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Work Like Any Other: A Novel
Work Like Any Other: A Novel
Work Like Any Other: A Novel
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Work Like Any Other: A Novel

Rating: 4 out of 5 stars

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LONGLISTED FOR THE MAN BOOKER PRIZE

In this “inventive, beautiful, and deceptively morally complex novel” (The Miami Herald), a prideful electrician in 1920s rural Alabama struggles to overcome past sins, find peace, and rescue his marriage after being sent to prison for manslaughter.

Roscoe T Martin set his sights on a new type of power spreading at the start of the twentieth century: electricity. It became his training, his life’s work. But when his wife, Marie, inherits her father’s failing farm, Roscoe has to give up his livelihood, with great cost to his sense of self, his marriage, and his family. Realizing he might lose them all if he doesn’t do something, he begins to siphon energy from the state, ushering in a period of bounty and happiness. Even the love of Marie and their child seem back within Roscoe’s grasp.

Then a young man working for the state power company stumbles on Roscoe’s illegal lines and is electrocuted, and everything changes: Roscoe is arrested; the farm once more starts to deteriorate; and Marie abandons her husband, leaving him to face his twenty-year sentence alone. As an unmoored Roscoe carves out a place at Kilby Prison, he is forced to ask himself once more if his work is just that, or if the price of his crimes—for him and his family—is greater than he ever let himself believe.

Work Like Any Other is “a consummately well-written, deeply affecting, thought-provoking American historical novel of hard labor, broken dreams, moral dilemmas, violence, racism, and the intricacies of marriage, parenthood, and friendship. Hope is found in reading, compassion, forgiveness, and good, honest work, whatever form it takes. Virginia Reeves’s gripping, dynamically plotted, and profound novel will resonate on different frequencies for men and women and spark soul-searching and heated discussion” (Booklist, starred review).
LanguageEnglish
PublisherScribner
Release dateMar 1, 2016
ISBN9781501112522
Work Like Any Other: A Novel
Author

Virginia Reeves

Virginia Reeves is a graduate of the Michener Center for Writers at the University of Texas at Austin. Her debut novel, Work Like Any Other, was longlisted for the Man Booker Prize and the Center for Fiction’s First Novel Prize, and Booklist named it to their Top 10 First Novels of 2016. Virginia lives with her husband and daughters in Helena, Montana, where she teaches writing and speech at Helena College. The Behavior of Love is her second novel.

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Rating: 4.028169112676056 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    The more I think about this, the better I like it. 4.5 stars
  • Rating: 4 out of 5 stars
    4/5
    I'm sitting here wondering why not five stars because the writing - minus the story - was certainly that. I can't believe this is a debut book. Virginia Reeves is very talented, and in this, her "work is not like any other."

    I think I'm leaning towards 4.5 stars. For instance, there were places in the book where I was confused by what was happening. Where the poetic flow of words took over a scene and subsequently left me puzzled. Or maybe that was me - because I was so busy studying the prose, I neglected to follow the story. However, I'd go back and re-read passages in order to understand, because I wanted to understand, and eventually I just moved on. A scene or two while Roscoe was in prison running the dogs would be one of those, for example.

    Last, the ending, while satisfying, struck me as a bit odd. No spoilers here, but the characters hinted by way of dialogue at something big, yet the revelation of this man's situation was sort of...mediocre in it's result. As in a production was made of something that didn't seem all that major, something I'd sort of guessed, yet what other outcome could there have been?

