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The Women in the Castle: A Novel
The Women in the Castle: A Novel
The Women in the Castle: A Novel
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The Women in the Castle: A Novel

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INSTANT NEW YORK TIMES BESTSELLER  •  FEATURING AN EXCLUSIVE NEW CHAPTER

GoodReads Choice Awards Semifinalist 

"Moving . . . a plot that surprises and devastates."—New York Times Book Review

"A masterful epic."—People magazine

"Mesmerizing . . . The Women in the Castle stands tall among the literature that reveals new truths about one of history’s most tragic eras."—USA Today

Three women, haunted by the past and the secrets they hold

Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined—an affecting, shocking, and ultimately redemptive novel from the author of the New York Times Notable Book The Hazards of Good Breeding.

 Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once-grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.

First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war.

As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.

Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.

Editor's Note

Life after war…

How do ordinary people become complicit in the Nazi regime? Three very different German women meet and start to piece their lives together through the fall of Nazi Germany. Author Jessica Shattuck breaks the usual mold of World War II historical novels with stunning success.

LanguageEnglish
PublisherHarperCollins
Release dateMar 28, 2017
ISBN9780062563682
The Women in the Castle: A Novel
Author

Jessica Shattuck

Jessica Shattuck is the New York Times bestselling author of The Women in the Castle; The Hazards of Good Breeding, a New York Times Notable Book and finalist for the PEN/Winship Award; and Perfect Life. Her writing has appeared in the New York Times, The New Yorker, Glamour, Mother Jones, and Wired, among other publications.

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  • Rating: 4 out of 5 stars
    4/5
    Splendidly written story of Germans at the end of WWII which helps the reader process how an nation could have followed Hitler into the depths of hell exterminating millions of people that he deemed unfit. Based on true stories including a group of men who attempted to assassinate Hitler in 1944 and the wives and children they left behind after they were caught and killed after not succeeding. Even the morally higher group, and the one wife who knew what they were up to, made compromises. It explores the compromises and disregard of what was going on and willingness to belief lies and what we now call fake news. People felt helpless to fight the bully culture of the Nazis and in many ways there was no black and white morality, but rather shades of gray and small measures to not directly participate in the exterminations. A thought provoking read that is relevant today with fake news, lies by leaders, and a culture of exclusion that has built in the US and around the world. Citizens must rise up against these tactics early on before they snowball into the kinds of major exterminations we have seen in recent years in Uganda, Bosnia, Syria, and many other places. In the mid-1930s, if strong leaders would have risen up against the Nazi bullies they might have been stopped.
  • Rating: 5 out of 5 stars
    5/5
    It is November 1938 and in Burg Lingenfels the elderly countess’s annual harvest party is about to get under way. As she is now wheelchair-bound, she has relied on Marianne von Lingelfels, her niece-in-law, to organise it and to perform the role of hostess. Along with a group of close friends at the gathering, Marianne’s husband Albrecht, feels deeply concerned about the power of Hitler and the Nazi regime; they are all fearful of the future and are actively involved in the resistance movement. During the party news of the organised and co-ordinated destruction of Jewish properties, later to become known as Kristallnacht, reaches the castle. This information reinforces the fears of all those resistance members present that their own lives, and those of their families, are in grave danger if they continue with their opposition; in spite of this they remain committed to opposing, by whatever means they can, the destructive regime. Connie, a long-term friend of Marianne, has recently married Benita, a young woman from outside the aristocratic circle they belong to and, even though he is aware that she doesn’t approve of his choice of wife, he implores her to look after her should anything happen to him. When Marianne and Benita are widowed following their husbands’ involvement in the failed July 1944 plot to assassinate Hitler, Marianne feels duty-bound to keep this promise to help Benita, as well as any other resistance-widows in need of refuge. She eventually manages to find Benita, who was being held as a sex-slave to the Russians. She also tracks down Benita’s young son Martin who, as a result of Connie’s part in the plot, had been taken from his mother and placed in a children’s home. Them, some months later, the American Army, working from the list Marianne had given them, put her in touch with Ania and her two sons, who had escaped from a Polish work camp for political prisoners. These three, disparate women and their children find refuge in the by now rundown Bavarian castle as they attempt to forge new lives for themselves, whilst attempting to come to terms with their individual experiences of the war.The story moves backwards and forwards, from pre-war Germany to their lives as the post-war decades move on towards the 1990s, exploring how each of the women deals with their experiences and find ways to reconcile their past behaviour with their desire to move forward. Marianne’s dream that their shared experiences will forge a strong bond between them is soon threatened; she recognises that she risks alienating Benita and Ania as she tries to dictate how they should behave, but struggles to relinquish her desire to control how they should face the future. However, the women do find some feelings of safety and security within this makeshift family and there are as many examples of love, support and generosity as there are of antagonism and resentment. Once I started this novel I could hardly bear to put it down because it so quickly and powerfully drew me into the lives of three women whose experiences of the Nazi era, and its aftermath, had as many differences as similarities. The intricate story-telling, with its many surprising twists and turns, movingly captured the way in which, in order to survive the war, each one of them had faced difficult decisions but, post-war, often felt haunted by the choices they had made. Marianne had been vehemently anti-Nazi from the start but Benita had been, albeit rather indifferently, a member of a Hitler Youth Group before her marriage to Connie and remained apolitical, whilst Ania’s sentiments had, before her gradual disillusionment, been actively pro-Nazi. I thought that the tensions between the moral certainties of Marianne and the more complex moral struggles faced by Benita and Ania were very well highlighted and explored as the story developed. I frequently found myself alternating between outrage and sympathy at the choices each of the three characters made and how they attempted to justify their decisions. Each character had her own secrets and nightmares, but the ways in which each attempted to reconcile them made for a very thought-provoking and, in many ways, disturbing reading experience. I have never been faced with life-threatening dilemmas so found myself wondering how I would have behaved; would I have been able to live up to my principles and ideals, or would I have been tempted to compromise them in order to survive? I hope it would have been the former but the truth is that none of us can possibly be certain until we have had to face those choices. I thought that the power of Jessica Shattuck’s story-telling enabled me to experience, in an almost visceral way, the struggles of her characters with the moral dilemmas they faced; to simultaneously feel horror at some of their decisions and yet still feel some empathy with their behaviour.The story explores, through the three women as well as through the behaviour of people in the wider community, the complexities of how the people of Germany struggled to acknowledge and come to terms with their individual participation in what happened during the Nazi period. Some people wanted to deny that they were aware of any of the horrors being perpetrated; some wanted to just be allowed to move on, to try to forget the past; whilst others were unable to move forward because they were haunted by their past behaviour. However, whatever their personal inclinations, the outside world remained ever ready to remind them of the weight of their history. The story raises questions about how, both individually and collectively, people are able to reconcile a horrific past with moving on to forge a positive, productive future. The exploration of how the children of the three women dealt with the past and their own struggles to come to terms with what happened in Germany in World War II, as well as with the decisions their parents had made, added another layer of moral and emotional complexity to this thought-provoking story. I enjoyed Jessica Shattuck’s writing style, which I found elegant, fluent, unhurried and compassionate. In her story-telling she delved deep into the complexities of lives lived in times of crisis. Although she didn’t shrink from describing some of the true horrors of a brutal war, her descriptions and reflections were always within the context of the experiences of her characters and never felt gratuitously vicarious. Her intimate knowledge of Germany (her mother is German and she made frequent holiday visits to Germany to see her grandparents) clearly contributes to the fact that the whole story feels authentically realistic. I think that this is a moving and memorable novel, and I know that all the characters, as well as the challenging themes which form the foundations of the story, will remain with me for a very long time to come. I think it would be a wonderful choice for reading groups because it raises so many issues which are as relevant in today’s world as they were during the Second World War. My thanks to Nudge/newbooks for providing a copy of this book in exchange for an honest review.
  • Rating: 4 out of 5 stars
    4/5
    This saga begins in 1938 and it doesn’t end until 1991. There are flashbacks and jumps forward as the author tells the story of three very different women united by a war. The widows of resisters in a failed plot to kill Hitler, they must now make their way in a ravaged country, to save themselves and their children. Their story is a captivating one, made even more so by the revelations that are finally exposed in their back stories. It’s not so much a story of the war itself, but rather of the ordinary people caught up in something they really didn’t understand, at least, not at first. It’s a of secrets and of trust, of honor and dishonor, and of survival and giving up. The characters are compelling and their story, though just plain dreadful at times, is beautifully told.
  • Rating: 4 out of 5 stars
    4/5
    This was a different look at World War II and post-war as it deals almost exclusively with Germany. The saying "To the victors go the spoils" could be amended by adding "and the book deals". When a group of Germans plot to assassinate Hitler during WWII, it is the men who carry out the plot but the women are affected by the aftermath when the plot fails. The men are killed but some of the women are imprisonted and their children are taken from them. When the war is finally over Marianne von Lingenfels vows to carry out her duties as "the commander of the wives and children". She moves with her own children into the old and decrepit castle belonging to her husband's family and then sets out to find the widows of other resistors. She manages to find the son of her friend from childhood (Connie Fledermann) and then his wife Benita. Benita was one of the women imprisoned and at the end of the war she was passed from one Russian soldier to another. Benita thus owes a large debt to Marianne. Another widow, Ania, is discovered by sympathetic American soldiers in a nearby displaced persons camp and she joins the household. Ania is competent and realistic and helps Marianne run the household in ways Benita can't. On a night when a large group of starving Russian soldiers descend on the castle grounds it is Ania who sits up with Marianne. And Benita almost makes the situation much worse when she goes to warn a former Nazi prisoner who helps out cutting wood about the presence of the Russians. Benita never has the antipathy to Nazis that Marianne feels so her feelings for the former Nazi tend toward friendship and then love the more they are together. As Marianne learns more about her fellow widows and their secrets she cuts off ties with them. By the end of her life (and the end of the book) she realizes that there is quite a bit of grey and not everything is black and white.
  • Rating: 4 out of 5 stars
    4/5
    This is not the story of WWII nor is it the story of the holocaust, although those events are responsible for this story. This is the story of survival and friendship in the aftermath of a terrible time in history. Jessica Shattuck tells the story of three German women whose husbands were resistors and were killed for planning the assassination of Hitler.

