bust up the ring. Here we see an odd scene that shows she has a twisted emotional connection with the man who abused her for so many years.

    Kick Lannigan is a very well-drawn and compelling character but the others, with the possible exception of Frank the FBI agent who saved her, were borderline cliché. And while I mostly enjoyed One Kick, the plot and the Bishop character really stretched credibility and my willingness to suspend disbelief. Nevertheless, I will definitely be looking forward to the next novel in the series.
  • Rating: 4 out of 5 stars
    4/5
    Chelsea Cain writes about the evilist of charactets and in such a way that you do not want to put the book down. Kick (Kit) Lannigan was abducted as a young child and forced into making pornography. The "Beth" movies are still very actively traded online. Thtough flasbacks we learn her story. Bishop recruits her to help find a missing boy that he believes was abducted by somene she knew during that time. Her "brother" James is an important part of her life and the solving of the crime. A very strong character who I hope we meet again.
  • Rating: 4 out of 5 stars
    4/5
    Read this in a day, definitely a book you won't put down.
  • Rating: 5 out of 5 stars
    5/5
    Five stars mainly because I never wanted to put the book down from the moment I started reading it. Very few books keep my attention so thoroughly. It isn't great literature but the characters are well drawn and the dialog is spot on. I look forward to reading the next in the series.
  • Rating: 4 out of 5 stars
    4/5
    Kick is a young woman who was abducted as a child, held captive for years by a child pornographer and eventually rescued and returned to her family. While she was held, she eventually bonded with her captors and began to think of them as her parents. Ten years later she is still struggling mightily with all that happened then and since. A mysterious man, Bisop, enters her life and enlists her aid in trying to locate a missing boy. The plot is complicated as present day events connect to her past life.I would have given this a higher rating but the book ended strangely and quickly. Maybe a setup for a second book? It is a compelling story and I do recommend it.
  • Rating: 4 out of 5 stars
    4/5
    This is a good book for its genre, something of an action thriller novel. It is not great literature by any means, but I really wanted to know what was going to happen next and would read another book in the series. My main problems were that the leading man was a bit predictable and the main character ignores the fact that he's a complete ass most of the book. I'm still waiting for her to take control and actually outsmart him or tell him off. Also, when in her head, the main character is a smart, well-trained woman, but then she does idiotic things fairly often. Seriously, balance out the idiotic with her doing some intelligent things and getting ahead of him occasionally.
  • Rating: 5 out of 5 stars
    5/5
    I received an early peek at this one from the publisher via Netgalley. Once I started reading it I couldn't put it down! The main character, Kit "Kick" Lanigan was an interesting character and has a lot of potential as the centerpiece of this new series. Kick is such a strong main character, but deeply flawed after her 5 years living with the family that had abducted her. She reminds me a bit of Lisbeth Salander in the Girl with the Dragon Tattoo books, but these are rated more PG-13 than those. I highly recommend it and predict a lot of people will be reading it when it comes out in August.
  • Rating: 4 out of 5 stars
    4/5
    This is a mystery/thriller set in Portland, Oregon. (hooray!) Kick Lannigan is a former victim of child abduction, and child abuse. As an adult, she suffers with the psychological aftermath. She is a crack shot and lock-picker, and would like to rescue other abducted children. It's disturbing, without being too graphic, well-written and plotted.
  • Rating: 5 out of 5 stars
    5/5
    Kidnapped at age 6 by a child pornographer, Kick is brainwashed before being recovered by chance at age 11. She became an emancipated minor after her birth mother turned 'mother of an abducted child' into a career with books and TV spots. By age 21 Kick has learned just about every self-defense technique there is. She is approached by a man who appears to be a soldier of fortune who wants her assistance in recovering an abducted child. I really enjoyed this book and read it almost within 24 hours, which is unusual for me. The main character Kick is intriguing, complex and sympathetic. I was a little less impressed with the character of John Bishop, who frequently came across as somewhat of a dick. But overall I really enjoyed it and am excited to read the next book in the series. 4.5 stars
  • Rating: 4 out of 5 stars
    4/5
    Loved Chelsea's new book - Kick is a tough cookie and makes for very interesting reading.
  • Rating: 2 out of 5 stars
    2/5
    If only abuse turned you into a superhero. She had to give him her kidney at the end. Just felt exploitive of victims and explosions every few pages didn't make it thrilling, it got boring.
  • Rating: 4 out of 5 stars
    4/5
    What feels like ages ago, I read the first two books in Chelsea Cain's Archie Sheridan series. And what I remembered about them was being freaked out by the serial killer. When I saw that she was starting a new series, I decided to give the audiobook a try knowing how much I had enjoyed the others. Chelsea Cain still has it. I was rooting for Kick and dying to understand her train of thought and little idiosyncrasies. And when it turns out that the current kidnappings are related to her kidnapping, I loved watching her figure everything out and chase down the kidnappers. And the story did get freaky and scary at times. I loved that. Oh and I'm dying to learn what Bishop's angle is.
  • Rating: 5 out of 5 stars
    5/5
    Unique thriller with unexpected, chilling plot twists. I can’t wait to learn more about Robert Hunter.
  • Rating: 5 out of 5 stars
    5/5
    Really great new series! I read all of the Gretchen Lowell series and they were fabulous! This is totally different but still good. The main character, Kick, her appearance and bad habits, leave something to be desired though but I guess that makes it all the more real. Looking forward to the 2nd book...
  • Rating: 2 out of 5 stars
    2/5
    It was a little too much for me.
  • Rating: 5 out of 5 stars
    5/5
    I have been a fan of Chelsea Cain since her first book, Heartsick. So when I saw she had a new series coming out I was really excited. I had some reservations when I read the brief comment from the publisher that this book was classified as Pg-13. This is because the whole reason I love Gretchen and Archie’s relationship is because it is intense and gruesome. So I was not sure what to expect from this book. After finishing this book I was worrying for nothing. I can’t wait for the next book and hope it is another Kick book. I loved Kick and Bishop. They are the new Gretchen and Archie. Only they are not trying to kill each other but they have a good work relationship. I pictured Kick being played by Jennifer Lawrence and Bishop being played as Jason Statham. I liked that Kick was tough. I mean how many people pick the lock of handcuffs to ease their stress levels. Oh and the handcuffs are handcuffed to your own wrists. I want more. One Kick is a kick-ass good time!
  • Rating: 3 out of 5 stars
    3/5
    I picked up this book at a bookstore for around $5. I had no idea what to expect, but I was pleasantly surprised.

