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  • Film Theory Concepts From Auteur to Žižek

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    Jihoon Kim
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    This document lists names and terms related to film theory. It includes theorists, theories, concepts, and movements such as auteur theory, apparatus theory, psychoanalytic film theory, feminist film theory, semiotics of film, gaze theory, montage theory, narrative theory, phenomenology and film, genre theory, postmodern cinema, and more. The breadth of topics covered indicates the wide range of approaches to analyzing and interpreting film.

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    Film Theory Cluster Map

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    Film theory Cluster Map

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    This document lists names and terms related to film theory. It includes theorists, theories, concepts, and movements such as auteur theory, apparatus theory, psychoanalytic film theory, feminist film theory, semiotics of film, gaze theory, montage theory, narrative theory, phenomenology and film, genre theory, postmodern cinema, and more. The breadth of topics covered indicates the wide range of approaches to analyzing and interpreting film.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    364 views1 page

    Film Theory Concepts From Auteur to Žižek

    Uploaded by

    Jihoon Kim
    This document lists names and terms related to film theory. It includes theorists, theories, concepts, and movements such as auteur theory, apparatus theory, psychoanalytic film theory, feminist film theory, semiotics of film, gaze theory, montage theory, narrative theory, phenomenology and film, genre theory, postmodern cinema, and more. The breadth of topics covered indicates the wide range of approaches to analyzing and interpreting film.

    Copyright:

    Attribution Non-Commercial (BY-NC)
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    of 1

    Andrew Sarris

    Jean-Louis Narboni and Jean Comolli

    Interpretation

    Kristin Thompson Peter Gidal Slavoj iek Miriam Hansen

    Auteur Theory
    Vsevolod Pudovkin Cahiers du Cinma Peter Wollen

    Jean-Pierre Oudart

    Symptomatic Reading European Film Theory

    Daniel Dayan

    Ferdinand de Saussure

    Mimetic Innervation
    Viktor Shklovsky

    Walter Benjamin

    Avant-Garde Film

    Jean-Louis Baudry

    Ideology
    Stephen Heath

    Anglo-American Film Theory


    Eve Sedgwick

    Mise-en-scne
    Siegfried Kracauer

    Structural/Materialist Film
    Psychoanalysis

    Counter Cinema
    Andre Gaudreault

    Marxism Louis Althusser

    Suture
    B. Ruby Rich

    Redemption Poetic Cinema Brecht and Film

    Laura Mulvey Visual Pleasure and Narrative Cinema

    Formalist Theories of Film Third World Cinema


    Pier Paolo Pasolini

    Pudovkin

    Colin MacCabe

    Interface Contemporary Film Theory Apparatus Theory Fantasy and Spectatorship


    Elizabeth Cowie Teresa de Lauretis

    Attraction Film as Art


    Tom Gunning Early Film Theory Rudolf Arnheim

    Modernism vs. Realism

    Reflexivity

    Queer Theory/Queer Cinema


    Discourse

    Feminist Film Theory

    Dziga Vertov

    Sergei Eisenstein

    Illusion Classical Film Theory


    Stuart Minnis

    Warren Buckland

    Medium Specificity

    Blending and Film Theory Classic Realist Text


    Psychoanalytic Film Theory

    Gaze Theory Enunciation and Film

    Montage Theory

    Depth of Field

    Long Take
    Jacques Lacan Emile Benveniste

    Imaginary Signifier
    Kino Eye CGI Andr Bazin Sound Theory

    E. Ann Kaplan

    Representation

    Semiotics of Film
    Raymond Bellour Christian Metz

    Vito Russo

    Digital Cinema
    Stephen Prince Thomas Elsaesser Indexicality Shoshana Felman

    Ontology of the Photographic Image Pixel/Cut/Vector Skepticism Film and Trauma


    Sean Cubitt Gregory Currie

    Film and Rhetoric


    Raymond Bellour

    Michel Chion Francesco Casetti

    Voyeurism

    Cinematic Excess
    David Rodowick Linda Williams

    Ferdinand de Saussure

    Theory of Identification Jean Mitry Metaphor and Metonymy Charles Sanders Peirce Mirror Stage

    Dori Laub

    Holocaust Testimony

    Attention
    Mourning

    Imagined Observer Hypothesis


    Russian Formalism Fabula

    Symbol and Analogon

    Kaja Silverman

    Ethics and Film Movement-Image


    Cathy Caruth

    Concept Narration
    Emmanuel Levinas Hugo Mnsterberg

    Film Fables

    Diegesis
    Grard Genette Etienne Souriau Syuzhet Nol Carrol

    Voice

    Gaming and Film Theory


    Gilles Deleuze

    Film-Philosophy
    Stanley Cavell

    Point of View
    Seeing/Perceiving Spectatorship Jesper Juul Henry Jenkins Edward Branigan Filmology

    Accented Cinema Henri Bergson

    Memory

    Affect
    Narrative Theory Ludology

    Cognitive Film Theory


    David Bordwell Mladen Dolar Focalization

    Minor Cinema

    Time-Image Camera Perspectivism vs. Realism


    Duration Greg M. Smith

    Emotion and Film Cinematic Movement


    Sympathy Rick Altman

    Evidence (Jean-Luc Nancy)


    Analytic Theory of Film

    Reception Theory
    Murray Smith Torban Grodal British Cultural Studies

    Sense

    Dialogism Ordinary Man of the Cinema (Jean-Louis Schefer) Phenomenology and Film
    Alitheia Chronotope Habitus

    Vivian Sobchack

    Documentary Theory
    Hans Robert Jauss

    Genre Theory
    Empathy Bill Nichols Fredric Jameson Carl Plantinga Mikhail Bakhtin Steve Neale Janet Staiger

    Robert Stam Linda Hutcheon Allusion Pastiche

    Postmodern Cinema

    Parody

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