Professional Documents
Culture Documents
Grade9Art:Line
RachaelGough
Ed3601ArtEducation:MethodsforMajors
ProfessionalSemesterII,Spring2016
Artdoesnotreproducethevisible;rather,itmakesvisible.PaulKlee
Stage1DesiredResults
GLOs:
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.1.1:Record:Recordobjectsaloneandincompositions.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecordedimagesandintheenvironment.
1.2.1:Investigate:Studentswillemployandarrangeelementsandprinciplestomakecompositions.
1.3:Studentswillexpresstechnicalcompetenciesandindividualinsights.
1.3.1:Communicate:Studentswilluseexpressivenessintheiruseofelementsinthemakingofimages.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontrolandcompetency.
1.4.1:ArticulateandEvaluate:Studentswillusethetechniquesofartcriticismforanalysisandcomparisonofartworks.
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,techniquesanddesignelements.
2.1.1:Components1:Studentswillcreatecompositionsinbothtwoandthreedimensions.
2.2:Studentswillanalyzetherelationshipsamongcomponentsofimages.
2.2.1:Components2:Studentswillbecomefamiliarwiththeuseoftransparencyandopacityinthecreationofcompositions.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.
2.3.1:Components3:Studentswillinvestigatetheeffectsofcontrollingcolour,spaceandforminresponsetoselectedvisual
problems.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsandsocialactivitiesassourcesof
imagerythroughtimeandacrosscultures.
3.1.1:SourceofImages:Studentswillconsiderthenaturalenvironmentasasourceofimagerythroughtimeandacross
cultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeandacrosscultures.
3.2.1:ImpactofImages:Studentswillbecomeawareoftheimportancesocietyplacesuponvariousworksofart.
Understandings:
Studentswillunderstandthat
Linecanbeusedtoexpressmeaningorfeeling
Linesdeterminehowyouinterpretanartwork
Differenttoolswillproducedifferentlines
Artistsmakepurposefullinesthathavemeaning
Essential/InquiryQuestions:
Howdoeslineaffectthewayinwhichweviewart?
Howcanaalineexpressmeaning?
Studentswillknow
Studentswilluseavarietyofmediumstoshowline
Studentswilldeveloptheirunderstandingoflineasa
formalelementofart
Studentswilluselinetoexpressformormeaning
Studentswillbeabletodescribewhateffectlinehasin
termsofcomposition
Studentswilldrawfromobservation
Studentswillinvestigatetherelationshipbetween
observationandline
Studentswilluselineasaformofexpression
Studentswillanalyzelinewithinavarietyofartworks
acrosshistory
Studentswillexpresstheroleoflineinart
Studentswillbeabletodo
Contourdrawing
Gesturedrawing
Lineexpression
Artworklineanalysis
Communicateartisticchoices
RATIONALE:
Thisunitonlineisessentialtobuildingasolidfoundationinartforgrade9students.The
lessonsbeginbyintroducingseveraltechniquestohelpstudentslearnhowtointerpretlines,
makepurposefullines,andthenapplythatknowledgetoafinaldrawing.Art9doesnothaveany
prerequisites,meaningthatalotofstudentsintheclasswillhavelittletonoartisticexperience.
Thatmakesitessentialtoensuretheyaregettingafullandvariededucation.Italsomeansyour
lessonsshouldbehighlyengagingtokeepstudentsinterested.Anotherissuewithgrade9sis
thattheyarejuststartinghighschoolandarethereforeveryinsecureandunsureofthemselves.
Thisunittakesthatintoaccountandtransitionsstudentsin,graduallyscaffoldedtoeasestudents
intotheworldofart.
Intermsofgender,Ihaveincludedatleast2femaleartistsforeachday.Historically
femalesarenotwellrepresentedinthearts.Howeverinrecenttimesthereareafarhigher
numberoffemalesenrolledinsecondaryandpostsecondaryartclasses.Thismakesitessential
torepresentbothmalesandfemalestothebestofmyability.Italsopromotedgenderequality,
andhelpspromotepositiveselfimage.Ihopethatbyincludingitgirlswillseethemselvesas
equalstotheirmaleclassmates.Additionallythereisalotofindependenceinsubjectmatter.
Studentsbringintheirownselfselectedobjecttodraw,andotherthanthat,theyaredrawing
eachother.IhavevariedthesubjectmatteroftheartIamshowingwithalmostanevennumber
ofmalesandfemalesintheencounters.Ihavealsoensuredthatthesubjectmatterpresented
doesnotsexualizethefemale,orthemaleform.Forvariety,Iwillalsobeconstructingaseating
planthathasbothmalesandfemalesateachtable.Menandwomendotendtothinkquite
differentlyandIthinkthathavingbothsexesrepresentedwillensureavarietyofopinionsand
viewpoints.
Ihavealsoaccountedforvaryingsocioeconomiclevelsinmyclassroom.Studentsare
providedwithallthesuppliestheyneed,andareonlyrequiredtobringinanitemtodraw.
Shouldtheynothaveeventhat,mylessonplansstatethatIwillalwayshaveextramaterialfor
studentstouse.Nouseoftechnologyorelectronicswillberequiredbytheindividualstudent
outsideofclasstime.Ihavepreparedapresentationofseveralimagesforstudentstoconsider
whenengagedingroupdiscussions.Thisallowseveryonetobeonthesamelevelinmy
classroom.Ialsobelievethatstudentswillbuildastrongsenseofcommunitywithinclass
discussionsandcollaborativeworks.Finally,althoughIdonotknowifIhaveanyFNMIstudents
inmyclasses,IhaveincludedworkbyFNMIartistsinmyencountersforeachclassbecauseitis
anessentialandunderrepresentedpartofourhistoryasCanadians.
