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A Sense of Anti-Communism and The politics of Buron() - A Study on
How to Read the Anti-Communism Film under the Parks Regime
(Authors)
Yu, Seung-Jin
(Source)
(Publisher)
URL
http://www.dbpia.co.kr/Article/NODE06505731
APA Style
(2015). `` . ,
21(2), 451-486.
(Accessed)
165.194.95.123
2016/01/10 18:18 (KST)
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/ 485
Abstract
A Sense of Anti-Communism and The politics of Buron()
A Study on How to Read the Anti-Communism Film under the Parks Regime
Yu, Seung-Jin (Yonsei University)
This study aims at seeking methodology to analyze anti-communist films under the
President Park Chung-hees regime and revealing the politics of the anti-communist
system by focusing on the textuality of anti-communist films. The analyzed films here
are Five Marines, The Marines Who Never Returned, The North and South, and Seven
Women P.O.W. In order to analyze historicality revealed by the texts, what these
films imply in the contexts of the age and the process how Seven Women P.O.W.
had been discovered as a Buronhan(rebellious,) text are focused in this article.
Under the discourses after 4.19 Revolution and 5.16 Coup, anti-communism was
neither contrary to nor compatible with values such as individual and freedom, and
anti-communist films were not limited to the propaganda of the regime. The
anti-communist films functioned as the place to expose fundamental violence of the
anti-communist system, which was a text problematizing essentially the antagonism
between the systems, and producing and managing agitation, by revealing an
individual who cannot romanticize war. Especially, the process how Seven Women
P.O.W. had been discovered as a rebellious text, makes us think directly of the point
that the authority of interpretation exceeding logic inside the censorship operates as
the logic to constitute the system. Therefore, this article concentrates on the aspects
that the seditious texts were produced through the censoring sources on The North
Buron(
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: 2015 8 13