    'Kick' is the nickname of the protagonist, a 21-year-old woman with a truly unpleasant past who is still in the midst of recovery 10 years later. Kick was kidnapped at age 6, and was subsequently brainwashed, sexually abused and exploited for five years. We meet Kick 10 years after her rescue and it is clear that despite her attempts at learning to protect herself, she is still deeply traumatized.

    Despite child pornography and its fallout being the largest aspect of the novel, Cain manages to keep it from being stomach-churningly descriptive. We know that the movies made of her as a child are still the most popular child porn on the web, but further graphic details are never given. This is a clever amount of withholding by the author as it keeps the reader engaged and curious but stops far before the line of lurid shock factor details. There are a few moments of complete dissociation for Kick, where even the use of her name changes to show Kick's mindset that I genuinely liked.

    I definitely hope there is more of Kick's 'brother' James in future books as I found his backstory interesting and the depth of their relationship was really the emotional core of the story.

    A solid 7/10
  • Rating: 2 out of 5 stars
    2/5
    Took a while to get into it. I think part of that was the reader since I listened to it on cd. I like the premise
    of the story and part of me thinks it could have been even better if Chelsea had gone into more of the stolen children line but it worked. I think it was a little rushed. Could have spent more time on the history of the kids.
  • Rating: 4 out of 5 stars
    4/5
    Do not read this as a bedtime book. Fascinating. Creepy. Excellent. I want to know what comes next.
  • Rating: 4 out of 5 stars
    4/5
    It is not an easy subject to read about but so well done I couldn't put it down. Kick is interesting and dark and broken and loving in her own way. I can't wait for more.
  • Rating: 4 out of 5 stars
    4/5
    For me, this book did not get off to the best start. Kick, our heroine, seemed so over the top, so unreal. We get it. She is fierce, surrounded by the armor she has built to protect her from her horrible, horrible childhood. But ever word out of her mouth was a Warrior Woman stereotype.Still, soon I was hooked. Either her angry mind rants calmed down or I got used to them. And then the story picked up..and up..and up, racing to a exciting and surprising end. Yrs, I will be reading the next in the series when it comes out.But the three legged dog. What happen to the three legged dog?
  • Rating: 4 out of 5 stars
    4/5
    One Kick by Chelsea Cain is a departure from her Archie Sheridan and Gretchen Lowell thrillers and Cain proves that she can create another powerfully character driven novel in One Kick."...Kick hesitated. She knew how this went. But she couldn't stop herself. Kick opened the police scanner app on her phone, picked her backpack off the bathroom floor, and headed for the door, the loaded Glock still in her sweatshirt. Whenever they had traveled, Mel put her under a blanket on the floor of the backseat and switched the vehicle plates out for fake dealer ones. The dealer plates were harder to read, and produced little information, so patrol cops often didn't bother running them. It's not like she thought she'd find the car. This was something that none of her shrinks ever seemed to understand. Kick knew exactly how futile it was. She knew she'd drive up and down the interstate until she was exhausted, and stay up half the night refreshing her browser, sorting through every detail, hunting for anything familiar. She knew that the kid was probably already dead and that when the police did find the body, it would feel like a part of Kick had died too. That's how this went. How it always went. Penance wasn't supposed to be fun..."Kick Lannigan, kidnapped at the age of six and forced into child pornography, became instantly famous and the face of child abduction. Five years later, she is rescued by the FBI in a raid that had nothing got do with her abduction. But in one moment, Kick now called Beth, does something on the orders of her abductor/father that seals the fate of thousands of other lost children.Since then, she has searched for missing children, training herself physically and emotionally but with little success. Estranged from her mother who keeps Kick alive in American culture through writing books and giving interviews, has made a small fortune on the abduction of her daughter. Kick lives with her dog Monster and her friend James, another child abducted and abused.Until another child is taken and wealthy but mysterious John Bishop finds her and offers her a proposition. With his money and his connections, together, they search for the missing children and the pedophiles who have taken them. Their goal, to bring down the network that uses these children for sex and pornography. A chance for Kick, to undo the moment when she did so much harm to those who were victimized just like her.Chelsea Cain is a terrific writer. If you have not read any of her Gretchen Lowell novels you are really missing something. If Hannibal Lector was a statuesque gorgeous blonde model, he still wouldn't be half of what Gretchen Lowell is. Archie Sheridan as head of the task force responsible for catching Gretchen is an equally compelling character. Lovesick and self destructive he hunts Gretchen yet never is able to hold her for long. I bring up these characters to give you an idea how well Chelsea Cain creates her characters. She does more than breathe life into them. She empowers them with an added dimension that cannot be held by the written page. They are very real and very much flawed as they are heroic.She has done it again with Kick Lannigan. Molested and trafficked as a child, Kick's road to recovery and redemption is both successful and a horrible failure. She is still devoted to the man who took her and used her. The only father she can remember. Her mother, who has turned her abduction into her own fifthteen minutes of fame is even more disturbing than the rapists and pornographers who did her so much damage. Incredibly powerful characters.Which brings me to the one complaint I have about this book. With such real characters how do we relate to John Bishop? An enigmatic, rich arms dealer who in James Bondesque manner hunts down pedophiles. Placed next to the rest of the characters in the book, Bishop seems unreal and cartoonist. Perhaps in future novels he will be more grounded but here, in the first Kick novel, he seems more fantasy than reality and that has the power to draw you out of the novel. Thankfully the rest of the characters are written expertly enough to make up for it.The story for One Kick is good, not great, the mystery is good, not great, but Kick Lannigan is awesome. This first novel is more it seems as an introduction of Kick Lannigan than a stand alone tale of its own. Its the pilot episode and it will only get better.Another good read from Chelsea Cain!
  • Rating: 4 out of 5 stars
