A Study Guide for Edward Bond's "Lear"
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A Study Guide for Edward Bond's "Lear" - Gale
2
Lear
Edward Bond
1971
Introduction
Edward Bond’s Lear was first produced at the Royal Court Theatre in London in 1971. Bond’s 1965 play Saved had already established his position as an important new playwright, and some believe early reviewers of Lear did not fully understand the play but were reluctant to condemn it, largely because of Bond’s reputation. Many did find fault with the play, however, and much attention was focused on Lears tremendous violence. Some were critical of that violence, while others defended its extremity as essential to the playwright’s purpose. As with Bond’s other plays, the violence in Lear remains a subject of critical debate to this day.
Another focus of attention on Lear is its relationship to William Shakespeare’s play King Lear. As the playwright has noted, it is important to note that Bond’s Lear be seen not simply as an adaptation of Shakespeare’s play but as a comment on that drama. In various interviews, Bond has said that current audience reaction to Shakespeare’s King Lear, which focuses on the artistic experience of the play, is far removed from the way Shakespeare’s audience would have responded. Bond’s purpose is to make Shakespeare’s play more politically effective, more likely to cause people to question their society and themselves, rather than simply to have an uplifting aesthetic experience. As a socialist playwright, Bond writes plays that are not meant merely to entertain but to help to bring about change in society.
Lear has been called the most violent drama ever staged as well as the most controversial of Bond’s plays. It has been revived a number of times since its original production, and its reputation has grown as more critical attention has been paid to Bond’s work. Although it is clear that Lear is an important work among Bond’s plays, its full effect on contemporary drama remains to be seen.
Author Biography
Edward Bond was born on July 18, 1934, to working class parents in Holloway, a North London suburb in England. When World War II began in 1939, Bond, like many children, was evacuated to the countryside. Even so, he was exposed to the violence of the war, the bombings, the continual sense of danger, all of which helped to shape Bond’s image of the world as a violent place. Bond’s education was interrupted by the war, and he left school for good at fifteen. He worked in factories and offices and served for two years in the British army. In his early twenties, he began writing plays.
At this time, in the 1950s, a new generation of playwrights was beginning to revolutionize British drama. These playwrights included John Osborne