Thisunitcaterstothe21stcenturylearner.Eachdaythestudentsengageinhandson
activitiesfollowedbydiscussions.Theunitstartsoffbystudentsdrawingalineandthen
expandingonwhatthatmeans.Theywilllearnhowtoexpressmeaningthroughlinerequiring
criticalthinkingandanalysis.Theyarealsorequiredtoprovidewrittenanalysisofsketchbook
assignmentsandparticipateintablecritiquesbuildingtheiroralandwrittencommunication
skills.Theunitisveryexploratoryandprojectbasedthroughout.Iamtakingmoreofa
facilitationrole,puttingstudentsinchargeoftheirownlearning.Studentsarealsopartnersin
theirownmarkingandmeetwiththeteacherattheendofeachmonthtoselfassess,givingthem
moreresponsibilityinregardstotheirownlearning.Theyarebeingputincharge,buildingtheir
entrepreneurialspirit.
Ifeelthislessontakesmanythingsintoconsiderationinanattempttoexpectthe
unexpected.IwasnotabletomeetmyclassormyTApriortoplanningsoIhaveattemptedto
coverallofmybases.Thisunitwillengagestudentsandgetthemexcitedaboutartsotheycan
begintogainanunderstandingaswellasappreciation.SocialcontexthastaughtmealotandI
hopethatIcancontinuetolearnandfurthermyconsiderationstocovermorestudentsthanI
haveinthisunit.
UNITSUMMARY:
Thisunitispartofalargerplantointroducestudentstothebasicelementsofart.Within
thelineunitstudentswilllearnhowtobreakanobjectdowntoitsessentiallinesandshapes,
andpracticerepresentationaldrawing.Throughthese5lessonsstudentswillexplorewhatline
is,howitcanbemanipulated,andwhatthatmeansintermsoftheirartisticpractice.Studentsare
learningconceptuallybyanalyzingartworksandrespondingtoworksoftheirownandtheworks
ofothers.Studentswillparticipateindiscussionandwrittencomponentstohelpbuildand
subsequentlysolidifytheirartisticknowledgeandvocabulary.Throughtheseexplorationsand
throughencounterswitholdmastersandcontemporaryartistsstudentswillgainanappreciation
forartandartisticpractices,satisfyingtheaffectivedomainoflearning.Thepsychomotordomain
issatisfiedthroughhandsonlearninginactivitiessuchastimedgesturedrawings,tablesized
groupworksusingstringandrope,gettingthemmoving.Additionallytheywillbemovingaround
theclassroominseveralotheractivitiestogetthemup,moving,andenergized.
Theywillbeginbydefiningline,thenmoveintodifferentiatingdifferentlines,andhow
linecanhelpconstructmeaningandexpressamoodorfeeling.Studentswillinteractwithpeers
throughtableandclassdiscussionseachday.Thisallowsstudentstobuildcommunity,createa
welcominglearningenvironment,andpracticeusingtheirartisticvocabulary.
Studentswillexplorethreemethodsoflinedrawing:expressive,contour,andgesture.
Eachisessentialinordertogainaroundedunderstandingofline.Expressivelinesallowstudents
toseelinecometolifeandbegintounderstandhowtouseit;Contourprovidesamorescientific
approachtodrawing;Gesturedrawingallowstheartisttouselinetocapturethespiritofan
objectandbegintolookatmovement.Bylearningexpressionfirst,studentsgainafoundational
understandingoflinebeforeexploringamorepersonalandcreativeapproachthroughgesture,
endingoncontourtohelpstudentszoneinwithascientificapproach.
Thisunitwillallowstudentsthefreedomtoexplorelineapplicationthroughavarietyof
mediums.Studentswillberequiredtoexploreaminimumof4differentmediumsinordertoget
studentsexploringandexpandingtheirartisticrepertoire.Studentswillbeprovidedwiththe
followingtools:pencils,charcoal,vinecharcoal,paint,pastels,ink,wire,andrope.Additionally
studentsarewelcomedtobringintheirownmaterialstoworkwith.
Eachclassstudentswillbeparticipatingindiscussionswiththeclassorattheirtablesin
ordertobuildandstrengthenartisticvocabulary.Promptsandguidingquestionswillbe
providedinordertodirectconversationsandkeepstudentsontopic.
Studentswillalsobegivenapromptforasketchbookwork.Eachsketchbookassignment
dealswiththeoverarchingthemeoftheunit,butdoesnotdirectlyrelatetotheweeklyproject.
Thisgivesstudentsanopportunitytofurthertheirlearningandpracticetheirskillsoutsideof
class.Studentsmaydoadditionalsketchbookworks,butareexpectedtoproduceaminimumof
1entryperweek.
Eachstudentwillbeassessedbothformativelyandsummativelythroughouttheunit.I
willbemeetingwithstudentsindividuallyinthelastweekonthemonthinordertoreviewtheir
sketchbookentrywhichwewillbothassess.Thisservesasamaintypeofformativeassessment.
Allworkproducedthroughouttheweekshouldbeputintoeachstudentssketchbook,withthe
exceptionbeingthefinalgoodcopydrawing.Thefinaldrawingmustbehandedintomebythe
endoftheunitandwillbesummativelyassessedinaccordancewiththerubricprovidedto
studentpriortobeginningtheassignment.
OUTCOMES
1:DRAWINGS
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.1.1:
Record:Recordobjectsaloneandincompositions.
1.1.1.A:
Carefulobservationofformandsurfacequalitiesisnecessaryfortherealistic
recordingofnaturalobjects.
1.1.1.C:
Theillusionofdepthiscreatedpartlybythekindsoflinesandmarksusedin
creatinganimage.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.2.1:
Investigate:Studentswillemployandarrangeelementsandprinciplestomake
compositions.
1.2.1.C:
Achangingpointofviewcanallowamorethoroughanalysisofthesubjectmatter
ofdrawing.
1.3:Studentswillexpresstechnicalcompetenciesandindividualinsights.
1.3.1:
Communicate:Studentswilluseexpressivenessintheiruseofelementsinthe
makingofimages.
1.3.1.A:
Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/she
expressesactionanddirection.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
1.4.1:
ArticulateandEvaluate:Studentswillusethetechniquesofartcriticismfor
analysisandcomparisonofartworks.
1.4.1.A:
Makingcomparisonsaboutmoodandfeelingbetweenonesownworksand
worksbyotherstudentsispartoflearningtotalkaboutart.
1.4.1.B:
Knowingthetermsofdesign,mediaandtechniquesusedinonesown
drawingshelpsindescriptionandanalysisofonesownandothersworks.