    4/5
    Listened for Review (Simon & Schuster)Overall Rating: 4.00Story Rating: 4.25Character Rating: 3.75Audio Rating: 4.00 (not part of the overall rating)First Thought when Finished: One Kick by Chelsea Cain was a fascinating look at a subject matter that isn't broached much in fiction. I really enjoyed it! I would say the 2nd half of the story was stronger than the first half so stick with it. I hope there is more in the series and that we learn more about these characters.Audio Thoughts: Narrated By Heather Lind / Length: 9 hrs and 3 mins Heather Lind did a pretty good job with the pacing, storytelling, and suspense in this story. I felt she made the story come alive.Part of my Read It, Rate It, File It, Done Reviews
  • Rating: 4 out of 5 stars
    4/5
    Kick Lannigan was 6 years old when she was kidnapped and used as part of a child pornography ring. Over the years she was held, she developed a father-like relationship with her kidnapper, who taught her to fight, pick locks, and escape if needed in the future. After she was rescued at age 12 during an FBI raid, Kick went through years of therapy but still remained obsessively vigilant about potential threats in her environment, as well as confused about her relationship with her kidnapper. As a young adult, Kick is sought out by a private investigator, who is intent on finding other lost children involved in the child pornography circuit. Kick also is driven to find these children but is reluctant to trust anyone, particularly the man "Bishop" who is clearly dishonest about his identity. As the two seek out those still involved in trafficking young children, Kick uses her past memories to guide them to locations and secret places to get closer to the missing kids. This is the first in a new series by this author. Overall, I enjoyed this book, which was fast-paced and suspenseful. I thought Kick's experience of unresolved PTSD was relatively realistic, although her obsessions were repetitively described at times. I also enjoyed her unusual relationship with Bishop and he added needed humor to the story. However, Bishop's over-the-top wealth and Kick's constant physical distress (fainting, getting attacked, etc.) led their dynamic to resemble Edward and Bella from "Twilight" or perhaps the more recent Anastasia Steele and Christian Grey "50 Shades of Grey" type of relationship. Perhaps in the next story, Kick will have more control over herself and be less in need of constant rescue? Otherwise, the book was fairly enjoyable, if not somewhat predictable, as these serial thrillers/romances tend to be.
  • Rating: 3 out of 5 stars
    3/5
    Chelsea Cain may never create another character as thrilling as Gretchen Lowell or sympathetic as Archie Sheridan, but Kick Lannigan's history is unique for a leading character and Cain crafts a compelling plot out of it. Kick is 21 years old and sometimes her thoughts and actions don't quite fit - she often overestimates her abilities - but by giving Kick such an unusual upbringing, the author can take some liberties. How *would* a person act after experiencing what Kick has survived? As a young, damaged, but tough heroine, she will grab the hearts of many readers. Fast-paced thriller that is obviously the start of a new series for Cain.
  • Rating: 4 out of 5 stars
    4/5
    After turning the final page of the sixth Gretchen Lowell/Archie Sheridan thriller (Let Me Go), I wondered if there could be anything in the future for these characters. For me, this series seemed to have run its course. Well, Chelsea Cain has unleashed a new character on readers. Her new book, One Kick is the first in a new series featuring Kick Lannigan. What a great character name eh? Kick was kidnapped as a six year old and famously rescued when she was eleven. The years spent in captivity shaped her path - and her personality. She's tough as nails, but vulnerable, fearsome, yet fearful. And she has a goal - to prey on those that prey on children. A wealthy man named John Bishop, approaches Kick to help him find two local missing kids. There's a chance they could still be alive - and Bishop believes Kick has the key to finding them locked in her past. But who is Bishop really? And what is his agenda? Cain writes great kick *** characters. Lannigan is definitely one of those, but with a wounded side that makes us fear for her as she wades into danger. One Kick introduces us to Lannigan, lets us get to know her and sets the tone and the background for the next in the series. One Kick has a resolution, but the last few pages are a kicker (sorry, couldn't resist) that will leave readers with the same questions Lannigan has. I 'll be watching for the next book. Cain's books are not for the faint of heart. There are disturbing themes, descriptions and language. Those looking for a dark thriller will absolutely find it in One Kick.
  • Rating: 4 out of 5 stars
    4/5
    ONE KICK is a story dealing with child abduction and child porn. If only our sick world didn't have to deal with this in real life. Chelsea Cain is an excellent author and I look forward to coming books in this series.
  • Rating: 3 out of 5 stars
    3/5
    I found this book a little disappointing - Chelsea Cain has set the bar high with her Archie/Gretchen series, and I didn't feel that this lived up to her past books. The main character, Kick, is certainly very damaged, but I found her irritating, and the decision she made near the end of the book to make the "donation" baffled me - why??? I found Bishop to be interesting, and it remains to be seen if the relationship between these two will develop to the point where it will be intriguing enough for me to keep following them.
  • Rating: 4 out of 5 stars
    4/5
    I finished this book yesterday and my first thought was, "How does she do it." Seriously, Cain takes evil, in this case child porn and kidnapping of children for sex, and characters who have been victims f this evil and crafts a novel that I found difficult to put down. Oh, I wanted to look way plenty of times, but I loved the character of Kick, flaws and all, James, who was for many years a victim and Bishop, the mysterious man from nowhere, who needs Kicks help. This is a very gritty book, the tension palpable, quick moving with plenty of action. But a warning, the subject is raw, the violence explicit and graphic. Yet, the characters are so darn addicting.The beginning of a new series by this author and one I am looking forward to reading.ARC from NetGalley.
  • Rating: 4 out of 5 stars
    4/5
    One Kick introduces 21 year old Kick Lannigan. When she was six she was kidnapped and rescued by the FBI five years later. The abduction has left Kick constantly on guard. She fills her free time working to sharpen her preparedness skills whether that means lock-picking, muscle-strengthening, or practicing an ability to extricate herself from handcuffs. Kick may have been rescued, but the sordid story of her kidnapping and imprisonment remains alive and there's no escaping the frustration and rage Kick battles with.