    All in all, I appreciated this finely turned out story, and will be on the lookout for other "work" by her!
  • Rating: 3 out of 5 stars
    3/5
    Written in spare, honest, and straight-forward language, this book held my interest in the beginning and the end, but I almost put it down in the middle section. I'm glad I kept at it, though, as I felt it was well written and authentic in its emotions.
  • Rating: 4 out of 5 stars
    4/5
    This was a very moving and accomplished first novel set in Alabama in the 1920s. Roscoe T. Martin, his wife Marie and their young son Gerald are living on a farm inherited from Marie's father. Roscoe is a reluctant farmer, but he finds a way to use his former career as an electrician by illegally wiring their farm for electricity. This crime leads to a terrible accident resulting in Roscoe's imprisonment for manslaughter. Roscoe is a good man who meant no harm, but he winds up paying for his actions in horrible ways that go way beyond his incarceration. Marie is a cold, hardened heap of resentment and selfishness and she's unpleasant to read about. Whatever his crimes, Roscoe did not deserve Marie and poor Gerald certainly didn't deserve her. While Roscoe tries to repay what he owes his family and friends, the constant source of comfort in his life is his work, whatever that might be at the time. I found the first third of the book a little slow and disjointed, but after that it was very involving, and the last third, which I will not reveal, was my favorite part of the book. I received a free copy of this book from the publisher.
  • Rating: 5 out of 5 stars
    5/5
    Easily one of the best novels I've read this year. Roscoe is a complicated, believable character and he made the book for me. I'm not sure I entirely buy the conclusion, which felt a bit neat to me, but that is just a quibble. The writing is so good and the characters so well-drawn that I could hardly put the novel down.
  • Rating: 4 out of 5 stars
    4/5
    For me this book worked well, although I'm not sure it will be everyone's cup of tea. What might disappoint some readers is that there's not a huge amount of action. Also, the book finishes in a way that I found satisfying, but some readers might prefer a more traditional 'happy' ending. The reality is though, when we do wrong, that wrong can never be completely made right - and I think this is the take-home message of the novel. Not withstanding that, the story does point out that a certain amount of redemption and forgiveness is also available, and participating in a process of forgiveness can be beneficial for all concerned. Reeves writes with what I found to be an appropriate amount of hope and optimism, and I will be looking forward to her next work.
  • Rating: 4 out of 5 stars
    4/5
    Virginia Reeves's first novel was long listed for the Man Booker prize. It didn't make it on to the short list, but I was happy to have read this historical novel set in Alabama between the world wars.Roscoe is an unsuccessful farmer. Which is to say, he's an electrical engineer who was happy in his work until his wife's father died and left her the family farm. Living on a farm isn't something that fulfills Roscoe and things are going downhill when he comes up with the idea of tapping into the electrical wires now being strung across the state. It does indeed help the farm, but at a terrible cost, and when the theft is discovered, both he and Wilson, who has worked on the farm for decades, are sent to prison. No spoilers here; the book is divided into the events taking place before the arrests and after they are sent to prison. Reeves opens the novel with Roscoe abusing his wife and son, and yet still manages to make him a sympathetic character. He's a wonderfully written character; an ordinary man stuck in terrible circumstances, which he handles as well as he can. He's complexly written, as are most of the other characters. I especially appreciated how Reeves wrote about Wilson and his family. Wilson's time in prison was much harsher than Roscoe's, with Roscoe, a white man, being sent to a "model" prison and Wison, a black man, being rented out to work in mines, effectively as slave labor. There are a few signs that this is a debut novel. At times the research show through and is presented heavily. Reeves clearly researched every aspect of this novel and there's a solidity to her descriptions of prison life and of farm life that show that she isn't just winging it.
  • Rating: 4 out of 5 stars
    4/5
    Roscoe T. Martin is a keen electrician and he hopes this will be his life's work. When his wife Marie inherits her father's farm, life changes drastically for Roscoe. The farm is doing poorly and the only way that Roscoe can imagine improving the fortunes of the farm and pleasing his wife is to siphon electricity from that of State of Alabama. Roscoe enlists the help of his farm hand, Grice Wilson. Unfortunately a young man working for the the State power company is electrocuted when he accidentally encounters Roscoe's illegal power lines. All of this is not a spoiler because it is revealed in the first few pages of the book.Roscoe is charged with manslaughter and sent to Kilby Prison in Alabama. Work Like Any Other takes place in 1920's Alabama. Roscoe is a good person who has tried to please his wife and child. His time in prison is detailed and fascinating. Roscoe struggles with the guilt and debt he feels for his accomplice, Grice Wilson, and for the dead young man, as well as being separated from his wife and child.A dark and intriguing read . I enjoyed it , and felt it was a well - told historical novel, but I expected more from a Long - Listed Booker Prize .4 stars.Recommended - just not Booker - worthy in my opinion.
  • Rating: 5 out of 5 stars
    5/5
    Roscoe T Martin is an electrician who feels lost working on his wife's inherited farm. It's Alabama in the 1920s and Roscoe comes up with the brilliant idea of bringing electricity to the farm from the wires that Alabama Power has passing right along the edge of one of their fields. It will be his contribution to the farm, his way of bringing is professional passion to the way of life that he has begrudgingly accepted. He hopes that it will bring him closer again to his wife and young son, from whose intimacy he feels excluded and alone. And for a couple of years, the increased production provided by the newly installed electricity does transform this small family's fortunes and feelings. To say that a tragic accident changes everything may seem self-evident but the beauty of this novel is that it takes that time-honored plot path and uses it to tremendous emotional effect. Told alternately in Roscoe's first-person voice and in that of a third-person narrator focusing primarily on his wife, Marie, the novel moves quickly up to the tragedy and then slowly through the ensuing decade. Roscoe spends that decade in prison and the ways in which this experience transforms him are neither sugar-coated nor unnecessarily dire. His wife and son cope with this unexpected turn in their fortunes in their own ways, only some of which are disclosed to the witnessing reader. I loved this novel. I had a hard time putting it down and it led me to feel deeply. The emotional impact isn't saved for the ending as with so many good novels; reading this novel is an emotional experience almost from the very beginning. This is an impressive debut novel and my favorite (so far) of the 2016 Booker nominees.
  • Rating: 5 out of 5 stars
    5/5
