turer-independent type reference uide that ccmpiles criinal, diital typefaces and presents them in a systematic way. 5ince 11 it has been a wcrk cf reference, primarily intended fcr the visual ccmpariscn cf text faces. An abundance cf care- fully researched fcctnctes cn type desiners, year cf publicaticn, similar fcnts and fcrein lanuae versicns make this a truly unique 1ype Encyclcpedia. 1 years after its rst appearance, Fcnt8cck is ncw up tc its fcurth ccmpletely revised and extended editicn. 1he selecticn cf displayed fcnts is based upcn the ccnsen- sus and research cf the Fcnt8cck editcrs. It reects the current in- ternaticnal type market as well as recent develcpments in typcraphy. Fcnt8cck ccntains all the classics cf the art cf printin, inscfar as they exist in diital fcrm, but the ma|cr- ity cf the faces are ccntempcrary; many datin frcm the last zo years. 5ymbcl fcnts, ncn-western fcnts, and ncn-Latin fcnts have all been assined their cwn chapters. with cver z,ooo type samples frcm o internaticnal libraries, Fcnt8cck is the larest type reference uide in the wcrld. 1he displayed fcnts are arraned as fcllcws: - z8,ooo detailed headline and text samples ( western enccdin) in the typcraphic chapters Sans, Serif, Slab, Script, Display, Blacklet- ter and Pi & Symbols - 1,,oo sinle-line fcnt displays (CE = Central Eurcpean enccdin) in the Latin Plus chapter - z,oo detailed headline and text samples cf ncn-Latin fcnts (Non-Latin chapter) with well cver 100,000 addition- al footnotes and cross-references, Fcnt8cck is an invaluable tccl fcr desiners, typcraphers, advertis- ers, manufacturers, publishers, type histcrians and anycne else whc uses type in their wcrk. 1he editcrial sta wculd like tc thank all thcse whc helped ccmplete Fcnt8cck in particular the sta at the publishers, rsi Fcnt5hcp Internaticnal, and alsc the many freelance cclleaues invclved. 8erlin, }une zoo6 1he Fcnt8cck editcrs :Hc :vrc unxc: ccntinues tc rcw steadily. 0urin the mid-os rune and technc faces ccntributed tcward a rapid rcwth cf the fcnts cn cer, while recent years have seen script, industrial and retrc typefaces enrichin the wcrldwide typcraphic rescurce. Added tc that, a new eneraticn cf desiners has disccvered FcntLab fcnt editin scftware and is busy develcpin ccntempcrary text and headline families. Last but nct least, the ccn- clusive breakthrcuh cf 0pen1ype technclcy means many existin typefaces are bein updated and extended. And sc Fcnt8cck alsc ccntinues tc rcw as a scurce cf infcrmaticn. 0ur fcurth editicn represents apprcximately o percent mcre fcnts than Fcnt8cck . 1he fact that the number cf paes has increased by cnly 11 percent is due tc the im- prcved, functicnal desin. 0espite its streamlined fcrm, the infcrmaticn ccntent cf Fcnt8cck has nearly dcubled. Expert sets, additicnal weihts and fcrein lanuae versicns are all instantly reccnizable withcut the redundan- cy cf repeated displays. Extensive text families nc lcner spread cver several paes; leavin mcre space fcr smaller, fcur-weiht families and allcwin fcr a mcre eective presentaticn cf display faces. Meta+ 1 and 2 as shown in FontBook 1998: more than two pages for 36 fonts The Meta (Pro) family as shown in FontBook 2006: less than one page for 300 fonts Introduction The new, improved FontBook ns wi:H rcvious editicns, the pricrity cf the Fcnt8cck editcrs is tc create an cverview cf the burec- nin wcrld cf type. Fcr this reascn weve sifted thrcuh the internati- cnal type market and established which trends will endure. weve ccnsulted manufacturers, retailers, desiners and users, and weve athered and distributed ccuntless type statistics and had experts analyse them. 1he result is a typc- raphic inventcry; up tc date, yet valid fcr years tc ccme, and unlike anythin else cn the bcck market. In crder tc further imprcve Fcnt8cck, the editcrs have made chanes tc the desin as well as the ccntent. weve replaced the sepa- rate FcntFinder with an alphabetical -pae index at the beinnin cf Fcnt8cck. In this way, all search cp- ticns have been inccrpcrated intc a sinle vclume fcr the first time. keferences tc fcrein lanuae versicns cf pcpular fcnts are ncw in the black header bar. In additicn, twc rcups cf fcrein lanuae fcnts have their cwn chapters: Latin Plus (Latin accented fcnts) and Non-Latin fcnts. 1c ccmpliment the fcur-line text displays cf fcnts in the main chap- ters (western enccdin), weve added a larer sinle-line display. 1his is used when rened details cf a typeface are mcre impcrtant than leibility in 1z pcint, fcr example with display faces and many script fcnts. 0bsclete references have been cmitted, fcr instance thcse fcr fcnt packaes. 5eein as almcst all manufacturers cer their fcnts as sinle-weiht dcwnlcads, there is hardly any demand fcr ccmpilaticn packaes. Alsc cmitted is the sym- bcl used in the previcus Fcnt8cck tc dencte alternative distributicn frcm a seccnd cr third manufac- turer. 1hat infcrmaticn has been interated in the new index. 1he editcrs have alsc remcved the Fcnt5hcp number frcm the yellcw bar abcve the type specimen, as it was frequently mistaken fcr a purchase reccmmendaticn. In dcin this the editcrs emphasise their desire tc present a wcrk cf reference rather than a sales cata- lcue. Appearance and criin cf a face take precedence cver ccmmer- cial applicaticn cr distributcr in- fcrmaticn. 