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1.; Throu!h a tortuous process o$ sel$<e'amination an individual arrives at a new reali1ation o$ himsel$ and his relationship to the world at lar!e2"ohn #roctor who is Abi!ails main tar!et is the voice o$ reason in the town and stru!!les to show them that none o$ Abi!ails accusations are true. In the process his wi$e is also accused and he ultimatel% $eels the dut% to protect himsel$ his $amil% and the whole town $rom Abi!ail. =.; The individual discovers in the necessit% o$ ma)in! a decision in the $ace o$ insurmountable odds2The decision that "ohn has to ma)e is not simple. In the end he has to choose to ma)e a $alse con$ession to witcher% to save his li$e his wi$e and his $amil% or to stic) to the truth and be ta)en to the stoc)s. >.; Althou!h the movement toward sel$<reco!nition leads to destruction an a$$irmation o$ li$e is ultimatel% propounded2"ohns destruction is that he $alsel% con$esses to witcher% but reali1es he cannot do so without moral issues. So he ends up ?@T con$essin! to witcher% and is han!ed. .owever we see that (li1abeth and the rest o$ the communit% includin! "ud!e .athorne +everend #arris etc reali1e the repercussion o$ their actions in believin! Abi!ails accusations and we can in$er that the communit% will tr% to ri!ht their wron!s. CHARACTERIZATION "ohn #roctor Character traits, ver% morall% upri!ht honest proud cares about reputation impulsive In the play, is the/atra!ic hero Fatal flaw, :ust $or Abi!ail Williams Abein! human and succumbin! to temptation;. It led to an a$$air to Abi!ails 7ealous% o$ (li1abeth #roctor and ultimatel% to the whole witch trial ordeal. UltimatelyB he publicl% con$esses he had an a$$air with Abi!ail leadin! to his arrest. -ut in the end he cares more about personal inte!rit% thanpublic reputation. .e wants to save his name $or personal reasons rather than public ones. .e denounces the witch trials and re$uses to provide a $alse con$ession to witcher% not wantin! to dishonor himsel$. This inte!rit% perhaps will brin! him to heaven and cancel out his sin o$ adulter%. A?ote, #roctor $or!ets adulter% when as)ed to recite the Seven Commandments; Abi!ail Williams Character traits: manipulative 7ealous lust$ul A$or se' and $or power; In the play, is the/aB villain Backgroun : Abi!ail is an orphan and is unmarried. She there$ore does not sit hi!h on social ran)in!. Further information: Abi!ail tells lies and accuses people in the town o$ witcher%. She manipulates her $riends to do the same. .er motivation $or this is simple, 7ealous% and desire $or reven!e on (li1abeth #roctor. She ta)es advanta!e o$ her power and sends 18 people to death. Ultimately she reali1es that she will not have this power $orever and when people be!in doubtin! the accurac% o$ the accusations she runs awa% $urther drivin! speculation that she was a liar. (li1abeth #roctor Character traits: so$t<spo)en $or!ivin! simple honest In the play, is theBwi$e o$ "ohn #roctor Further information: (li1abeth who has a $amil% with "ohn #roctor seems to have $or!iven him $or his sin o$ adulter%. She however $ired Abi!ail Williams $rom their home. #roctor sa%s that she /never tells a lie 0 however to save her husband in court she lies that he has
never had se'ual relations with Abi!ail thou!h he had alread% con$essed it. Ultimately, when as)ed to !et #roctor to con$ess she does not pressure him to ma)e a $alse con$ession sa%in! /I will not 7ud!e %ou "ohn.0 She believes her husband is !ood man with morals and values. When he is han!ed she sa%s o$ him /.e have his !oodness now. Cod $orbid I ta)e it $rom himD0 +everend .ale Character traits, ti!ht<s)inned intellectual does ever%thin! b% the boo)s In the play, he turns into a voice o$ reason. .e is the onl% one who trans$orms into someone who believes that #roctor and Mar% Warren are tellin! the truth. .e is also the onl% person $rom outside o$ Salem and the onl% apparent /o$$icial0 on the topic. !ore information, .ale was as)ed to come in to inspect #arris dau!hter and enters the town with an air o$ )nowled!e. 5urin! the clima' in Act III he sides with those who denounce the witch trials. .owever he is too late and this shatters his ps%che. As his belie$ in witchcra$t $alters so does his $aith in the law. Ultimately .ale has the audiences s%mpath% but not their respect. .e is the one in the end who tries to convince the accused to lie to save their lives. .ale reco!ni1es the evil o$ the witch trials but he does not de$% them li)e #roctor does. -ecause he lived his whole li$e believin! in the law and in boo)s he does not )now how to stand up $or such belie$s. .e seems to believe that li$e is the most precious !i$t and it is worth sacri$icin! human inte!rit% to )eep on livin!. @ther Important Characters include, Mar% Warren who is the onl% one o$ the !irls to con$ess that the witch trials were a sham. She ma)es such a con$ession with "ohn #roctor but then due to pressure $rom Abi!ail returns to the !irls side. +everend #arris who is hated b% "ohn #roctor $or bein! a $rivolous minister. .is dau!hter -ett% #arris is the $irst one we are introduced to who is a$$ected b% /witcher%.0 Tituba an A$rican woman who is accused $or witcher% simpl% because she is blac). +ebecca ?urse who also does not con$ess to witcher%. :i)e "ohn #rocter she has inte!rit% and is not willin! to sacri$ice it 7ust to live. THEMES .