    This historical novel set in rural central Alabama in the 1920s and 1930s begins with tragedy, as the reader learns that a man has been killed close to a farm where Roscoe Martin lives with his wife Marie, who inherited the land after the death of her father, and their son Gerald. The farm is struggling, as the meager profits from the crops aren't enough to pay for farmhands to harvest it, and Roscoe, a trained electrician who dislikes farmwork, is embittered about the seemingly hopeless situation he finds himself in, and the relationship between he and Marie and Gerald becomes progressively more distant, although he loves her dearly. Electricity had not yet come to homes and most businesses in rural Alabama in the early 1920s, and farming techniques have not changed much since the years preceding the Civil War. However, high voltage power lines were starting to be run through these areas by Alabama Power, and Roscoe comes up with a plan to provide the farm with electricity, which will allow the crops to be harvested more quickly and less costly. He enlists the help of Wilson Grice, the African American manager of the farm, who lives on the property in a shack with his family and has worked there since he was a boy, who reluctantly agrees to help Roscoe. The plan is initially successful, as the farm becomes very profitable and the relationship between Roscoe and Marie is reinvigorated, but tragedy results several years later, resulting in the arrest, conviction and imprisonment of Roscoe and Wilson.The novel alternates between the past and shifting present, with Roscoe's first person accounts of his life before and during his sentence in Kilby Prison near the state capital of Montgomery interspersed between the third person stories about Marie, Gerald, and Wilson's wife Moa. Roscoe is disheartened by his fate, and to a lesser extent by what has happened to Wilson, who was a less than willing accomplice to the crime but, as a black man in 1920s Alabama, is certain to face a much more severe sentence in prison. Roscoe's personal reflections and experiences form the backbone of the novel, which is supported by the stories and viewpoints of its main characters. Although he is vilified by Marie, Moa and their children, Roscoe is neither a fully despicable nor a heroic character, and the book's author likewise portrays the other characters as complex, flawed, and all too human. Tension progressively builds throughout the book, as each character's secrets are uncovered and their fates are revealed, and I found the ending to be surprising and shattering.Work Like Any Other is a remarkable novel, especially since it is Virginia Reeves' debut. I was completely engrossed in the story and its characters, who will stay with me for a long time to come. This book is the first one I've read so far that is completely worthy of inclusion in this year's Booker Prize longlist, and is one of the best American novels I've read this decade. I look forward to hearing more from this sensitive and talented author.
  • Rating: 4 out of 5 stars
    4/5
    Roscoe Martin chose a profession which he loved. He broke from his father's mining business to work with electricity, an emerging field in 1922 Alabama. As an electrician, he and his wife, Marie, were content as they waited for their family to expand. Life changed rather suddenly and unpleasantly for Roscoe when his father in law died unexpectedly leaving his farm to his daughter. Roscoe is not a farmer and life becomes difficult until he gets an idea to turn the farm around. His idea has life changing effects for himself, his family and the young family who helps work the farm. The characters were well drawn and I enjoyed the camaraderie between the Martin and Grice family. As historical fiction, it was enlightening. It was very easy to dislike Marie Martin, she did not stand by her man when he needed her. However, it's her art collection of Eilleen Agar, which we learn about late in the story, which shed some light into her personality. Perhaps the farm, her life was too conventional for her. A good story and well written but may be just a bit pedestrian in nature.
  • Rating: 5 out of 5 stars
    5/5
    I loved this. Really smart and subtle, nuanced portraits of complex people and situations without hammering any of it home. It reminded me of Paul Harding's Tinkers (another multiple prize nominee, which won the Pulitzer for fiction in 2010, as well as the PEN/Bingham and Center for Fiction First Novel).I agree with what a friend said about the ending being a bit neat, but I feel like the story earned it. Plus she didn't do anything bad to that good, good hound dog, which would have been a lesser writer's easy catharsis. I was nervous for the whole last 25 pages thinking that was going to happen.
  • Rating: 2 out of 5 stars
    2/5
    Pride, family dedication, and resentment were clear motifs woven throughout this narrative. When Roscoe installs an illegal electrical power supply to his wife's family farm, everything seems like it's finally falling into place. However, when an accident occurs Roscoe is ruthlessly prosecuted and thrown behind bars. His prison experience is interesting to read, and I enjoyed the switch of viewpoints between him and his wife. I was a bit disappointed that this didn't feel like a time piece from the early 1920's. Lacking historical detail and the overall fluidity felt a bit lackluster.
  • Rating: 4 out of 5 stars
    4/5
    It is the 1920's and electricity is spreading quickly, but not yet to rural areas. Roscoe, a young married man gives up a job he loves with Alabama power and light, to make his home with his wife and son on the farm left to his wife by her father. He, however, is not a farmer and their marriage is floundering because of his unhappiness until he gets an idea to wire the farm by tapping into the power lines servicing the town. A unfortunate death will send Roscoe to prison, it will also send the black man who helped him, the man who has run the farm for years, to a worse fate, that of the mines. But should one lose every because of one misstep? Is there no chance for forgiveness or retribution?I sometimes check Kirkus after I have read a novel to see what they thought. Sometimes I agree with them, sometimes not, in this case not. They praised the elegant writing and this I agreed with, the writing was amazing. They then went on to say the novel had no heart, this I disagreed with. Yes, this is a quieter story, a moral journey, a novel where forgiveness is offered in an unexpected place, but it touched me. The beginning of electricity, the beginning of the prison reform movement, life in prison, and the questions of what would be waiting for him when he is released. This story is the journey of a man with good intentions, who finds his life derailed but must move forward and make a life with what is left. Found this a most worthy read.ARC from publisher.
  • Rating: 3 out of 5 stars
    3/5
    This is a work of historical fiction, set in the south in the mid 1920s Before the story has begun we are already aware there will be a death on this land and that Roscoe Martin will be jailed for it. The story flashes back and forth between the time leading up to that death and jail sentence, to the time Roscoe is currently serving out his sentence and then continues past his eventual release. He and his wife Marie were not exactly the happiest married couple you will ever encounter though they did both try to make things work in their own way up until his jail time when Marie totally abandoned him. Roscoe had never actually wanted to be a farmer and his resentment of that was often felt by his wife and son. This was a tragic story of the breakdown of not only a marriage but ultimately a family.
    I enjoyed the story but I could have done without the excessive descriptions of wires, coils transformers and how electricity works.

