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Figure 2
Look at the commands shown in Figure 3.
Figure 3
Figure 1
This will open the Surfacing menu, which runs down the left side of the screen, next to the Features Menu. The Surfacing menu is shown in four parts to better fit the format of THE BLUE BOOK in Figure 2.
Figure 4
These commands are: BLUEDOT TRIM SURFACE EXTEND SURFACE DELETE FACES STITCHED SURFACE SHOW NON-STITCHED EDGES REPLACE FACE.
WHAT: The BLUESURF command. WHERE: The BLUESURF command is located at the top
of the Surfacing menu. It is shown in Figure
Figure 5
These commands are: KEYPOINT CURVE INTERSECTION CURVE CROSS CURVE DERIVED CURVE INTERSECTION POINT. CURVE BY TABLE PROJECT CURVE CONTOUR CURVE SPLIT CURVE
Figure 7
The BLUESURF command is used to create a surface by using several cross sections. It works very similar to the LOFTED PROTRUSION command. The Ribbon Bar for the command is shown in Figure 8.
HOW:
Figure 8
The first command on the Ribbon Bar is the BLUESURF OPTIONS command. This command opens the BlueSurf Options window, which is shown in Figure 9.
Figure 6
These commands are: DIVIDE PART INSERT PART. BOOLEAN FEATURE
Figure 9
The Advanced tab of the BlueSurf Options window is shown in Figure 10.
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Figure 10
The SmartStep commands in the Ribbon Bar are shown in Figure 11.
Figure 13
Once the surface is created, the GUIDE CURVE STEP can be used to extract curves in two directions that match the contour of the surface. To extract curves that match the contours of the surface, the GUIDE CURVE STEP lets you place reference planes through the surface. The reference planes can be placed in the usual way that you create reference planes. The reference plane commands will appear on the Ribbon Bar as shown in Figure 14.
Figure 11
The commands are: CROSS SECTION STEP, INSERT SKETCH STEP. GUIDE CURVE STEP, CANCEL/FINISH.
In the CROSS SECTION STEP, you select the 2-D curves that will be used to create the BLUESURF. After selecting a cross section, you can check the green check mark, or right mouse click. This will let you select the next cross section. If you have a Guide Curve, you can select the GUIDE CURVE STEP button on the Ribbon Bar and then select up to three Guide Curves. The Guide Curves must intersect the cross sections. Figure 12 shows three cross sections and three guide curves.
Figure 14
Look at the surface model that is shown in Figure 15.
Cross Sections
Figure 15
It was created by the three sketches that are shown highlighted in Figure 16.
Guide Curves
Figure 12
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WHY:
Figure 16
The two new sketches that are shown in Figure 17 were added to the surface after the surface was created with the INSERT SKETCH STEP command.
Figure 17
The sketches running in the opposite direction shown in Figure 18 were also added by the INSERT SKETCH STEP command.
Figure 19
Figure 18
Figure 20
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WHAT: The SWEPT SURFACE command. WHERE: The SWEPT SURFACE command is located
on the Surfacing Menu. It is shown in Figure 23.
Figure 21
Guide Curve
Cross Section
The SWEPT SURFACE command works just like the SWEPT PROTRUSION command. For more information about the SWEPT PROTRUSION command, see THE BOOK ABOUT Solid Edge.
Guide Curve
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WHAT: The BOUNDED SURFACE command. WHERE: The BOUNDED SURFACE command is
located near the top of the Surfacing menu. It is shown in Figure 24.
Figure 26
Figure 24
Figure 25
The first command is the SELECT EDGES STEP. In this step you select the edges that will bound the new surface. When the edges have been selected, you can use the second button, which is the SELECT TANGENT FACES STEP, to control the tangency of the new surface along the edges that you selected. This option is not relevant unless you are selecting edges of surfaces to create the BOUNDED SURFACE. This command can be used to easily create surfaces with unusual shapes.
Figure 27
WHY:
Figure 28
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Figure 29
Figure 31
WHAT: The EXTRUDED SURFACE command. WHERE: The EXTRUDED SURFACE command is
located in the upper part of the Surfacing menu and is part of the fly-out menu shown in Figure 32.
Figure 32
NOTE:
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WHAT: The REVOLVED SURFACE command. WHERE: The REVOLVED SURFACE command is part
of the fly-out menu that is shown in Figure 33.
Figure 35
The Smart Step commands are: SELECT STEP, OFFSET STEP, and CANCEL/FINISH. In the SELECT STEP, you can select the types of elements shown in the Select field in Figure 36.
Figure 33
Figure 36
When the surface is selected, the OFFSET STEP becomes active. In the OFFSET STEP, you set the Distance in the Distance field, as shown in Figure 37.
Figure 37
You can also select to REMOVE BOUNDARIES or to SHOW BOUNDARIES of the surface that is offset. This is done with the buttons that are shown in Figure 38.
WHAT: The OFFSET SURFACE command. WHERE: The OFFSET SURFACE command is located
on the fly-out menu shown in Figure 34.