Continuedonthenextpage
2:COMPOSITIONS
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,techniques
anddesignelements.
2.1.1:
Components1:
Studentswillcreatecompositionsinbothtwoandthreedimensions.
2.1.1.A:
Organicshapesderivedfromnaturalobjectscanbedevelopedinto
threedimensionalforms.
2.2:Studentswillanalyzetherelationshipsamongcomponentsofimages.
2.2.1:Components2:
Studentswillbecomefamiliarwiththeuseoftransparencyandopacityin
thecreationofcompositions.
2.2.1.A:
Thequalitiesoftransparencyandopacitysuggestrelationshipsofspaceandformin
compositions.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.
2.3.1:Components3:
Studentswillinvestigatetheeffectsofcontrollingcolour,spaceandform
inresponsetoselectedvisualproblems.
2.3.1.A:
Variationofform:naturalobjectsexhibitwidevariationofformwithinasingle
type.
3:ENCOUNTERS
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsand
socialactivitiesassourcesofimagerythroughtimeandacrosscultures.
3.1.1:SourceofImages:
Studentswillconsiderthenaturalenvironmentasasourceofimagery
throughtimeandacrosscultures.
3.1.1.A:
Imagesofindividualpeoplechangethroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeandacross
cultures.
3.2.1:ImpactofImages:
Studentswillbecomeawareoftheimportancesocietyplacesupon
variousworksofart.
3.2.1.A:
Thewayspeopleuseartchangesthroughtime.
3.2.1.B:
Societyhasvariouswaysofpreservinganddisplayingpublicandprivateartworks.
LESSONSUMMARIES:
CLASS1:Introduction/LineExpression:
Studentswillbeginbyexploringlineasanexpressiveart
form.Theywillpracticemakinglinesthatcommunicatedifferentmoodsindividuallyandthenin
collaborationwithclassmates.Studentswillalsobuildtheirunderstandingandartvocabulary
throughbothclassandgroupdiscussion,aswellananalyzingseveralotherworksbesidestheir
own.Wewillfinishbywatchingashortvideomadebyanartistshowingastronguseof
expressivelines.
CLASS2:Expanding/Gesture&ContourDrawing:
Inoursecondclassstudentswillbegin
exploringhowtouselinerepresentationally.Beginningwithablindcontourthengesture
drawingsallowsstudentssomefreedomforerrorsotheycangetcomfortableusingline.
Studentswillthenhaveatablediscussiononwhatwehavelearnedsofar,followedbyabrief
classdiscussionshowingexemplarsoflinedrawings.Fromtherestudentsmoveintocontour
drawing,relatingittotracingthroughtheuseoftransparencies.Theclassshouldfinishwith
studentsbeginningsketchesofwhattheywillbedrawingintheirweeklyassignment.
CLASS3:Refresher/Practice:
Wewillbrieflyreviewwhatwehavelearnedandexpandthrougha
lineapplicationworksheet.Theywillalsobedemonstratingtheirknowledgethroughartwork
analysisasaclass.Studentswillworkontheirpreliminarysketchesandmaybegintheirfinal
drawing.Therewillalsobetimeforashortcritiqueandtablediscussionregardingthefinal
drawing.Thestudentswillbeprovidedwithclasstimetowork.
CLASS4:Refresher/FinalDrawing:
Studentswillsharetheirprogress/practicewiththeirtable
groupsanddoaminicritique.Therestoftheclassisaworkperiodforstudentstotryandfinish
theirdrawings.Theymustbefinishedbytheendoftomorrowsclass.
CLASS5:FinishingUp&SketchbookFun:
Abriefintroductionwillbegiven,butthisisawork
period.Studentsmustfinishtheirassignmenttoday.Thosethatarealreadydonewillbemaking
drawingdevicesthefirsthalfoftheclass,anddoinganupsidedowndrawingforthesecondhalf.
ARTISTS/ARTWORKS:
SofonisbaAnguissolaGiuseppeArcimboldo(1575)
AlbrechtDurerWalrus(1592)
PicassoTheCamel;TheDog;ThePenguin(c.1907)
PicassoIgorStravinsky(1920)
FridaKhaloMusician(1925)
MatisseStillLifeonaTable(1941)
DavidHockneyEugeneandHenry(1978)
DaphneOdjigFamily(1978)
BluHombreBanano(2004)
SwoonThalassa(c.2015)
RembrandtHarmenszoonvanRijnTwowomenteachingachildtowalk(1640)
AlbertoGiacomettiChairintheStudio(1946)
BillReidLootaas[WaveEater](1993)
ChelseaStebarGestureDrawingRest(2009)
AnnRadleyArabequeBright(2010)
GuyDenningAgression,Compeition,Ambition(2011)
VanGoghStarryNight(1889)
WassilyKandinskyCompositionVIII(1923)
PietMondrianTrafalgarSquare(19391943)
HongChunZhangLifeStrands(2004);TwinSpirits#2(2002)
LilianaPorterBlueDrawing(2007)
PicassoIgorStravinsky(1920)
DAILYPLANS
LESSONPLAN1MONDAYCONTOUR
Grade/Subject:
Grade9Art
Unit:
Line
LessonDuration:
75minutes
OUTCOMESFROMALBERTAPROGRAMOFSTUDIES
GLOS:
1.3:Studentswillexpresstechnicalcompetenciesandindividualinsights.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsand
socialactivitiesassourcesofimagerythroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeand
acrosscultures.
SLOS:
1.3.1.A:Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/she
expressesactionanddirection.
1.4.1.A:Makingcomparisonsaboutmoodandfeelingbetweenonesownworksand
worksbyotherstudentsispartoflearningtotalkaboutart.
1.4.1.B:Knowingthetermsofdesign,mediaandtechniquesusedinonesowndrawings
helpsindescriptionandanalysisofonesownandothersworks.
3.1.1.A:Imagesofindividualpeoplechangethroughtimeandacrosscultures.
3.2.1.A:Thewayspeopleuseartchangesthroughtime.
LEARNINGOBJECTIVES
Studentswill:
1. Explorelineasawaytocommunicatemeaning
2. Analyzetheuseoflineinvariousartworks
3. Compareandcontrasttheuseoflineinvariousartworks
4. Understandlineasaformalelementofart
5. Buildartisticvocabulary
ASSESSMENTS
Observations:
Arestudentsvaryingthetypesoflines
theyareusing?