    I received an advance copy for review
  • Rating: 5 out of 5 stars
    5/5
    1920s Alabama: Roscoe T Martin’s life work, training, and passion is electricity. But when his wife Marie inherits the family farm from her late father, he gives up his livelihood – at great cost to himself, his marriage, and his family. Roscoe is not a farmer – in fact, he resents the farm and all that has come with it. In an effort to improve their rural lives, Roscoe concocts and carries out a plan to siphon off state electrical power to bring electricity to the farm. And the plan works – the farm prospers, and life gets better. That is, until a young man employed by Alabama Power is electrocuted and Roscoe is arrested and incarcerated at Kilby Prison. What’s worse, their loyal and long-employed black farm hand, Wilson Grice, is charged, too. Needless to say, the penal system in early 1900s rural Alabama deals with the two men very differently. Marie, strong and reasonable and disciplined – and cold – abandons Roscoe, who must learn to carve out a place for himself in Kilby Prison.Work Like Any Other is a stunning debut novel: rich with gorgeous, spare writing, insight, and imagery. Reeves explores primarily love, redemption, family, and guilt. There is a scene in which Marie is canning peaches with Moa, Wilson Grice’s wife, which is set in my mind – and which Reeves uses brilliantly to illustrate Marie’s relationship with both her farm and her husband:“The stone of the peach had always pleased Marie, its wrinkles like furrows in a newly plowed pasture or the deeply created forehead of an old woman – like things soft to the touch. The stone was rough, though, nearly to scratching, and hard. Only a sick peach showed a weak stone, splitting with the flesh when cut, exposing the soft, flat seed inside. The fruit of those peaches clung to the sides of their stones, forcing her to hack away at the flesh in sloppy chunks. When the farm had been at is most prosperous, she’d allowed herself to throw those peaches out.” (157)Highly, highly recommended!
  • Rating: 5 out of 5 stars
    5/5
    It is the 1920s in Alabama and Roscoe T. Martin loves working for the power company, stringing lines to bring electricity into homes and factories. However, when his father-in-law dies, his wife, Marie, convinces him to give this up and take over her family’s farm. Things are not going well until he decides to illegally hook the farm up to electricity with the aid of Wilson, the farm’s African American manager. As a result, the farm thrives but when a power company worker discovers their theft and dies investigating, both Martin and Wilson are arrested and sentenced, Martin to prison and Wilson, because he is black, to the mines, a fate even worse. Marie blames Roscoe, not only for the crime but for Wilson’s fate and she refuses to write or visit nor will she allow their son to have any contact. The narrative is divided between Roscoe in the first person and the third person with other characters. The story also alternates between past and present. In prison, Roscoe has several jobs including in the dairy and working with the tracker dogs. But it is his work in the library that brings him the most satisfaction helping prisoners learn to read and is the greatest cause of problems and pain as many prisoners and guards resent what they see as his sense of superiority. This leads to some severe consequences for him.Work Like Any Other is by author Virginia Reeves. I didn’t find out until after I had read it that this was her debut novel – this would have been an impressive novel under any circumstances but as a debut, it is astonishing. Reeves brings the south of the 1920s to life with all its racism, violence, and hardships. The writing is beautiful, the story is extremely well-written and compelling, and the characters are fully drawn as real people with strengths and flaws who the reader can recognize and empathize with. Reeves clearly cares about them and so the reader does as well. This novel is haunting and heartbreaking and will leave you wanting more.This is a story of guilt and redemption, a subject that could easily cross the line to melodrama with a lesser writer. Yet, Reeves never loses sight of the story or its intent. It is the kind of book that will engage you from beginning to end and remain with you long after. If this is a debut novel, I can’t wait to see what Reeves does next
  • Rating: 5 out of 5 stars
    5/5
    This book had a huge impact on me. I was completely spellbound by this story of a man who I felt was unjustly accused of manslaughter. Roscoe Martin was an electrician by trade but left his field to try to work on his wife’s family farm. The work didn’t suit him and caused difficulties in his marriage. So he did the only thing he knew how to do and that was to bring electricity to the farm. And his efforts were successful until an electric company worker is killed when he finds Roscoe’s illegal electrical connection. While there was nothing wrong with the connection that caused this death, all blame is placed on Roscoe since it was an illegal connection.Not only is the death of the worker placed at Roscoe’s feet but everything that happened afterward is blamed on him, even what happens to his friend who helped him connect the electricity to the farm. Roscoe is sent to prison and his struggle with prison life, his wife’s abandonment and the loss of his son is one of the most heart wrenching and riveting stories I’ve ever read. Ms. Reeves is a brilliant author and has written a book that rivals the work of John Steinbach. I loved every word of it and suffered right along with Roscoe as all he worked for falls apart. It’s a tragic story beautifully and insightfully told. I’m very much looking forward to future work by this author and highly recommend this book.This book was given to me by the publisher through Edleweiss in return for an honest review.
  • Rating: 3 out of 5 stars
    3/5
    Roscoe and his wife Marie live with their child on a failing farm in rural Alabama in the 1920's. Roscoe is obsessed with electricity, and dreams of electrifying the farm, which he believes will make it more profitable. Without authority, he, with the assistance of the black farmhand Wilson, attaches the farm to electrical lines and begins siphoning off electricity. And for a while, the fortunes of the farm turn around miraculously. When Roscoe's theft of electricity is discovered as the result of a tragic accident, Roscoe and Wilson are arrested. Roscoe spends the next 20 years in prison. Marie and his son never visit, seemingly abandoning him. Nevertheless, Roscoe dreams of his future release and returning to Marie.This novel had some interesting aspects. There were lots of discussions of rural electrification, and for the most part the depiction of life in the rural south in the 1920s/30s feels authentic. The difference in the penal treatment of Roscoe (white) and Wilson (Black) was egregious. However, I found the depiction of the relationship between Roscoe's family, particularly Marie, and Wilson's family to be extremely unrealistic for its time and place.This book was long listed for the 2016 Booker.2 1/2 stars
  • Rating: 5 out of 5 stars
    5/5
    Virginia Reeves has certainly set the bar very high for whatever novels follow Work Like Any Other. Not only has Reeves’s debut novel received widespread critical acclaim, it has even been included on the Man Booker Prize Longlist. The novel, set in 1920s rural Alabama, tells of an electricity visionary whose dream of electrifying the family farm his wife inherited inadvertently destroys two families, one of them his own.Roscoe Martin is reluctant to move from the city to his wife’s farm because the move forces him to give up the thing he loves most: hands-on work with electricity, the new power source that promises to change the face of America for the better. Roscoe knows he is no farmer, and he plans to leave all the farm work up to his wife and the Wilsons, a black family that lives on the property and worked it for his father-in-law before the man died and passed the farm down to his daughter. Soon enough it becomes obvious to Roscoe that neither his marriage nor the farm is likely to survive his decision to sit back and let things on the farm take their natural course. He might never be a farmer, but Roscoe is already an expert when it comes to electricity – but that skill will prove to be both a blessing and a curse to him and everyone around him when he uses it to save the farm. With his caretaker’s help, Roscoe taps into nearby state-owned electrical lines and brings electrical power to the farmhouse and, more importantly, to the farm’s thresher - all it takes to turn the farm into a thriving business. And until an employee of the state power company electrocutes himself in the process of investigating Roscoe’s illegal line taps, life is very, very good for Roscoe, Marie, and the Wilson family.Suddenly Roscoe and Wilson face long prison sentences and their wives and children are left with the bleak prospect of taking care of themselves on the now powerless farm. Roscoe soon learns that his wife no longer wants anything to do with him, and on top of that, he knows that he will be lucky to survive his twenty-year sentence because Kilby Prison is a prison in which the guards are just as dangerous as the most psychopathic prisoner he might encounter there. But Roscoe, as it turns out, is the lucky one. Wilson, a young, able-bodied black man, rather than being held behind prison walls, is sold to a regional coal mining operation where the owners have every intention of working him until he drops dead.Work Like Any Other is a study of guilt, the emotion most constantly felt by Roscoe Martin in prison – and Roscoe has plenty to feel guilty about since he destroyed his marriage and left his young son without a father. Perhaps even worse, however, Roscoe pulled an innocent black man into his naive scheme, ruining that man’s family in the process, and sentencing him to years of the kind of brutal labor that will mark him forever if he even manages to survive it. The novel is filled with haunting characters that suffer greatly because of the actions of one man. None of them is perfect - far from it - but they need each other if they are to survive what has happened to them. The ultimate question they all have to answer now is how willing they are to forgive Roscoe Martin – and themselves – for what happened. Is that much forgiveness even possible? Can Roscoe ever learn to forgive himself for what he did?Work Like Any Other is one of those novels that readers will feel compelled to hand off to their best friends as soon as they finish it. It is that good.