    When we meet Marianne von Lingenfels it is at her husband's aunt's annual party at the Castle, on the night that will become known as Kristallnacht. She happens upon a meeting of her husband and several other resistors plotting against Hitler. "Connie" Martin Constantine Fledermann, her childhood friend jokingly appoints her Commander of wives and children. She is annoyed, but this title and promise is what brings these three women together. After the war ends, Marianne finds Martin, Connie's son and Benita his wife, both in unsavory locations/situations and takes them with her to live in The Castle. Shortly after, she receives a call from an American Officer that they have located another wife and children of one of the names she gave them. She moves Ania and her two boys to The Castle from a Displaced Person's Camp. The story tells about the trials and tribulations these women and children had to deal with during this period. The dangers from roving Russian soldiers, the lack of food and water as well as other creature comforts, yet they were better off than many others. As the story unfolds we learn about their past and how it brought them to where they were and what will become of them in this "New Germany".

    This story is one that needed to be told. I had not heard about what the citizens went through after the war. The scars that they had and the animosity between the resistors and the Nazis. Marianne was a strong woman who took a stand and helped others to the best of her ability. She was not perfect, but she was human. The plot had some slow spots but overall, kept me engaged and I enjoyed this story. A good one for historical fiction lovers. The publisher generously provided me with a copy of this book via Netgalley.

