Professional Documents
Culture Documents
Summer, 2002
Using performance assessment in the social studies classroom.
http://www.casenex.com/casenet/pages/virtualLibrary/Readings/perfassess.htm
Author/s: Tonya R. Moon
Balancing recommended practices in the social studies classroom with state-mandated
accountability pressures is a challenge for educators. Recognizing the need for accountability but
concerned with the narrowing of the curriculum that current versions of state-mandated testing
might promote, the National Council for Social Studies (NCSS) has argued for social studies
assessment that is well-aligned with major social studies goals and more real-life in the types of
activities that are given to students. According to NCSS (1991), a comprehensive and balanced
plan for social studies assessment should include, among others, a range of performance
assessments where students take a reasoned position on a controversial social issue. They
strongly support looking at the process that students use, not merely the answers they choose.
The focus of this article is on one particular type of assessment, performance assessment, in the
social studies classroom. The intent is to show how performance assessment in a social studies
classroom can be the basis for providing integrated social science instruction using state
standards to address student academic diversity.
Learning, from a cognitive perspective, can be defined as the "process by which learners
selectively experience elements of their own and novel worlds, conceptualize and assimilate
symbols and relationships around problems they understand, and ultimately construct or at least
interpret knowledge and its meanings in ways that are their own" (Gordon & Bonilla-Bowman,
1996, p. 33). The underlying premise for this definition of learning is that teachers need to
provide students opportunities to work toward becoming critical thinkers who understand
multiple perspectives so that application of their own intellect will solve novel, as well as
everyday problems or issues with which they are confronted. Constructivist theories also
conclude that students learn best when they are in an active rather than passive learning mode,
tie new learning to what they already know, have clear statements of expectations, and realize
that their knowledge, understandings, and skills can be transferred to new situations (Bransford,
Brown, & Cocking, 1999). These learning principles are directly applicable to classroom
performance assessments.
The pressure to "cover the curriculum" is perhaps the most direct and
immediate pressure teacher[s] feel [about state tests]. Too often, the
curriculum becomes divorced from the teachers who teach it.... When one
must cover items, and usually there are far too many items in the
curriculum anyway to be covered adequately, one tends to focus on teaching
content instead of students. (p. 3)
If teachers come to regard standards as checklists of content, then the structure and
interconnectedness of a discipline is lost, and students will likely fail to see the meaning of their
learning, and the usefulness of standards as a framework for curricula is greatly diminished
(Moon & Callahan, 2001). One useful way to avoid these results from happening is through the
use of performance assessments. Performance assessments can be defined as those tasks that
require students to demonstrate their synthesized knowledge, understanding, and skills by
addressing several objectives, sometimes across multiple disciplines, all without teacher
assistance. Common to all performance assessments is the fundamental notion that students are
engaged in conceptualized academic exercises where they are comparing, contrasting,
summarizing, and predicting; in other words, they engage in the types of thinking that
characterizes what professionals do in the "real world."
Parker (1991) recommended several attributes for effective and useful performance
assessments:
1. Tasks that go to the heart of essential learnings by asking for exhibitions of understandings
and abilities that matter;
2. Tasks that resemble interdisciplinary real-life challenges, not schoolish busywork that is
artificially fragmented and easy to grade;
3. Tasks that set standards, for they point students toward higher, richer levels of knowing;
5.Tasks that generally involve a higher-order challenge for which students have to go beyond
routine use of previously learned information.
The second element common to all performance assessments is that of a rubric, which clearly
delineates to students what is required for their work to receive a "beyond expectations," "meets
expectations," "below expectations," or what is required to receive an A, B, or C. Although it is
not an easy task to create a rubric, doing so forces teachers to clearly articulate their
expectations, while providing students with clear understanding of what is required to meet
particular performance standards. For rubrics to be effective, teachers must avoid the tendency
to measure what is easiest to measure rather than what is most important to measure. The
advantage to this type of assessment is that well-developed tasks with clearly delineated rubrics
provide in-depth feedback both to the teacher and student about student learning and
achievement.
The best assessments make an impact on students beyond evaluating their levels of competence
about certain subject matter. For example, a social studies goal might require students to
develop a position regarding a current social issue, grounding it in knowledge and diverse
opinions, and using research data gathered from a variety of sources. Writing an editorial for the
school or local newspaper would be a more authentic (or real-life) application than merely writing
to illustrate to the teacher that the students were able to do research and write coherent papers.
