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2012 ()

ISBN: 978-9963-0-1376-0



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29

33

39

45

50

54

55

56

59

61

63

( )

64

68

68

Concrete poems

69

Conversation poems

70

71

Clerihew

72

73

76

M, ...

80

85

92

persona

93

SMS

94

( )

94

,
Found poetry

100

Frame poetry

101

102

99

105

107

108

111

113

116

119

124

( )

127

131

134

137

138

: , , ,

142

150

152

157

167

Exempla magis possunt

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32

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38

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AEOI ANANTE!
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43

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STOP. . STOP. . STOP. .

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STOP. AEGEAN CYPRUS. STOP. . STOP.
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STOP. .
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48

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54

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() .

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() .

57

[129]  (.. ,
, ).
( ):

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.

[130] .
( ):

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[131] .

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.

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(Ezra Pound)
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(Wystan Hugh Auden)
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61

.
(Paul Valry)
,
,
,
.
(Paul Valry)
.
(Andr Breton)
.
.
( )
.
(Jorge Luis Borges)
.
(Marianne Moore)
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.
(Jean Rostand)
.
(John Keats)
.
(Thomas S. Eliot)

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:
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:
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(Ezra Pound)
, .
(Oscar Wilde)


, .
:

62

, ,
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(Raymond Queneau)
,
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(Samuel Johnson)

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Oscar Wilde).
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.

63

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[134] 
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. 24
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()

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(fun form), . ,
:
,

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[135]  , ,
:

(Gianni Rodari)

64

:



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[136]  ,
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SZ

Siesta of a Hungarian Snake

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(Edwin Morgan, . Simon Armitage)

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[137] 
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65

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66

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67

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68

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 .
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.

Concrete poems

69

, . .

 ,
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, , , .
Nota bene 1: Guillaume Apollinaire .
Nota bene 2: Concrete poems .

[143]  ,
.
.
, .
, :

70

Conversation poems
,
.
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71

(. .-. /)

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nonsense. (--).
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super ,
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72
[145]  ,
.

Clerihew
Clerihew Edmund Bentley
.
, ,
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:
.
, ,
. clerihew ,
:

.
,
.
Bentley (
):
The people of Spain think Cervantes
Equal to half-a-dozen Dantes;
An opinion resented most bitterly
By the people of Italy.




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clerihew
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.
[146]  clerihew ,
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73

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[148] :

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[150] , :

74

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[151] / :

camping
clubbing.
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( , 1888-1963)
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75

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()
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Nota bene: ( dvd internet) ,
.

[152] :

....................................................................................

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,
...

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[154]  ,
( , , playstation
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(, ):
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.

76

[155] ,
, (
, : Leceister
Square).
, . Leceister Square.
, ;
( , http://epilogi.wordpress.com)

,
.
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- (-).


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.

 . . :

E .
, .

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,
.
( . , [ ])
Mayakovsky How are verses made?
Sergey Yesenin ,
:
Ta-ra-r/ra-r/ra, ra ra r/ra r/
ra-ra-ree/ra ra ra/ra ra/ra ra ra ra/
ra-ra-ra/ra-ra ra ra ra raree
ra-ra-ra/ra ra-ra/rara/ra/ra ra
:
You went off ra ra ra ra ra to a world above
It may be you flew ra ra ra ra ra ra
No loans for you, no women and no pub.
Ra ra ra/ra ra ra ra sobriety

77

:
You went off, they say, to a world above.
Infinity you fly, and make the stars shine brighter
We got no loans for you, and no pub
Sobriety.
(sic).
; ,
,
11, 15, 17 .
:
(, , ) .
, .
, () () .
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(), -: , ,
: / / !

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, , (), --: , - (iPad),
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, (), -: , -, : , / .
[156]  , ..
: (), Lady Gaga (), (),
(), Madonna ().
[157]  : , , ,
, .
[158]  ,
: ( + ), (
+ ).
Nota bene: ,
, .. .

[159] 
, , :

78

()


:

()
()
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()
()



()
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.
frame poetry,
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, , .

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[162] 

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79

,


[163] 
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[164] 
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( , 1992)

 , (http://www.
stixoi.info) .
[165]  ,
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[166]  ,
.

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80

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(= ), (= ),
(= ).
[168]  ,
, ... , :
() , .. ,
Chekhov: ; ; ;
, () , ..
: , () , ..
: OASIS HOTEL.

81

[169]  , ,
, ..:
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.
[170]  ,
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Nota bene: . .

[171]  , ,
:
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[172]  , .. ( ):
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[173] , :
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[174] :
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[175] :
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[176] :
() , .
() , .
() , .
( , 1966)
, () ,
, ..:
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, .