    She lives in an apartment above her brother, James, a cyber-genius with a taste for patterns, algorithms, travel posters, and inspirational quotes. On Kick’s own wall hangs a Rand McNally map, dotted with pushpins, on which she tracks lost, missing, and kidnapped kids. Then, despite all her vigilance, her home is breached by a mysterious man named John Bishop, who turns out to be an ex-arms dealer with mysterious friends in high places. Both Kick and Bishop are anxious to rescue a recently kidnapped child named Adam Rice. Kick and Bishop make an uneasy team and I'm curious if they continue their relationship in the next book of the series.

    I enjoyed the first four books in the Archie Sheridan/Gretchen Lowell series and there's a similarity here. Both Kick and Archie have suffered traumatic events that make them incapable of having normal relationships. I feel like the last two Archie/Gretchen books were redundant versions of the first four. Since this is Book One of a new series I will definitely plan to read the next one and see if the author can develop Kick into a more fully developed character and not just a female version of Archie.

Book preview

An Evil Mind - Chris Carter

1

Morning, Sheriff. Morning, Bobby," the plump, brunette waitress with a small heart tattoo on her left wrist called from behind the counter. She didn’t have to check the clock hanging on the wall to her right. She knew it would be just past 6:00 a.m.

Every Wednesday, without fail, Sheriff Walton and his deputy Bobby Dale came into the unassuming truck stop, just outside Wheatland in southeastern Wyoming, to get their pie fix. Rumor had it that Nora’s Diner baked the best pies in the state, a different original recipe for every day of the week. Wednesday was apple and cinnamon, Sheriff Walton’s favorite. He was well aware that the first batch always came out of the oven at 6:00 sharp, and you just couldn’t beat the taste of a freshly baked slice.

Morning, Beth, Bobby replied, brushing rainwater off his coat and trousers. I’ll tell you, the floodgates of hell have opened out there, he added.

Summer downpours in southeastern Wyoming were common occurrences, but this morning’s storm was the heaviest they’d seen all season.

Morning, Beth, Sheriff Walton followed, taking off his hat, drying his face and forehead with a handkerchief, and quickly looking around the diner. At that time in the morning, and with such torrential rain outside, the place was a lot less busy than usual. Only three out of its fifteen tables were taken.

It was easy to match each table’s occupants to their vehicles parked outside. The couple in their midtwenties having a pancake breakfast probably drove the beat-up silver VW Golf; the obese, shaved-headed man and the tall, gray-haired guy by the window pensively toying with his cigarettes would’ve driven in the eighteen-wheelers, while the dark-blue Taurus to the diner’s side had to belong to the stylish, well-groomed forty-something flipping through the morning’s newspaper.

Just in time, Beth said, winking at the sheriff. They are just out of the oven. As if you didn’t know.

The sweet smell of freshly baked apple pie had already engulfed the place.

Sheriff Walton smiled. We’ll have our usual, Beth, he said, taking a seat at the counter.

Coming right up, Beth replied before disappearing into the kitchen. Seconds later she returned with two steaming, extra-large slices of pie, drizzled with honey cream. They looked like perfection on a plate.

Umm . . . the well-dressed man sitting at the far end of the counter said, tentatively raising a finger like a kid asking his teacher’s permission to speak. Is there any more of that left?

There sure is, Beth replied, smiling back at him.

In that case, can I also have a slice, please?

Yeah, me too, the large truck driver called out from his table, lifting his hand. He was already licking his lips.

And me, the horseshoe mustache man said, returning the cigarette pack to his jacket pocket. That pie smells darn good.

Tastes good too, Beth added.

"Good doesn’t even come close, Sheriff Walton said, turning to face the tables. Y’all are just about to be taken to pie heaven. Suddenly his eyes widened in surprise. Holy shit," he breathed, jumping out of his seat.

