Trio da Cano Brasileira

About us
The Trio da Cano Brasileira (Brazilian Song Trio) main repertoire is a set of songs in Portuguese language. It includes pieces originally written for voice, piano and horn and arrangements created especially to the Trio by the composer and horn player Daniel Havens, embracing a variety of rhythms and forms that make up the Brazilian music framework. The first piece originally written for horn, voice and piano by a Brazilian composer was a set of three songs, by Radames Gnatalli. It was composed in 1969 upon poems by Manuel Bandeira: Azulo, Acalanto para John Talbot and Cano. In 1977, Lindembergue Cardoso (a composer from Bahia State) extending the expressive possibilities of this ensemble bringing the contemporary music aesthetic to its repertoire wrote A Estrela, also a poem written by Bandeira. The works of these two masters were essential for the integration of this kind of ensemble to Brazilian concert music practices. From the 1980s on, several composers started to write works for horn, voice and piano. Among them, we can highlight works done by Denise Garcia, Dirty Poem (1981); In Somnis (1990), by Eli-Eri Moura; Four Poems (1997), by Marisa Rezende; Vento Serrano (2000), by Edmundo Villani-Cortes and Cames No. 1 (2000), by Sergio Vasconcellos-Correa. Therefore, the Trio da Cano Brasileira - formed by musicians of recognized competence -, aims to promote this almost unknown repertoire. In this sense, the Trio da Cano Brasileira - formed by musicians of recognized competence -, aims to promote this almost unknown repertoire. They performed in many cities of Brazil and toured in Central America showing the vast possibilities that the combination of music and literature - specifically Brazilian poetry - can produce: a unique product, fully incorporated to our musical culture.

Repertoire I
In this program, the Trio da Cano Brasileira tracks the paths of national song with its rich representations of everyday life and the construction of values of the nineteenth century Brazilian society. From the Lundus by J. Arvellos to romantic works by Alberto Nepomuceno (recognized as the father of Brazilian song camera), the Trio rescues an important sec XIX musical theatre by composers such as Luiza Leonardo - Rio celebrated pianist, who at the age of nine enchanted D. Pedro II with his talent - and Cavalier Darbilly, both prestigious artists in their time and forgotten nowadays. Annimo J. Arvellos (1836-1890) Salvador Fbregas (1820-1880) F. C. Conceio (?-?) Manoel Joaquim Maria (1853?-1874) Xisto Bahia (1841-1894) Luiza Leonardo (1860-1926) Carlos Cavalier Darbilly (1846-1914) Meneleu Campos (1872-1927) Alberto Nepomuceno (1864-1920) Rompendo o fogo Xic Xic Xoc Dizem que sou borboleta O gandoleiro do amor O pica-pau atrevido: Fado mineiro Cateret do O Orpheu na roa A mulata: cano baiana Ontem Eu te amo! O baile na flor O ideal A jangada Anoitece Ao amanhecer

Repertoire II
The program "Rompendo Fogo (Breaking Fire) presents a compilation of Brazilian of different temporalities and regions. They use a strong range of images and symbols as a means of reality perception to re-signifying the understanding of a particular time or region. Therefore, this concert recreates the delicate and poetic representations of the human imagination in our quest for fantastic that may exist in our everyday life.
Annimo. Annimo (Maracat) Radams Gnatali Azulo Acalante de John Talbot Melodia Sentimental *Modinha Edmundo Villani-Crtes Vento Serrano Introduo e Desafio Ernst Mahle Altino Pimenta Sonatina Romancello A Uma Gaivota Toada da Canoa Heitor Villa-Lobos *Lund do Marquesa de Santos *Estrela Lua Nova *arranger - Daniel R. Havens Rompendo Fogo *Negrinho do Pastoreio Dorival Caymmi Waldemar Henrique *Suite dos Pescadores *Tamba-taj *Hei de Seguir Teus Passos

Heitor Villa-Lobos

Contact
Tero Chebl E-mail: drhavens@uol.com.br Endereo: Rua Maestro Cardim, 1038. Cep: 01323-001 Liberdade: So Paulo, SP. Brasil Telefones: 55 11 3287 5288 55 11 99400 1274