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The Yellow Wallpaper
The Yellow Wallpaper
The Yellow Wallpaper
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The Yellow Wallpaper

Rating: 4 out of 5 stars

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A groundbreaking feminist masterpiece and one of the most exquisite horror stories in American literature

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper.
 
In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness.
 
A masterly use of the unreliable narrator and a scathing indictment of patriarchal medical practices, The Yellow Wallpaper is a true American classic.
 
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LanguageEnglish
Release dateDec 22, 2015
ISBN9781480474949
Author

Charlotte Perkins Gilman

Charlotte Perkins Gilman (1860-1935), author of the celebrated short story "The Yellow Wallpaper," is regarded by many as a leading intellectual in the women's movement in the United States during the first two decades of the twentieth century. Michael Kimmel is Distinguished Professor of Sociology at SUNY, Stony Brook, and the author of Manhood in America: A Cultural History. Amy Aronson is a professor of Journalism and Media Studies at Fordham University.

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Reviews for The Yellow Wallpaper

Rating: 4.0369918302439025 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    A creepy psychological horror with subtle feminism undertones. I truly enjoyed this one, because it showed how helpless women of the past were in certain situations, governed by their fathers, husbands, and brothers.
  • Rating: 4 out of 5 stars
    4/5
    A woman and her husband and young child rent a house for a few months while their house is being renovated. They stay in an attic bedroom with confusingly-patterned yellow wallpaper. The woman, already dealing with mental health problems, slowly becomes delusional due to her husband keeping her in the room with nothing to do but stare at the wallpaper every day.I was expecting this story to speak to me much more than it actually did. I know what the generally accepted interpretation of this story is - the woman's husband is controlling and abusive and she projects that feeling on to the wallpaper as she goes crazy. However, if the reader is seeing things only from the woman's perspective, and the woman is definitely delusional by the end, and thus an unreliable narrator, who are we to say when exactly she turned delusional? I'm certainly among the first to point out when a man is too controlling of a woman, but I think if the woman was delusional and paranoid from before the narration begins this story would look exactly the same.The downside of listening to this story as an audiobook is that I had no sense of time passing. There were no dates or noticeable breaks in the narration, so one minute they are moving into the house for 3 months and the next minute they are a couple days from moving back home. The lack of sense of time might have had something to do with my interpretation. I did listen to it twice but that did not seem to help.
  • Rating: 3 out of 5 stars
    3/5
    Read this short story in 1 sitting. It is the story of a woman's descent into madness following the birth of her child and the subsequent enforced rest. She is taken to a country house to recover and spends most of her time confined to a room with horrid yellow wallpaper. The description of the room makes me think what happens to the woman has happened in the past. A creepy, thought provoking read.
  • Rating: 4 out of 5 stars
    4/5
    In The Yellow Wallpaper, Charlotte Perkins Gilman explores the rest cure through a story in which her unreliable narrator slowly unravels like the wallpaper on which she fixates. The tale begins with the narrator entering a gothic manse fallen on hard times as part of her physician husband John's prescription, "absolutely forbidden to 'work' until" she is well (pg. 3). Locked in a room with only the curling patterns on yellow wallpaper to occupy herself, she slowly begins imagining that they move and ascribing personalities to the patterns. The narrator looks out the window and offers insight into her life, but this fades as the wallpaper comes to dominate her world, until she must climb inside it. The story offers useful historical insight into the rest cure while also serving as a good example of nineteenth century gothic fiction.
  • Rating: 4 out of 5 stars
    4/5
    Wow, this is a great short story. Creepy, sinister and unbearably sad.
  • Rating: 5 out of 5 stars
    5/5
    The Yellow Wallpaper is short but powerful. It’s written in the first person, as a diary by an unnamed woman. She has some unspecified mental health issue after giving birth, and her husband has whisked her away to a country manor. The husband (John) has insisted that they sleep in what appears to be the old nursery, as it has bars on the windows and the horrible yellow wallpaper has been damaged.

    The writer is prevented from doing anything much by her husband (who insists that she needs rest) and spends increasing amounts of time staring at the wallpaper, becoming convinced that there is a woman behind the pattern, trying to get out.

    I can identify with this, because I remember having some curtains when I was a child that terrified me. When you looked at the pattern, the pattern seemed to look back…

    The ending is ambiguous; has the narrator finally gone over the edge or is it something else?

    Apparently, the reason Gilman wrote this was to protest at the treatment of women who, kept from any kind of intellectual pursuit, were essentially driven mad with boredom. The story itself is written in a cheerful, unconcerned style which manages to convey to the reader that the narrator has no insight whatsoever into what is happening to her mind, underscoring her mental disintegration.