Bobby Dale swung his body around fast to track the sheriff’s stare. The large window just behind where the young couple was sitting framed the headlights of a pickup truck coming straight at them—and fast. The car seemed completely out of control.

What the hell? Bobby rose to his feet as everyone in the diner turned to face the window. The shocked look on their faces was uniform. The truck was headed toward them like a guided missile, and it was showing no signs of diverting or slowing down. They had two, maybe three seconds before impact.

EVERYBODY TAKE COVER! Sheriff Walton yelled. At that speed, that pickup truck would crash through the front of Nora’s diner and not stop until it reached the kitchen at the back, destroying everything in its path.

Desperate screams and scrambling took over the restaurant floor. They all knew they didn’t have enough time to get out of the way.

CRUUUUNCH-BOOM.

The deafening noise sounded like an explosion, making the ground shake under everyone’s feet.

Sheriff Walton was the first to look up. It took him a few seconds to realize that somehow the car hadn’t crashed through the building at all.

Confusion replaced the frown on his face.

Is everyone all right? the sheriff called out, frantically looking around.

Yeah was returned from all corners of the room.

The sheriff and his deputy rushed outside, checking their weapons as they ran. Everyone else followed just a heartbeat later. The rain had definitely gotten heavier in the past few minutes, now pouring in thick sheets that severely reduced visibility.

Out of sheer luck, the pickup truck had hit a deep pothole on the ground just a few yards from the front of the diner and had drastically veered left, missing the restaurant by just a couple of feet. As it detoured, it clipped the back of the dark-blue Ford Taurus before smashing headfirst into a side building that housed two bathrooms and a storage room, completely destroying it. Thankfully, there had been no one inside, as Walton gathered from Beth’s relieved exclamations.

Holy shit! Sheriff Walton coughed the words out, feeling his heart race inside his chest. The collision had turned the pickup truck into a mangled wreck, and the outside building into a demolition site.

Skipping over the debris, the sheriff was the first to get to the truck. The driver was its only occupant—a gray-haired man who looked to be somewhere in his late fifties, but it was hard to be sure. Sheriff Walton didn’t recognize him, and he was certain he’d never seen that pickup truck around Wheatland before. It was an old and rusty early 1990s Chevy 1500, and though the driver had been wearing his seat belt, the impact had been way too violent for a truck like this with no air bags. The front of the truck, together with its engine, had caved backward and into the driver’s cabin. The dashboard and steering wheel had crushed the driver’s chest against his seat. His face was covered in blood, torn apart by shards of glass from the windshield. One had sliced through the man’s throat.

Goddammit! Sheriff Walton said through clenched teeth, standing by the driver’s door. He didn’t have to feel for a pulse to know that the man hadn’t survived.

Oh my God! he heard Beth say in a trembling voice from just a few feet behind him. He immediately turned to face her, lifting his hands in a stop motion.

Beth, do not come over here, he commanded her. Go back inside and stay there. His stare moved to the rest of the diner patrons, who were coming toward the truck fast. All of you, go back into the diner. That’s an order. This whole area is now out-of-bounds, y’all hear?

Everybody stopped, but no one turned back.

The sheriff’s eyes searched for his deputy, and found Bobby standing behind the small crowd, back in the parking lot. The look on his face was a mixture of shock and fear.

Bobby, Sheriff Walton called. Call for an ambulance and the fire department NOW.

Bobby didn’t move.

Bobby, snap out of it, goddammit. Did you hear what I said? I need you to get the radio and call for an ambulance and the fire department right now.

Bobby stood still. He looked like he was about to be sick. Only then did the sheriff realize that Bobby wasn’t even looking at him or at the mangled pickup truck. His eyes were locked on the Taurus. Before crashing into the bathroom building, the truck had clipped the left side of the Taurus’s rear end hard enough to release its trunk door.

All of a sudden, Bobby broke out of his trance and reached for his gun.

No one move, he yelled out. His shaky aim jumped from person to person. Sheriff, he called in an unsteady voice. You better come have a look at this.

2

In lunchtime traffic, the seven-and-a-half-mile drive from Huntington Park to the LAPD headquarters in downtown Los Angeles took Detective Robert Hunter a little over forty-five minutes. He wasn’t supposed to be in for the next two weeks. Officially, he was supposed to be on vacation, but just under an hour ago he’d received a call from his captain, Barbara Blake, asking him to come in for an urgent meeting.

The Robbery-Homicide Division, located on the fifth floor of the famous Police Administration Building on West First Street, was a simple, large, open-plan office crammed with detectives’ desks—no flimsy partitions to separate them. The place sounded and looked like a street market on a Sunday morning, alive with movement and chatter that came from every corner.

Captain Blake’s office was at the far end of the main detectives’ floor. The door was shut—not that unusual because of the noise—but so were the blinds on the oversized internal window that faced the floor. That was undoubtedly a bad sign.

Hunter slowly started zigzagging his way around people and desks.

Hey, what the hell are you doing here, Robert? Detective Perez asked, looking up from his computer screen as Hunter squeezed past Perez’s and Henderson’s desks. I thought you were out for a couple of weeks.

Hunter nodded. I am. I’m flying out tonight. Just having a quick chat with the captain first.

Something up? Perez asked.

Hunter shrugged. I guess I’ll find out, he said before moving on. He paused before the captain’s door. Instinct and curiosity made him tilt his head to one side and check the window, but he couldn’t see past the blinds. He knocked twice.

