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Terragni and Lingeri's Casa Rustici
By Giuseppe Marinoni and Paolo Rosselli
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Terragni and Lingeri’s Casa Rustici is going back to its original splendour. Since it was declared a national monument in 1992, a new awareness aimed at the protection was aroused. The stones of the floors, the walls of glass tiles, the marbles of the façades have been restored. Careful stratigraphic analyses have allowed to re-establish materials and colours. This book shows the state the art achieved by such a work of “active safeguard”. A new graphic and iconographic apparatus along with the critical texts by Alessandra Coppa, Giuseppe Marinoni, and Francesco Repishti. Photo by Paolo Rosselli
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Terragni and Lingeri's Casa Rustici - Giuseppe Marinoni
Giuseppe Marinoni, Paolo Rosselli
Terragni and Lingeri's Casa Rustici
ISBN: 9788899165246
This ebook was created with StreetLib Write (http://write.streetlib.com)
by Simplicissimus Book Farm
Table of contents
The Contemporary Urbanity of Casa Rustici
1933: Pietro Lingeri and Giuseppe Terragni’s Casa Rustici
Terragni and Lingeri, the Five Milanese Houses
Casa Rustici, Photographs
The Villa
The Villa, Photographs
Atelier
Atelier, Photographs
Bibliography
StudioMarinoni
SMOwnPublishing
© Copyright 2015
by StudioMarinoni OwnPublishing
Corso Sempione 36
20154 Milano
www.smownpublishing.com
www.studiomarinoni.com
studio@studiomarinoni.com
Series EUROPEAN PRACTICE
Editor Giuseppe Marinoni
Advisory board
Annegret Burg, Giovanni Chiaramonte, Alessandra Coppa, Kurt W. Forster, Luigi Mazza,
Giuseppe Marinoni, Luis Raúl Moysén Mason, João Nunes Ferreira,
Santiago Quesada, Pierluigi Salvadeo
Scientific Coordination of the Surveys of Casa Rustici StudioMarinoni
Cover:
Design Vilma Cernikyte
Photo Paolo Rosselli
Translation May Marnee
ISBN 9788899165246
EUROPEAN PRACTICE / 27
The Contemporary Urbanity of Casa Rustici
Giuseppe Marinoni
When, in 1933, Pietro Lingeri and Giuseppe Terragni set about erecting Casa Rustici, corso Sempione was still a tree-lined avenue outside the city. Along its layout there were prevailingly fields, the few buildings left its edges frayed. However, the railway belt in dismantlement, which brushed the lot of Casa Rustici to the north, let envisage the future urbanization of a splendid very modern quarter
.
Casa Rustici can be considered the milestone of this new piece of town hinged on corso Sempione. Terragni’s urban awareness had already appeared in the Casa del Fascio in Como, a sort of reinterpretation of the Renaissance palace in modern languages and spatialities, and, as a Renaissance palace, capable of giving value to the urban space where it rises.
Thus this is Casa Rustici for corso Sempione. Violating the modernistic orthodoxy, Terragni achieves a typological syncretism between blocks in line
, arranged according to the dictates of the Neue Sachlichkeit, and the Venetian palace
with the central void. From this, a typology of original block comes out, as unitary to meet the monumental scale of corso Sempione, as porous
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