82

. (. ,
).
:
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(A , 1975)
, ,
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:

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[177]  , ,
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( , http://epilogi.wordpress.com)
[178]  , /
:

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83

()

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E

M .
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.
(Shen Hsoun, 9 .)


, (
/
):
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.

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Nota bene: . , Clerihew.

[179]  , ,
: ,
, .
[180]  , ,
:
, , , .
. .
, Andreas Lund
: 1. On the first line write a noun of your choice, 2. On the second line
write two adjectives joined by and to describe this noun, 3. On the third line write a verb and an adverb
to describe this noun in action, 4. Start the fourth line with like or as followed by a comparison, 5. Start
the final line with if only followed by a wish.

84

Lund, :
Computer (1 )
Practical and intelligent (2 )
It works well (1 1 )
Sometimes it works very slowly ( )
I wish I could turn it on faster ( )
(Vania Guiomar)
( ),
,
(, !):
Computer
Good and functional
Speedy and good
Like a woman
If only I could kiss her
(Sergio Miguel and Andre Dores)

Slawomir Mrozek, ,
, .
[181]  : ,
, , , ..:

,
.

(2 )
().

 ,

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[182] , ..:
,

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):
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;

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,
.
(M A .., H )

85

[183] , , ..:

Shake it
, ,
.
.
.

. (
) . :
() , () ,
(
, ):
() / /, / /
() / /, / /.
Nota bene: , .., (..
). .

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:

() / /, / /
() / /, / , / /.

 , ()
() :
() //, / /
() /-/.
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.

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( , ):
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[184] :

86

................................................. (.. , )
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[185] :


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Opel
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*
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.
[187] :
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[188]  () ()
:
,
, .. []

87

, ,
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[189]  :
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: :
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[190] :
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(. . , , 400 ..)
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:
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 :
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( )

( )
Nota bene 1: : , Gene /
, , / , / , ((http://provatos.blogspot.com,
.: 2011).
Nota bene 2: , : .

[191]  45 ,

(.. , ):
,


,
[ ],
[] .
(, )

88

[192]  , ,

:
/,
/.
[193]  (1 3 2 4
):
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/
/.
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[194]  ( 1 3 2 4 ):

. [ ]


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[196]  .
:
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,
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... []
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89

[197]  - ,
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:
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1 3 2 4 :

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[198]  ,
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:

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.

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.
[200]  , ,
( ):

90

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[201] 
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.:

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[202]  ,
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.

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[204] 
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[205] 
:

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.
[206]  , ,
:






[]
( , )

91

[207]  ( T. S. Eliot .
) :


:

,

.
[208]  , , .
,
(, , ..).

Nota bene 1: Frame poetry (. , ).

Nota bene 2:
- (. ).


[209] 
. ,

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:

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,
,
,
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--
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--
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[]
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92

.

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[]
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1
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[211] 
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...
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:
()  , ,
, .

*
()
,

.

- persona
.
.
,
, .

alter ego .
[213]  , , , , ,
( ) ...:
.
.
:

93

, .
, .
,
, .
, ;
; ;
.
, ,
. , ;
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.
( )

[]

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, .
, .
[214]  SMS
.
SMS. :
! !
...
<3
[<3 = ]
?
???
!
...
?
...!!:/ [:/ = ]
( )
SMS (
):

94

,
,
.
,
,
i ,
!
( )

( )
11, 13 15
, .
13 , ,
.
: .
, , () (). :
, , .
.
( : , ,
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. (
) ( / )
. , (volta)
.
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.

 , . ,
,
(!) ,
.

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[215]  .
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.. ,
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:


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(.
,
), .
,
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,
.

95

[216] . , , , :
4
4
2
2
2 .

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:
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 :
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:
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,
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:
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() 15
.
[217]  . ,
.
:



.

96

,
,
:


.
,
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:
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: ,
: ,
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: , , .

(*) .. ,
.

:
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,


.

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.
[218]  , , . ,
, , ,
. ,

. , , ..
: (
- (. , ).
[219]  . ,

(, ,
).
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.
() .

97

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:
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, :



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,
:



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(.. )

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,
,
,

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!
(
)
, :

98

. ;
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;
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(
). :, , ,
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, .
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:




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***


.

,

.
, .

:
.
[220]  Jorge Luis Borges ()
:







.
; ;
,
. , , , .
, ,
.
:
.
(, ):

99

.

,
!







.
.
!

.

()
.

Found poetry
.
. ,
. , , ,
, .
, ,
, ,
.
[221]  , ,
.
, , .
:

100

,
:


.