Come in, Captain Blake called from the other side in her usual firm voice.

Hunter pushed the door open and stepped inside.

Barbara Blake’s office was spacious, brightly lit, and impeccably tidy. The south wall was taken by bookshelves packed with perfectly arranged, color-coordinated hardcovers. The north one was covered by framed photographs, commendations, and achievement awards, all symmetrically positioned in relation to each other. The east wall was a floor-to-ceiling panoramic window, framing the captain’s twin pedestal desk and two leather armchairs.

Captain Blake was standing by the window, looking out over South Main Street. Her long jet-black hair was gracefully styled into a bun, pinned in place by a pair of wooden chopsticks. She wore a silky white blouse, tucked into an elegant navy-blue pencil skirt. Standing next to her, holding a cup of steaming coffee and wearing a conservative black suit, was a slim and very attractive woman Hunter had never seen before. She looked to be somewhere in her early thirties, with long, straight blond hair and deep-blue eyes. Despite her polished appearance, there was something a little apprehensive about her expression.

As Hunter entered the office and closed the door behind him, the tall, slender man who was sitting in one of the armchairs, also clad in a soberly dark suit, turned to face him. The heavy bags under his eyes and his fleshy cheeks gave him a somewhat hound-like look, and aged him at least ten years, despite his fit figure. The thin locks of gray hair he still had left on his head were neatly combed back behind his ears.

Taken aback by these unexpected attendees, Hunter paused, narrowing his eyes.

Hello, Robert, the man said, standing up. His naturally hoarse voice, made worse by years of smoking, sounded surprisingly robust for a man who looked like he hadn’t slept in days.

Hunter held his gaze before moving to the blond woman and finally to Captain Blake.

Sorry about this, Robert, she said with a slight tilt of the head before allowing her stare to go rock hard as it homed in on the man facing Hunter. They turned up unannounced about an hour ago. Not even a goddamn courtesy call.

I apologize again, the man said in a calm but authoritative tone. That slight edge revealed that he was someone who was used to giving orders, and having them followed. He addressed Hunter. You look well. But then again, you always do, Robert.

So do you, Adrian, Hunter replied, stepping toward him and shaking the hand he proffered.

Adrian Kennedy was the head of the FBI’s National Center for the Analysis of Violent Crime and its Behavioral Analysis Unit 4—a specialist FBI department that provided support to national and international law enforcement agencies involved in the investigation of unusual or serial violent crimes.

Hunter was well aware that unless it was absolutely mandatory, Adrian Kennedy never traveled anywhere. He coordinated most of NCAVC operations from his large office in Washington, DC, but he was no career bureaucrat. Kennedy began his life with the FBI at a young age and quickly demonstrated a tremendous aptitude for leadership and motivation that didn’t go unnoticed. Very early in his career, he was assigned to the prestigious Secret Service. Two years later, after foiling an attempt on the president’s life by throwing himself in front of the bullet that was supposed to kill the most powerful man on earth, he received a high commendation award, and a personal thank-you letter from the president himself. The National Center for the Analysis of Violent Crime was officially established in June 1984. When it came time to change directors, Adrian Kennedy’s name was at the top of the list.

This is Special Agent Courtney Taylor, Kennedy said, nodding at the blond woman.

She moved closer and shook Hunter’s hand. Very nice to meet you, Detective Hunter. I’ve heard a lot about you.

Despite her delicate hands, her handshake was firm and confident, like that of a businesswoman who had just closed a major deal.

It’s a pleasure to meet you too, Hunter replied politely. And I hope that some of what you’ve heard wasn’t so bad.

She gave him a small but genuine smile. None of it was bad.

Hunter turned and faced Kennedy again.

I’m glad we managed to catch you before you left for your break, Robert, Kennedy said.

Nothing from Hunter.

Going anywhere nice?

Hunter held Kennedy’s stare.

This has got to be bad, he finally said. Because I know you couldn’t care less about where I am going on my vacation. So how about we drop the bullshit? What’s this about, Adrian?

Kennedy paused, as if to savor the drama of the moment.

You, Robert. This is about you.

3

Hunter’s gaze flashed to Captain Blake for a brief moment, and as their eyes met, she shrugged apologetically.

They didn’t tell me much, Robert, but the little I know sounds like something you would want to hear. She went back to her desk. It’s better if they explain.

Hunter waited.

Why don’t you have a seat, Robert? Kennedy said, offering one of the armchairs.

Hunter didn’t move.

I’m fine standing, thank you.

Coffee? Kennedy asked, indicating Captain Blake’s espresso machine in the corner.

Hunter’s gaze hardened.

All right, fine. Kennedy lifted both hands in surrender, while at the same time giving Special Agent Taylor an almost imperceptible nod. We’ll get on with it. He returned to his seat.

Taylor put down her cup of coffee and stepped forward, pausing just beside Kennedy’s chair.

Okay, she began. "Five days ago, at around six in the morning, while driving south down US Route 87, a Mr. John Garner suffered a heart attack just outside a small town called Wheatland, in southeastern Wyoming. Needless to say he lost control of his pickup truck.

"Maybe you already know this, but Route 87 runs all the way from Montana to southern Texas, and like most US highways, unless the stretch in question is going through what’s considered a heavily populated area, it has no guardrails, high curbs . . . nothing that would keep a vehicle from leaving the highway and venturing off in a multitude of directions."

The stretch that we’re talking about here doesn’t fall into the category of a heavily populated area, Kennedy commented.

