A Study Guide for Frank D. Gilroy's "The Subject Was Roses"
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A Study Guide for Frank D. Gilroy's "The Subject Was Roses" - Gale
1
The Subject Was Roses
Frank D. Gilroy
1964
Introduction
The Subject Was Roses was first presented at the Royale Theatre, New York City, on May 15, 1964. It was an outstanding success with critics and the public alike and it won many awards, including the Pulitzer Prize for drama. The play belongs to the category of domestic realism and has a cast of only three characters. John and Nettie Cleary live unhappily together in a middle-class apartment in the Bronx, New York. Their twenty-one-year-old son Timmy has just returned home after serving three years in the army during World War II. As the drama unfolds, the tensions in the family become apparent. Husband and wife squabble; Nettie is overprotective toward her grown son; John tries to overcome years of neglect and make an affectionate connection with Timmy, but that path proves stormy. Eventually, Timmy, who has more awareness of the effect of the negative family dynamics than his parents, decides he must leave home. The play achieves its effects in part through effective use of dialogue. The dialogue conveys the long-standing hostility between John and Nettie, their doomed efforts to recapture their lost love, and their failure to understand that their old ways of behavior alienate Timmy and drive him away. They manage to achieve the very opposite of what they intend.
Author Biography
Frank Daniel Gilroy was born on October 13, 1925, to Bettina Vasti and Frank B. Gilroy in the Bronx, New York. He was educated in the Bronx and graduated from De Witt Clinton High School in 1943, after which he joined the U.S. Army. During World War II, he served for two and a half years with the eighty-ninth infantry division, including eighteen months in Europe. After leaving the army, he received his bachelor of arts degree (magna cum laude) from Dartmouth College in 1950. With a grant from Dartmouth, he spent the following year at Yale Drama School.
Gilroy soon began writing for television. During the 1950s, he wrote for Playhouse 90 (CBS), Studio One (CBS), U.S. Steel