wurlitzer electric piano

electric guitar
electric bass
drum set

19. Tomorrow Looks Good From Here

CUE: "... give her a kiss man!"

Grant Olding/Richard Bean

molto rubato
Francis
3

4
& b 4 j
A bunk up

in Ma

F7 elec guit joins

jor - ca!

here

You

See, some - times be - ing a

And with

have to say

j
j

Theres got - ta

be

some

fi - re - works.

B7

&b
clocked on ear

j
j
b

ly, Clocked off

late,

Did - nt

eat

til two.

B7 (stop chord - bass, keys and kit join)

G7

13

li - ar works.

F7

G7

B7

& b j j
Dol - ly

b
&
talked the talk

j
j
j

And walked the walk

And then I

fell

for you

"A bloody northernor"

&b

b
>

?b

>

q = 160 optimistic 60's pop/funk

F7(;3)

B7

F7(;3)

B7

(hi hat)
17
full band join

b
&

J
Its been a

&b
?b

day

of

mi - nor ca - tas

j
j
b b

j
j b b

Dolly

j j
b j b

Copyright 2011

tro -

phes.

Its been a

2
F7(;3)

B7

F7

F7(;3)

Bb7/6

B7

20
Francis

b
&
day

&b

of

j
b

sink or

swim.

?b

F7(;3)

Ive done a

b
b

B7

lot

of

b
gro - ve - ling on

F7(;3)

23

(stop chord)

Dolly

b
& J
my

bj b
J
b
knees.

Id bet-ter

go and shave my legs be - cause Im off to Spain with him.

& b b
>
?b

>

26

G7 Dolly

B7

b
& j j j j
Yes - ter day seems like

last

j
j

week, Last week seems like last year.

j
But to-

Francis

j
j j
j
b
&

Yes - ter day seems like

& b n
?b

last

j
j

week, Last week seems like last year.

j
But to-

j
j b n bn bb b nbbn b
J

30 F7(;3)

B9

&b

F7(;3)

from here,

& b
mor -row looks good

?b

F7(;3)

oh

from here,

F(;3)

B7

yeah.

j
b

j

n

& b b

mor -row looks good

B9

oh

To - mor -row looks good

j b

yeah.

F7(;3)

from here.

To - mor -row looks good

j
bj j j
b b

B7

from here.

F7(;3)

B7

33
Stanley

b
&

V V

Rachel

b J

Ive been in - cog - ni - to and ly

& b<b>

ing

low.

Ive been

j
j

b
b

b
J
.

& b bj j n
n#
? b j b j n
b n

36 F7(;3)

j
b

B7

F7

Bb7/6
Stanley

b
&
dressed

up

& b b

j
b
as

man.

There

were

n b n n b n
3

?b

4
38 F7(;3)

B7

F7(;3)

B7
Rachel

b
&

times

thought you

&b
?b

j
b

would ne

ver

show.

cant

b b b

40 F7(;3) (stop chord)

b
& b

wait

to

rip

your clothes off

Gon - na

sort

you when

can.

can.

Stanley

& b

Gon - na

&b
>
?b
>

sort

you when

Aus -

g lis s .

42

G7

B7
Rachel

b
&

Aus

& b

tra - li - a

was

n
&b
?b

loom

bb nn
J

ing

tra - li - a

was

near.

dark

bb

5
F7(;3)

45

B9

Dolly/Rachel

b
& <b>

But

to

- mor - row looks

good

from here,

good

from here,

good

from here,

Francis/Stanley

&b

But

to

- mor - row looks

Alan/Pauline

& b

to
- mor - row looks
b But
b b

&b
b

? b

47 F7(;3)

b j
&
oh

& b J
oh

B9

F7(;3)

B7

good

from here.

good

from here.

yeah.

j
b

To - mor -row looks

j b

yeah.

To - mor -row looks

F(;3)

Alan

& b
oh

j b

yeah.

To - mor -row looks

j j j
b

& b
bj b
?b

50

b j
b J
& J
bus ride to hell and

& b b

? b b
b

n
n

good

from here.

j
j

Its been

b j bj
back a - gain,

j
j

I feel like Moz - art

j
j
w
w

with just

one

6
53

B
Pauline

b
&

j b
J

hand!

Now shes mine Im back on

& b n

?b

56

track a - gain.

of

lot

j
j
b

b

b
b

F7

(stop chord)

b
& b

stuffs been

.
b

b
& b
?b
.

go - ing

58

J
j

on

That

did - nt

un - der - stand.

g lis s .

G7

b
&

B7

Yes - ter - day

was

& b n

?b

love

ly,

yeah

j b
To - day

j b n

b n

J
was no - where

bb

J
near.

7
F7(;3)

B9

F7(;3)

B9

61
Dolly/Rachel

b
b
&

But

&b

to - mor -row looks good

from here,

Francis/Stanley
j b

But

to -mor -row looks good

oh

yeah.

j
b

from here,

oh

yeah.

j
To-

j
To-

Alan/Pauline

&b

But

to -mor -row looks good

bn

j n
b

b b
& b<b>

? b

B7

from here,

F(;3)

oh

mor -row looks

& b b
mor -row looks

b
b
&
b
mor -row looks

& b b
?b

good

from here.

good

from here.

n
n

good

from here.

To-

j
bj

G7

yeah.

bbj

(stop chord)

Dolly

b
&

64 F7(;3)

Ive got a

pack - age

j

deal

b
n>
#

# >

with one

8
B7

C7(4)

(stop chord)

67

(stop chord)
Francis

j
& b
of these suv nors

&b

Im

on - ly one man but I

b
J
J J

got

two

j #

gu - vnors.

To -

#
j

To -

&b

j #

To -

j
b >
j
>

&b

?b

70 G7(;3)

#
&
#

G7(;3)

from here,

&
mor -row looks good

#
&

mor -row looks good

#
&

Looks good,

#
&

?#

it looks

C7

good

from here.

good

from here.

j j n

n

n
n

yeah.

good

from here.

b
J

yeah.

oh

nb

G7(;3)

To - mor - row looks

j
b j b

yeah.

oh

oh

C9

from here,

j
n

g lis

j
j

oh

from here,

s.

C9

mor -row looks good

To - mor - row looks

To - mor - row looks

good yeah.

Looks good,

nb

Yeah

9
73

G7(;3)

#
&

C9

G7(;3)

C9

good

from here,

good

from here,

good

from here,

oh

j
n

To -mor -row looks

&

# <b>

j
To -mor -row looks

#
&

To -mor -row looks

#<b> J
&
yeah.

#
& n
b
?#

n b
J
Yeah

yeah

G7(;3)

Looks good,

yeah.

oh

yeah.

To -

j j

yeah.

it looks

To -

j
b j

nb

j
j

oh

oh

C9

To -

b
good yeah.

10

76 G7(;3)

C7

#
&
mor -row looks

#
& b
mor -row looks

# n
& n
mor -row looks

#
&

n
Looks

#
&
?#

nb

G7(;3)

good

from here.

good

from here.

n
n

good

from here.

good,

D7 (stop chord)

To - mor -row looks good Looks

n
j
To

n
J

Oh

- mor -row looks good Looks

To

to

- mor -row looks good Looks

j
#

- mor -row looks good Looks

J
Yeah

11

j
U

n #nb
n
w
n n

b
w
w

G9

79

#
&

good Looks good from here.

# n

&

good Looks good from here.

#
&

n
n

w
w

w
w

good Looks good from here.

#
&

good Looks good from here.

#
&

?#

J n #nb n

> n b n
> > >
w
> > b> >
w

U
w
w
w
U
w
w