01 02 03 04 05 06 07 08 09 10

FAKE YOUR DEATH HONEY, THIS MIRROR ISN T BIG ENOUGH FOR THE TWO OF US VAMPIRES WILL NEVER HURT YOU HELENA YOU KNOW WHAT THEY DO TO GUYS LIKE US IN PRISON IM NOT OKAY (I PROMISE) THE GHOST OF YOU WELCOME TO THE BLACK PARADE CANCER MAMA

3:23 3:55 5:28 3:28 2:57 3:09 3:59 5:16 2:27 4:41

11 12 13 14 15 16 17 18 19

TEENAGERS FAMOUS LAST WORDS NA NA NA (NA NA NA NA NA NA NA NA NA) SING PLANETARY (GO!) THE KIDS FROM YESTERDAY SKYLINES AND TURNSTILES (DEMO) KNIVES/SORROW (DEMO) CUBICLES (DEMO)

2:44 5:02 3:28 4:33 4:09 5:28 3:32 2:16 4:00

Track 1 Produced by Rob Cavallo, Doug McKean and My Chemical Romance / Track 2 Produced by Geoff Rickly / Track 3 Produced by Geoff Rickly and Alex Saavedra / Tracks 4, 5, 6 and 7 Produced by Howard Benson / Tracks 8, 9, 10, 11, 12, 13, 14, 15 and 16 Produced by Rob Cavallo and My Chemical Romance Mastered by Ted Jensen at Sterling Sound, NY
MYCHEMICALROMANCE.COM REPRISERECORDS.COM this compilation 2014 reprise records.

FAKE YOUR DEATH 3:23

(Iero/Toro/Way/Way/Dewees) 2014 Better Living Industries Music (BMI)/If It Bleeds We Can Kill It/Fishcoin (ASCAP) Produced by Rob Cavallo, Doug McKean and My Chemical Romance / Engineered by Doug McKean / Recorded at Axis Chemicals / Additional Recording at Lightning Sound Studio / Assistant Engineers:Andrew Law, Tom Rasulo / Additional Pro Tools Engineering:Lars Fox / Mixed by Chris Lord-Alge at Mix LA, Tarzana, CA / Assistant Mix Engineers:Keith Armstrong, Nik Karpen / Additional assistance:Dmitar Dim-E Kmjaic (Previously Unreleased)

I still love the way this song res off as the opening to Three Cheers To me, Helena has all of the components that made for a great MCR song - honesty, vulnerability, and kinetic force. A direct result of the passing of Mikeys and my grandmother, Elena Lee Rush, the song would go on to be one of our signatures and always the show closer. Very fast, very angry. Gerard Way (Iero/Pelissier/Toro/Way/Way) 2004 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Howard Benson / Mixed by Rich Costey Recorded by Mike Plotnikoff / Recorded at Bay 7 Studios, Valley Village and Sparky Dark Studio, Calabasas, CA / Additional engineering by Eric Miller / ProTools editing and programming by Paul DeCarli / 1958 Hammond B3: Howard Benson Drum Tech: Jon Nicholson at Drum Fetish / Guitar Tech/ OUR Sonic Guru: Keith Nelson / Production Coordinators: Matt Griffen and Dana Childs / Runners: Arturo Rojas, Fernando Diaz, Mike Gardner, Chris Ozuna, Bryan Mansell (From the album Three Cheers For Sweet Revenge)