*


.
[222] 
(h e a d l i n e poetry). , ,
, .
:

, 5 !
( , 19 1997)

Frame poetry
.
, , ,
( , ) .
, ,
.
[223] 
:

- ..........
.

................,
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[]
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,
,
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( , )
[224] :

101

.........................................
( , )
......................................
.........................
( , )
[225] 
( ):

[]

.




.
.

[]
(Jacques Prevert, )

[226]  . :

...:






.
(Yvan Goll, )
..........................
...............................................................
.

..
[227]  .
:
, ;
.
;

[]

102

:
, ;
.
;
.
;
.
;

.
[228]  ,
, :
- (= )
(= ).

,
5, 7 5
.
,
(.. ).
:

[5]
[7]
.
[5]

[229]
5 + 7 + 5 .
(,
):


.
:

..
..

[5]
[7]
[5]

Nota bene: , ,
, :

.
.

, . ,
,
(5 + 7 + 5 7 + 7). ,
( )
:

103

.
:




.









.

[230]  , .
.


:
. , Italo Calvino.
, ,
, , .
.
,
,
.

.
[231] 
: ()
( / / / ), ()
.
[232]  , ,
.
[233]  : ()
, () (
/ / / / /), ()
/ -,
, , ... (
), () ,
, () ,
, () ,
(
), () , ..
, :
.

107

Nota bene: ()
. (
: ).

,
,
;


.


,
;


.



,

.
( , )

108

(-) , , , .
,
: , , .

( , ),
. (
nonsense.)
,

:
()  .
.
.
() .
.
[234]  ,
( ):
( ). () .
( ).

[235] :
() .
.
() .
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() .
.
[236] 
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:

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;
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: .

109

[237]  .. ,
, .
:

;




-

, , , , Louis Aragon, Andre Breton.

[238] 
. / / (, ,
)
,
. : Five minutes.
[239] 
, ..
()  :
,

.
( )
: . .
() 
;
;
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. . !
. . . .

110

[240]  : .
.

. ,

(.. ;

; ).
[241]  .
.
, .
.
(.. ).

[242] Nonsense (
):

, ;




;


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.
,
,


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( , )
nonsense, , (..
, , ).

.
:

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[243]  .
.

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111

[244] :

. .

[245] 
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112

( , , : )

[246]  (
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() .

() .

[247] 
:
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.



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, .

.

,

.

.
.

.



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:
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119

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[274]  . , , : It is not my idiosyncracy to be ironic

or sarcastic but my diagnosis would be that politicians are rather cryptoplethorists. Although they
emphatically stigmatize nomismatic plethora, they energize it through their tactics and practices.
Our policies should be based more on economic and less on political criteria. Our gnomon has to
be a metron between economic strategic and philanthropic scopes.

 ( )

( ), ..:

() Democracy (Leonard Cohen)

() Sympathy (Rare Bird)
() I need a hero (Bonnie Tyler)
() Youre not gonna reach my telephone (Lady Gaga)
() Genesis (Genesis)
() Apologise (Timbaland)
() When the musics over (Doors)
() Octopuss garden (The Beatles)
() Orpheus ( , Reflections)
() Photograph (Nickelback)
() Hark the Herald Angels Sing (Bob Dylan)
() Rhapsodia Bohemian (Queen)
() Idiot Wind (Bob Dylan)
() Psycho (Lady Gaga)
() Paranoid (Black Sabbath)

[275]  . ,
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122

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() : Taftiana Soukova
() : Nasousiro Tokassoni
() : Moutro Giatabaza
() : Sanides Egarsia Commenes
() : Kakosi Miniscu

(, , http://www.sdtv.gr).
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140

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142

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[332] ; .

143

Marc Chagall, The promenade

[333] , 510 , Marc Chagall

(..
; ;).
[334]  :
.
,
(power point),
, , :
(. http: //www.youtube.com/watch?v=BQG4ZtQgp9o).
[335]  Vincent Van Gogh
:

144

Van Gogh, Old man in sorrow

, .

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146

Pablo Picasso, Maternity

Gustav Klimt, Mother and child

Pablo Picasso, Mere et enfant

Gari Melchers, Mother and child

Pierre-Auguste Renoir, Mother and child

.
Catal-Roca
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147

[343]  .
[344]  ,
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.

Francesc Catal-Roca, Flute Seller

Francesc Catal-Roca, Gitanilla

[346] .

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148

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James Carter, Just Imagine. Creative Ideas for Writing).
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: , , soundtrack
.

