A Study Guide for Christopher Marlowe's "The Passionate Shepherd to His Love"
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A Study Guide for Christopher Marlowe's "The Passionate Shepherd to His Love" - Gale
1
The Passionate Shepherd to His Love
Christopher Marlowe
1599
Introduction
Christopher Marlowe's The Passionate Shepherd to His Love
fits perfectly into the poetic genre of the period. Poets of the Elizabethan age used poetry as a way to express their wit and talent. It is likely that Marlowe's poem would have been passed around among his friends long before its publication in 1599 in England, six years after the poet's death. Few Elizabethan poets published their own work, especially one as young as Marlowe, and so it is fairly certain that the poem was well-known long before its publication. The composition date is thought to be about 1588, and probably it generated many responses well before its publication nearly a dozen years later. Among these responses was Sir Walter Raleigh's The Nymph's Reply to the Shepherd
(date unknown, but thought to be about 1592), which provides the woman's response to Marlowe's shepherd. Marlowe's poem also inspired several other notable works that were similar in tone and content, including John Donne's The Bait
(1633), which also relies upon wit and sexuality to entertain the reader.
The Passionate Shepherd to His Love
is written in the pastoral tradition that originated with Theocritus in Greece during the third century B.C. The pastoral tradition is characterized by a state of contentment and of innocent and romantic love. Rural country folk are presented in an idealized natural setting, while they contemplate their perfect and peaceful world that is absent the worries and issues of crowded city life. As was common of Elizabethan poets, Marlowe plays with the traditional pastoral formula. He introduces sexuality and includes images that make the shepherd's plea seem ridiculous rather than ideal.
The speaker in The Passionate Shepherd to His Love
is a shepherd, who pledges to do the impossible if only the female object of his desires will accept his pleas. The poem is static in time, with no history or clearly defined future. Only the present matters. There is never any suggestion that the poet is asking the woman for a long-term commitment; there is no offer of marriage nor does he offer a long-term future together. Instead, he asks her to come and live with him and seek pleasure in the moment. The use of passionate
in the title suggests strong