HElEnA 3:28

From the moment we rst demoed this song until the last time we ever played it live, Not OK has always felt like home... as if those 3 minutes and 9 seconds were where we belonged. There was a feeling of excitement and fun somehow embedded in those 4 chords. W e must have played it thousands of times in total, and every time I heard that D octave come blaring from stage left the hair on my neck would stand up. It always felt fresh and new yet somehow beautifully familiar and I never got sick of it thats a rarity. Frank Iero (Iero/Pelissier/Toro/Way/Way) 2004 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Howard Benson / Mixed by Rich Costey Recorded by Mike Plotnikoff / Recorded at Bay 7 Studios, Valley Village and Sparky Dark Studio, Calabasas, CA / Additional engineering by Eric Miller / ProTools editing and programming by Paul DeCarli / 1958 Hammond B3: Howard Benson Drum Tech: Jon Nicholson at Drum Fetish / Guitar Tech/ OUR Sonic Guru: Keith Nelson / Production Coordinators: Matt Griffen and Dana Childs / Runners: Arturo Rojas, Fernando Diaz, Mike Gardner, Chris Ozuna, Bryan Mansell (From the album Three Cheers For Sweet Revenge) Every time I go back and listen to Revenge, Im always surprised at how good this song turned out.This was one of those songs that really came together in the studio.Each element, from the sounds of the guitars and drums, to the great vocal performance by G, to the extra harmonies and layers, adds up to a beautifully somber, chaotic track that really takes you on a journey.And who can forget that fucking video!I know I cant. Ill never live down the fact that I couldnt save Mikey! Ray Toro (Iero/Pelissier/Toro/Way/Way) 2004 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Howard Benson / Mixed by Rich Costey Recorded by Mike Plotnikoff / Recorded at Bay 7 Studios, Valley Village and Sparky Dark Studio, Calabasas, CA / Additional engineering by Eric Miller / ProTools editing and programming by Paul DeCarli / 1958 Hammond B3: Howard Benson Drum Tech: Jon Nicholson at Drum Fetish / Guitar Tech/ OUR Sonic Guru: Keith Nelson / Production Coordinators: Matt Griffen and Dana Childs / Runners: Arturo Rojas, Fernando Diaz, Mike Gardner, Chris Ozuna, Bryan Mansell (From the album Three Cheers For Sweet Revenge)

im nOT OKAY (i pROmisE) 3:09

wElcOmE TO THE blAcK pARADE 5:16

To me, the very rst note, the singular piano key, captured all of the sadness, solitude, and desperation of The Black Parade as an album. It seems to ring out for an eternity, especially when played live. It is that single note that puts into motion the decaying fantasy world I had in my head, complete with marching bands, multiple scene changes, a choir of orphans and desperate men. Its hard for me to listen to this song without picturing the video, which is sometimes as it should be, and both the audio and visual components worked seamlessly to deliver what I felt to be a message to the world at the time. Gerard Way (Bryar/Iero/Toro/Way/Way) 2006 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo and My Chemical Romance / Engineered by Doug McKean / Recorded at Eldorado Recording Studios, Burbank, CA / Assistant Engineer: Chris Steffen / Strings and Horns Recorded at Capitol Studios, Hollywood, CA / Assistant Engineer: Jimmy Hoyson / Mixed by Chris Lord-Alge at Resonate Music, Burbank, CA / Assistant Engineer: Keith Armstrong / Strings and Horns arranged by David Campbell Additional Musicians: / Rob Cavallo Acoustic Piano / Jamie Muhoberac B3 Organ, Synthesizers, Wurlitzer / Cheeh Iero Percussion Additional Protools: Lars Fox / Guitar Techs: Andrew Hans Busher, Tyler Dragness / Drum Tech: Mike Sack Fasano / Production Coordinator: Cheryl Jenets (From the album The Black Parade) Performing Cancer with just vocal/piano was for me, to emphasize the haunting beauty of the song in its rawest form. And then it became such a personal moment between Gerard and the fans; we never went back to the full band version.Its delicateness came across EVERY TIME we performed it. The feeling you get when you create something beautiful is like no other on earth.I am lucky to have lived and shared those moments so many nights on stage together. James Dewees, keyboards 20072013 (Bryar/Iero/Toro/Way/Way) 2006 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo and My Chemical Romance / Engineered by Doug McKean / Recorded at Eldorado Recording Studios, Burbank, CA / Assistant Engineer: Chris Steffen / Strings Recorded at Capitol Studios, Hollywood, CA / Assistant Engineer: Jimmy Hoyson / Mixed by Chris Lord-Alge at Resonate Music, Burbank, CA / Assistant Engineer: Keith Armstrong / Strings arranged by David Campbell Additional Musicians: / Rob Cavallo Acoustic Piano / Jamie Muhoberac B3 Organ, Synthesizers, Wurlitzer Additional Protools: Lars Fox / Guitar Techs: Andrew Hans Busher, Tyler Dragness / Drum Tech: Mike Sack Fasano / Production Coordinator: Cheryl Jenets (From the album The Black Parade)

Finally acquiring the funds from Eyeball Records to produce our full-length album, Honey was the rst song tracked for Bullets, once back at Nada Studios. Possibly the angriest tune I remember recording, it also held with it a sense of selfactualization, and a strong desire to be a live fast, die young burning spark that I felt captured the sentiments of ve desperate individuals. Desperate to be heard of course, which is why it is so loud in execution. Our rst vinyl, and technically our rst single, which was distributed in the UK. Gerard Way (Iero/Pelissier/Toro/Way/Way) 2002 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Geoff Rickly Recorded and Mixed by John Naclerio 5/15/02-5/25/02 at Nada Studios, New Windsor, NY (From the album I Brought You My Bullets, You Brought Me Your Love)