By pure luck. Taylor moved on. "Or lack of it, depending on what point of view you take. Mr. Garner suffered the heart attack just as he was driving past a small truck-stop restaurant called Nora’s Diner. With him unconscious at the wheel, his truck veered off the road and drove across a patch of low grass, heading straight for the diner. According to witnesses, Mr. Garner’s truck was in a direct line of collision with the front of the restaurant.

At that time in the morning, and because of the torrential rain that was falling, there were only ten people inside the diner—three employees plus seven customers. The local sheriff and one of his deputies were two of those. She paused to clear her throat. At the last second, Mr. Garner’s truck drastically changed course and missed the restaurant by just a few feet. Road accident forensics figured that the truck hit a large pothole just a few yards before getting to the diner, and that caused the steering wheel to swing a hard left. The truck crashed into the adjacent building. Even if his heart attack hadn’t killed Mr. Garner, the collision would have.

Taylor picked up on a hint of doubt dancing across Hunter’s expression. She could tell that he was still trying to figure out why he was being told all of this.

Now, she said, lifting her right index finger and nodding at Hunter, as if signaling that she’d understood his silent question. Here comes the first twist. As Mr. Garner’s truck missed the diner and headed toward the outside building, it clipped the back of a blue Ford Taurus that was parked just outside. The car belonged to one of the diner’s customers.

Taylor reached for the briefcase resting by Captain Blake’s desk.

Mr. Garner’s truck hit the Taurus’s rear hard enough to cause the trunk door to pop open, Taylor said. The sheriff missed it, because as he ran outside, his main concern was to attend to the truck driver and passengers, had there been any.

She reached into her briefcase and retrieved an eight-by-eleven-inch color photograph.

But his deputy didn’t, she announced. As he ran out, something inside the Taurus’s trunk caught his eye.

Hunter waited.

Taylor stepped forward and handed him the photograph.

This is what he saw.

4

FBI National Academy, Quantico, Virginia, 2,632 miles away

Special Agent Edwin Newman had been standing inside the holding cells’ control room in the basement of one of the several buildings that made up the nerve center of the FBI Academy for ten minutes. Despite the many CCTV monitors mounted onto the east wall, all of his attention was set on a single and very specific one.

Newman wasn’t one of the academy’s trainees. In fact, he was a very experienced and accomplished agent with Behavioral Analysis Unit 4, who had completed his training over twenty years ago. He was based in Washington, DC, and had specially made the trip to Virginia four days prior just to interview the new prisoner.

Has he moved at all in the past hour? Newman asked the room operator, who was sitting at the large controls console that faced the wall of screens.

The operator shook his head.

Nope, and he won’t until lights off. Like I told you before, this guy is a goddamn machine. I’ve never seen anything like it. Since they brought him in four nights ago, he hasn’t broken his routine. He sleeps on his back, facing the ceiling. His hands are always locked together and resting on his stomach—like a fucking body in a coffin, you know what I’m saying? He linked his fingers together and placed his hands over his own torso to emphasize his point. Once he closes his eyes, he doesn’t move—no twitching, no turning, no restlessness, no scratching, no snoring, no waking up in the middle of the night to go pee, no nothing. Sure, at times he looks scared, as if he has no fucking idea why he’s here, but most of the time he sleeps like a man with absolutely no worries in life, crashed out in the most comfortable bed money can buy. And I can tell you this. He pointed at the screen. That bed ain’t it. That is one goddamn uncomfortable piece of wood with a paper-thin mattress on top.

Newman scratched his crooked nose, but said nothing.

The operator continued. That guy’s internal clock is tuned to Swiss precision. I shit you not. You can set your watch by it.

What do you mean? Newman asked.

The operator let out a nasal chuckle. "Every morning, at exactly five forty-five, he opens his eyes. No alarm, no noise, no lights on, no call from us, no agent bursting into his cell to wake him up. He just does it by himself. Five forty-five, on the dot—bing—he’s awake."

Newman knew that the prisoner had been stripped of all personal possessions. He had no watch or any other kind of timepiece with him.

As he opens his eyes, the operator moved on, he stares at the ceiling for exactly ninety-five seconds. Not a second more, not a second less. You can watch the recording from the past three days and time it if you like.

No reaction from Newman.

After ninety-five seconds, the operator said, he gets out of bed, does his business at the latrine, and then hits the floor and starts doing push-ups, followed by sit-ups—ten reps of each in each set. If he isn’t interrupted, he’ll do fifty sets with the minimum of rest in between sets—no grunting, no puffing, and no making faces either, just pure determination. Breakfast is brought to him sometime between six thirty and seven. If he hasn’t yet finished his sets, he’ll carry on until he’s done. Then he’ll sit down and calmly eat his food. And he eats all of it without complaining. No matter what tasteless shit we put on that tray. After that, he’s taken in for interrogation. He turned to look at Newman. "I’m assuming you are in charge of that?"

Newman didn’t acknowledge the question. He simply continued staring at the monitor.

The operator shrugged and carried on with his account.

When he’s brought back to his cell, whatever time that might be, he goes back to a second serving of his exercise routine—another fifty sets of push-ups and sit-ups. He chuckled. If you lost count, that’s one thousand of each, every day. When he’s done, if he isn’t taken away for further interrogation, he does exactly what you can see on the screen right now—he sits on his bed, crosses his legs, stares at the blank wall in front of him, and I guess he meditates, or prays, or whatever. But he never closes his eyes. And let me tell you, it’s fucking freaky the way he just stares at that wall.

For how long? Newman asked.