Book preview

Work Like Any Other - Virginia Reeves

PART I

CHAPTER 1

The electrical transformers that would one day kill George Haskin sat high on a pole about ten yards off the northeast corner of the farm where Roscoe T Martin lived with his family. There were three transformers in all, and they stepped down electricity that belonged to Alabama Power, stepped it down to run on new lines along a farm fence, then on through the woods, then straight to the farmhouse and the barn. Roscoe built the transformers himself. He built the lines. He did not have permission.

The idea for running in power arrived nearly a year before the power itself. He should’ve been eating dinner with his family, but he’d hurt his son and made his wife cry, so he was walking the cursed land his wife had forced him to. He took the path through the north corn to bring him close to the new power lines along Old Hissup Road. The corn was to his hips, still young, and the giant grasses brushed his fingers, a sickly feeling that set him shaking out his hands as if to unseat an insect. Of all the crops on his wife’s land, corn was Roscoe’s least favorite, something obscene in its size and growth, in its stalks and blades and seeds—everything too big.

His wife and son had been reading together on the sofa, an oil lamp on the tall table behind them lighting the pages. When he’d first courted the boy’s mother, Roscoe had read with her, but she shared books with their son now.

They hadn’t looked up when Roscoe came into the room.

What are you reading? he asked.

A book, his son mumbled, snuggling closer to his mother.

Roscoe peered at the cover. "Parnassus on Wheels, huh? What’s it about?"

Annoyance showed on Marie’s face. It’s about a woman who owns a traveling bookshop. She has a brother she’s sick of caring for. Her voice was weary, as though she were talking to a troublesome child shirking his lessons. The brother refuses to work the farm.

She seemed to recognize her overstep before Roscoe reacted, offering him some kind of conciliatory gesture, an uncertain stretch of her hand that he slapped away. Gerald sank deeper into her side.

I am not the ugly one here, Roscoe said to her. You knew I wasn’t going to become a farmer.

She’d reached for his arm again, but the anger came quick, the way it did, pushing him taller, shooting him toward that ceiling her daddy had plastered himself. Roscoe wrenched the book from Marie’s hands and threw it across the room, where it broke a ceramic plate that hung on the wall.

Go upstairs, Gerald, Marie said.

But Roscoe leaned down into his son’s face. You reading about a lowlife like your pa? Some shiftless loaf-about who won’t work his own farm? The boy’s eyes went wide, the whites of them showing all round, and he tucked his lips inside his mouth like a coward.

