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A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)"
A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)"
A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)"
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A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)"

By Gale and Cengage

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A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
LanguageEnglish
Release dateJun 15, 2016
ISBN9781535830768
A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)"

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    A Study Guide for Miguel Mendez's "Peregrinos de Aztlan (Pilgrims in Aztlan)" - Gale

    1

    Pilgrims in Aztlán

    Miguel Méndez

    1974

    Introduction

    Miguel Méndez, in his novel Pilgrims in Aztlán, tells many different stories. Heralded as a landmark in Chicano literature by critic Roland Walter in the Americas Review, the stories in this novel are hard to read. The difficulties are based on many factors; one of the most prominent is Méndez's creative use of time—there is no straightforward linear progression. Another challenge is keeping track of the long list of characters. A third factor is the subject matter. There is no easy way of reading about the lives of oppressed and constantly hungry people. Underneath all this, there is also another factor. Juan D. Bruce-Novoa, in his article Miguel Méndez: Voices of Silence, states that

    Méndez never trusts the lazy reader who would take advantage of the novel to amuse himself without committing anything in return. Méndez is not interested in entertaining [the reader] but moving [the reader] emotionally to compassion and intellectually and socially to action. In another respect, as in all rituals, complexity and even confusion are codes hiding and protecting the secrets of a culture from the outsider.

    Another way that Méndez protects the secrets of his culture is to write only in Spanish. In addition, his complex writing style makes translating his books very difficult. His writing style is based on the oral tradition of storytelling. Méndez is very concerned about the loss of the oral tradition, especially in the lives of the Mexican people who, like him, have immigrated to the United States. Bruce-Novoa explains that the oral tradition has been used to pass down stories from one generation to the other. It is through this tradition that children learn from their elders. But in the United States, the children of these immigrants are growing up speaking English, encouraged by the educational system to abandon their traditional language. This creates a huge gap between the generations when the children speak English and their grandparents speak only Spanish. The oral tradition is in danger of disappearing into the silent past, says Bruce-Novoa, and the Chicano, cut off from this door to his heritage, could lose his cultural identity, his place in the present, and thus, disappear in the future as well. It is for these reasons that Méndez continues to write in a style that reflects his culture and the oral traditions of his people. His stories speak out for the growing silences in his traditions. Bruce-Novoa concludes that Méndez's writing is the voice of silence crying for justice in the desert.

    Author Biography

    There are so many remarkable things about Miguel Méndez that he himself has, at times, looked into the mirror and wondered who he was. He was born on June 15, 1930, in Bisbee, Arizona, a town that sits on the border between the United States and Mexico. Shortly after his birth, his family moved to El Claro, Mexico, where his father found work in a government-owned farming community. It was from his father that Méndez would learn the significance of the storyteller. His father's stories were conveyed to him in the traditional oral style. From his mother, who spoke both Spanish and English, Méndez would receive his love of language and reading.

    Méndez attended school only through the sixth grade. This fact might have restricted someone with less determination, but Méndez used this circumstance to inspire himself to conquer

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