For five years, the National Research Center on the Gifted and Talented at the University of
Virginia has worked with teachers across the country to develop classroom performance
assessments based on rigorous content standards while being sensitive to the academic diversity
of students in contemporary classrooms. "Read All About It!" in Figures 1 and 2 are examples of
these assessments; students assume the role of producer/creator of a special edition of the local
newspaper focused on significant events of the previous century. Focusing on five great wars of
the 20th century, students are asked to analyze and synthesize information related to common
elements historically found in war: cause and effect, alliances, perceptions of the war abroad and
at home, and the peace process. The basic form of the performance assessment for on-gradelevel students is represented in Figure 1, and the advanced form of the performance assessment
for students who have the ability to work above grade level is presented in Figure 2.
Figure 1
With the dawn of a new millennium, the media become focused on special reports and humaninterest stories about significant events of the previous century. Your local newspaper is
producing a special edition series, "War in Review," on the five great wars of the 1900s: World
War I, World War II, the Korean War, the Vietnam War, and the Persian Gulf War. You will play two
roles in this process. One, you will act as a staff writer to create newspaper stories highlighting
elements common to all wars, such as cause and effect, alliances, perceptions of the war abroad
and at home, and the peace process. Two, you will serve on the editorial board of the newspaper
to create this special edition.
First, meet with your group to decide which war each of you will research. Each group member
must choose a different war: WWI, WWII, the Korean War, the Vietnam War, or the Persian Gulf
War.
Determine which role matches your interests and abilities, choosing one of the following editorial
roles:
Copy Editor: Enjoys speaking and the written language. A copy editor is responsible for
proofreading for grammar, syntax, spelling, and mechanics. Copy editors polish up the pieces to
make them look good.
Layout Editor: Has a great eye for space and is spatially oriented. The layout editor determines
how the paper will look when finished; he or she chooses the fonts, figures effective use of size
and space, and decides how big/small graphics and stories will be in relation to each other.
Mock-Up Editor: Enjoys detail-oriented activities; neatness is a must. The mock-up editor actually
cuts and pastes stories and pictures to match the layout and transfers the copy and graphics
carefully to printers.
Photo Editor: This person enjoys visual and artistic tasks. Photo editors will be responsible for
finding or creating graphics that represent and reinforce the war stories. Pictures, drawings,
photocopies, and political cartoons are examples that may be used.
Story Editor: A "big-picture" thinker who is organized and can oversee the whole process. A story
editor puts the whole paper together, checks each page to make sure the necessary elements
are present, assists with headlines, and assesses the content of the story.
Research the aspects below of the war you choose. Be sure you look for big concepts, universal,
and timeless ideas.
* Identify the cause(s) of the war. What were the antecedents that led to the war?
* Determine the alliances that formed as a result of the war. Why do you think these particular
alliances occurred? Why did other probable alliances not occur?
* Profile a key individual from each side of the conflict. What was the importance of each
individual to the war or to one or more of the elements of the war?
* Explain how people in the countries or alliances involved felt about the war. What was the
general public opinion on the war?
* Choose what was, in your opinion, the most important reason(s) the war came to an end when
it did. What were the circumstances surrounding the end of the war? Was there a particular
treaty, agreement, or resolution of any kind?
Once group members have completed their research, meet as an editorial board to plan the
special edition of the newspaper. Discuss the results of your research and how to best
communicate it to your audience. Consider the types of articles that would best cover the results
of your research while providing variety and interest to the reader? (Feature story, regular
column, political cartoon, letter to the editor, advertisement, and so forth.) Remember that you
want your paper to have as comprehensive a view as possible of the major wars of the 20th
century.
* Assign each group member at least three different types of articles to write about their
assigned war. Submissions must reflect the information found in their research. Emphasize big
concept, universals, and timeless ideas in your writing.
* As a writer completes each article, he or she should consult with the appropriate editor(s) as
described above.
Once all articles are submitted, reconvene as an editorial board to put together the special
edition of the newspaper. Each group member will be evaluated on his or her historical research,
integration of the elements of war into his or her article, and the quality of writing. Each group
will be evaluated on the quality of the group work habits and the overall quality of the newspaper
produced. A copy of the evaluation form that will be used can be found in Figure 3.
Note. Original idea for "Read All About It!" was developed by Cori Meredith and later revised by
Cindy Strickland, staff at the National Research Center on the Gifted and Talented, University of
Virginia. For more information regarding "Read All About It," see Callahan, Tomlinson, Moon,
Brighton & Hertberg (in press). Funding for the development of this assessment was supported
under the Javits Act Program (Grant no. R206R000001) as administered by the Office of
Educational Research and Improvement, U.S. Department of Education. Grantees undertaking
such projects are encouraged to express freely their professional judgment. The opinions
expressed in this article, therefore, do not necessarily represent positions or policies of the
Government, and no official endorsement should be inferred.