Roscoe put his hands on Gerald’s arms and lifted him away from his mother. Marie grabbed hold of Gerald’s shirt, but Roscoe had a firm grip. He held the boy in front of his face, squeezing his upper arms. He whispered, I am smarter than you’ll ever be.

Then Marie had appeared again in his vision, clawing at his arm and his face, screaming at Roscoe to stop, and he did—he dropped their son at his wife’s feet and slammed himself out the front door to walk the ugly fields to the power lines he loved.

A farm was no place for an electrician. He’d said it enough times, and he’d wallowed away the past year tinkering with an old mechanical thresher and reading in his late father-in-law’s library. Every day, Marie asked him what he was going to do, and every day, he said, Anything but work this goddamned farm.

You came, she replied. You didn’t have to.

Her resentment was as strong as his, stronger even, with what he’d just done. The boy’s arms would be bruised.

Roscoe stood under the nearest of the power lines. The air was darkening around him, and the cicadas had started their crying, wiry and metallic. If Marie’s father hadn’t died, Roscoe would still be working in the powerhouse back at Lock 12. They’d be living in the village, and he would be doing the work he loved.

Roscoe had a letter from his old foreman—his job was open for him should he wish to come back.

He was considering exactly that option when the idea for the transformers came, a vision before him—two or three of them perched on a freshly raised pole, linked up to new lines he’d twist himself. He saw light fixtures in the farmhouse, the kitchen appliances Marie had loved back in the village. And he saw the farm saved. Surely, electricity had the power to do that.

Exhaustion finally sent him back toward the house, and in the midst of the cornfield he recognized exactly how electricity could save Marie’s land. He would electrify that damn thresher—wasn’t that what he was already trying to do?—and he’d have that great machine do the work of the men Marie hired every season with money they didn’t have. The thresher would run for free on their pirated power, and the farm would see a profit, as it had only in the legends of Marie’s childhood.

He chewed on the idea for a month before taking it to Wilson.

MARIE was on the front porch, drinking coffee and reading the almanac. She’d barely spoken to Roscoe since their fight before his walk in the corn, and she refused to acknowledge him when he came through the screen door.

The day was mild and green, everything growing in the April sun.

Do you know where I can find Wilson? Roscoe asked.

Marie didn’t look up.

Marie, do you know where Wilson is?

She kept her eyes down. He’s working.

Roscoe wished he could tell her instead, that she were the person he’d go to with news or ideas. He wished for an invitation on her face, something welcoming, even just the hint of a smile. Marie, he wanted to say, I have something for you to liken to your birds. Marie was a birder—a thing he’d loved about her from the start—always catching a tune, a pattern, an errant flit of blue in the holly, and she defined people and ideas by the birds they typified. She’d called him a cedar waxwing early in their courtship, the two of them walking along the Coosa River. The waxwing is known for its bandit eyes and tips of yellow and orange. Look, she’d said. See that? They’re eating the dried berries. She pointed out the birds’ haphazard flight, wheeling and turning over the water. They’re drunk as beggars up there. The berries are all fermented now. She’d paused. You’re a waxwing. All this electricity getting you drunk. Later, she admitted that they were her favorite, these drunken birds, and Roscoe had taken it as a compliment that was both rough and tender.

Roscoe couldn’t remember the last time Marie had pointed out a waxwing. He couldn’t remember the last time anything had been tender between them.

Where is Wilson working? he asked.

North field. He’s mending rails on the far fence line. He could use your help. She was looking at her book again, her features cast in their resident fatigue, and Roscoe left her without saying good-bye. They were long past greetings and farewells.

The paint on the rungs of the porch steps was chipped and flaking, and Roscoe kicked bits free as he walked down. The steps had been white once, as the house had been white, but everything was gray now, the exposed boards and the remaining paint dulled by age. Roscoe glanced back at his wife, sitting under the roof of the porch, and he saw the sadness in her surroundings, the great failing of her father’s house and land. Creepers had taken over the chimneys and lattice of the porch. The brick underneath crumbled in places, the mortar giving way to the vines. This was no longer the home of Marie’s childhood, and Roscoe could understand—right here, for just this moment—his wife’s disappointment. She had come here to save the place, to return it to the glory it had known under her father’s care, but there had been no improvements since their arrival. They weren’t even holding steady. Their yields and income continued to decline, the house to deteriorate, the land to fail them.

At one time in their lives Roscoe would have told her these thoughts, a time when his compassion would have helped.

He left Marie in her crumbling house and took a trail through a thicket of woods, veering right at its fork. Left led to a cottage where Wilson lived with his family. Right led to the cornfield, ending at the furrows.

Roscoe made so much noise that Wilson had his eyes on him before he’d fully cleared the crops.

What brings you out here, Ross?

Roscoe leaned his weight against the new rail Wilson had just hung. I’m thinking about a project. Could use your help.

Wilson laughed the way he did over cards the nights Roscoe could convince him to play or over the fishing lines they strung out into the pond, begging for catfish or bass or bluegill. His was a light laugh, a whistle of breath through his nose.

Can’t imagine this project’s got much to do with the farm. Wilson hammered a nail into a thick branch, recently cut, leaking sap.

I figured out how to save the place. Roscoe believed it. And not just the place, but his life with Marie. The thought raised a yearning in his gut. He could fix things. He could make them right again.

The place don’t need saving, Ross.

These were Marie’s words, and she spread them like the words of God. She had everyone, temporary hands included, thinking the place needed nothing more than its people. She was wrong. Her father had been wrong, too.