HOnEY, THis miRROR isnT biG EnOUGH FOR THE TwO OF Us 3:55

YOU KnOw wHAT THEY DO TO GUYs liKE Us in pRisOn 2:57

A collective band favorite to perform live, we often ended up in a pile of bloodied bodies by the time we nished playing.We wrote this in our practice space in NJ before heading out to Cali to track, and it really captured a lot of what the band was trying to say about itself.We will always mess with your perception of who we are and what we can do. Always expect the unexpected. And stay the fuck out of our way.The tracked version exudes the growing condence of a young band honing its identity, and its ultimate desire to make its mark on the world. Ray Toro (Iero/Pelissier/Toro/Way/Way) 2004 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Howard Benson / Mixed by Howard Benson Recorded by Mike Plotnikoff / Recorded at Bay 7 Studios, Valley Village and Sparky Dark Studio, Calabasas, CA / Additional engineering by Eric Miller / ProTools editing and programming by Paul DeCarli / 1958 Hammond B3: Howard Benson Drum Tech: Jon Nicholson at Drum Fetish / Guitar Tech/ OUR Sonic Guru: Keith Nelson / Production Coordinators: Matt Griffen and Dana Childs / Runners: Arturo Rojas, Fernando Diaz, Mike Gardner, Chris Ozuna, Bryan Mansell (From the album Three Cheers For Sweet Revenge)

THE GHOsT OF YOU 3:59

cAncER 2:27

VAmpiREs will nEVER HURT YOU 5:28

This will always be my favorite recording of the band, because it was the rst. Having little money, or for that matter the songs, to complete a full-length album, we hopped in a van and headed to Nada Studios. John did an amazing job spinning plates as he scrambled to record all of the elements in one day, with my vocals coming last, and I remember a strange feeling and a coming storm outside. I had never heard my voice recorded, and hearing the band recorded for the rst time was all I needed to invigorate me to do the job. Most everything is done in one take. The tempo of the song is 187 bpms. Gerard Way (Iero/Pelissier/Toro/Way/Way) 2002 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Produced by Geoff Rickly and Alex Saavedra Recorded and Mixed by John Naclerio 5/15/02-5/25/02 at Nada Studios, New Windsor, NY

(From the album I Brought You My Bullets, You Brought Me Your Love)

Mama is one of my favorite things I have ever had a hand in creating. Its risky and powerful, and at times downright insane. There are some songs that you enjoy hearing but dont enjoy playing live very much or vice versa but Mama was a beast with two heads (especially when pyro was involved). She was fun to play and fun to experience, plus I think all of our moms appear as guest vocalists on the end of this track and thats pretty damn cool. Frank Iero (Bryar/Iero/Toro/Way/Way) 2006 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo and My Chemical Romance / Engineered by Doug McKean / Recorded at Eldorado Recording Studios, Burbank, CA / Assistant Engineer: Chris Steffen / Strings and Horns Recorded at Capitol Studios, Hollywood, CA / Assistant Engineer: Jimmy Hoyson / Mixed by Chris Lord-Alge at Resonate Music, Burbank, CA / Assistant Engineer: Keith Armstrong / Strings and Horns arranged by David Campbell Guest Vocals on Mama: Liza Minnelli as Mother War / Additional Vocals on Mama: Linda Iero, Donald James & Donna Lee Way Additional Musicians: Jamie Muhoberac B3 Organ, Synthesizers, Wurlitzer Additional Protools: Lars Fox / Guitar Techs: Andrew Hans Busher, Tyler Dragness / Drum Tech: Mike Sack Fasano / Production Coordinator: Cheryl Jenets (From the album The Black Parade) I remember we were holed up at a rehearsal studio in midtown Manhattan for the initial Black Parade writing sessions. Gerard arrived at the studio with a big smile on his face and said, W ow, I nally feel like Im getting old! He recounted the experience he just had. Remember when you were a teenager and grown ups would just kind of be scared or apprehensive of you for no reason? W ell that just happened to me. I dont know what it is, but teenagers kinda scare the shit out of me now. Its really weird. W e all laughed, but it was one of those moments where you realize just how fast time ies. What started simply as a funny anecdote about a commute to the studio became a song about growing up before our eyes. Mikey W ay (Bryar/Iero/Toro/Way/Way) 2006 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo and My Chemical Romance / Engineered by Doug McKean / Recorded at Eldorado Recording Studios, Burbank, CA / Assistant Engineer: Chris Steffen / Assistant Engineer: Jimmy Hoyson / Mixed by Chris Lord-Alge at Resonate Music, Burbank, CA Assistant Engineer: Keith Armstrong Additional Musicians: Jamie Muhoberac B3 Organ, Synthesizers, Wurlitzer Additional Protools: Lars Fox / Guitar Techs: Andrew Hans Busher, Tyler Dragness / Drum Tech: Mike Sack Fasano / Production Coordinator: Cheryl Jenets (From the album The Black Parade)

