A Study Guide for Neil Simon's "Odd Couple"
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A Study Guide for Neil Simon's "Odd Couple" - Gale
3
The Odd Couple
Neil Simon
1965
Introduction
When The Odd Couple appeared on Broadway in March of 1965, Neil Simon was already a fairly well-known playwright. His successful comedy, Come Blow Your Horn, had initiated his Broadway career in 1961 and Barefoot in the Park in 1963 had been an even bigger hit. But The Odd Couple, with its unforgettable pair of mismatched roommates, made Simon a cultural phenomenon, and he subsequently became in his own lifetime the most commercially successful playwright in the history of theatre. After its long run on Broadway, The Odd Couple was turned into a successful film in 1968 and then became a popular television series (on the American Broadcasting Company network) running from 1970 to 1975. Thus, Oscar Madison and Felix Ungar, the odd couple
of the title, were steadily prominent in the popular entertainment industry for ten years and, as a result, became a part of American culture. Though some may forget which one was sloppy
and which one neat,
almost everyone understands the phrase odd couple
as a way of describing a mismatched pair. The television show is still syndicated in reruns, the movie version appears frequently on television, and regional and local theatre groups mount productions of the play with great regularity. In 1985 Simon responded to the continued popularity of his odd pair by writing a female version for Broadway, in which all the characters’ genders were reversed. Though not as popular as the original play, this new version helped perpetuate the odd couple
as one of the most memorable pair of characters in the history of commercial theatre.
Author Biography
Neil Simon was born on July 4, 1927, in the Bronx, New York, the younger son of a father who sold cloth fabric to the dress manufacturers in Manhattan’s garment district. At the age of fifteen Simon teamed with his older brother Danny to write comedy sketches for the annual employee party of a Brooklyn department store; their success in this endeavor convinced Simon that he wanted to be a comedy writer. He and Danny eventually wrote sketches for popular radio and television shows, but the partnership split in 1954 and Neil went on to write for television comedians like Sid Caesar, Garry Moore, Phil Silvers, Red Buttons, and Jerry