Aretheydemonstratingknowledge
duringclassandgroupdiscussion?
Cantheyputtheirartisticchoicesinto
words?
KeyQuestions
:
Howcanlinebeusedtoexpressmeaning,mood,
oremotion?
Whyislineimportant?
Wheredoweuselineinart?everydaylife?
Whattechniquescanbeusedtodothis?
Whywilleachlinebedifferent?
Assessments:
Lineexpressionpractice
Tablegroupartworks
Classdiscussion
Classroomobservation
LEARNINGRESOURCESCONSULTED
Resource#1:
AlbertaJuniorHighArtProgramofStudy
Resource#2:
VIDEO:BluMuto(https://www.youtube.com/watch?v=tCoqsVDVWN8)
Resource#3:
Slideshow
(https://docs.google.com/presentation/d/1SueRN0SK9jktoiLIW8XsLRmevOdveyzm72tfN0o2
aQ/edit?pli=1#slide=id.g11c7730613_0_5)
MATERIALSANDEQUIPMENT
yarn,rope,cord,etc.
newsprint
largetablesizedpaper
camera
variousdrawingtools
extrasketchbookpaper
slideshow
Meaning
Mood/feeling
Expressiveness
VOCABULARY
Line
Gesture
Contour
PROCEDURE
PriortoLesson
(15min.)
:
gathermaterial
havestudentsingroups
Introduction(15min.):
makeslideshow
loadvideo
Introduceyourselfandshowsomeofyourartwork.Tellstudentsthatthisweektheywill
bestudyinglineandtalkabouttheweeklyproject.(10minutes)
Theweeklyprojectwillsimplygivestudentsanopportunitytodemonstratetheir
learning.Iwillprovidethepaperthatstudentsareexpectedtouse.Eachstudent
mustdrawanimagenosmallerthantheirhandthatdemonstratesan
understandingoflineexpression,contourline,aswellasgesturelines.Theywill
alsoberequiredtouseanadditionallineapplicationtechniquefromoneofthe
choicesontheirworksheet.Thedrawingmaybedoneinanyofthemediums
providedbyme,andmustbeaccompaniedbyashortrationale.
Eachstudentwillstartwithablankpieceofpaper.Iwillleadanactivitythatshowsthem
howalinecanbeexpressive.First,Iwillaskstudentstodrawaline.Takeasurveyof
whatkindoflinetheydrew.Somewilldrawahorizontalstraightline,somewilldrawa
verticalline,adiagonalline,etc.Askstudentsifalinecanhavecharacter;askstudentsif
alinecanbesoft?Aggressive?Bold?etc.(5minutes)
Body(58min.):
Haveaclassdiscussiononline.Whyislineimportant?Wheredoweuselineinart?
Wheredoweuselineineverydaylife?(5Minutes)
Intheirtablegroupsstudentswillnowbecreatingalinepicturethatdemonstratesa
moodoremotion.Halfofthegroupswillbeusingdrawingtools,theotherhalfwillbe
usingthingslikewire,string,yarn,rope,extensioncords,etc.Eachgroupwillsecretly
pickamoodoremotion,andasagrouptrytocommunicateit.Theywillhave10minutes
todoso.(20Minutes)
Whentheyredone,theywillnotifyme,andIwillcomephotographit.Theywillalso
placeapieceofpaperonthetablewiththeirgroupmembersnamewrittenonthetop.
Onceeveryoneisdonegroupswillgoaroundandonthesheetofpaperprovidedthey
willtrytoguesswhateachgroupistryingtoconveywiththeirlinedrawing.Theywill
dothisforabout510minutesandtheneveryonewillgobacktotheirdesk.(10
minutes)
Wewillgoaroundandeachtablewilltelluswhatemotiontheypickedandwhatchoices
theymade/howtheyusedlinetocommunicatethat.Gothroughslidesandtalkabout
howtheseideasoflineexpressioncanbeappliedtodrawingobjects.(15minutes)
Closure(5min.):
Wrapup:Askstudentsiftheyhaveanyquestionsandbrieflyexplainwhatwewillbe
doingnextclass.Talkabouttheweeklyprojectandhavethemstartthinkingaboutwhat
theywanttodraw.
Remindthemtobringanobjecttheywanttodrawinfornextclass!Makesuretohave
extrasonhandforthosestudentsthatforgetorjustdontbringone.Studentsmustclean
upbeforeleavingclass!(5minutes)
Sponge(min.):
WatchBlusvideo!(8minutes)
https://www.youtube.com/watch?v=tCoqsVDVWN8
REFLECTION:
**Seebacktolessonplan.**
LESSONPLAN2TUESDAYGESTURE
Grade/Subject:
Grade9Art
Unit:
Line
LessonDuration:
75minutes
OUTCOMESFROMALBERTAPROGRAMOFSTUDIES
GeneralLearningOutcomes:
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.3:Studentswillexpresstechnicalcompetenciesandindividualinsights.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,
techniquesanddesignelements.
2.2:Studentswillanalyzetherelationshipsamongcomponentsofimages.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.2.3:Students
willexpressmeaningthroughcontrolofvisualrelationships.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsand
socialactivitiesassourcesofimagerythroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeand
acrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeand
acrosscultures.
SpecificLearningOutcomes:
1.1.1.A:Carefulobservationofformandsurfacequalitiesisnecessaryfortherealistic
recordingofnaturalobjects.
1.2.1.C:Achangingpointofviewcanallowamorethoroughanalysisofthesubject
matterofdrawing.
1.3.1.A:Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/she
expressesactionanddirection.
1.4.1.A:Makingcomparisonsaboutmoodandfeelingbetweenonesownworksand
worksbyotherstudentsispartoflearningtotalkaboutart.
1.4.1.B:Knowingthetermsofdesign,mediaandtechniquesusedinonesowndrawings
helpsindescriptionandanalysisofonesownandothersworks.
2.1.1.A:Organicshapesderivedfromnaturalobjectscanbedevelopedinto
threedimensionalforms.