mAmA 4:41

The troubles that I had during The Black Parade writing sessions arent a mystery to many of the fans of our band. A mixture of pressure, self doubt and severe depression had left me a shell of a person, which in turn led me to remove myself from the situation. During one of our phone conversations, my brother (Gerard) said to me, Hey, I wrote a song for you. I think youre going to love it. When I nally made my return to recording, I remember the guys were in the live room playing a song I hadnt yet heard. Even in the distance and through the walls I was so completely blown away that the song stopped me in my tracks. Hearing that song in the live room for the rst time - the mix of emotion, lyrical sentiment and triumph brought me to tears. It illustrates that regardless of the obstacles standing in your way, not only can you overcome them but rise from the situation stronger than youve been in your entire life. Mikey Way (Bryar/Iero/T oro/W ay/W ay) 2006 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo and My Chemical Romance / Engineered by Doug McKean / Recorded at Eldorado Recording Studios, Burbank, CA / Assistant Engineer: Chris Steffen / Strings Recorded at Capitol Studios, Hollywood, CA / Assistant Engineer: Jimmy Hoyson / Mixed by Chris Lord-Alge at Resonate Music, Burbank, CA / Assistant Engineer: Keith Armstrong / Strings arranged by David Campbell Additional Musicians: Jamie Muhoberac B3 Organ, Synthesizers, Wurlitzer Additional Protools: Lars Fox / Guitar Techs: Andrew Hans Busher, Tyler Dragness / Drum Tech: Mike Sack Fasano / Production Coordinator: Cheryl Jenets (From the album The Black Parade) The blueprint for Danger Days.After the bigger song arrangements of Black Parade, this felt like more of a return to our Revenge sound.This was the rst song we tracked after our split with Bob, and I was both excited and completely nervous to work with someone new.You never truly know what the energy will be like playing together. W e were lucky to have John Miceli, who I can best describe as a compact mountain of a man with a thick New York accent and forearms made of stone. As the tape rolled, the opening riff started and John struck the kick drum with an explosive thunder, we knew we had our guy for this record. - Ray Toro (Bryar/Iero/Toro/Way/Way) 2010 Better Living Industries (BMI) and Blow The Doors Off Chicago Music (ASCAP) Produced by Rob Cavallo & My Chemical Romance / Engineered by Doug McKean / Recorded at Lightning Sound Studio / Additional Engineering: Dan Chase / Assistant Engineers: Steve Rea, Russ Waugh / Additional Pro Tools Engineering: Lars Fox, Dan Chase / Mixed by Chris Lord-Alge at Mix LA / Assistant Mix Engineers: Keith Armstrong, Nik Karpen / Additional Mix Engineering: Brad Townsend, Andrew Schubert Drum Tech: Joe Libretti / Guitar Techs: Todd Youth, RJ Ronquillo, Ace Bergman / Production Manager: Cheryl Jenets / Production Assistant: Jaime Neely John Miceli Drums, Percussion / Jamie Muhoberac Keyboards and Sound Design (From the album Danger Days: The True Lives Of The Fabulous Killjoys)

FAmOUs lAsT wORDs 5:02

sinG 4:33
I love that its thematically anthemic, but more that it is a purposeful passing of the torch, a nod to the new voices of a new generation.It was a call, a last call, to the kids of today... time to kill the fear, stop the voiceless state, take the baton and run with it. (Iero/Toro/Way/Way) 2010 Better Living Industries Music (BMI) Produced by Rob Cavallo & My Chemical Romance / Engineered by Doug McKean / Recorded at Lightning Sound Studio / Additional Engineering: Dan Chase / Assistant Engineers: Steve Rea, Russ Waugh / Additional Pro Tools Engineering: Lars Fox, Dan Chase / Mixed by Chris Lord-Alge at Mix LA / Assistant Mix Engineers: Keith Armstrong, Nik Karpen / Additional Mix Engineering: Brad Townsend, Andrew Schubert Drum Tech: Joe Libretti / Guitar Techs: Todd Youth, RJ Ronquillo, Ace Bergman / Production Manager: Cheryl Jenets / Production Assistant: Jaime Neely John Miceli Drums, Percussion Keyboards and Sound Design / Jamie Muhoberac