    It’s also quite clear that John is calling the shots, and is ignoring his wife’s protests that the enforced inactivity is making her worse, not better. But the narrator accepts that there is nothing she can do about this, because she’s only a woman and of course the men in her life know best…

    What must it be like to be in a situation where, no matter how often you tell people that you have a problem, nobody will believe you, because they all think they know better than you? It’s for your own good…
  • Rating: 4 out of 5 stars
    4/5
    John und seine Ehefrau mieten sich über den Sommer auf dem Land ein kleines Haus. John verordnet als Arzt seiner Frau Ruhe, denn sie hat eine stressige Zeit hinter sich. Doch in dem ihr zugewiesenen Zimmer findet sie diese zunächst nicht. Die Tapete macht ihrem Geist zu schaffen. Die Farbe ist nichts für Auge und das Muster sorgt für Verwirrung, denn es erschließt sich ihr nicht vollständig. Nur in der Nacht scheint es sich zu verändern und ein Geheimnis zu offenbaren.Charlotte Perkins Gilman verarbeitet in dieser Kurzgeschichte ihre eigenen Erfahrungen im Zusammenhang mit einer Nervenkrankheit. Die Frau in dieser Geschichte schreibt ihre Gedanken nieder, doch tut sie das heimlich, denn ihr Mann sieht es nicht gerne, wenn sie schreibt. Sie soll sich vollständig erholen. So erfährt der Leser nur auszugsweise aus der Gedankenwelt der Frau, die sich immer mehr in das Muster der Tapete steigert.Eine Geschichte über Wahnsinn, Einsamkeit und dem Unverständnis anderer Menschen. Sie kann mit niemandem darüber reden und so verstrickt sich ihre Welt immer mehr in den Wahnsinn.Eine großartige Geschichte. Man sollte sie genießen.
  • Rating: 4 out of 5 stars
    4/5
    The Yellow Wallpaper is a short story published in 1892. It is presented as a collection of journal entries written by a woman whose doctor husband has confined her to the upstairs bedroom of a house they’ve rented for the summer so she can recuperate from what he calls a “temporary nervous depression – a slight hysterical tendency,” a diagnosis common to women in that period.

    This early piece of feminist literature reflects 19th century male attitudes toward women's physical and mental health. What she seems to have is post partum depression. Rather than help her recover, her confinement in the room with the peeling yellow wallpaper has a very bad effect indeed on her mental health.

    I found myself outraged at the condescending attitude of her husband, as well as her acceptance of his decree. I also found the story of her mental decline deliciously creepy. The short story is definitely worth a read.
  • Rating: 4 out of 5 stars
    4/5
    It's fascinating and also mystifying how people handled mental stress, or mental disorders years ago, what things helped some people, and drove others further into madness. From what I understand, this story is partially true, based on the author's experience and hallucinations, and the frustration from people who largely had good intentions. Of course, from a feminist point of view, it's terrible how little people listened to what she wanted, or worked to truly understand and help.
  • Rating: 5 out of 5 stars
    5/5
    Excitingly creepy in every way.
  • Rating: 4 out of 5 stars
    4/5
    A short story chronicling one woman's descent into madness, poorly understood by those around her, and tormented by the ghastly yellow wallpaper in her bedroom. Very well told. I only wish it were longer.
  • Rating: 5 out of 5 stars
    5/5
    The Yellow Wallpaper is a dark and powerfully written tale, first published in 1892, about a woman's descent into madness. Her psychosis is brought on by the social restrictions of the time, a controlling husband and the deteriorating yellow wallpaper that covers their bedroom.
  • Rating: 4 out of 5 stars
    4/5
    This is an interesting short story about the psychological disintegration of a woman, seeing images in the eponymous object around her as she lays in her sickbed. Too short to exert a really powerful impact, though, for me. 3.5/5
  • Rating: 5 out of 5 stars
    5/5
    This is a classic of feminist literature. It tells of a woman suffering from depression which is made worse and worse by the paternalistic care of her "loving" husband who treats her as a child, manages every aspect of her life, discourages her writing career, and dismisses any concern she might have. His idea of a cure for depression seems to be that she sleep for 3 months and not trouble her pretty little brain. The result is a very moving, very creepy story.
  • Rating: 4 out of 5 stars
    4/5
    A gradual descent into madness, as ‘journaled’ by a Victorian lady. Semi-autobiographical, and subtly written, this depression settling into something darker delivers chills along with the story.
  • Rating: 5 out of 5 stars
    5/5
    One of my favorite short stories of all time! Beautifully haunting psychological thriller!
  • Rating: 5 out of 5 stars
    5/5
    Chilling !A haunting tale of one womans descent into mental illness. Short but yet slightly eerie as you follow her decline into the madness. Loved it !
  • Rating: 5 out of 5 stars
    5/5
    I first came across this title when working on a project involving influential women. What little I heard about this story intrigued me, and now having read it, all I can say is "wow". This definitely has a mind-blowing quotient to it and begs discussion. I also loved how it felt gothic.
  • Rating: 5 out of 5 stars
    5/5
    Brilliant work and I love how disturbing people thought it was when she wrote it. As if one would have to be insane to be able to write that brilliantly. Loved it and will read it again.
  • Rating: 4 out of 5 stars
    4/5
    Originally published in 1899, the slight, 30-odd page story is one of the creepiest glimpses into the process of a mental breakdown I have ever read. Republished by The Feminist Press in 1973, the afterword of the edition I read spoke of the author’s prolific career as a writer, poet, publisher, and academic. She wrote several textbooks, opened her own school, and for several years of her life wrote, published, and edited her own magazine, which amounted to about 21,000 words per month. (Hedges, Afterword to the 1973 Feminist Press edition, 38.) In other words, Gilman was a total badass. However, the short story captures the prisoner-like aspects of the submissive role that many women lived at the time of publication, both in terms of marriage and societal expectations overall. The protagonist of the story is left in a room, with little to no social contact and no medical treatment. As the story progresses her mental condition worsens and those around her coddle her but do nothing proactive to alleviate her situation. It is scary, realistic, and her lack of choices and the guilt she is made to feel are heart-wrenching. Gilman's writing draws you right into the story and right down the slide of sanity in a way I will never forget. I absolutely recommend this work to anyone who enjoys short stories, people who like to read about mental illness, and anyone interested in 19th century feminism.
  • Rating: 5 out of 5 stars
    5/5
    On the surface, it's a creepy, intriguing story about a woman and the wallpaper in her room, but it goes so much deeper to address how women were treated by their husbands and by doctors at the time. It's partially autobiographical and appalling and groundbreaking, especially for 1892, yet not as unrecognizable as one would hope for being well over 100 years old, which added to the disturbance level of this story for me.