2.2.1.A:Thequalitiesoftransparencyandopacitysuggestrelationshipsofspaceand
formincompositions.
2.3.1.A:Variationofform:naturalobjectsexhibitwidevariationofformwithinasingle
type.
3.1.1.A:Imagesofindividualpeoplechangethroughtimeandacrosscultures.
3.2.1.A:Thewayspeopleuseartchangesthroughtime.
LEARNINGOBJECTIVES
Studentswill:
1. Exploretheuseoflineasawaytorecordvisualinformation
2. Createa2Drenderingofa3Dobject
3. Analyzetheuseoflineinvariousartworks
4. Explorespatialrelationships
5. Compareandcontrasttheuseoflineinvariousartworks
6. Buildartisticvocabulary
ASSESSMENTS
Observations:
Arestudentsvaryingthetypesoflines
theyareusing?
Aretheydemonstratingknowledge
duringclassandgroupdiscussion?
Cantheyputtheirartisticchoicesinto
words?
Assessments:
Blindcontour
Gesturedrawingpractice
Groupcritique/discussion
KeyQuestions
:
Howcanyouuselinetorenderanobject?
Howcantheamountofdetailputintoawork
changehowyouviewit?
Whywilleachstudentslineapplicationbe
different?
Howdoeslinechangeacrosscultures/history?
Classdiscussion
Transparencydrawings
LEARNINGRESOURCESCONSULTED
Resource#1:
AlbertaJuniorHighArtProgramofStudy
Resource#2:
Slideshow
(https://docs.google.com/presentation/d/1SueRN0SK9jktoiLIW8XsLRmevOdveyzm72tfN0o2
aQ/edit?pli=1#slide=id.g11c7730613_0_5)
MATERIALSANDEQUIPMENT
Newsprint
Variousdrawingtools
transparencies
slideshow
extrasketchbookpaper
Meaning
VOCABULARY
Line
Gesture
Contour
Mood/feeling
Expressiveness
PROCEDURE
PriortoLesson
(15min.)
:
gathermaterial
havestudentsingroups
Introduction(510min.):
makeslideshow
Reviewwhatwelearnedaboutlineyesterday.Introducecontourandgesturedrawings.
A
Gesture
lineisanexpressivemovementusingaguideline.Itcapturesthefeelingof
motionwithverylittledetail.Thincontinuousflowoflinethatloops,twists,andchanges
direction.Itrepresentstointeriorofanobject.Itcapturestheessenceofthesubject.
Contour
istheedgesandsurfaceridgesofanobject,notthemassorvolume.Itisthe
outlineofanobject.Ifyouweregoingtotracesomething,youwouldbedrawingthe
contour!Togetyouloosenedupwewillbeablindcontour,andthengobacktogesture
soyougetatasteofbothtoday.
Havestudentstoablindcontourdrawingofthepersonsittingdirectlyoppositeofthem.
Remindstudentsthattheyarenottolookdown!Theywillalllooksilly!Thisisjustan
exercisetohelpthemloosenupandrelaxalittlebit.Suggestthattheytryusingdifferent
typesoflines.Howcanyouholdyourpencildifferentlytochangethelineyoure
creating?(5Minutes)
Whenyouaredrawingacontour,letyoureyesfollowthecontour(edgesandsurface
ridgesofanobject)asyoudraw.Thisiswhyweretryingitfirstasablindonewithout
looking!Youshouldreallytryandfocusontheobject.Spendtimesearchingitandreally
trytoseethecontourforwhatitis.Youreyestrickyouandcantalwaysbetrusted!
Body(60min.):
Havestudentstakeasheetofpaperandfoldituptomake4squaresonthepage.Get
studentstodrawtheirobjectquicklywithoutliftingtheirpencil/drawingtoolinvarious
timeincrements.Tellthemtheymustkeepdrawingandtheirpencilisnottoleavethe
page!Startwith5seconds,10second,20seconds,30seconds.Flipthepageover!Next
havethemdrawfor45second,1minute,2minutesand30seconds,andfinally5
minutes.Havestudentstalkattheirtablesaboutthedifferencethetimemakesontheir
drawing.Whatdidtheyhavetodowhenonlygiven5secondstodrawtheobject?(20
Minutes)
Havestudentscomparedrawingswiththeirtable.Givethemacoupleminutestotalk
aboutthelinesintheirdrawing.Didanyofthemusedifferentkindsoflines?Dothey
thinktheycouldhavedonebetteriftheywereallowedtolook?Whydopeoplefind
drawingdifficult?(5Minutes)
Showslidesandtalkaboutcontourdrawing.Whentheirtracingsomething,howdothey
knowwhichlinestodraw?(10minutes)
Haveastudenthandtransparenciesouttothetables.Tellstudentsthattheywillbe
usingthesetotraceanobject.Useamarkerorsomethingthatwillwipeoffsothey
havetryitafewtimes.(10Minutes)
Studentscanbeginpracticingcontourdrawingintheirsketchbooks.Havestudentsdoat
least4drawingsoftheirobjectsfromdifferentviewpointsandusingdifferentline
applicationtechniques.(15minutes)
Closure(5min.):
Wrapup:Askstudentsiftheyhaveanyquestionsandbrieflyexplainwhatwewillbe
doingnextclass.Nextclassstudentsmaybestartingtheirfinalcopyofalinedrawingfor
thisweek.Emphasizetheimportanceofdrawinglightastheywillonlybereceivingone
sheetofgoodpapertodrawon.Tellthemitmightbeagoodideatoleavetheirobjects
theresotheydontforgetit,unlessitisvaluabletothem,themperhapsnot.(5Minutes)
Sponge(min.):
Ifstudentsfinishearlytheycanworkintheirsketchbooksoriftheyreconfidentthey
canbegintheirfinaldrawing.Getthemtoshowyouthattheyhavedoneatleast4
practicesketchesbeforetheybeginthefinal.
REFLECTION:
**Seebacktolessonplan.**
LESSONPLAN3WEDNESDAY
Grade/Subject:
Grade9Art
Unit:
Line
LessonDuration:
75minutes
OUTCOMESFROMALBERTAPROGRAMOFSTUDIES
GeneralLearningOutcomes:
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,techniquesand
designelements.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsandsocial
activitiesassourcesofimagerythroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeandacross
cultures.