  • Rating: 5 out of 5 stars
    5/5
    Fantastic book about three very different women caught up in the difficult world of Nazi Germany. Marianne returns to the grand castle of her husband's ancestors. She is smart, educated, and confident. When she promises to take care of the wife and child of a dear life long friend, she rescues young Martin from a Nazi reeducation center and then his mother, beautiful Benita. Even though Benita was born into meager circumstances and is young and naive, her only wish had been to escape her small town and live a good life. As Marianne undertakes to rescue more of the families of the Nazi resisters, she finds Ania and her two boys. Ania is practical and becomes a great help at the castle as the three become close while attempting to maneuver through the war including the invasion of the Russians.There are many acts of bravery in this story but no heroes. Each woman brings her own guilt and faults to the situation Marianne is often too confident and has strong ideological beliefs against the Nazi. Benita is not in the least political but is sensitive and wants to find love. Ania is practical above all else and eventually marries a nearby neighbor insuring her sons have an inheritance.The novel does not follow a chronological line but tells the story of the three together and then back tracks to their earlier lives. Each woman has a different relationship with their own children and each woman reacts differently as the war closes. Marianne makes a decision that ruins the hopes of Benita; Ania's background as a former Nazi eventually is found out. The last chapters of the book take place in more contemporary times with Marianne living in the United States as does Martin, Benita's son. The castle in Germany is transformed into a center for the study of peace bringing together diverse peoples living in relative luxury. How much do the children really understand the sacrifices and difficulties that each of these women endured? What happens with ideology is more important than relationships?This book is beautifully written and each of the characters are very believable. There are no black and white answers. Loved it!
  • Rating: 4 out of 5 stars
    4/5
    “As a gardener, she knows that if you turn over a rock, you will find worms and potato bugs.” — Jessica Shattuck, “The Women in the Castle”In Germany after the war, finding ex-Nazis or Nazi sympathizers was as easy as turning over a rock. Even Marianne von Lingenfels finds this to be true in Jessica Shattuck's powerful 2017 novel “The Women in the Castle.”The widow of a man executed for his part in a plot to assassinate Hitler, she tries after the war to gather up as many wives and children of resisters as she can find and take them to her family castle. She finds just two of the women on her list, beautiful Benita, the widow of Marianne's childhood friend who was also executed by the Nazis, and Ania, a somber woman whose name on the list is something of a mystery. Both women have young sons.Years pass, and life in postwar Germany gradually gets easier. Yet Marianne discovers disturbing things about the two women she has adopted as part of her family. Benita falls in love with a former Nazi and wants to marry him, while Ania already has a Nazi husband who turns up after she marries a nearby farmer.Marianne feels betrayed, but by 1991 when the novel ends she wonders if she is not the one who has betrayed her friends. Are there not worms even under her own rock?Shattuck's book explores the lives of the war's widows and the ways Nazi guilt spread to them and even to their children, proving that Nazi Germany, the subject of so many novels since the 1930s, can still be mined for original plots and ideas.
  • Rating: 5 out of 5 stars
    5/5
    If you can't get enough WW2 stories of survivors then this is an interesting story of German Resistance Survivor story - it helps to know that not all germans went along with Hitler; and there were many who lost their life trying to fall him.
  • Rating: 5 out of 5 stars
    5/5
    This book grabbed me from page one and kept my eyes flying across the pages until the bitter sweet end.Riveting and heartbreaking and highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    I found this book fascinating because it was mainly about what happened in Germany after World War II. Even though it did have flashbacks to the war itself, the plot concentrated on the three widows of Nazi resisters who inhabited castle Von Lingenfels after they were left to try to make it on their own amidst the destruction of their country and former lives. It makes for a plot that is filled with characters who are not black and white or evil and good, but rather many shades of gray. Shattuck treats the Nazi soldier who is horrified with his former life with as much respect as the limousine liberal Prussian duchess who takes in all of the widows at the end of the war. In the end, all people's stories must be told and judged individually.

