A Study Guide for Peter Shaffer's "Equus"
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A Study Guide for Peter Shaffer's "Equus" - Gale
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Equus
Peter Shaffer
1973
Introduction
Peter Shaffer was inspired to write Equus by the chance remark of a friend at the British Broadcasting Corporation (BBC). The friend recounted to Shaffer a news story about a British youth who blinded twenty-six horses in a stable, seemingly without cause. Shaffer never confirmed the event or discovered more of the details, but the story fascinated him, provoking him to interpret it in some entirely personal way.
His dramatic goal, he wrote in a note to the play, was to create a mental world in which the deed could be made comprehensible.
Equus depicts the state of mind of Alan Strang, the imaginative, emotionally-troubled stableboy who serves as the play’s protagonist. In relating his themes, Shaffer combines psychological realism with expressionistic theatrical techniques, employing such devices as masks, mime, and dance. The ongoing dialogue between Alan and Dr. Martin Dysart, the boy’s analyst, illustrates Shaffer’s theme of contrary human impulses toward rationality and irrationality. Curing Alan, making the boy socially acceptable and more normal,
Dysart frets, will at the same time squelch an important spark of passionate creativity in the youth.
Equus, which some critics labeled a psycho-drama,
premiered in London at the Old Vic Theatre on July 26, 1973. The production was a huge success, impressing both audiences and critics alike and securing Shaffer’s reputation as an important contemporary dramatist. Equus had its American premiere at New York’s Plymouth Theatre on October 24, 1974, and later received the Antoinette Perry (Tony) Award, the Outer Critics Circle Award, and the New York Drama Critics Circle Award. The play was adapted into a film in 1977.
Author Biography
Peter Shaffer and his twin brother Anthony (also a playwright and novelist) were born May 15, 1926, in Liverpool, England. Peter attended St. Paul’s School in London, graduating in 1944, near the end of World War II. For the remainder of the war, he was conscripted to work as a coal miner; because a large number of England’s adult male workforce were off fighting the war, many labor positions were filled by women, children, and young adults.
After the war Shaffer attended Trinity College, Cambridge, from which he received a degree in 1950. Following graduation he moved to New York City, where he worked in a book store and the New York Public Library. He returned to London in 1954, working for music publishers Bosey & Hawkes. He began writing scripts for radio and television during this period as well as serving as literary critic for the journal Truth from 1956-57.
Shaffer’s first stage play, Five Finger Exercise, was produced in 1958. He followed it with the paired one-acts The Private Ear and The Public Eye in 1962. In 1963 Shaffer cowrote, with noted stage director Peter Brook (Marat/Sade), the screenplay for