The soliloquy to be or not to be is very effective because it has no connection with what is said before and after. A few minutes before Hamlet has said his plan to prove that Claudius is guilty, through the play that the actors will perform at Elsinore. But Hamlet is different now and he doesnt say anything about the plan but he discusses about important questions on life and death. Also the audience is forced to do so. The shape of thoughts His thoughts take shape(prendono forma) slowly through a series of questions and of infinite tenses, for example: to be or not to be , to die, to sleep create a distance from him to the action and all the questions create new questions without a solution. The choice of existence The image is that of war, e.g. the slings and arrows (I colpi e le frecce), so it means that Hamlet has a strong conflict in his mind. He says that it is useless to take arms against all the troubles. So death is the only solution to all the problems (lines 8-9). > To die, to sleep, to dream But death is also made of two things: to sleep and to dream. The medieval idea that death will free man from his body is contrasted to the renaissance idea of the doubt that there is life beyond death. The calamity of life Hamlet lists the evils that men must face in life: injustices, discrimination and political oppression. Man could kill himself with a knife, but the fear of what is after death stops the action. A problem of conscience There is a connection between conscience and the power of thought and the kind of thought which stops man from committing suicide is like moral conscience. Courage and cowardice The passage makes the audience think about the meaning of cowardice. Conscience makes everyone become a coward. The dilemmas of modern man are all here in this soliloquy and the great ability of Shakespeare is to make a personal experience become universal.