Kids From Yesterday allows me to reect on my entire life being a kid, growing up, learning about the universe, entering adulthood, and pondering the future. In that respect, it acts like a time capsule/time machine in my mind. Countless memories pour out of me that I hadnt thought about in decades or had seemingly almost forgotten. This song came together in the early a.m. during one of the all nighters of the Danger Days sessions. Theres really something other worldly about that time of day, because it puts you in a completely different frame of mind, and out of this other place came Kids. I never get tired of listening to this song, and it also stands as one that Im the most proud of. Mikey Way (Iero/Toro/Way/Way) 2010 Better Living Industries Music (BMI) Produced by Rob Cavallo & My Chemical Romance / Engineered by Doug McKean / Recorded at Lightning Sound Studio / Additional Engineering: Dan Chase / Assistant Engineers: Steve Rea, Russ Waugh / Additional Pro Tools Engineering: Lars Fox, Dan Chase / Mixed by Chris Lord-Alge at Mix LA / Assistant Mix Engineers: Keith Armstrong, Nik Karpen / Additional Mix Engineering: Brad Townsend, Andrew Schubert Drum Tech: Joe Libretti / Guitar Techs: Todd Youth, RJ Ronquillo, Ace Bergman / Production Manager: Cheryl Jenets / Production Assistant: Jaime Neely John Miceli Drums, Percussion Keyboards and Sound Design / Jamie Muhoberac

THE KiDs FROm YEsTERDAY 5:28

(From the album Danger Days: The True Lives Of The Fabulous Killjoys)

plAnETARY (GO!) 4:09

We had been trying to write a song that felt like this for so long that when Planetary was nally born it really felt like a win for us. Every time we listened to it in playback, the studio would turn into a completely stupid dance party, you just couldnt help yourself. I guess thats how we knew we had nally gotten it right. Frank Iero (Iero/Toro/Way/Way) 2010 Better Living Industries Music (BMI) Produced by Rob Cavallo & My Chemical Romance / Engineered by Doug McKean / Recorded at Lightning Sound Studio / Additional Engineering: Dan Chase / Assistant Engineers: Steve Rea, Russ Waugh / Additional Pro Tools Engineering: Lars Fox, Dan Chase / Mixed by Chris Lord-Alge at Mix LA / Assistant Mix Engineers: Keith Armstrong, Nik Karpen / Additional Mix Engineering: Brad Townsend, Andrew Schubert Drum Tech: Joe Libretti / Guitar Techs: Todd Youth, RJ Ronquillo, Ace Bergman / Production Manager: Cheryl Jenets / Production Assistant: Jaime Neely John Miceli Drums, Percussion Keyboards and Sound Design / Jamie Muhoberac

(From the album Danger Days: The True Lives Of The Fabulous Killjoys)

TEEnAGERs 2:44

sKYlinEs AnD TURnsTilEs (DEmO) 3:32

Recorded in Matt Pelissiers attic, 2002

nA nA nA (nA nA nA nA nA nA nA nA nA) 3:28

(Iero/Pelissier/Toro/Way/Way) 2014 Blow The Doors Off The Jersey Shore Music, Inc. (BMI)

(Previously unreleased, from the I Brought You My Bullets, You Brought Me Your Love sessions) (Iero/Pelissier/Toro/Way/Way) 2014 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Recorded in Matt Pelissiers attic, 2002 (Previously unreleased, from the I Brought You My Bullets, You Brought Me Your Love sessions) (Iero/Pelissier/Toro/Way/Way) 2014 Blow The Doors Off The Jersey Shore Music, Inc. (BMI) Recorded in Matt Pelissiers attic, 2002 (Previously unreleased, from the I Brought You My Bullets, You Brought Me Your Love sessions) Mastered by Ted Jensen at Sterling Sound, NY Art Direction: Gerard Way and Varnish Design: Varnish Photography: Johnathan Weiner

KniVEs/sORROw (DEmO) 2:16

cUbiclEs (DEmO) 4:00

(From the album Danger Days: The True Lives Of The Fabulous Killjoys)