%steria #erhaps one o$ the most important themes in the pla% h%steria pla%ed a hu!e part in the witch trials. It has more power than lo!ic and a$$ected the people o$ Salem in that the% believed that their nei!hbors and $riends who the% previousl% thou!ht o$ as citi1ens in !ood standin! are conspirin! with the devil. .%steria pla%s a part in the citi1ens o$ Salem e'pressin! repressed sentiments and !rud!es. The ma7or case o$ this is Abi!ail Williams who desires reven!e on (li1abeth #roctor and wants her dead so she can be with "ohn #roctor. @thers that thrive on h%steria are +everend #arris Aon "ohn #roctor; and Thomas #utnam Aon +ebecca ?urse because she /)illed0 his babies;. In the end however h%steria dies down and lo!ic prevailsB the citi1ens o$ Salem reali1e that the witch trials were not 7usti$ied. Intolerance -ecause reli!ion pla%s a bi! part in The Crucible intolerance is a ma7or theme. There is
intolerance in ever%thin! that is not a part o$ the bible and o$ the reli!ion. Sins are not condemned2there$ore #roctor $eels the need to hide the adulter% he committed. Conspirin! with the devil however is a much !reater sin and #roctor reali1es this and re$uses to ma)e a $alse accusation. 5an$orth sa%s in Act III that /a person is either with this court or he must be counted a!ainst it.0 This shows that the societ% is blac) and white. @ne is either with Cod or with the 5evil a witch or not a witch innocent or !uilt%. +eputation (speciall% with re!ard to "ohn #roctor reputation is ver% important in Salem. Abi!ail Williams basicall% acts on reputation when accusin! people o$ actin! with Satan. She accuses those who are un)empt and $rom there pro!resses on to people li)e (li1abeth #roctor and +ebecca ?urse. "ohn #roctor stru!!les to protect his reputation in the be!innin! re$usin! to admit to adulter% and instead tr%in! to denounce the court usin! Mar% Warrens con$ession that ever%thin! was pretense. At the end however he cares more about his reputation with Cod than with the public and there$ore re$uses to si!n a $alse con$ession to save his own li$e. .e sa%s to 5an$orth /I have !iven %ou m% soul Ab% con$essin! to witchcra$t;E leave me m% nameD0 AAct I4; SETTING #h%sical2 Salem Massachussetts 16=8. Social2 5eals with heresa% and $alse accusations .%steria in the town leads to repercussions such as death Witch Trials stand $or 1890s McCarth%ism DRAMATIC ART There is a lot o$ e'planation in the te't especiall% in Act I. Miller provides his readers with bac)!round in$ormation on each character on Salem and on the time period. .e tal)s about each characters characteristics the belie$s o$ the time period etc. While watchin! the pla% however audiences will not be able to see this. The sta!in! $or the pla% is important with re!ard to time period costumes and props. .owever Miller does not !ive as e'tensive sta!e direction as other pla%wri!hts do. .e does thou!h !ive instructions $or the set sa%in! where thin!s are and where characters enter and e'it $rom. @ne important sta!in! scene is that o$ (li1abeth and "ohn #roctor. (li1abeth is not supposed to see "ohn or loo) at "ohn2and because o$ this tells a lie $or the $irst time leadin! to a ma7or development in the pla%. We must note that there is a deleted scene in Act II where an interaction between Abi!ail and "ohn #roctor occurs revealin! that the% had an a$$air and that the reason Abi!ail is doin! all o$ this is because o$ him to !et reven!e on (li1abeth. It was ta)en out perhaps $or this ver% reason2that it revealed too much o$ the stor%. KEY QUOTES Abi!ail, I loo) $or "ohn #roctor that too) me $rom m% sleep and put )nowled!e in m% heartD I never )new what pretense Salem was I never )new the l%in! lessons I was tau!ht b% all these Christian women and their covenanted menD And now %ou bid me tear the li!ht out o$ m% e%esF I will not I cannotD Gou loved me "ohn #roctor and whatever sin it is %ou love me %etD AAct I;
Abi!ail, I want to open m%sel$D . . . I want the li!ht o$ Cod I want the sweet love o$ "esusD I danced $or the 5evilE I saw him I wrote in his boo)E I !o bac) to "esusE I )iss .is hand. I saw Sarah Cood with the 5evilD AAct I; 5an$orth, Gou must understand sir that a person is either with this court or he must be counted a!ainst it there be no road between. AAct III; "ohn #roctor, I be! %ou sir I be! %ou2see her what she is . . . She thin)s to dance with me on m% wi$es !raveD And well she mi!ht $or I thou!ht o$ her so$tl%. Cod help me I lusted and there is a promise in such sweat. -ut it is a whores ven!eanceB AAct III; Abi!ail, :et %ou beware Mr. 5an$orth. Thin) %ou to be so mi!ht% that the power o$ .ell ma% not turn your witsF -eware o$ itD AAct III; Mar% Warren, I promise %ou Mr 5an$orth I onl% thou!ht I saw them but I did not AAct III; (li1abeth #roctor, I am not %our 7ud!e I cannot be. 5o as %ou will do as %ou willD AAct I4; (li1abeth #roctor, "ohn it come to nau!ht that I should $or!ive %ou i$ %oull not $or!ive %oursel$. It is not m% soul "ohn it is %ours. AAct I4; "ohn #roctor, -ecause it is m% nameD -ecause I cannot have another in m% li$eD...I have !iven %ou m% soulE leave me m% nameDAAct I4; (li1abeth #roctor, .e have his !oodness now. Cod $orbid I ta)e it $rom himD AAct I4;