  • Rating: 4 out of 5 stars
    4/5
    Three women--Marianne, Benita, and Ania--find themselves in a Bavarian castle, an ancestral home for Marianne's family, during the Great War. All the women lose spouses in a rebellion against Hitler. The story is from an angle most fiction does not take, but helps readers understand life for the Germans during that time. My biggest criticism is that, even though the author provided clear dates, it was sometimes difficult to wrap your mind around all the chronology differences since they did not follow a pattern. I found myself confused about what time period I was currently reading frequently. The story line does pull forward to more recent times toward the end, but the majority of the book occurs between 1944 and 1950.
  • Rating: 5 out of 5 stars
    5/5
    In the weeks just before World War II, a group of upper-class Germans gathers at Burg Lingenfels, a castle owned by one of their families, to discuss plans for resisting Hitler and the Nazi government under the guise of throwing a party. As they are meeting, word comes that Kristallnacht has begun, and they know their plans are more important — and more dangerous — than ever. Skip forward and World War II is nearly over when Marianne, the wife of one of the conspirators, makes her way back to the castle. She's lost her husband and most of her friends to the resistance, but she promised the men she would gather as many of their families as she could to face post-war life together. Eventually, three women and their children take up residence at the castle, where they must navigate a post-war Germany that is still grappling with feelings of guilt, shame, and defiance in the wake of the Nazi defeat. I enjoyed it mostly for the unique (to me) perspective of exploring the lives of ordinary Germans after the war. I found Marianne to be a bit one-dimensional but the dynamic between the very different women was compelling. Together they are forced to contend with a rogue troop of Russians and a village filled with locals who were and remain sympathetic to the Nazi cause, and who look with contempt on those who took the other side.
  • Rating: 5 out of 5 stars
    5/5
    Incredible! This book takes us behind the scenes of the front line. The experiences of the women, the children, the elderly...and then the prisoners. I have many friends that are German and still have family in Germany. I understand them a little better after taking this journey through our not so distant past.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of three German women and their children coming together after the fall of the Third Reich to survive and put their destroyed lives back together. The three are widows of men executed (hung on meat hooks, according to the author), after the failed Hitler assassination attempt in July 1944. The wives were imprisoned; the children sent to special orphanages dedicated to the reeducation of traitor's children.Marianne von Lingenfels had made a promise to her husband that she would try to find and care for other wives if the assassination went wrong. Once released from prison, she began her search and found the widow of her childhood friend's - a peasant girl who had married into the nobility. She was also able to find a widow of a man she didn't know. She brought them and their children to live in her husband's family castle in Bavaria.Their lives are not easy; they are haunted by ghosts and secrets of their pasts, and marked by what they have endured. More secrets accumulate as they survive in the post war days. Well written and interesting, with what was for me, a unique view of post war Germany.
  • Rating: 5 out of 5 stars
    5/5
    A fascinating look at the psychology of perception through the experiences of three women of unequal social standing and disparate political views brought together by the realities of their experiences as German widows in the Second World War. This book made me rethink the current political situation in the US and how I had been judging those whom I believed to be "stupid" in light of what was going on, not looking at how their own experiences colored their views of right and wrong, just as mine have impacted my own views. The book gave me pause as to how otherwise enlightened individuals can be drawn into believing that a person or political party has the power to somehow "save" them from destruction. A book well worth reading during the current divisive political landscape that is America in the 21st century, providing both a cautionary look at how people can be deceived, and an understanding of the gray areas that our society must operate in.
  • Rating: 5 out of 5 stars
    5/5
    Even if you think you’re sick of World War II novels, try this one because THE WOMEN IN THE CASTLE is more than that. Jessica Shattuck has assembled what SEEMS to be a story of three German women, survivors who were married to heroic men of the Resistance. But little by little we learn these women’s secrets.Together, Marianne, Ania, and Betina, the women in the castle, survive the aftermath of World War II. Their stories continue through 1991, all the while revealing Betina’s and Ania’s secrets and those of the people they were and are involved with. THE WOMEN IN THE CASTLE examines guilt and moral culpability. It is not as simple and cut and dry as Marianne believes.THE WOMEN IN THE CASTLE goes back and forth in time, but it is not confusing if you pay attention to chapter headings. Rather, you will find, when you are taken back in time, you will understand more. You may find that you identify with Marianne and see German guilt for what they did or didn’t do before, during, and after World War II, even for just what they thought, in a new light.
  • Rating: 5 out of 5 stars
    5/5
    What a refreshing World War II story! Three women and their children after facing the horrors of the war are brought together to survive after World War II. What I found most interesting was the how each woman’s background led to their reactions as Jews were sent to death camps.
  • Rating: 4 out of 5 stars
    4/5
    This book was recommended to me by a friend who is very well read. I found the story about 3 women German women who survived World War II interesting. I have read many books about the war but what made this one unique for me was that it was told from the perspective of Germans. Their reactions to Hitler were each different and helped to give you an idea how it was for the German people during the war. The plot focuses around those impacted by the failed assassination attempt on Hitler on July 20, 1944. What I especially enjoyed was that Shattuck gave you a good idea what life was like during the war. The deprivations and their ultimate impact on all of Europe and specifically the German people were very stark in their protrayal. It was a good read and though the ending was a little bit flat, as a way to learn more about the war it was a worthwhile read. World War II books always make feel blessed to have not lived through this horrible time in the history of the World. Its impacts never stop.
  • Rating: 3 out of 5 stars
    3/5
    Joy's Review: Widow whose husband was a part of the plot to kill Hitler finds widows of co-conspirators and shelters them in the family castle at the end of WWII. Only one of the widows stories was interesting to me and that was of the imposter whose husband had worked training Nazi youth. I found Shattuck's writing shallow, doing little to highlight and explore the moral, ethical, and survival dilemmas presented to Germans during and immediately after the war. In the hands of a better and more nuanced author, this story could have been worth telling. As is, it was a bit of a waste of time.
  • Rating: 4 out of 5 stars
    4/5
    I had a hard time connecting with any of the characters throughout the book, however by the ending I just loved them all. I felt so much for each of them. I thought this book was a little slow, but I got so used to the rhythm of the book that I really grew to love it. I really liked this book and I am so glad I finally got to read it! It was such a unique pov; seeing how these women survived and got through their lives changing due to the choices of their husbands. I would definitely recommend this book, but maybe not everyone will love it.
  • Rating: 4 out of 5 stars
    4/5
    This was a book that took place during and after WWII in Germany. One woman of wealth and class is against the Nazi regime. Her husband and his co-conspirators plan to murder Hitler and of course are all executed. She promises one of the men that she would take care of his wife. Her search for his wife and other women she meets along the way and their feelings toward each other are the meat of this book. Well done.
  • Rating: 4 out of 5 stars
    4/5
    Well written, enjoyed the dynamics of the human relationship post world war II Germany.
  • Rating: 4 out of 5 stars
    4/5
    This book tells the stories of three women and their children living in Hitler's Germany. Their husbands were part of the resistance and were executed after being caught plotting to kill Hitler. The hard choices they made, some of which were purely for the sake of survival, still haunt them years later. The writing is intimate, compassionate and thought-provoking. I would recommend this book.
  • Rating: 4 out of 5 stars
    4/5
    Yes, yes, yes, yet another WWII story. Well....wait a minute. This one is from the perspective of German women who live together after the war, after the brutalites both witnessed and subjected to, and finding a way to live with the consequences of being German. It is a story of shame, solidarity, survival and the toll it takes. Very good!
  • Rating: 4 out of 5 stars
    4/5
    This is a story about three German women in Germany after WWII. Marianne, Benita, and Ania are widows of the men executed after the failed attempt to assassinate Hitler in 1944. Marianne promises her best friend to take care of the widows and orphans should the plot fail. She keeps her promise and locates first Benita's son, Martin in an orphanage then Benita in a Russian brothel, and brings them to her husband's family's castle, Berg Lingenfels. Although it's in pretty bad shape, with no running water or power, it's surrounded by land to grow food. Soon Marianne, her three children, Benita and Martin are joined by Ania and her two boys. There are so many secrets in this little group and as they come out, it tears the group apart. I found this book very interesting since it focuses on the Germans who didn't believe in Hitler and his beliefs and how they had to live in a Germany where they were in the minority.
  • Rating: 4 out of 5 stars
    4/5
    I believe this was the first novel I have read that gives the German point of view and, to its credit, three very different points of view with much angst over past actions. The three women from very different backgrounds go through difficult trials which are made a little easier when they come together in an uneasy friendship. some of the male/female relationships were a little fuzzy and difficult to understand and the female/female relationships were forged through necessity and broken through misunderstanding.The US has been trying to preserve WWII memories in recent years. I wonder if Germany has been doing the same.
  • Rating: 5 out of 5 stars
    5/5
    There is a lot of historic fiction that uses World War II as a backdrop and this book definitely belongs among the best. The perspective in this book is slightly different than other stories since it revolves around the lives of three German women who all had slightly different views and roles during the war. Their lives are brought together as these three widows take over a crumbling castle trying to survive the end of the war. Their struggle for survival creates a tight bond, but it isn't until many years later that some of their deep secrets are revealed. This is such a heartfelt story -- definitely one of my favorites of the year. A must for fans of The Nightingale or All the Light We Cannot See.
  • Rating: 4 out of 5 stars
    4/5
    Interesting perspective of WWII aftermath. This book tells the story of surviving wives whose husbands were in the Resistance Movement. The men were executed after a failed assassination attempt on Hitler. Three women with different backgrounds and different personalities. They did whatever it took to survive.
  • Rating: 4 out of 5 stars
    4/5
    This was a very well written story about three German women during and after WWII, all of them thru marriages connected to the resistance. It is a story of friendships and love across several years but it is mostly about how each of these German women reacted to what was going on in the Hitler Germany of their time. It is a loose historical fiction and a great read in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    Brilliant book although it seemed to miss the point that the attempt on Hilter's life happened very late. He could easily have been killed early on but people wanted him. I sometimes think that people are attempting to re-write history. I think the German women had a terrible time after the war but not as bad as a Jewish women after the war.

Book preview

The Women in the Castle - Jessica Shattuck

PROLOGUE

BURG LINGENFELS, NOVEMBER 9, 1938

The day of the countess’s famous harvest party began with a driving rain that hammered down on all the ancient von Lingenfels castle’s sore spots—springing leaks, dampening floors, and turning its yellow façade a slick, beetle-like black. In the courtyard, the paper lanterns and carefully strung garlands of wheat drooped and collapsed.

Marianne von Lingenfels, niece-in-law of the countess, labored joylessly to prepare for their guests. It was too late to call off the party. Now that the countess was wheelchair-bound, Marianne had become the de facto hostess; a hostess who should have listened to her husband and canceled the party last week. In Paris, Ernst vom Rath lay in a hospital bed, the victim of an attempted assassination, and in Munich the Nazis were whipping the country into a frenzy for revenge. Never mind that prior to the event no one had even heard of vom Rath—an obscure, midlevel German diplomat—and that his assassin was a boy of seventeen, or that the shooting was itself an act of revenge: the assassin’s family was among the thousands of Jews huddled at the Polish border, expelled from Germany, barred entry by Poland. The Nazis were not deterred by complex facts.

All the more cause to gather reasonable people here at the castle, away from the madness! Marianne had argued just yesterday. Today, in the rain, her argument seemed trite.