Figure 38
When you are creating complex surface models, the OFFSET SURFACE command can be quite handy to use. The OFFSET SURFACE can help you creating CUTOUTS or PROTRUSIONS on the model with the OFFSET SURFACE being used as the From/To surfaces in the EXTENT STEP of the modeling commands.
WHY:
Figure 34
The OFFSET SURFACE command can create a surface that is parallel to the selected surface. You can control the distance of the offset, and the offset can be zero. The Ribbon Bar for the OFFSET SURFACE command is shown in two parts to better fit the format of THE BLUE BOOK in Figure 35.
HOW:
The OFFSET SURFACE command can create surfaces with an offset value of 0.00. This can help you when working with complex surface models, like cutting text out of a contoured surface model, like the one shown in Figure 39.
EXAMPLE 1:
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Figure 39
Also, the OFFSET SURFACE command now supports the removal or internal boundaries. This will also help you when creating models like BIG BAR Soap, a manly deodorant bar. To create a model like BIG BAR, you can start with two Construction Surfaces like those that are shown in Figure 40.
Figure 41
The front and right views of the model are shown in Figures 42 and 43.
Figure 42
Figure 40
A PROTRUSION can be added with a From/To EXTENT using the Construction Surfaces. This is shown, with the Construction Surfaces hidden in Figure 41.
Figure 43
ROUNDS can be added to the model to soften the corners. This is shown in Figure 44. Now the fun part starts. To cut the letters into BIG BAR requires a little thought process, but it is easy because of the OFFSET SURFACE capabilities.
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Figure 44
You need the letters first. Create a SKETCH using the reference plane that runs through the center of BIG BAR. The SKETCH profile can be created with the TEXT PROFILE command, which is accessed by selecting Insert, Text Profile from the Menu Bar. The Text window used in this example is shown in Figure 45.
Figure 46
The OFFSET SURFACE command can be used to offset the top surface of the model .200 deep into the model. This is shown in the right view in Figure 47.
Figure 45
The BIG BAR SKETCH is shown in Figure 46.
Figure 48
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Figure 51
Figure 49
Figure 50 shows the completed Big Bar.
WHAT: The COPY SURFACE command. WHERE: The COPY SURFACE command is located in
the fly-out menu shown in Figure 52.
Figure 52
Figure 50
It almost makes me want to jump into a nice hot bath and clean up. The bathtub is shown in Figure 51. The same modeling technique of using a From/To EXTENT with a surface model can be used to create the bathtub.
Figure 53
The first button is the SELECT STEP command. In this step you select the surfaces you want to copy and then select the green check mark to OK the selection. The REMOVE INTERNAL BOUNDARIES and the REMOVE EXTERNAL BOUNDARIES commands, which are shown in Figure 54, can be used to have boundaries removed from the copy when it is created. A boundary is an edge on a surface. If the
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Figure 54
In advanced modeling scenarios, you may need to copy a surface to set up the creation of a complex feature. Also, you may need to remove boundaries from the copy to set up From/To surfaces when creating PROTRUSIONS, or other boundary elements.
WHY:
Figure 57
Notice that the square hole has been removed from the surface with the internal boundaries removed.
Figure 55
A copy of the surface is shown in Figure 56. A copy of the top surface is shown with internal boundaries removed in Figure 57.
Figure 56
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WHAT: The BLUEDOT command. WHERE: The BLUEDOT command is located in the
upper portion of the Surfacing menu. It is shown in Figure 58.
BLUEDOTS
Figure 58
The BLUEDOT command creates special Control Point between curves that touch or intersect. The curves must physically touch and the BLUEDOT will keep the curves connected at that Control Point. The BLUEDOT can be placed at endpoints of curves or sketches, or along curves. Notice the word Curve. In Solid Edge, a curve in not an analytic element like a line, arc or circle. The curve must be created by the CURVE command, KEYPOINT CURVE command, or converted from an analytic element with the CONVERT TO CURVE command. After a BLUEDOT is placed on two curves, the position of the BLUEDOT may be edited, or moved. When the BLUEDOT moved, both of the curves will change to stay connected at the BLUEDOT.
HOW:
Figure 60
Figure 61
Figure 59
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Figure 62
If the DELTA (triangle) command is used, the Ribbon Bar will change to the one that is shown in Figure 63. This will allow you to key in movements of the BLUEDOT relative to the current position of the BLUEDOT.
Figure 63
Notice the dX, dY and dZ fields. When the position of a BLUEDOT is changed, the curves will react to the movement. You can control the way the curves move by using the Curve 1 and Curve 2 fields in the Ribbon Bar. The types of movements are: Shape Edit This may change the shape of the entire curve when you move a point on the curve. Local Edit This will change only a limited part of the curve that lies near the edit point. If a middle point on the curve is edited, the ends will remain stationary. Rigid This prevents the curve from moving. This is used when you want one curve to change and the other curve to remain constant when modifying the BLUEDOT. Look at the set of curves and BLUEDOTS shown in Figure 64.
Figure 65
If the point is moved in the delta Z direction with the Shape Edit option set on both curves, the results will be as shown in Figure 66.
Figure 66
This is shown again in the front view in Figure 67. Notice how the Shape Edit option allowed the curve to become non-symmetric.
Figure 64
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