Depends, the operator replied. He’s allowed one visit to the shower every day, but prisoners’ shower times change from day to day. You know the drill. If we come get him while he’s wall staring, he’ll simply snap out of his trance, step off the bed, get shackled, and go to the shower—no moaning, no resisting, no fighting. When he comes back, he goes straight back to the bed-sitting, wall-staring thing again. If he isn’t interrupted at all, he’ll keep staring at that wall until lights off at nine thirty.

Newman nodded.

But yesterday, the operator added, just out of curiosity, we kept the lights on for an extra five minutes.

Let me guess, Newman said. "It made no difference. At exactly nine thirty he lay down, went back to his body-in-a-coffin position, and went to sleep."

You got it, the operator agreed. Like I said, he’s a machine. He paused and turned to face Newman. I’m no expert here, but from what I’ve seen in the past four nights and days, mentally, this guy is a fucking fortress.

Newman said nothing.

I don’t want to overstep my bounds here, but . . . has he talked at all during any of the interrogation sessions?

Newman considered the question for a long moment, but the operator leaped in once more.

The reason I ask is because I know the drill. If a special prisoner like this one hasn’t talked after three days of interrogation, then the VIP treatment starts, and we all know how tough that gets. Instinctively the operator checked his watch. Well, it’s been four days, and if the VIP treatment was about to start, I would’ve gotten word of it by now. So I’m guessing he talked.

Newman observed the screen for a few more seconds before nodding once. He spoke for the first time last night. He finally looked away from the wall monitor and stared back at the room operator. He said seven words.

5

As Hunter studied the photograph Special Agent Courtney Taylor had handed him, he felt his heartbeat pick up speed, a rush of adrenaline surging through his body. Several seconds went by before he allowed his stare to finally leave the picture and wander over to Captain Blake.

Have you seen this? he asked.

She nodded.

Hunter’s eyes returned to the photograph.

Clearly, Kennedy said, standing up again, Mr. Garner’s pickup truck clipped the back of the Ford Taurus hard enough not only to release the trunk door, but also to knock that ice container over.

The photograph showed a family-sized picnic-style ice container that had been tipped on its side inside the Taurus’s trunk. Large cubes of ice had spilled out of it, rolling off in all directions. Most of the ice cubes were stained crimson with what could only have been blood. But that was only a secondary shock. Hunter’s full attention was on something else—the two severed heads that had been stored inside the container. Both heads were female—one blond with longish hair, one brunette with a short, pixie-styled cut. Both heads had been severed from their bodies at the base of the neck. From what Hunter could tell, the cuts looked clean—experienced.

The blond woman’s head lay on its left cheek, her long hair covering most of her face. The brunette woman’s head had rolled away from the container and wedged itself in such a way that the back of her head was flat against the trunk’s floor, her features clearly exposed. And that was what made Hunter pause for breath. Her facial wounds were more shocking than the decapitation itself.

Three small locked metal padlocks crudely and savagely pierced the flesh of her lips at uneven intervals, keeping her mouth shut but not completely sealed. Her delicate mouth, crusty with blood, was still swollen, indicating that the padlocks had ripped through her flesh while she was still alive. Her eyes had been removed, the sockets just two black holes caked with dried blood, which had also run down her cheeks, creating a crazy dark-red lightning-bolt effect.

She didn’t have the skin of an old woman, but it was practically impossible to guess her age from the picture alone.

That photograph was taken by Sheriff Walton just minutes after the accident, Kennedy offered, walking over and pausing next to Hunter. As Agent Taylor mentioned earlier, he was having breakfast in the diner that morning. Nothing was touched. He acted fast because he knew the rain would start destroying evidence pretty quickly.

Taylor reached inside her briefcase and retrieved a new photograph, handing it to Hunter.

The forensics team took this one, she explained. They had to travel all the way from Cheyenne, which is only about an hour away, but when you add the delay of assembling the team and getting them on the road, they got there four hours after the accident.

In this new photograph, both heads were placed side by side, facing up, still inside the Taurus’s trunk. The blond woman’s face showed exactly the same wounds as the brunette’s. Again, guessing the second woman’s age was nearly impossible.

Were their eyes inside the container? Hunter asked, his attention riveted on the picture.

No, Taylor replied. There was nothing else. She looked at Kennedy, and then back at Hunter. And we have no idea where their bodies might be.

That’s not all, Kennedy said. Once those padlocks were removed from their lips, we could see that they’d both had all of their teeth extracted. He paused. And their tongues cut out.

Since we have no bodies, Taylor said, taking over again, and consequently no fingerprints, one could argue that the perpetrator removed their teeth and eyes to avoid identification, but that is still unclear.

For a fraction of a moment Taylor almost sounded doubtful, and this time it was Hunter who picked up on a ghost of a concern in her and Kennedy’s expressions. He breathed in slowly.

And you’re thinking that given the sheer brutality of the wounds inflicted on both victims, there’s a chance that this could’ve been an act driven by simple sadistic pleasure, and not a maneuver to avoid identification.

Kennedy wasn’t surprised that Hunter had so quickly read their thoughts. Despite not being part of the FBI National Center for the Analysis of Violent Crime, or Behavioral Analysis Unit 4, Robert Hunter was the best criminal profiler Kennedy had ever met. He had tried to recruit Hunter into the FBI for the first time many years ago, after he first read Hunter’s PhD dissertation, An Advanced Psychological Study in Criminal Conduct. Hunter had been only twenty-three years old at the time.

The paper had impressed Kennedy and the then FBI

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