And now it was too late. So Marianne supervised the placement of candles, flowers, and table linens and managed the soggy uphill transport of champagne, ice and butter, potted fish and smoked meats, potable water and canisters of gas for the cookstove. Burg Lingenfels was uninhabited for most of the year, with no running water and a generator just strong enough to power the countess’s Victrola and a few strings of expensive electric lights. Hosting the party was like setting up a civilization on the moon. But this was part of what kept people coming back despite yearly disasters—minor fires and collapsed outhouses, fancy touring cars stuck in the mud, mice in the overnight-guest beds. The party had become famous for its anarchic, un-German atmosphere. It was known as an outpost of liberal, bohemian culture in the heart of the proper aristocracy.

By midafternoon, to Marianne’s relief, the wind began to blow, chasing away the day’s gloom with gusts of clear and promising air. Even the stone walls and the moat’s sinewy water looked fresh and clean scrubbed. The mums in the courtyard glistened under racing patches of sun.

Marianne’s spirits rose. In front of the bakehouse, an architect acquaintance of the countess’s had transformed an old carriage horses’ drinking trough into a fountain. The effect was at once magical and comic. The castle was an elephant dressed to look like a fairy.

Albrecht, Marianne called as she entered the long, low library, where her husband was seated at the imposing desk that had once been the count’s. You must come and see—it’s like a carnival!

Albrecht looked up at her, still composing a sentence in his head. He was a tall, craggy-faced man with a high forehead and unruly eyebrows that often gave him the appearance of frowning when he was not.

Only for a moment, before everyone gets here. She held out her hand. Come. The fresh air will clear your head.

No, no, not yet, he said, waving her off and returning his attention to the letter he was writing.

Oh, come on, Marianne would have normally chided, but tonight, on account of the party, she bit her tongue. Albrecht was a perfectionist and workaholic. She would never change this. He was drafting a letter to an old law school acquaintance in the British Foreign Office and had sought her opinion on alternate sentence constructions many times. The annexation of the Sudetenland will only be the beginning. I urge you to beware of our leadership’s aggression versus If we are not vigilant, our leader’s aggressive intentions will only be the beginning . . .

Both ways make your point was Marianne’s response. Just pick one. But Albrecht was a deliberator. He did not even notice the irritation in her tone. His own emotions were never complicated or petty. He was the sort of man who contemplated grand abstractions like the Inalienable Rights of Man or the Problems of Democracy while shaving. It rendered him oblivious to everyday things.

Marianne restrained herself to a demonstrative sigh, turned, and left him to his work.

Back in the banquet hall, the countess scolded one of her young disciples from her wheelchair: Not Schumann, she said, God forbid! We might as well play Wagner . . . no, something Italian. Something decadent enough to shock any Brownshirt idiot who comes tonight.

Even in her old age, the countess was a rebel, followed at all turns by young artists and socialites. French by birth, German by marriage, she had always been a controversial figure. As a young woman, she had hosted evening salons famous for their impromptu dancing and intellectual arguments on risqué subjects like modern art and French philosophy. Why she had married the proper, fusty old count, a man twenty years her senior and famous for falling asleep at the dinner table, was the subject of much not-very-kind speculation.

For Marianne, who was the product of an oppressively proper Prussian upbringing, the countess had always been an object of admiration. The woman was unafraid to step beyond the role of mother and Hausfrau into the fray of male power and intellectual life. She spoke her own mind and did things her own way. Even from their first meeting years ago, when Marianne was a young university student dating her professor (Albrecht), she had wanted to become a woman like the countess.

It looks wonderful out there, Marianne said, gesturing toward the courtyard. Monsieur Pareille is a magician.

He is an artist, isn’t he? the countess proclaimed.

It was nearly six o’clock. Guests would begin arriving at any moment.

Marianne hurried upstairs to the chilly hall of bedrooms where her girls were holed up in an ancient curtained bed, a relic from the castle’s feudal past. Her one-year-old son, Fritz, was at home in Weisslau with his nurse, thank God.

Mama! Elisabeth, age six, and Katarina, age four, shrieked with delight. Elfie, their sweet, mild-mannered au pair, glanced up at Marianne with a beleaguered expression.

Isn’t it true that Hitler is going to take back Poland next? Elisabeth asked, bouncing on the mattress.

Elisabeth! Marianne exclaimed. Where did you get this idea?

I heard Herr Zeppel saying it to Papa, she said, still bouncing.

No, Marianne said. And why would you think that was anything to be excited about? It would mean war!

But it’s supposed to be ours. Elisabeth pouted, stopping mid-bounce. And, anyway, Herr Zeppel said the Poles can’t manage themselves.

What nonsense, Marianne said, irritated that Albrecht had allowed the child to hear such talk. Zeppel was the overseer of their estate in Silesia and an ardent Nazi. Albrecht tolerated the man’s nonsense because they had grown up together: Weisslau was a small town.

"But it was ours, wasn’t it? Elisabeth insisted. Before the war?"

Elisabeth, Marianne said, sighing, "you concern yourself with what is yours, please—and that includes the book you are supposed to be reading with Elfie right now."

The child exasperated Marianne with her endless obsession with possession. She seemed to have absorbed the national sense of aggrievement, as if she, personally, were the victim of some great unfairness. She had so many advantages but always wanted more—a newer dress, a prettier skirt. If she received a bunny, she wanted a dog. If allowed a bonbon, she wanted two. In her mind, the world seemed to lie entirely at her disposal. Marianne, whose upbringing had been characterized by firm parsimony and restraint, was constantly appalled by this demanding, presuming creature she had raised.

Elfie— She turned to the au pair. Will you see to it that the candles are out by eight? The girls may come down to the landing, but no farther.

But— Elisabeth began, and Marianne shot her a look.

Good night, she said, giving an extra squeeze to sweet, quiet, dark-haired Katarina and kissing Elisabeth’s maddening little brow.

On her way downstairs, Marianne paused on the landing to observe the hall below, its stone archways illuminated by candelabras. The flickering light lent the room an exciting, almost spooky glow. Early guests had begun to arrive: the men in waistcoats and tails, a few in uniforms with gaudy new Nazi insignias stitched on the lapels; the women in fine new dresses. Under Hitler, the economy was growing strong: people had money, once again, for silk and velvet and the new Parisian styles. From a throne-like seat in the middle of the hall, the countess greeted her guests, her wheelchair carefully hidden away for the evening. She was a mountain of blue and green silk, the likes of which no other German woman of her age (or any other) would wear. Her laugh rang out strongly for someone in poor health—had there ever been a woman who loved a party more? And there, bowing before her, was the guest who elicited this peal of laughter: Connie Fledermann. Marianne felt a rush of excitement. Who else received such a welcome? Connie was a great favorite of the countess’s, a star in his own right, a man whose boldness of character, wit, and intelligence rendered him beloved by all—a charmer of ladies, a receiver of men’s trust and confidences. No one, from crazy Hermann Göring to somber George Messersmith, was immune to Connie’s charisma.