I want to run lines in. Here along the edge of the field. It’s the perfect spot. I can tap that pole right past the corner.

Wilson finished up with a second nail and jiggled the new timber, testing its strength. The wood didn’t budge. Those lines are bound for the city, Ross. What makes you think they’d run a line in here?

I wouldn’t ask them.

Wilson laughed again and moved down a fence post. The next top rail was rotted through, broken in its middle. You talking about stealing?

Now, Roscoe laughed. There’s already so much current lost in line transmission—what we would take is nothing in comparison. A drop of water from a lake, Wilson. Nothing missed.

Wilson pried at the nails anchoring the rotted wood. How are you going to tap those lines without killing yourself?

We’d knock out the power first, and anyway, I’ve been doing this kind of thing a long time.

Wilson looked at him. Even if you could make it work, what’s electricity going to do for the farm?

Roscoe pounded his hands down on the solid rail in front of him, so good was the idea. I’ve figured out how to convert a fuel-powered thresher to run off electricity. Think of it—all the shucking and picking we’d be rid of. We could get more fields of peanuts in. And then have the machine do the bulk of the labor. I know it’d make this place profitable, Wilson. I know it.

Wilson looked off into the neighboring property, its grasses grown tall while its resident cows worked the other side of the land. He had to be imagining the thresher. Roscoe willed it into his friend’s mind, the giant machine squatting in the shop, churning out ears all plucked from their stalks, ready for market. See it, Wilson.

Wilson shook his head. The farm don’t need electricity, Ross. It needs more hands.

Goddamn it, Wilson. That’s Marie’s pitch, and even I know we can’t afford more hands. Growing up here doesn’t make her an expert. You know that. Hell, you were here when she was a schoolgirl up in her father’s library reading all day, and then gone to the university the first chance she got. She’s a goddamned teacher, not a farmer.

It’s her land, Ross.

It’s mine, too.

Wilson shook his head again. You gonna pull boss ranks on me, now?

Roscoe kicked at the bunched grass near a fence post. He wasn’t Wilson’s boss. Marie wasn’t either. Wilson had lived on this property since he was a boy, and he’d helped Marie’s father tend it all through her childhood. He was the boss of the place, if anyone was, Roscoe coming to him for permission, a subordinate with a revolutionary idea. Just give me a chance, boss! Let me try.

I’m not your goddamned boss. I’m an electrician, and if I’m going to stay here, I have to do something that’s mine. Roscoe leaned his elbows on the rail. I know how little I’ve done around here this past year. This is what I can do.

Wilson kept working.

I got word from my old foreman at the powerhouse. Says there’s a spot for me. Open door. If I don’t do this, I think I’ll have to go.

You wouldn’t leave Marie and Gerald.

I would. Saying it, Roscoe fully understood its truth. If this didn’t work—the transformers, the lines, the thresher—he would go back to that village at the Lock 12 dam on the banks of the Coosa River where he’d first met Marie. He’d move back into the single-employee apartment house and walk down the clay road to the dam each morning, all those wires and conduits awaiting him, all those new lines to run. He would leave his wife and son to get back to the drive and purpose of that work. He would.

Wilson set his pry bar into the gap between pole and crossbeam to wrench the broken rail loose. Roscoe watched, half hoping Wilson would refuse his proposal. He could walk back to the house and pack a small bag, kiss his son on the top of his head and Marie once more on her dry lips, and then start south. He would walk the whole way and never grow tired.

What’s my part? Wilson asked.

I’d need your help raising the poles and getting the lines strung.

That’s all?

That’s all.

Roscoe saw himself walking through fields like this neighboring one, down lanes chalky with red dust, past farms worse off than Marie’s.

Is Marie gonna know about this?

Roscoe saw himself turning around, walking back up those porch steps, gathering Marie into his arms. She will know we have power.

But she won’t know how we’re gettin’ it.

It will come from the power company, as far as she knows, and that will be enough.

You gonna fake the bills?

If I have to. Alabama Power will bring in their own lines in the next five years or so. It’ll work itself out.

So I’ve only gotta lie to your wife for five years.

Tops.

What about Moa?

Roscoe hadn’t thought about Moa, though he should’ve. She had a place in every plan that unfolded on the farm. Moa was Wilson’s wife, and she was the land’s matriarch, her presence both firm and embracing. She was only eight years older than Marie, but when Marie’s mother had passed away, Moa had taken up the role. She was tall and slender and coffee colored, much lighter than Wilson, and she rolled her hair under on each side in a shape like a wave. Roscoe knew she kept a soft spot for him, defending him most chances she got, but he knew, too, that she’d never lie to Marie. He didn’t think Wilson could lie to Moa either. Their relationship was built of evening walks to the pond, their three children back at the house with Gerald. They were easy with one another, quick with smiles and gentle chiding.

Would you be able to keep it from her? Roscoe asked.

Wilson pried at the wood, the nail whining as it let go. It’d probably be better if she didn’t know. Should something go poorly, it’d be good she not be a part of it.

Nothing will go poorly.

Wilson shook his head and lifted the old rail, tossing it into the neighbors’ grasses. Here—he lifted up the new one—think you can hold an end for me?

It was the first farmwork Roscoe had helped Wilson with, and he didn’t mind taking it on. He told himself he didn’t need to go back to the powerhouse at Lock 12. He didn’t need to leave. He would stay here and make this land successful. He would have his work back, a job of currents and wires, forces and reactions, and the farm would grow so strong that it could run itself. Marie could return to teaching, if she chose. She could set up a small school on the land, use the books in her father’s library. They would reclaim something in their marriage, and Roscoe would figure out how to know his son. They would be all right.