SpecificLearningOutcomes:
1.1.1.A:Carefulobservationofformandsurfacequalitiesisnecessaryfortherealistic
recordingofnaturalobjects.
1.1.1.C:Theillusionofdepthiscreatedpartlybythekindsoflinesandmarksusedincreating
animage.
1.2.1.C:Achangingpointofviewcanallowamorethoroughanalysisofthesubjectmatterof
drawing.
1.3.1.A:Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/sheexpresses
actionanddirection.
1.4.1.A:Makingcomparisonsaboutmoodandfeelingbetweenonesownworksandworksby
otherstudentsispartoflearningtotalkaboutart.
1.4.1.B:Knowingthetermsofdesign,mediaandtechniquesusedinonesowndrawingshelps
indescriptionandanalysisofonesownandothersworks.
2.1.1.A:Organicshapesderivedfromnaturalobjectscanbedevelopedintothreedimensional
forms.
2.3.1.A:Variationofform:naturalobjectsexhibitwidevariationofformwithinasingletype.
3.1.1.A:Imagesofindividualpeoplechangethroughtimeandacrosscultures.
3.2.1.A:Thewayspeopleuseartchangesthroughtime.
3.2.1.B:Societyhasvariouswaysofpreservinganddisplayingpublicandprivateartworks.
LEARNINGOBJECTIVES
Studentswill:
1. Exploretheuseoflineasawaytorecordvisualinformation
2. Createa2Drenderingofa3Dobject
3. Analyzetheuseoflineinvariousartworks
4. Buildartisticvocabulary
ASSESSMENTS
Observations:
Arestudentsvaryingthetypesoflines
theyareusing?
Aretheydemonstratingknowledge
duringclassandgroupdiscussion?
Cantheyputtheirartisticchoicesinto
words?
Assessments:
Lineapplicationworksheet
Sketchbookpractice
KeyQuestions
:
Howhaslinebeenusedhistoricallyinart?
Howcanyouapplylinetowhatyoualreadyknow
tocreateamoredynamicdrawing?
Howcanyouuselinetorenderanobject?
Classroomobservation
Groupdiscussion
LEARNINGRESOURCESCONSULTED
Resource#1:
AlbertaJuniorHighArtProgramofStudy
Resource#2:
Slideshow
(https://docs.google.com/presentation/d/1SueRN0SK9jktoiLIW8XsLRmevOdveyzm72tfN0o2
aQ/edit?pli=1#slide=id.g11c7730613_0_5)
MATERIALSANDEQUIPMENT
Newsprint
Variousdrawingtools
goodpaperforfinaldrawing
slideshow
extrasketchbookpaper
Meaning
Mood/feeling
Expressiveness
VOCABULARY
Line
Gesture
Contour
PROCEDURE
PriortoLesson
(15min.)
:
gathermaterial
havestudentsingroups
Introduction(30min.):
makeslideshow
Reviewwhatwevelearnedaboutline.(10minutes)
Havestudentsdiscusstheuseoflineineachartworkshown(20minutes)
Body(45min.):
Demonstratedifferentlineapplicationtechniquesontheboard,thenhavestudentsdo
thelineapplicationworksheet.(10minutes)
Havethemchoosewhichviewpointandmediumtheylikedmostfortheirfinalcopy
drawing.Havethempracticeinonawholepageoftheirsketchbook.(10minutes)
Havetablegroupdiscusstheirworksofarandtalkabouttheirplanforthefinal
drawing.(10minutes)
Studentsmayhavetherestofclasstoworkontheirproject.(15minutes)
Closure(5min.):
Wrapup:Askstudentsiftheyhaveanyquestionsandbrieflyexplainwhatwewillbe
doingnextclass(critiqueandworkperiod).(5minutes)
Sponge(min.):
Ifstudentsfinishearlytheycanworkintheirsketchbooksoriftheyreconfidentthey
canbegintheirfinaldrawing.Getthemtoshowyouthattheyhavedoneatleast4
practicesketchesbeforetheybeginthefinal.
REFLECTION:
**Seebacktolessonplan.**
LESSONPLAN4THURSDAY
Grade/Subject:
Grade9Art
Unit:
Line
LessonDuration:
75minutes
OUTCOMESFROMALBERTAPROGRAMOFSTUDIES
GeneralLearningOutcomes:
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,techniquesand
designelements.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsandsocial
activitiesassourcesofimagerythroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeandacross
cultures.
SpecificLearningOutcomes:
1.1.1.A:Carefulobservationofformandsurfacequalitiesisnecessaryfortherealistic
recordingofnaturalobjects.
1.1.1.C:Theillusionofdepthiscreatedpartlybythekindsoflinesandmarksusedincreating
animage.
1.2.1.C:Achangingpointofviewcanallowamorethoroughanalysisofthesubjectmatterof
drawing.
1.3.1.A:Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/sheexpresses
actionanddirection.
1.4.1.A:Makingcomparisonsaboutmoodandfeelingbetweenonesownworksandworksby
otherstudentsispartoflearningtotalkaboutart.
1.4.1.B:Knowingthetermsofdesign,mediaandtechniquesusedinonesowndrawingshelps
indescriptionandanalysisofonesownandothersworks.
2.1.1.A:Organicshapesderivedfromnaturalobjectscanbedevelopedintothreedimensional
forms.
2.3.1.A:Variationofform:naturalobjectsexhibitwidevariationofformwithinasingletype.
LEARNINGOBJECTIVES
Studentswill:
1. Exploretheuseoflineasawaytorecordvisualinformation
2. Createa2Drenderingofa3Dobject
3. Buildartisticvocabulary
ASSESSMENTS
Observations:
Arestudentsvaryingthetypesoflines
theyareusing?
Aretheydemonstratingknowledge
duringclassandgroupdiscussion?
Cantheyputtheirartisticchoicesinto
words?
Assessments:
Finaldrawing
Sketchbookpractice
KeyQuestions
:
Howhaslinebeenusedhistoricallyinart?
Howcanyouapplylinetowhatyoualreadyknow
tocreateamoredynamicdrawing?