Connie! Marianne called as she approached.

He turned and a grin spread across his face.

Aha! The woman I have been waiting for! He lifted her hand to his lips. You are looking lovely. He cast his eyes up to the landing. Will I get to see my princesses or have you put them away?

Put away, Marianne said with a laugh. I hope.

Alas. He placed his hands over his heart and feigned collapse. Well, at least I get to consort with the queen mother. Come—he extended his arm—meet my Benita!

Marianne’s smile stiffened. In the drama of the past week, she had forgotten. Martin Constantine Fledermann was to be married. It seemed impossible. Even with the date set (two weeks from today!), it still had the ring of a lark gone too far.

But he was earnest, even nervous, as he took Marianne by the elbow. You must befriend her, he said. She knows no one. I told her you would be her ally. And—he turned to her—you know she will need one here.

Why is that? Marianne asked. You are among friends.

True, Connie said. But she is not.

Marianne frowned at his circular logic, but there was no time to question it because suddenly there she was, Connie’s Benita, a strikingly pretty woman with the kind of flat, Nordic face that emanated placidity. Her blond hair was plaited and wrapped around her head in the style so adored by the Nazis, a Wagnerian Brunhilde in an honest-to-God dirndl dress. She stood between two young men who worked with Albrecht in the Foreign Office, both of whom looked delighted. Marianne felt an unusual pang of jealousy. It was not that she envied the younger woman’s beauty or palpable air of sexuality (she herself had long ago carved out an alternate road to male regard), but at this moment, in the company of these three men—two silly, overeager boys and one dear friend, childhood sweetheart, luminary of the opposition—the other woman’s beauty left her nowhere to go. At thirty-one, Marianne was an adult in a child’s play, a schoolmarm among excitable students.

Excuse me, boys, Connie said, making a show of elbowing one of them aside, I need to reclaim her. He put a hand on Benita’s arm and pulled her toward Marianne. My love, he addressed Benita (how odd it was to hear him say this), meet my—what shall I call you? He turned to Marianne. My oldest friend, my sternest adviser, the person who keeps me most honest?

Oh posh, Connie, Marianne said, trying to tamp down her irritation.

Marianne, she introduced herself, and extended a hand to the young woman, who, she judged, could not be much over twenty.

Thank you, the girl said, blinking like a startled deer. How nice to meet you.

More guests arrived, and Marianne could feel them pressing toward her with hands to shake, welcomes to issue, politics to discuss. There was Greta von Viersdahl, already trying to catch her eye; since Hitler had invaded, Greta spoke of nothing but the winter clothes she was collecting for the Sudeten Germans, so recently returned to the fatherland, so long oppressed by the Slavs . . . Marianne wanted no part of Greta’s politics. Impulsively, she took Benita’s arm. Give us a chance to become friends, she said over her shoulder to Connie, already leading Benita through the back door and into the lantern-bedecked courtyard.

How beautiful! Benita exclaimed.

Isn’t it? Marianne said. Like a fairy tale. Countess von Lingenfels has a talent for the amazing.

Benita nodded, staring wide eyed.

So tell me about yourself before we are swarmed with admirers, Marianne said. Was your trip all right? Have you found your room? She hurried through the necessary questions, half listening to the girl’s replies.

From all around, she could feel people’s eyes. Remind me how you met Connie. Marianne plucked two champagne flutes from a table and handed one to Benita, who accepted it without thanks.

We just met in the town square, really, the girl said. I was there with my troop—my BDM troop—

Good grief! The BDM? How old are you? Marianne exclaimed.

Oh no—not the one for little girls—for the older girls, Belief and Beauty. I’m nineteen.

Ah. Marianne patted her arm. Positively ancient.

The girl glanced at her.

Aren’t these lovely? Marianne pointed at the white chrysanthemums and dark autumn anemones arranged in pots along the balustrade. High above, pale clouds scudded across the dark sky. And in the distance, the woods were inky in the twilight. So the town square . . .

Benita sipped her champagne and coughed. It’s not much of a story. We met and talked and then later we went out for dinner.

Marianne rested her glass atop the courtyard wall. And now you are to be married.

When you say it like that—Benita hesitated—it sounds odd.

Marianne smiled and cocked her head to the side, knitting her brows. She had learned this scrutinizing expression from the countess and found it proved helpful at drawing out confessions and explanations from children and family members, even grown men.

But it did not have the desired effect on the girl. Instead, she seemed to find her mettle, squaring her shoulders. There were a few things in between.

Of course, Marianne said. Why had she taken this interrogative tack? The girl was to become Connie’s wife. It would do Marianne no good to have started off this way. "I’m sorry—I don’t mean to pry.

Come. She glanced around the rapidly filling courtyard for an opening and, with relief, spotted Herman Kempel, one of the rubes who had been so smitten with Benita earlier. Let’s go talk to your latest admirer.

As the night wore on, a kind of giddy, reckless energy took over. A comical figure in lederhosen and kneesocks played an accordion—was he someone the countess had hired or a local guest?—and people began folk dancing on the uneven cobblestones. Women even kicked off their shoes, despite the cold. And inside, the American jazz trio the countess had invited finally arrived. They played ragtime in the great hall while a number of the bolder, more cosmopolitan guests demonstrated dances with silly names like the Big Apple and the Lindy Hop. Somehow, despite the improvised stove and lack of running water, the chef presented a steady stream of delicacies: traditional pork meatballs with a delicate parsley sauce, plump white steamed dumplings, and silver-dollar sausage rounds. But also novelties—asparagus wrapped with paper-thin ham, jelly molds, pineapple flambé, and caviar toast . . . like the music, the food spanned the gamut of German cultural life.

Marianne drifted in a haze, not of alcohol (the hostess never had more than one glass of punch—this too she had learned from the countess), but of relief. She had managed to continue the immodest tradition of the harvest party, even as the nation was swept up in this wave of rigid and peevish militancy. And she had managed to transcend her own upbringing (how mortified her father would be to see her throw a party featuring jazz dancing and champagne toasts) and provide these people with something lovely, liberating, and ethereal.

Buoyed along by this thought, she greeted guests, checked on the liquor behind the bar, the food on the buffet. The countess junior! a jolly, quick-tongued cousin of Connie’s cried, wrapping a thick arm around her shoulders. What a party! But where is your esteemed husband? And all his high-minded friends! I haven’t seen a one of those trolls for the past hour! Are they holed up in some sort of elite gathering without their old chum Jochen?