OVER dinner, Moa remarked on his mood. Goodness, Mr. ­Roscoe. You sure is fit this evening. What’s got you so excited?

Marie looked at him with her eyebrows raised, her face saying, Yes, what exactly is this? Judgment was in her expression, prickly as cornstalks.

I received some fine news today.

Roscoe and Wilson each sat at one head of the table. Roscoe had Marie to one side and Gerald to the other, and Wilson’s family flanked him, too—Moa and Charles to the left, Henry and Jenny to the right. They sat exactly that way for their weekly meals, their two families always coming together in the big house on Wednesdays.

Well? Moa pried.

Alabama Power wants to electrify some rural properties, and we’re one of the first on their list.

Curiosity seemed to be edging out the disappointment on Marie’s face. We’ll get power here on the farm?

That’s right, and they asked me to run the lines in—contract work.

Does that mean we’ll get lights, Pa? Gerald asked.

That’s exactly what it means, Son, and what’s more—we can get that old thresher running.

You know we don’t have the money for that, Marie said. Let alone the fuel it’d take to make it run.

That’s it, though, Roscoe said. I can convert it to run off electricity.

Wouldn’t the electricity be expensive, too?

Electricity won’t run anywhere close to fuel prices.

Roscoe saw Marie wanting to smile, but she fought it, keeping her face in its rigid calm. I thought farmwork was beneath you.

It’s just not mine. This is.

Roscoe followed Marie’s eyes around the table. They stopped on Wilson, who sat still and quiet. What do you think of this, Wilson?

Wilson’s face was as unreadable as his silence. Well, Ms. Marie, Roscoe’s discussed it plenty with me, and I think it’s just what the farm needs.

Wilson’s belief—genuine or feigned—was enough to make Marie believe, and Roscoe watched the faintest smile cross her face. You’ll do this work?

Roscoe nodded, and the gesture set them apart. They were alone for a moment, as they had been before Gerald’s birth, alone and young and hopeful, walking the banks of the Coosa River, watching the water make its way to the dam where it would build electricity. They were mesmerized by their future—all the light and power and change—filled with it, their own excitement rushing and flowing. Roscoe realized he missed those sensations. He missed his wife.

CHAPTER 2 / ROSCOE

The wall around Kilby Prison is twenty feet high, with four strands of barbed wire along the top. Every other strand is charged with sixty-six hundred volts of electricity. The other two are grounded, and so far as I know, the live ones have never been cut.

From the front Kilby looks like a redbrick school, a place for teachers like my wife. Shrubs line the front walk to the double doors, with globe lights on either side of the entrance. An eagle spreads its wings in a circle over the tall letters spelling out the prison’s name.

The year is 1926, which seems as if it should mean something, more than a quarter of this century gone. I’ve been in this place for three years, and that, too, seems as if it should mean something. I just passed my thirty-third birthday, and my life has become only years before Kilby and years during. I hope for years after, but not too frequently. Hope makes disappointment that much harsher when it arrives.

Fall has come again, thin winded and tawny, and I’ve just finished my work tarring up the cracks between the thirty-foot sections of the wall that open up with the cold shift. The warden pieces together a crew to paint the gaps with tar, and I’ve been part of it since I came. I’m pulled from other work, and it’s a good job to get for those few weeks. Out of the shirt factory and the cotton mill, out of the dairy. There’s air to breathe along the wall, wafting in through the openings. Across Wetumpka–Montgomery Highway is the oak grove. Grazing pasture is to the east and fields of corn and beans and mustard, cotton to the north. Even the dirt and gravel in the pit to the west is something sweeter than the scent inside the wall. Stick your eye to those cracks and it’s the world out there, a world we paint over with tar. The air gets sticky and black, and then we’re closed back into Kilby. There’d never be the time nor the tools to make one of those cracks fit a man through, but we dream about it, think about excuses to get out to the yard alone. We may sneak a fork or two out of the mess hall. We may chip at those cracks with the rocks we find. We don’t talk about it. We don’t work together. Escape is solitary as confinement, or should be.

I was on the wall when Deputy Warden Taylor sought me out. You’ve made a name for yourself. Bondurant and Chaplain—they’re singing your praises. Best worker they’ve ever had and other such remarks. That true?

Can’t speak for anyone else, sir, but I do my best with the work that’s given me.

Seems you might be a good fit at the pens. Come on out first thing tomorrow. I’ve sent word to your other foreseers so they won’t be putting out the call.

Yes, sir.

So today, I’m heading to the gate to meet him at the dog pens.

Beau’s guarding the east side, and he spits his tobacco juice right at my feet. Taylor making you one of his little bitches?

I don’t know, sir.

Won’t win you any points with your cellmates—not that you’ve got many points as is. He laughs. Bet you’re thinking if you make dog boy, you’ll make trustee, ain’t ya? I’m sure Mason’s told you it’ll keep you safe, those trustee ranks, but I’ve seen plenty of trustees in the infirmary.

I’ve no interest in working the dogs, sir.

Shut your mouth.

He pounds on the metal door before unlocking his side. Another guard unlocks the outside gate and waves me through with his shotgun.

Take him to Taylor. And keep that gun on his back. Beau’s been gunning for me since I arrived. Think you’re better than all of us in here? he asked me a couple months in. "All tidy mannered and educated. From what I’m told, you didn’t even get your hands dirty when

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