Figure 2
With the dawn of a new millennium, the media become focused on special reports and humaninterest stories about significant events of the previous century. Your local newspaper is
producing a special edition series, "20th-Century Wars: What have we learned?" on the five great
wars of the 1900s: World War I, World War II, the Korean War, the Vietnam War, and the Persian
Gulf War. You will play two roles in this process:
* act as a staff writer to create stories for the newspaper high-lighting the wars; and
* serve on the editorial board of the newspaper to create this special edition.
Meet with your assigned group. As staff writers, each of you will design and write stories for this
special edition of the paper. Each group member must choose or be assigned at least two of the
following wars to research: WWI, WWII, the Korean War, the Vietnam War, or the Persian Gulf War.
To ensure thorough coverage of each war, try to have each war researched by at least two
different group members.
Each group member must research the following elements of their assigned wars: cause and
effect, alliances, perceptions of the war abroad and at home, and the peace process. Be on the
lookout for big concepts, universals, and timeless ideas. Based on your research, do the
following:
* Compare and contrast the causes of war. What important issues are typically involved? Justify
your reasoning.
* Web the kinds of alliances typically made during war. Why do they occur and how do they
benefit each participating country?
* How do the perceptions of war reflect the values and beliefs of the countries involved?
* Describe patterns in the peace process. In what way(s) can the resolution of a war be
accelerated? Can a conflict be settled fairly or amicably? If so, how? If not, why not?
* Examine the overall results of war. What important conclusions about war can be drawn from
these results?
Once group members have completed their research, meet as an editorial board to determine
which of the following roles best matches the interests and abilities of each group member:
Copy Editor: Enjoys speaking and the written language. A copy editor is responsible for
proofreading for grammar, syntax, spelling, and mechanics. Copy editors polish up the pieces to
make them look good.
Layout Editor: Has a great eye for space and is spatially oriented. The layout editor determines
how the paper will look when finished; he or she chooses the fonts, figures effective use of size
and space, and decides how big/small graphics and stories will be in relation to each other.
Mock-Up Editor: Enjoys detail-oriented activities; neatness is a must. The mock-up editor actually
cuts and pastes stories and pictures to match the layout and transfers the copy and graphics
carefully to printers.
Photo Editor: This person enjoys visual and artistic tasks. Photo editors will be responsible for
finding or creating graphics that represent and reinforce the war stories. Pictures, drawings,
photocopies, and political cartoons are examples that may be used.
Story Editor: A "big-picture" thinker who is organized and can oversee the whole process. A story
editor puts the whole paper together, checks each page to make sure the necessary elements
are present, assists with headlines, and assesses the content of the story.
As an editorial board, plan the special edition of the newspaper. You want your paper to have as
comprehensive a view as possible of the relationships among the major wars of the 20th century.
Emphasize big concepts, universals, and timeless ideas. Consider:
* The information you wish to convey to your readers about the complexities of war in the 20th
century.
* The types of articles that would best cover the results of your research, while providing variety
and interest to the reader. (Feature story, regular column, political cartoon, letter to the editor,
advertisement, and so forth.)
* The skills of the various members of the board and who is best equipped to write each article.
(Each board member must submit for publication a total of at least three different types of
articles based on his or her research and analysis of war.)
As a board, assign articles that support the above goals. As writers complete their articles, they
should consult with the appropriate editor(s). Once all articles have been submitted and edited,
meet as an editorial board to put together the special edition of the newspaper.
Each group member will be evaluated on his or her historical research, integration of the
elements of war into his or her article, and the quality of writing. Each group will be evaluated on
the quality of the group work habits and the overall quality of the newspaper produced.
Examination of the content standards that are a central part of today's classrooms (see Figure 3
and Table 1) suggests that "Read All About It!" is applicable to multiple standards in various
disciplines, as well as various grade levels. For example, one can see that several U.S. history
standards spiral across multiple grade levels and content areas are the basis for the assessment.
In addition, other discipline standards (e.g., English/language arts) are also embedded in the
assessment.
English
* Collect, evaluate, and organize information; Demonstrate their ability to conduct quality
research using a variety of resources; and
History
* Demonstrate his or her ability to recognize the common elements of war; and
* Demonstrate his or her ability to incorporate information about common elements of war into
formats commonly found in newspapers.
Collaboration
* Demonstrate his or her ability to work cooperatively and effectively within a group to produce a
realistic community newspaper.
