A Study Guide for Pam Gems's "Stanley"
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A Study Guide for Pam Gems's "Stanley" - Gale
08
Stanley
Pam Gems
1996
Introduction
Stanley, by British playwright Pam Gems, is about the life of Sir Stanley Spencer (1891-1959), one of the most renowned British artists of the twentieth century. The play, which was first produced in London in 1996, is available and still in print in an edition published by Nick Hern Books that same year. The play covers about thirty-five years in Spencer's life, from the early days of his initially happy marriage to fellow artist Hilda Carline, to his last days spent in a solitary pursuit of his art. The focus of the play is on Spencer's tortured relationships with Hilda and another artist, Patricia Preece. Spencer became infatuated with Preece and divorced Hilda in order to marry her; the triangular emotional involvement proved disastrous for all concerned. In her play, Gems presents Spencer as a visionary artist who loves to share his ideas about God, art, creativity, and sex, but who is also selfish, childish, and egotistical—a man who is willing to damage other people's lives in order to fulfill his own needs and desires. The play was nominated for an Antoinette Perry (Tony) award in 1997.
Author Biography
English dramatist and novelist Pam Gems was born August 1, 1925, in Bransgore, Hampshire, England; the daughter of Jim and Elsie Mabel (Annetts) Price. After attending Brockenhurst County Grammar School, she served in the WRENS (Women's Royal Naval Service) during World War II. After the war, Gems attended the University of Manchester, and she graduated with a Bachelor of Arts degree in 1949. In the same year, she married Peter Gems, and the couple had four children.
Gems worked at a variety of jobs in the early part of her life, including as a charwoman, chambermaid, street vendor, antique dealer, clerk-typist, mannequin and furniture designer, sheetmetal worker, shop assistant, hatcheck girl, cashier, and factory worker. From 1950 to 1953, she was a research assistant for the British Broadcasting Corporation (BBC).
Gems did not start writing plays until she was in her forties and had raised her children. Her earliest plays were written for a feminist collective, Almost Free Theatre, in London. In 1976, she first reached a wider audience when her play Dead Fish, about four girls who share a London apartment, was produced at the Edinburgh Festival. The play, retitled Dusa, Fish,