Howcanyouuselinetorenderanobject?
Classroomobservation
Groupdiscussion
LEARNINGRESOURCESCONSULTED
Resource#1:
AlbertaJuniorHighArtProgramofStudy
Resource#2:
Slideshow
(https://docs.google.com/presentation/d/1SueRN0SK9jktoiLIW8XsLRmevOdveyzm72tfN0o2
aQ/edit?pli=1#slide=id.g11c7730613_0_5)
MATERIALSANDEQUIPMENT
Newsprint
Variousdrawingtools
goodpaperforfinaldrawing
slideshow
extrasketchbookpaper
Meaning
Mood/feeling
Expressiveness
VOCABULARY
Line
Gesture
Contour
PriortoLesson
(15min.)
:
gathermaterial
havestudentsingroups
Introduction(20min.):
makeslideshow
Reviewwhatwevelearnedaboutline.(10minutes)
Studentswillsharetheirprogress/practicewiththeirtablegroupsanddoamini
critique.(10Minutes)
Body(~30min.):
Therestoftheclassisaworkperiod(60minutes)
Closure(510min.):
Wrapup:Askstudentsiftheyhaveanyquestionsandbrieflyexplainwhatwewillbe
doingnextclass(critiqueandworkperiod).(5minutes).
Sponge(min.):
Ifstudentsfinishearlytheycanworkintheirsketchbooks.
REFLECTION:
**Seebacktolessonplan.**
LESSONPLAN5FRIDAY
Grade/Subject:
Grade9Art
Unit:
Line
LessonDuration:
75minutes
OUTCOMESFROMALBERTAPROGRAMOFSTUDIES
GeneralLearningOutcomes:
1.1:Studentswillacquirearepertoireofapproachestorecordingvisualinformation.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.2:Studentswilldeveloptheabilitytoinvestigatevisualrelationshipsintheirrecorded
imagesandintheenvironment.
1.4:Studentswillapplyvisual,analyticalandcriticalskillsanddevelopcontroland
competency.
2.1:Studentswilldevelopcompetencewiththecomponentsofimages:media,techniquesand
designelements.
2.3:Studentswillexpressmeaningthroughcontrolofvisualrelationships.
3.1.Studentswillinvestigatenaturalforms,manmadeforms,culturaltraditionsandsocial
activitiesassourcesofimagerythroughtimeandacrosscultures.
3.2.Studentswillunderstandthattheroleandformofartdiffersthroughtimeandacross
cultures.
SpecificLearningOutcomes:
1.1.1.A:Carefulobservationofformandsurfacequalitiesisnecessaryfortherealistic
recordingofnaturalobjects.
1.1.1.C:Theillusionofdepthiscreatedpartlybythekindsoflinesandmarksusedincreating
animage.
1.2.1.C:Achangingpointofviewcanallowamorethoroughanalysisofthesubjectmatterof
drawing.
1.3.1.A:Thesubjectiveperceptionoftheindividualstudentaffectsthewayhe/sheexpresses
actionanddirection.
1.4.1.A:Makingcomparisonsaboutmoodandfeelingbetweenonesownworksandworksby
otherstudentsispartoflearningtotalkaboutart.
1.4.1.B:Knowingthetermsofdesign,mediaandtechniquesusedinonesowndrawingshelps
indescriptionandanalysisofonesownandothersworks.
2.1.1.A:Organicshapesderivedfromnaturalobjectscanbedevelopedintothreedimensional
forms.
2.3.1.A:Variationofform:naturalobjectsexhibitwidevariationofformwithinasingletype.
3.1.1.A:Imagesofindividualpeoplechangethroughtimeandacrosscultures.
3.2.1.B:Societyhasvariouswaysofpreservinganddisplayingpublicandprivateartworks.
LEARNINGOBJECTIVES
Studentswill:
1. Exploretheuseoflineasawaytorecordvisualinformation
2. Createa2Drenderingofa3Dobject
3. Analyzetheuseoflineinvariousartworks
4. Buildartisticvocabulary
ASSESSMENTS
Observations:
Arestudentsvaryingthetypesoflines
theyareusing?
Aretheydemonstratingknowledge
duringclassandgroupdiscussion?
Cantheyputtheirartisticchoicesinto
words?
Assessments:
Finaldrawing
Sketchbookassignment
KeyQuestions
:
Howcanchangingyourperspectivealtertheway
inwhichyouviewanartwork?
Howdoesrelationshipsbetweenlinessuggest
form?
Classroomobservation
Groupdiscussion
LEARNINGRESOURCESCONSULTED
Resource#1:
AlbertaJuniorHighArtProgramofStudy
Resource#2:
Slideshow
(https://docs.google.com/presentation/d/1SueRN0SK9jktoiLIW8XsLRmevOdveyzm72tfN0o2
aQ/edit?pli=1#slide=id.g11c7730613_0_5)
Resource#3:
BettyEdwards.(1989).
DrawingontheRightSideoftheBrain.NewYork:NY:
JeremyP.Tarcher/Putnam,pp.5253)
MATERIALSANDEQUIPMENT
Newsprint
Variousdrawingtools
goodpaperforfinaldrawing
slideshow
extrasketchbookpaper
wire
Meaning
Mood/feeling
Expressiveness
VOCABULARY
Line
Gesture
Contour
Introduction(5min.):
Explaintostudentsthatiftheyarenotdonetheirfinaldrawingtheyneedtobeworking
onthatbeforemovingon.(5minutes)
Body(50min.):
Thefirsthalfoftheclassthosethataredonewillbemakingdevicestohelpthemdraw!
Usthewiretowrapitaroundanddevisesomethingthatallowsyoutodrawwithoutthe
useofyourhands!(20minutes)
Useittodrawonapageinyoursketchbook,butmakesuretolabelitsoIknowwhatit
is!ComegetmewhenyouredonesoIcantakeapictureofyourdrawingdevice!
Distributethehandouttostudents.Explainitbrieflyandhavestudentsreadthroughit.
Bringtheimageuponthesmartboard.Therestoftheclasscanbespentonthis.(20
minutes)
Closure(5min.):
Wrapup:Askstudentsiftheyhaveanyquestionsandbrieflyexplainwhatwewillbe
doingnextweek(texture)!(5minutes).
