A Student's Guide to Nathaniel Hawthorne: Outstanding American Authors, #1
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About this ebook
Nathaniel Hawthorne is an outstanding American author who lived and wrote during the 19th century. His fiction deals with a wide variety of themes, including alienation, sin, guilt, pride, and hypocrisy. He delves into issues of the human heart that cross generational lines. In A Student's Guide to Nathaniel Hawthorne, Dr. MaryAnn Diorio has provided a rich resource for understanding and appreciating the works of this great author.
MaryAnn Diorio
MaryAnn Diorio writes award-winning fiction from a quaint small town in New Jersey where neighbors still stop to chat while walking their dogs, families and friends still gather on wide, wrap-around porches, and the charming downtown still finds kids licking lollipops and old married folks holding hands. A Jersey girl at heart, MaryAnn loves Jersey diners, Jersey tomatoes, and the Jersey shore. You can learn more about her and her writing at maryanndiorio.com.
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A Student's Guide to Nathaniel Hawthorne - MaryAnn Diorio
A Student’s Guide to
NATHANIEL HAWTHORNE
Mary Ann L. Diorio, Ph.D.
TopNotch Press
PO Box 1185
Merchantville, NJ 08109
Copyright © 2004 by Mary Ann Diorio
All rights reserved.
No part of this book may be reproduced by any means without the written permission of the publisher.
ISBN: 0-930037-30-8
Nathaniel Hawthorne Photo: Eastman Johnson [Public domain], via Wikimedia Commons
Dedication
To my precious daughters,
Lia and Gina
Table of Contents
CHAPTER 1: THE MAGNETIC CHAIN OF HUMANITY
.........
An Introduction to the Life and Works of Nathaniel Hawthorne
CHAPTER 2: LIFE IN NEW ENGLAND.......
Influences on Nathaniel Hawthorne
CHAPTER 3: INFINITE SOLITUDE..........
Major Themes in Hawthorne’s Fiction
CHAPTER 4: A ROMANTIC NOVEL..........
Examining The Scarlet Letter
CHAPTER 5: HAUNTED BY THE PAST......
Examining The House of the Seven Gables
CHAPTER 6: FAITH AND SIN................
Young Goodman Brown
and The Minister’s Black Veil
CHAPTER 7: CRIMES AGAINST NATURE...
Rappaccini’s Daughter
and Ethan Brand
CHAPTER 8: WAR OF THE HEART AND MIND.........
The Birthmark,
The May-Pole of Merrymount,
and The Artist of the Beautiful
CHAPTER 9: OLD AND NEW WORLDS......
Examining The Marble Faun and Selected Short Stories
CHAPTER 10: CLOSING THE CIRCLE.......
The Final Years and Enduring Legacy of Nathaniel Hawthorne
CHRONOLOGY................................
CHAPTER NOTES.............................
GLOSSARY....................................
MAJOR WORKS BY NATHANIEL HAWTHORNE.........
FURTHER READING..........................
INTERNET ADDRESSES......................
INDEX
ABOUT THE AUTHOR
CHAPTER 1
THE MAGNETIC CHAIN OF HUMANITY
An Introduction to the Life and Works of
Nathaniel Hawthorne
When John Hathorne served as a judge in the Salem Witch Trials in 1692, he had no idea the influence this would have on the course of American literature nearly two centuries later. John Hathorne was the great-great-grandfather of Nathaniel Hawthorne. The role Hathorne played in the trials—which resulted in many innocent people being put to death due to blind superstition—caused such guilt and shame in his great-great-grandson that Nathaniel eventually changed the spelling of his last name to Hawthorne.
In this way, Nathaniel Hawthorne sought to separate himself from any connection to his ancestor. Still, the guilt and shame persisted.
Thomas Jefferson had just been re-elected president of the United States when Nathaniel Hawthorne was born at 27 Union Street in Salem, Massachusetts, on July 4, 1804. His parents were Nathaniel Hathorne and Elizabeth Clarke Manning. The second of three children, Nathaniel was their only son.
When Nathaniel was only four years old, his father—a Salem sea captain and a poet of sorts—died of yellow fever in Surinam, Dutch Guinea. His father’s death left Hawthorne’s mother in a state of grief from which she never recovered. Her grief strongly affected her sensitive son and triggered a sadness that lasted his entire life and colored his writing with dark melancholy. This melancholy, along with the shame Hawthorne felt in regard to his ancestry, would be two key influences on the themes of Hawthorne’s later works of literature.