No, no. Marianne waved him off with a kiss on his cheek. But his question was a good one. Where was Albrecht? And for that matter Connie and Hans and Gerhardt Friedlander? She had not seen them for some time. Albrecht had probably pulled them into the library to review his letter. The thought irritated her. Albrecht’s sobriety—his constant ability to focus on the world beyond what was directly beneath his nose—felt like a reproach. He was right, of course. Poor Ernst vom Rath lay in some hospital bed and thousands of Jews slept out in the cold borderland. Germany was being run by a loudmouthed rabble-rouser, bent on baiting other nations to war and making life miserable for countless innocent citizens. And here they were, drinking champagne and dancing to Scott Joplin.

In a state of defensive irritation she burst into Albrecht’s study, where, yes, there they were—all her missing guests: Albrecht and Connie, Hans and Gerhardt, Torsten Frye and the American, Sam Beverwill, and a few others, many of whom, like Connie, worked as staff officers in the Abwehr, the military intelligence office.

What’s this? she said, trying to make her voice light. A secret, serious party? The countess will not be pleased to know you’re all skulking about in the study instead of dancing.

Marianne— Albrecht said.

Albrecht! Let your guests come out and enjoy the evening—

As she spoke, she noticed a new person in their midst: a short, dark-haired man, balding, with a kind of intensity to his homely face. The energy in the room was odd; the men’s faces remained grave and unchanged by her appearance.

I’m sorry, she said to the new man. I don’t believe we’ve been introduced.

Pietre Grabarek. He stepped forward and extended his hand. A Pole. Albrecht and Connie both had many contacts in the Polish National Party.

Marianne von Lingenfels. The wife of your sober host here, she said, gesturing toward Albrecht.

Marianne— Albrecht interjected again. Pietre has traveled from Munich with some alarming news. This evening—

Vom Rath is dead? A chill swept over Marianne.

Dead. Albrecht nodded. But that is only part of it.

Marianne felt uncomfortably at the center of this small group now, all scrutinizing her reaction. This was not a position she was used to: the ignorant one.

It seems Goebbels has given orders for the SA to incite rioting, destruction of Jewish property. They’re throwing stones through shop windows and looting, making a sport—

Not a sport—a battle! An organized attack! the man interrupted.

—of destroying people’s lives.

How terrible! Marianne said. Did Lutze condone this? What does it mean? Lutze was the head of the police, the SA—an unpleasant man she had recently met and disliked.

It seems so, Albrecht answered.

There was a shifting of glances and bodies.

It’s descent into madness—Hitler is exactly the maniac we’ve suspected! Hans exclaimed, but no one paid attention. He was a sweet, foolish boy. There are thinkers and there are actors, Connie had once said. Hans is an actor. Albrecht had balked at this dichotomy, though—so black-and-white, so reductive and unforgiving. Action should follow thought and thought should include careful deliberation. But this was not Connie’s way. He was more of an actor himself, and his views, while informed and considered, were rarely mulled over and always absolute.

It means shame for Germany in the eyes of the world, Albrecht said.

There was a general swell of affirmation.

And suffering, Connie said. It means suffering for many, many people . . .

Silence fell across the group as sounds of laughter and strains of the accordion filtered through the leaded windows.

And it means reasonable citizens must take action, Connie continued. We are not all thugs and villains. But we will become these, if we don’t try to make change.

It was a bold statement, a challenge almost, and Marianne watched it register on the men’s faces with varying results. Hans nodded dramatically, captivated. Eberhard von Strallen, clearly disapproving of such rash talk, flicked at the lint on his lapel. Albrecht frowned thoughtfully.

It is our duty, Connie said. If we don’t work actively to defeat Hitler, it will only get worse. This man—this zealot who calls himself our leader—will ruin everything we have achieved as a united nation. He continued, "If we don’t begin to mobilize like-minded people against him, if we don’t begin to actively enlist our contacts abroad—the English, the Americans, the French—he will draw us into a war, and worse. If you listen to the things this man says—if you really listen, and read—it’s all there in that hideous book of his, Mein Kampf; his ‘struggle’ is to turn us all into animals! Read it, really read it, know thine enemies—his vision is medieval! Worse than medieval, anarchic! That life is nothing more than a fight for resources to be waged between the races—this ‘Master Race’ he likes to speak of and the racial profiles he has devised—these are the tools he will use to divide us and conquer."

Marianne had heard Connie’s views before—how many times had they talked late into the night around the fire in Weisslau? Hitler was a madman and a thug, they were all in agreement. Ever since the Putsch this had been clear. Connie, as well as Albrecht, had spent a good portion of the last years assisting the victims of the National Socialists—Jews who wanted to emigrate, imprisoned Communists, artists whose works were banned. Without law, Albrecht always said, we are no better than the apes. His work was as much to uphold and strengthen the law through practice as it was to win each individual battle.

But Connie had given up on the law, increasingly castrated as it was under the Nazis. He was a born dissenter and a believer in direct action. It was one of the things Marianne loved most about him—Connie, her childhood playmate, dearest friend, and the man she most admired, other than Albrecht, of course. He had always been an agitator, a passionate champion of what he felt was right. As children, he and Marianne had spent summers with their families at the Ostsee, and Connie had always led them on quests against injustice, plotting to reveal the hotel concierge’s unkindness to dogs or some wrongheaded parental prejudice. And usually he prevailed, through sheer force of character or single-mindedness.

". . . We must find ways to work against him, Connie continued. Not only to bring the attention of the world to his ugly aspirations, but to take action ourselves. If we sit by and judge from behind the safety of our desks, we will have only ourselves to blame. So I suggest we commit to active resistance from this day forward. To trying to steer our country from Hitler’s destructive path."

Connie finished. Sweat had formed around his hairline and he was out of breath.

There were murmurs and nods among the men gathered.

I agree with the principle. Albrecht spoke slowly into the swell of support. But active collusion against our government—this government—is a dangerous thing. And we have wives and families to consider. I am not suggesting we should not, only that we think carefully—

Your wives and families will support you, Marianne interrupted, surprising herself and the rest of the room. It came out like a rebuke. Albrecht was always so measured, slow, and thoughtful. A plodding tortoise to Connie’s leaping stag.

All of them? von Strallen asked wryly.

All of them, Marianne repeated. Von Strallen was a chauvinist. He told his silly wife, Missy, nothing and took her nowhere. Poor Missy, treated like a dumb fattened cow.

And bear the risk? Albrecht asked gently.

And bear the risk, Marianne repeated.

All right, Connie said, turning his intense gaze upon her. Then you will see to it that they are all right. You are appointed the commander of wives and children.

Marianne met his gaze. The commander of wives and children. She knew he did not mean to belittle her, but it smarted like a slap.