    It's in the public domain and a really quick read, but I liked this edition for its introduction and afterword that set the historical context and gave a lot of information about Charlotte Perkins Gilman and her own experiences with the "rest cure." But the afterword does spoil "The Awakening" and "The House of Mirth," just FYI.
  • Rating: 4 out of 5 stars
    4/5
    Although this is a short story it is very powerful. You pick up on the slow deterioration of the main character, but like with the wallpaper it isn't that clear in the beginning.

    What the attic room has been used for in the past is also up for discussion. I personally believe that although it might once have been used as nursery its previous function might be totally different.
  • Rating: 4 out of 5 stars
    4/5
    “Yellow Wall-Paper” Review“ It is a dull yet lurid orange in some places, a sticky sulphur tint in others.” This quote, from the “Yellow Wall-Paper”, written by Charlotte Gilman in 1891, describes the wallpaper in Jane's room. John and Jane are a married couple and are renting an isolated country house. Jane is mentally ill, and she is locked up in her room for most of the day. John is a doctor and he thinks this is the best way for her to recover. While she sits in her room, she becomes insane. She is confused about the wallpaper, and eventually she gets the idea that a woman is trapped inside of the wallpaper. Jane’s condition is continually becoming worse. John denies it, and tells her she is improving. If you wish to learn more you should read this story. Charlotte Gilman was born on July 3, 1860 in Hartford, Connecticut. She died August 17, 1935 at the age of 75. When Charlotte was five years old, she taught herself to read because her mother was ill. Her father left her and her mom when she was young. “ For many years I suffered from a severe and continuous nervous breakdown tending to melancholia.” After writing the book, Charlotte said, “ It was not intended to drive people crazy, but to save people from being driven crazy, and it worked.” This quote from Charlotte explains why she wrote this short story. I liked reading this story, but it was very confusing. “ I’ve got out at last, in spite of you and Jane? And I’ve pulled off most of the paper, so you can’t put me back.” This is one quote that made this text so confusing. Overall, I enjoyed reading this piece. Many parts of this book were hard to understand, and that made me want to keep on reading to try to figure out what was happening. I was really confused when she talked about Jane because I didn’t know who she was talking about until the very end of the story. After reading the end of the book, and thinking about it for awhile, I then understood what the plot was all about. I would recommend this story to anybody who likes reading mystery books and books that are hard to follow. I also think any adults who like reading quick, short stories might enjoy this story. I would not recommend this book to people younger than high school students, because they may not be able to understand what is happening throughout the story.
  • Rating: 4 out of 5 stars
    4/5
    What a wonderfully creepy short story (novella?)! I had plenty of suspicions about what was going to happen, but wasn't even close...
  • Rating: 3 out of 5 stars
    3/5
    This story was difficult for me to decide how I felt on it. I tend to not get very in-depth about what books my symbolize. From what I've read by reviewers and internet sleuthing, this book is rife with symbolism. Since that's not my area of expertise, I will not be basing my review on it.