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149

[355]  , .
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:
Cogito ergo sum. Tu quoque, fili! Alea jacta est. O tempora, mores! Fama volat. Sic transit
gloria mundi Nihil sub sole novum. Vide et credere. Credo quia absurdum. Omne bonum
trium. Omnia vincit amor Hannibal ante portas! Dictum, factum. Ave Caesar, morituri te
salutant! Post hoc, ergo propter hoc. Splendide mendax. Veni, vidi, vici. Vincit qui se vincit.
Dura lex, sed lex. Audiatur et altera pars. Panem et circenses? Ubi bene, ibi patria? Verba
volant, scripta manent. Timeo Danaos et dona ferrentes Ars longa, vita brevis. Natura non
facit saltus. Carpe diem!
Nota bene 1: . , , Dum spiro spero.
Nota bene 2: ,
.

[357] 
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150

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( Constantin Stanislavski 45 ).
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Raymond Queneau () ,
- 99 . Queneau :

()  . ( )
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)
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() Kai akrivos apokato mas vlepete tin Gi. ()

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151

[360]  .

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153

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(, De adfinitum vocabularum differentia [ ])
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154

[374]  /
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Nota bene: .


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, . ++, . . , . . (.),
, , , , ,
( ), ..., 21976.
[] H , M A, M.M. , B. P, .
(.), , K, 1959)
[] 20 , . (.), 2006
[] . , Guy Saunier (.), 1999
[] . , 27 , , 1995-2001
[] , . - (1850-1950), (.), + , , 1981
[] , (.), .., ..
[] , , (=
, 1901-1904), , 2000
[] . [Flash fiction] 43 .
, , 50 ( 2011), 295448
[] , , 93 (- 90)
A (12
), , 5 ( 2004)
Anthologie de la posie Chypriote, (.), Nagel (.),
1972 (= )
, , 1985
, , , 2000
( )

Barthes Roland, , .: , ,
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Barthes Roland, . , .: ,
, 1983
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( ,
)

- , (
, ),
, 2003
Chehov Anton, . , .: ,
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Paris Review, .: , , 2010
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( )

, [, , ], IntroBooks, 2007
, , ,
, 1996 ( )
, (= ), , 2004 ..

 , , , 2006
, . , . 2000
(.), : ,
+, / , 2009
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14 1830/31,
, , , , ,
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.
, , ,
.[...].

. , , , 1993
, , , 2006
K . , H 1845-1867, 1990
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, 66 1 , , 2006
ing Stephen, . , .: , Bell, 2006
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tanil. (= ...
, . 1 (. 2009) 2 (
2011) ( )
Lang Andrew, , .: , , 2002

160

( Andrew Lang )

Liosa Mario Vargas, , .: , ,

2001
, , . .: .. , 6,
21996
[ ] Leontios Makhairas, Recital concerning the Swet Land of Cyprus entitled
Chronikle, . 1, R. M. Dawkins (.), Clarendon Press, 1932 (=
)
, , , 2006
, , , 1962
, , , 1958 , ,
1960 (19581975), 1978 (
, )
, , , , 2005
Michaux Henri, , .: , ,
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et al., , , 2010
[...]
[].

, .

, , 1927 http://anemi.lib.uoc.gr
, . , ,
1920 http://anemi.lib.uoc.gr
(.), , , , 1985 (= .
)
(., .), , , , , 2009

Poe Edgar Alan, , .: . . , , 2002

Pound Ezra, . , , 1974
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Axel Olrik

Epic Laws of Folk Narrative

The Law of Opening and Closing (Folk narrative does not begin with sudden action or end
abruptly)
The Law of Repetition (Events are repeated, often 3 times)
The Law of Three (Things come in threes)
The Law of Two to a Scene (Each scene will contain only two speaking characters. Any other
characters present will remain mute.)
The Law of Contrast (Folk narrative loves contrasts: weak and strong, poor and rich, man and
monster, good and evil)
The Law of Twins (Folk narrative is fond of twins, however, if they play a major role, they will
probably be subject to the Law of Contrast [one bright, one gloomy])
The Importance of Final Position (The youngest son will have our sympathy, the last test will be
decisive)
The Law of the Single Strand (Folk narrative follows one temporal strand of action. It does not
shift scenes to follow parallel actions)

175

The Law of Patterning (Repeated scenes will be as similar to each other as possible)
The Use of Tableaux Scenes (Certain moments of folk narrative evoke a strong visual image.)
The Logic of the Sage (Folk narratives find their plausibility not in their sense of reality, but in a
certain internal narrative logic)
The Unity of Plot
The Concentration on a Leading Character
(Epische Gesetze der Volksdichtung, Zeitschrift fr Deutsches Altertum, . 52 (1909), 1-12)