Sponge(min.):
Ifstudentsfinishearlytheycanworkintheirsketchbooks.
REFLECTION:
**Seebacktolessonplan.**
ASSESSMENT
ED3604EvaluationofStudent
Learning
UnitAssessmentPlan
SubjectArea
Art
GradeLevel
Nine
Topic
Line
LengthofUnit(days)
Learning
Outcomes
Assessments
Title
Discussion
Type
(Formative/Sum
mative)
Weightin
g
1.1.1.C
1.2.1.C
1.3.1.A
1.4.1.A
1.4.1.B
1.4.1.B
2.2.1.A
2.3.1.A
3.1.1.A
3.2.1.A
3.2.1.B
1.1.1.A
Observation Critique
Group
Work
Tasks
Line
Drawing
Pre
Assessment
Sketchbook
Worksheet
N/A
N/A
N/A
N/A
N/A
ASSESSMENT
ED3604Evaluationof
StudentLearning
UnitAssessmentPlan
SubjectArea
Art
GradeLevel
Nine
Topic
Line
LengthofUnit(days)
AssessmentToolOverview
AssessmentTool
Title
Outcomes
BriefDescription
For
AS
OF
ClassDiscussion
1.3.1.A,1.4.1.A&B,
3.1.1.A,3.2.1.A&B
Eachclassstudentswillbeengaginginclassdiscussiontohelp
generateideasandgetstudentsthinkingaboutartlikeartists.They
willsometimesbeongeneraltopics,andothertimestheywillbe
assessinglinewithinanexistingartwork,makingitassessmentas
learning.Iwillbeaskingforvolunteerswhichwillallowmetoassess
students.Iwillalsobelisteningcarefullytoresponsestoassess
studentlearningformatively.
Classroom
Observations
N/A
Iwillbewalkingaroundeachclassobservingstudentparticipation,
attitude,andgrowth.Theseobservationswillberecordedona
standardizedsheetformyuseonly.
Critique
1.3.1.A,1.4.1.A&B
Wheneverstudentsproduceworkinclasstherewillbetimetotalk
tothoseattheirtablegroupinordertogiveandreceivefeedback.
GroupWork
1.3.1.A,1.4.1.A&B
Studentswillcollaboratewiththeirpeersinordertocreateagroup
artpiece.Studentswillbegiveneitherdrawingtoolsormaterials
(rope,string,cord,etc.)andwillcreateapiecethatexpresses
something.Allstudentswillwalkaroundandanalyzeartworksand
discusshowtheyusedlineasexpression.
InclassWork/Tasks
1.1.1.A&C,1.2.1.C,
1.3.1.A,1.4.1.B,
1.4.1.B,2.2.1.A,2.3.1.A
Iwillbeobservingstudentsperformingandcreatingseveralthingsin
class.IwillbekeepingnotesasIformativelyassessstudents
participatinginexplorations.Ihaveputinunderoflearningaswell
becauseseveralpieceswillbegoingintotheirsketchbookwhichwill
beworthmarks,althoughminimal.
AssessmentToolOverview
AssessmentToolTitle
LineDrawing
PreAssessment
Sketchbook(images)
Sketchbook(writing)
Worksheets
For
AS
OF
1.1.1.A&C,1.2.1.C,1.3.1.A,
1.4.1.B,1.4.1.B,2.3.1.A
Thiswillbethefinalpiecefortheunit.Itwill
demonstratestudentsunderstandingofline.
Studentsshoulddemonstrateanexpressiveuseof
lineandashortwritingalongwithitthatexplains
theirreasoningbehindtheirchoicestoshowthat
theyarecreatingpurposefullines.
1.3.1.A
,
2.3.1.A
Studentswillbeaskedtodrawaline.Theywill
thenwritedownadescriptionofwhattheythink
likeinandthepurposeitserves.Thiswillbe
followedbyalineexpressionactivityandwillbe
putintheirsketchbooks.
Studentsareexpectedtoproduceaminimumof1
drawingperweekfortheentiretyofthesemester.
Theyarewelcometodomoreas1istheminimum.
1.1.1.A&C,1.2.1.C,1.4.1.B,
2.3.1.A
Inthelastweekofthemontheachstudentwill
meetwithmeindividuallyandwewillhavea
discussionaboutthecontent.Boththestudent
andmyselfwillbeinvolvedinthegradingprocess.
1.3.1.A,1.4.1.A&B,2.3.1.A
Eachimageinthesketchbookwillbeaccompanied
withafewsentencesexplainingthereasoningand
abriefselfassessment.Itwillnotbemarked
summativelybecausestudentswillhavevarious
levelsofwritingabilitiesandthisisartnotEnglish.
1.3.1.A,1.4.1.B,2.3.1.A
Studentswillworkthroughavarietyofworksheets
tohelpguidetheirlearning.Theywillbeabout
applyingvarioustechniquesthatwillassistthemin
theirfinallinedrawing.
Outcomes
BriefDescription
ASSESSMENTRUBRIC:SUMMATIVE
ASSESSMENTRUBRIC:SUMMATIVE
WEBLINKS:
TheElementsofArtLine(
http://thevirtualinstructor.com/line.html
)
Videoonline,walksthroughcontour,crosscontour,typesoflines,etc.
Lotsofkeytermstothinkaboutreviewingwithstudents
ElementsofArt(
http://www.teachingideas.co.uk/elementsofart/elementsofart
)
Greatideasforhowtoteacheachelement
Forages711buteasilymodified!
Incredible@rtDepartment(
http://www.incredibleart.org
)
Lotsofgreatideasandcompletedlessonplans
Sortedbysubjectand/orgradelevel
http://www.incredibleart.org/lessons/high/kenshading.htm
http://www.incredibleart.org/lessons/high/artsketchbook_knight.html
LineDrawing:AGuideforArt
Students(
http://www.studentartguide.com/articles/linedrawings
)
Sogreat.Lotsofartistexamplesandreallywalksyouthrougheachstep!
https://frankhurtart.wikispaces.com/file/view/Contour+and+Gesture.pdf