COMMON THEMES
Chief themes of Hawthorne’s fiction include alienation, ancestral sin, guilt, pride, appearance vs. reality, and isolation and its effects. His writings often illustrate the tragedy that occurs when a person is isolated from the human community. In his short story Ethan Brand,
Hawthorne describes this isolation as losing one’s hold of the magnetic chain of humanity.
¹ It is this hold on the magnetic chain of humanity
that gives meaning to life. Those characters who maintain this hold find happiness. Those who lose hold of it find only misery.
CHARACTER TYPES
Basically, Hawthorne’s characters are of two main types: those who follow their head (or intellect) and those who follow their heart. Among those characters who follow their intellect are Ethan Brand in the story by the same name, Aylmer in The Birthmark,
Rappaccini in Rappaccini’s Daughter,
and Reverend Hooper in The Minister’s Black Veil.
Those who follow their heart include Hester Prynne in The Scarlet L etter, Phoebe in The House of the Seven Gables, and Owen in The Artist of the Beautiful.
The message that Hawthorne conveys through these two broad groups of character types is that those who put the intellect above the heart end in tragedy, whereas those who put the heart above the intellect find true life.
LITERARY DEVICES
Hawthorne employs a variety of literary devices in his works. Among the most common are symbolism, irony, and ambiguity.
literary device—A formula in writing for producing a certain effect, such as a figure of speech (for example, a metaphor), a narrative style (first person, second person, etc.), or a plot mechanism (such as a flashback).
Perhaps the most powerful of these devices is symbolism. In The Scarlet Letter, for example, the red letter A on Hester’s dress is intended to mark her as an adulteress, but for the reader, the letter will come to represent much more. Its meaning will, in fact, change several times over the course of the novel. Hawthorne’s deep and complex symbolism allows for a wide variety of interpretations on many levels.
symbolism—The literary device of using one thing or person to represent another thing or person.
These various interpretations signal Hawthorne’s use of another literary device called ambiguity. Many of Hawthorne’s works, particularly his short stories, are left open-ended. In other words, the reader is left to decide the actual meaning, as is the case with Hester’s red A. Another example of a story employing ambiguity is The Minister’s Black Veil,
where the minister’s reasons for taking up the veil are never directly explained.
ambiguity—A literary device that leaves the ultimate meaning of the story up to the reader.
Some of the stories in which Hawthorne uses irony include The Scarlet Letter, The Blithedale Romance, The Marble Faun, and The Celestial Rail-road.
In each of these stories, some superficial action belies a deeper meaning. For example, in The Scarlet Letter, although Chillingworth becomes Dimmesdale’s physician, the reader knows that Chillingworth’s intention is not to heal but to do harm.
irony—A literary device used to express an idea that is normally opposite that of the words’ literal meaning.
NARRATIVE STYLE
Hawthorne wrote primarily in third person and often engages the reader through his use of a narrator. His descriptions are detailed and evoke vivid images in the reader’s mind. His sentences are sometimes long, and his language, although colorful, often requires close attention in order to be understood. Hawthorne’s narrative style may appear somewhat difficult for the modern reader, but it is certainly worth the effort to apply oneself to understand it.
HAWTHORNE’S EARLY LIFE
When Nathaniel was nine years old, he injured his leg while playing ball. The injury left him an invalid for almost three years. It also impacted his writing. During the long period of confinement following his injury, Hawthorne developed a great love of reading. He devoured the classics, including Paul Bunyan’s Pilgrim’s Progress, Shakespeare, John Milton, and James Thomson. A favorite work was Thomson’s The Castle of Indolence. Nathaniel also read the great literature of the Bible, which profoundly influenced his work.
Some time later, the Hathornes moved to a family property in Raymond, Maine, on the shores of Sebago Lake. There the young Nathaniel discovered the beauty of nature and developed a deep love for it. In Maine, he spent countless hours hunting, fishing, and exploring the forests. Later, he was to remember the period in Maine as the happiest time of his life.
After a year in Maine, Nathaniel returned to Salem to prepare for entry into college. During this time, his vision of his destiny became clearer. In an almost prophetic letter to his mother, he wrote, I do not want to be a doctor and live by men’s diseases, nor a minister to live by their sins, nor a lawyer and live by their quarrels. So I do not see that there is anything left for me but to be an author. How would you like some day to see a whole shelf full of books, written by your son, with ‘Hawthorne’s Works’ printed on the backs?
²
COLLEGE AND EARLY LITERARY CAREER
After his father’s untimely death, Nathaniel came under the care of his uncles on his mother’s side. Recognizing his extraordinary literary talent, they provided for his education. In 1825, Nathaniel graduated from Bowdoin College in Brunswick, Maine. There, among other things, he studied Greek and Latin. His volume of stories