Asa Bell

AnnotatedBibliography
North,Adrian,DavidHargreaves,andJonHargreaves."UsesofMusicInEveryday
Life."MusicPerception:AnInterdisciplinaryJournal.1sted.Vol.22.Berkley:Uof
California,200.77.Print.
1) TheauthorsareexpertsinmusictheoryandareprofessorsatUniversityof
California.
2) Theintendedaudienceisthepopulationstudyingthemusicindustryanduses
ofmusicineverydaylife.
3) Thispieceisessentiallyabodyofinformationdetailingstudiesthatweredone
onpeoplewhoregularlylistentomusic,inanycapacity.
4) Inmyintro,Italkabouttheusesofmusicineverydaylifetoaddvalidationto
myclaimthatmusic(andthereforethemusicindustry)isveryimportant.
Messitte,Nick."HowPayolaLawsKeepIndependentArtistsOffMainstreamRadio."
Forbes.Forbes.com,30Nov.2014.Web.2Mar.2015.
1) TheauthorofthisarticlewriteforForbesMagazineandconsidershimselfan
expertonwhypeoplelistentothemusictheydo.
2) Theintendedaudienceisthesmallbitofpeoplewhocareabouthowlaw
influencesthemusicthatweareexposedtointhemainstream.
3) ThispieceisananalysisofhowPayolalawsandtheagreementsthatresult
fromthembenefitmajorrecordlabelsandtheirartists,whilekeeping
independentartistsoffoftheairwaves.
4) Throughoutmypaper,Ireferencethisarticleforlawinformation.
Gilliland,John."JohnGilliland'sPopChronicles."PlayASimpleMelody:AmericanPop
MusicintheEarlyFifties1.UNTDigitalLibrary.UniversityofNorthTexas.Web.8
Mar.2015.<http://digital.library.unt.edu/ark:/67531/metadc19745/>.
1) Throughvariousinterviews,research,andrecapofpersonalexperiences,John
Gillilandanalyzespopmusicthroughthe50sand60sintheUS.
2) Theintendedaudienceisthosewhocaretostudythechronologyofpopular
musicanditschangeoverdecades.
3) Thiscollectionofaudiorecordingsfeaturesinterviewsofartistsfromthe50s
and60saswellascommentsfromotherpeoplewhowereactiveonthepop
musicsceneduringthattimeperiod.
4) Iusepart1oftheserecordingstoshowhowpopmusicevolvedthroughthe
decades,butcontinuedtobecontrolledbythesamerecordlabels,forthemost
part.
"GeneticDataToolsRevealHowPopMusicEvolvedInTheUS."Medium.com.Physics
ArXivBlog.Web.4Mar.2015.

Asa Bell

1) Thereisnospecifiedindividualauthorforthisarticle;however,thePhysics
ArXivBlogregularlypublishesarticlesonpeculiarandinterestingphenomena
withinsociety.
2) Theintendedaudienceisthosestudyingmusicsevolution,genreexclusively.
3) Thisarticlecontainsacombinationofqualitativeandquantitativedata,shown
throughchartsandgraphs,thatillustratestheevolutionofmusicfromjazzytohip
hopinfluenced,fromfolkroots.
4) Iusethispiecetohelpexplainthemassevolutionandgrowthofchartingmusicin
theUS.
Sinnreich,Aram."MusicandtheMarketplace."ThePiracyCrusade.1sted.Vol.1.
Boston:UofMassachusetts,2013.1114.Print.
1) Theauthorofthisbook,AramSinnreich,hascontributedaplethoraofworksthat
discussanddissecttheeverchangingmusicindustry.
2) Theintendedaudienceofthisworkisthosewhowanttolearnabouttheeffectsof
piracyanditsdestructionofthemusicindustryandcivilliberties.
3) Thisbookanalyzestheinsandoutsofhowpiracyhasbeguntocontrolsectorsof
themusicindustry.Throughstudiesandguestauthors,Sinnreichrevealswhat
policiesunderminethebasicprinciplesofademocraticsociety.
4) IusethispiecetoshowthatcapitalismisahugepartofAmericansocietyand
thereforethemusicindustryasawhole.

Hatch,David,andStevenMillward."ContinuityandChangeinPop."From
BluesToRock:AnAnalyticalHistoryofPopMusic.1sted.Vol.1.
ManchesterCity:ManchesterUP,1987.14.Print.
1) Theauthorsofthisbook,MillwardandHatch,havebeenpublished
manytimesbecauseoftheiradvancedanalysisonmusicand
emphasisonpopmusic.
2) Theintendedaudienceisthosewhoarelookingtofindoutabouttherootsof
popmusicanditsevolution.
3) Thisbookcoverseverythingfromtherhythmicandmelodicmakeupsofpop
musictotheinfluenceBlackmusichadonpopmusic.
4) Iusethispiecetobothdefineandexplainwhatpopmusicisanditsevolution.