The meeting—if that’s what it was—broke up, and with a sense of unreality, Marianne headed back to the party to resume her hostess responsibilities. Conversations rose and fell, the jazz trio played, and from the landing of the stairs someone recited Cicero in Latin.

But outside, beyond the castle walls, terrible things were happening. Marianne could imagine Hitler’s thuggish Brownshirts swarming the streets, swaggering and shouting with their air of unchecked violence. She had seen them marching in a parade last summer in Munich. Two of the men had broken formation and rushed toward her across the sidewalk. For a moment she had stood frozen, afraid that she would be attacked: but for what? Instead they knocked down the university student beside her and kicked him as he curled into a ball, their shiny black boots hammering at his back. It had happened so fast that she simply stood. Why? What did he do? she asked a man standing beside her when the SA were gone. He did not lift his hand in a proper Heil, the man whispered as they bent to help the poor student to his feet.

For days afterward she saw those men’s faces as they rushed at her: ordinary, middle-aged faces flattened and made stupid with violence.

What is it? You look as if you’ve seen a ghost, Mimi Armacher said, interrupting the memory. Mimi was a sweet woman, a distant cousin of Albrecht’s whom Marianne had always liked.

I’ve just heard— Marianne faltered. What to call it? It was something from a less civilized time, and for which she had no vocabulary. We’ve gotten news from Munich that there is rioting—the SA—beating people, breaking down Jewish properties—

News? Mimi repeated, as if this were the incomprehensible thing.

From a friend of Connie’s who’s just arrived, Marianne explained.

Oh, how awful, Mimi said, and her face fell. In all the cities?

Others gathered around. Marianne was aware of Berna and Gottlieb Bruckner at the edge of the group, and Alfred Klausner: Jewish friends whose own positions here in Germany were increasingly difficult. Generations of assimilation no longer seemed to set them apart from the eastern immigrant Jews Hitler was obsessed with deporting. No one was safe.

Marianne felt exhausted suddenly. That’s what I understood.

Destroying property? someone asked. At random?

"Jewish property, Mimi asserted with chilling crispness. Only Jewish properties. She turned to Marianne. Isn’t that what you said?"

Marianne stared at her. I don’t know. She drew herself up. Does it matter? Our government is unleashing bands of thugs.

It is the beginning of the end, the countess pronounced dramatically when she heard of the destruction that would later be referred to as Kristallnacht. That Austrian will ruin this country.

With that, she went up to bed.

Marianne envied her freedom. She herself would have to shepherd this party to its bitter end.

As the news spread, guests with government roles or substantial properties in nearby cities took off down the hill, speeding drunkenly around curves, honking and flashing their headlights. They were followed, more soberly, by the few Jewish guests. A few voyeuristic idiots drove to the neighboring town of Ehrenheim to see how far the rioting had spread.

By the champagne fountain, Gerhardt Friedlander argued with the Stollmeyers, a set of drunken, ruddy-faced twins who were devoted Nazis. The crowd cleared a nervous circle around them.

The conspiracy of world Jewry will not stop at murdering vom Rath, one of the Stollmeyers ranted. We must take action against them—

Don’t be a fool, Gerhardt spat. Vom Rath was killed by a deranged seventeen-year-old, not a conspiracy.

A deranged seventeen-year-old who was a Jew and a Bolshevik, his opponent argued, "who wanted to destroy the pride and unity of the German Volk . . ."

Marianne could not listen. This absurd Nazi blather was everywhere, ripe for adoption by the likes of the simpleminded Stollmeyers. How had those two ever made the guest list? Thank God Gerhardt was there to put them in their place.

In the great room, the jazz trio had disappeared (back to the Berlin? had they been paid?), and some dolt tried to play a Nazi marching record on the Victrola only to be pelted with a round of hot Frikadellen from the chef’s latest offering. The gawkers who had driven to Ehrenheim returned and seemed almost disappointed to report that no, nothing was afoot. What did they expect? The town was thoroughly and pigheadedly Bavarian Catholic. It had no Jewish inhabitants or businesses.

Undaunted by the news or the departures, the cook continued to offer delicacies: a new round of pork roasts, apple tortes, a Frankfurter Kranz. And the bartender poured drinks.

Marianne wished the remaining guests would leave. They were all self-absorbed, and frivolous. But still the party limped along toward a slow death.

Around midnight, she allowed herself a moment of privacy in an empty trophy room decorated by some von Lingenfels hunter of yore. Its walls were bedecked with pale, delicate skulls of deer and moldering taxidermies of boar, bears, even a wolf. A cruel room, but it would do. She would rest for five minutes. Any longer and she would never return. As she sat, the expression fell from her face and the slackness that replaced it made her feel old, a mother of small children in a suddenly savage land.

Aha! A voice came from behind, and two hands fell on her shoulders before she had the chance to turn: Connie. She had thought him long gone—either back to Berlin to repair the damage or off to bed with his fiancée, a changed man with a new set of habits. But here he was. His intransigence reassured her.

Caught you, he chided.

Oh, Connie, she said, turning. Should I tell them all to go home? It’s so strange to have this party when beyond it, God knows—

Let them stay. Connie sank into the chair opposite her own. They’re too drunk to leave anyway.

I suppose. Marianne sighed. What’s happening out there?

Well, Connie said, leaning back. Greta von Viersdahl is impersonating a goose on the dance floor, old Herr Frickle has found a new strumpet to sit on his lap, and someone I don’t know is vomiting into the moat.

Oh dear. Marianne smiled.

How many parties had they attended together? Too many to count since their days as children. And Connie was always an entertaining reporter—an interested observer of the human animal. It was what had forged their friendship: the aptness of his perceptions, and her own appreciation for these as a person less gifted with insight.

And Benita? she could not resist asking. Is she sleeping?

She’s a good girl, Connie answered, stretching out his legs, the firelight creating comically long shadows of his shoes. His handsome face looked tired. There were circles beneath his eyes.

Does that make it easier or harder for her to go to sleep?

Connie shrugged. She was exhausted.

Marianne pulled herself more upright in the chair and stared quizzically at her friend. What does she think? About this rioting and thuggery, about what’s happening in the world?

Connie rolled his head over the back of his chair to look up at her. Even exhausted, his face was strikingly handsome: the fine, clear features that had made him beautiful as a boy had never thickened or dulled. Instead they’d become sharper, and straighter—still capable of startling her with their symmetry.

You don’t approve of Benita, he said. I knew you wouldn’t.

That’s not fair, Connie—why would you think—?

I know you, he said.

What—am I not an open-minded, accepting person who is happy to see her friend in love?

Connie narrowed his eyes. Open-minded, yes. Accepting, no. You are exacting.

Marianne frowned. "Well, she is young."

Connie laughed.

Will she be a partner to you? In all you do?

Connie sat up suddenly, and for a moment Marianne was afraid she had gone too far. But he did not storm off.

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