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Whitney Johnson
Visiting Artist Lecture: Laura Splan
10/7/15
about this work were changed, such as its color, mode of presentation, or even real-life
implementation, Exam Gown might feel warmer. Instead, this work and others like it project
alienation, since the majority of its variables linger on the clinical side of the fear-comfort
spectrum, if such a reductionist tool exists.
Conventional conceptions, or the belief that science affects art but not vice-versa, might
overpower Splan's intent of creating a sense of warmth. After viewing Splans work, my initial
perception was that Splan is introducing science into art, instead of bringing art into science.
Visually, she has borrowed motifs from both science and craft (for example, chemical structures
and wallpaper-like ornamental patterns), but my most common interpretation of Splan's works
usually results in art that's been influenced by science. I am aware that the relationship is much
more complex and can operate as a constant give-and-take, oscillating dialogue, but this wasnt
my immediate read. This might be a function of the work that Splan can control or manipulate,
but it might also be caused by the current, overwhelming hierarchical perspective involving
science and art. In other words, perhaps the line between art and science have not yet been fully
blurred, and art is still seen as secondary or "inspired by" science. If this is the case, the sterile
and isolating concept of biology overpowers any hopeful but futile attempts at comfort.