The assessment for "Read All About It!" (see Table 1) provides multiple avenues for teachers to
differentiate instruction for students with varying academic differences while at the same time
addressing the same content standards with each student. To allow for differences in student
interests, both assessments provided the opportunity for students to choose a particular war that
is of interest to them, as well as an editorial role that is best aligned with their abilities in
creating a newspaper. For example, a student with honed skills in editing existing work may have
chosen the role of editor, while a student who struggles with grammar and punctuation may
have written initial drafts.
For students who are more advanced than their peers in their understanding of history and in
their critical and higher-order thinking skills, prompt 2 could be administered (see Figure 2).
While both tasks address the same standards, prompt 2 differs from the prompt presented in
Figure 1 in several ways:
1. Students are to consider at least two wars instead of one as requested in prompt 1;
2. For the two selected wars, students are to compare and contrast the causes of the wars,
identifying important issues involved. Students are also required to provide justification for the
identified causes and issues;
3. Students are to consider how the perceptions of the wars reflected the values and beliefs of
the countries involved;
4. Students are to describe the patterns in the peace process, determining if conflict can be
settled "fairly"; and
5. Students are to examine the overall results of the wars, focusing on important conclusions
about war in general that can be drawn.
A variety of resource materials can be made available to address varying student readiness
levels in both assessment prompts. For example, by providing a variety of levels of research
materials, teachers can encourage more advanced students to rely on primary sources for the
majority of their research or make use of higher level materials, such as high school- or collegelevel texts, if appropriate. Teachers can also provide check points or assign specific deadlines for
various components of the assessment for those who may need additional direction and
organizational support. These particular assessments also allow for both individual student
accountability, as well as group accountability. Each student is responsible for an individual
research and writing component; as a group, students are accountable for their collaboration in
producing a high-quality newspaper. Regardless of student readiness level or interest, the
assessments focus on assessing student understanding of themes in history, as well as standards
that are the responsibility of all students to know, understand, and be able to do.
Summary
Although teachers face many educational stresses in the classroom, performance assessment is
one viable option to assist them in addressing the academic diversity found in their students,
while staying focused on state-mandated content standards. When appropriately constructed,
performance assessments can ensure that students know what to expect, encounter learning
that they come to value as useful because of its real-life applications, and achieve the goal of
making connections among the disciplines (Moon & Callahan, 2001). In addition, performance
assessment can assist a teacher in presenting challenge to highly able learners while providing
the necessary structure for struggling learners all within a heterogeneous classroom.
We must begin to prepare teachers to create classrooms that reflect our emerging knowledge of
sound instruction and assessment, with both taking into account the academic diversity in
learners that compose today's classrooms. The use of well-developed performance assessments
as the basis for instruction and as one means of assessing learners is a step in this direction. GCT
Table 1
Individual
World News
Component
Historical
Research
Integration
of the Elements
of War
Format
Style
Group
World News
Component
GroupWork
Skills
Individual
Regional News
Component
Historical
Research
Integration
of the Elements
of War
Format
Style
Group
Component
GroupWork
Skills
Regional News
Newspaper
Individual
Local News
Component
Historical
Research
Integration
of the Elements
of War
Format
Style
Group
Local News
Component
GroupWork
Skills
References
Bransford, J. D., Brown, A. L., & Cocking, R. R. (Eds.) (1999). How people learn: Brain, mind,
experience, and school. Washington, DC: National Academy Press.
Callahan, C. M., Tomlinson, C. A., Moon, T. R., Brighton, C. M., & Hertberg, H. (in press). Feasibility
of high-end learning in the diverse middle school Manuscript submitted for publication.
Golub, J. (1993). The voices we hear. English Leadership Quarterly, 15, 2-5.
Moon, T. R., & Callahan, C. M. (2001). Classroom performance assessment: What should it look
like in a standards-based classroom? National Association of Secondary School Principals (NASSP)
Bulletin, 85, 48-57.
National Council for Social Studies (NCSS). (1991). Testing and evaluation of social studies
students. Social Education, 55, 284-286.
Parker, W. (1991). Reviewing the social studies curriculum. Alexandria, VA: Association for
Supervision and Curriculum Development.
Tonya R. Moon, Ph.D., is an assistant professor in the Curry School of Education at the University
of Virginia and a principal investigator for the National Research Center on the Gifted and
Talented. She may be reached at Curry School of Education, University of Virginia, 405 Emmet St.
S, P.O. Box 400277, Charlottesville, VA 22904-4277; e-mail: trm2k@virginia.edu.