    The story is very short but very telling. By the end of it, I was almost cheering on her insanity as it was when she seemed the happiest. I was enthralled by her stories of the woman in the wallpaper and there is a part of me that wished it was a bit longer -- more of a beginning and more of an end.

    I don't feel as if I wasted my time on the story and would recommend it to people but I can't say I was swept up in the hype around it. Perhaps, because of my lack of knowledge surrounding symbolism..
  • Rating: 5 out of 5 stars
    5/5
    Amazing, painful, frightening. TV Tropes even refers to this short story from 1892... (especially in the "Room Full of Crazy" trope...)
  • Rating: 5 out of 5 stars
    5/5
    The Yellow Wall-Paper was one of the first short novels that I read. I made the exception because of its status on the list of 1001 Books You Must Read Before You Die. I am glad that I read it. It is the perfect length for a cup of tea and the price is right. It is a part of Project Gutenberg, and an eBook can be obtained free of charge.
    The story is a series of journal entries told in first person by the narrator, a nameless woman who is locked in a room, after being diagnosed as ‘nervously depressed’ by her physician husband, John. I believe that John acts out of love, although questionable at times. His treatment of his wife is so oppressive, that it seems that the woman may have created her own sense of freedom, although it is seen as psychotic.
    The journal entries describe the woman’s descent into psychosis with the wallpaper in the room where she is locked in her own thoughts. The ending of the story has an odd, but feminist triumph of sorts. I can see that there are many ways that this story, albeit short, could be interpreted. The bottom line is that there is a lot of punch in this short little ditty.
  • Rating: 5 out of 5 stars
    5/5
    With still so many unresolved questions, The Yellow Wallpaper keeps its power.Was the doctor husband totally without bad intentions?If no, why did he not respond to his wife's simple request NOT to stay in the upstairs nursery with the awful peeling wallpaper?Did her writing actually cause her to become more upset? or was this a thing he just wanted to control?If she could make it outside for daily walks, why does she keep insisting that her husband would not allow her to DO anything?She could have gardened! fed birds! found a pet! followed the wildlife! dug a pond!So this descent into madness felt more like the choices of an unstable mind rather than an intent by her husband and his sister to drive her insane.
  • Rating: 3 out of 5 stars
    3/5
    This was a short story told from the point of view of a woman who was suffering what we would today call postpartum depression. Her husband and family force her to stay on bed rest in a strange room where she slowly loses her mind based on her surroundings - especially the wallpaper in the room. While short, the story does a nice job making the reader feel for the main character, and gives us a glimpse of what it might be like to suffer from that type of depression.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed the deliciously creepy novella The Yellow Wallpaper by Charlotte Perkins Gilman. The author hit all the right notes and left the reader wondering if they had just read about a woman’s decent into madness or this was a story about spirit possession. This story was first published in 1892 and I would say it has definitely stood the test of time.Told entirely from the woman’s perspective, we learn that she, her husband, physician John, his sister and their baby are spending the summer in a remote colonial mansion. Her husband has diagnosed a need for a “rest cure” for her nervous depression. The negative aspects and limited understanding about this women’s psychological condition are soon apparent as she spends her time in isolation. She is confined to one room of the house, an old nursery and with nothing to fill her time with, she soon turns her attention to the room’s wallpaper, and in particular it’s intricate patterns.For such a short story there is a lot for the reader to think about including a woman’s role and rights in Victorian society and mental health issues. I loved how the author gave this story a haunting quality and left the conclusion up to the reader to determine. The Yellow Wallpaper had just the right amount of “unexpected” and I highly recommend this story.

Book preview

The Yellow Wallpaper - Charlotte Perkins Gilman

It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.

John is a physician, and perhaps—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—perhaps that is one reason I do not get well faster.

You see he does not believe I am sick!

And what can one do?

If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?

My brother is also a physician, and also of high standing, and he says the same thing.

So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to work until I am well again.

Personally, I disagree with their ideas.

Personally, I believe that congenial work, with excitement and change, would do me good.

But what is one to do?

I did write for a while in spite of them; but it does exhaust me a good deal—having to be so sly about it, or else meet with heavy opposition.

I sometimes fancy that in my condition if I had less

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