5uch infcrmaticn is still available, cnly ncw it can be fcund in the index. The new double-column index replaces the separate FontFinder. The index lists all the fonts in alphabetical order. It shows distributor information as well as the chapter and the page number for all fonts roN:soox is arraned in nine chapters. 5ix cf them represent typcraphic styles familiar tc us frcm previcus Fcnt8ccks, the seventh ccmbines symbcl and crnamental fcnts, and twc new secticns allcw quick access tc fcrein lanuae typefaces: G 5ans G 5erif G 5lab G 5cript G 0isplay G 8lackletter G Pi & 5ymbcls G Lann Plus G hcn-Lann In the rst six chapters, the fcnts (western enccdin) are arraned alphabetically by family name. If ycu kncw what a fcnt is called andJcr its style (Sans, Serif,...), ycull rapidly nd it under its name in cne cf these chapters. If ycu kncw the name cf a fcnt, but arent sure cf its style, wed reccmmend a lcck at the newly created alphabetical index. It will direct ycu tc the relevant typcra- phic chapter and pae number. Manufacturers prexes in fcnt names, such as cr , are listed but have nc bearin cn the alpha- betical crder. An cverview cf the manufacturer abbreviaticns and ccmpany names can be fcund after the index. If ycu kncw what type cf fcnt ycure lcckin fcr but dcnt kncw its name, |ust dive intc the relevant style chapter. 1hese are between o and o paes lcn, dependin cn the style. Fcrtunately there is help in the fcrm cf cver ooo new see-also crcss-references when naviatin and seekin similar al- ternatives tc a desired fcnt. In this way fcnts can be fcund quickly even in the lare Display, Sans and Serif chapters. This is how it works: 8 1he presentaticn cf fcnts in the six ma|cr chapters has been stream- lined by ccnsclidatin infcrmaticn. In the black reversed-cut headers that ccntain the fcnt names, ycu will nd details abcut available fcrein lanuaes. 1he presenta- ticn cf weihts has been ccndensed and the weiht descripticns ncw list any additicnal styles such as Expert sets, 5mall Caps, 0ld 5tyle ures, etc. Characteristic letters frcm the additicnal styles are in- ccrpcrated in the fcur-line text fcnt sample. In case ycu need tc set Central Eurcpean cr Asian lanuae texts, ycull nd the necessary fcnts straiht away in the newly created Latin Plus and Non-Latin chapters. Infcrmaticn reardin the character sets and suppcrted lanuaes can be fcund cn the intrcductcry paes cf the Latin Plus and Non-Latin chapters. The font specimen pages are divided into six typographic chapters plus one for Pi- and Symbol fonts. Every typeface has a 24 point head- line sample (A-Z, a-z,...); text families also have a 12 point sample text for all weights. Display faces show a single line of 24 point text for each weight. The Latin Plus and Non-Latin chapters enable quick searches for foreign language typefaces; Central European and other accented fonts as well as non-Latin fonts such as Arabic or Cyrillic. Please read the introduction to the foreign language chapters, Latin Plus and Non-Latin. It explains the character sets and supported languages of the foreign language fonts.
Font name. On the left side of the black bar youll nd the name of the font family, single typeface or font package large families also have a package number (e. g. 1, 2,...). The initial letter determines the alphabetical order; manufacturer prexes are ignored. Families with a large number of interpretations (for instance Garamond or Bodoni) are sub-arranged in order of popu- larity and/or date of publication.
Historical information. Here you can nd the name(s) of the designer(s) and year of publication of almost all of the typefaces in FontBook. If the typeface is a reinterpretation or adaptation of an earlier design, the original date of publication will appear in brackets.
Display font sample. The new single-line large display was created primarily for headline and script faces. It is used for designs where a 12 point text sample doesnt show enough detail.
Header sample. The most important characters of a font are displayed here (upper and lower case, numbers and punctuation), generally in 24 point. The sample also shows accented letters, special Western European characters and currency symbols if they are available.
See also reference. Here youll nd references to simi- lar or related fonts. If these are in a dierent chapter, it will be noted in brackets ( e.g. Display). With over 7,000 references, FontBook invites vast typogra phical forays. * The sample page shown above does not exist like this; it is just a made-up example showing all possible elements on the same page The specimen page*
Text sample. If a typeface (family) contains more than one weight, a small (12 point) four-line text specimen is shown for each; including the one used for the hea- der (note the black instead of yellow arrow). A text sample may display several versions of a weight such as Roman, S C, Expert set, Old Style Figures, Tabular Figures, etc.
Weight names. The name of the weight is listed above every text sample. Should a weight have variations (e.g. S C, Tabular Figures,...) these are attached to their names, separated by a slash. The weight displayed in the header is indicated by a black arrow.
Foreign language references. Should a font be available in language versions other than Western (for example CE = Central European, B = Baltic, T = Turkish,... see list of abbreviations in the Non-Latin introduc- tion), references will be found on the right hand side of the bar. The fonts are displayed in the Latin Plus and Non-Latin chapters.