Professional Documents
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Familyfeeling
Finding the village vibe in Havelock North
COVER & PAGE 74
IN SP IRI N G HO M E L IF E
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COSY UP WHATS NEW IN HEATING CUT ABOVE 5 CLASSY CAKES & SLICES PALMS & A PEW A CHEEKY CITY GARDEN
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REVITALIFT
LASER X3 NIGHT
NEW
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ALMOST.
You could, to be honest, read no further than the headline and appreciate the one huge difference between the new Outlander Plug-In Hybrid Electric Vehicle and everything else on the road. Its very very economical. Medium-sized scooter kind of economical. Its the kind of economy that people who live in Alaska and need to make their resources last through the winter would nd quite useful. But, like so many other aspects of this vehicle, theres much more to the story.
And further.
A car with such economy would give you a lot of holiday options. But an SUV? Well, thats the best excuse for a new tent and a y rod youve ever heard. And because its a Mitsubishi SUV, its traction systems have been developed and torture tested in places youve never been to, and wouldnt want to. So on the many gravel tracks that link our natural wonders with the nearest road, youll be just ne. Theres also a 5 star safety rating, just to be on the obsessively safe side.
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point, we should add) youll get up to 52km range in this mode. Weve asked the Energy Efciency and Conservation Authority to gure out what this would cost and they tell us that at an off peak rate of 15 cents per kWh, youd pay around $1.41. Youd be doing well to get two limes for that.
D E S I G N : TA L I T H A
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Houses
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May
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Action stations The views from this Taupo home are peaceful but the pace of life there is anything but Designer duo The Mt Eden home of an artist and architect is a live-in collaboration that reflects a shared love of the beach and bach The art of the high flyer First Chris Parkin moved his hotel across the road, then he created an art-filled home on top
COVER STORY
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It takes a village A home created with a community feeling in mind ON THE COVER Special effects Minimalisms not for me, says this villa owner
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Gardens
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The stuff of dreams Two garden professionals show what can be done in six short years Fusion formula A joyful blend of cultures in a tiny city garden
COVER STORY
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NZ H&G 7
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Our whimsical nursery prints will warm the cockles of a new mothers heart, page 43
Mothers Day
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Antenna A delicious breakfast tray? A set of pastel-dipped spoons? Weve got six pages of simple, smart ideas to make Mum feel special Fairytale flowers Blooms that say today is special Sweets for the sweet A classy cake, lemon madeleines and other home-baked treats
COVER STORY
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Town & country Why DIY is sometimes the best option keep warm this winter
COVER STORY
143 Heating special New ways to 158 Art, books & blogs 164 Urban Eye Hot spots to visit
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Food
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Grape escape A vineyard picnic thats bursting with autumn flavours Feel-good food A MasterChefs recipes for happy times Small bites Two pages of news and seasonal ideas from our food editor, Sally Butters
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OUR BEST PRICE
A subscription to NZ House & Garden is the perfect treat for your mother or for you. Act now, and take advantage of our special Mothers Day price, page 140.
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Regulars
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From the editor Talk back Your thoughts
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A REVOLUTION IN FACIAL CARE WorldMags.net EXPERIENCE THE UNIQUE POWER OF ESSENTIAL OILS
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SKINCARE
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& GARDEN
Editorial Editor Sally Duggan Art Director Richard Brunton Deputy Editor Rosemary Barraclough Food Editor Sally Butters Gardens Editor Julian Matthews Sub-editor Jan Chilwell Style Consultant Tracey Strange Watts Editorial Assistant Andrea Warmington
andrea.warmington@nzhouseandgarden.co.nz, (09) 909 6882
Corporate Northern Region Manager David Penny Editorial Director Kate Coughlan Commercial Manager Duncan Brough Distribution Manager Magazines Liz Badenhorst Marketing Manager Pip Simeon Brand Manager Ellie Trotter Corporate and Bulk Sales Manager Jodie Fitzgerald
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Letters addressed to the magazine will be regarded as for publication unless clearly marked: NOT FOR PUBLICATION. For details of NZ House & Gardens terms relating to unsolicited manuscripts, artwork and photographs and terms of entry into NZ House & Garden competitions, see www.nzhouseandgarden.co.nz or call (09) 909 6800. No part of this magazine may be reproduced without the written permission of the publisher. Advertising within this publication is expressly subject to Fairfax Magazines standard advertising terms and conditions. See www.fairfaxmedia.co.nz or call (09) 909 6880. NZ House & Garden is published by Fairfax Magazines, a division of Fairfax New Zealand Limited. Fairfax Magazines, 317 New North Road, Eden Terrace; PO Box 6341, Wellesley St, Auckland 1141. Printed: PMP Print, Christchurch NZ House & Garden is a registered trademark of Fairfax New Zealand Ltd. COPYRIGHT 2014 Fairfax New Zealand. ISSN 1172-9287. Audited circulation per issue 47,830 (Source: NZ Audited Bureau of Circulation; Average Net Circulation Dec 2013) Readership 554,000 (Source: Nielsen CMI Q1 2013-Q4 2013)
Fact of the month: 234,000 NZ House & Garden readers like fixing things around the house
(Source: Nielsen CMI Q3 2011-Q2 2012)
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ABOVE
Sally Duggan
z house & garden is sometimes called an interiors magazine and, on one level, thats a perfect description. More than any other mainstream magazine, we cover the detail of whats inside Kiwi homes: cushions and curtains and appliances and carpets and chairs and crockery and paint colours and so on. When it comes to interiors, we know whats available, where to get it and how to make it work in your home. But we are also about a whole lot more than that. At the risk of sounding self-aggrandising, I think NZ House & Garden is also about social change in our community. One of our rules on NZ House & Garden is to always have people in our stories. When I brief writers, I ask them to find out about the owners histories, hobbies, passions, lifestyle choices. And so, every month, we run eight or nine stories about Kiwis at home engaging tales about our people and their lives that put a human face to the nations broad demographic trends. In this issue, for example, theres a shining example of the ongoing blurring of work/life boundaries in our story about Chris and Kathy Parkin, who live in an art-filled apartment at the top of the hotel they run (page 66). On page 104 theres a very graphic illustration of the blending of Asian, Pacific and European cultures in Sara Nobles amazing inner-city garden. And on page 32 the space-savvy Hawksworth house squeezed onto a 500sqm section in suburban Auckland shows us what intensifying urban living is all about. Our cover story on page 74 describes a charming renovation of a 1930s bungalow, but its also about a young family searching for community connectedness. And behind the opulent images of the beautiful renovated villa on page 84 is all the drama and heartache of rebuilding Christchurch. And so on: every story is a lifestyle snapshot and, put together in a magazine, they make a kind of ever-changing mood board of Kiwi home life. Thats interesting in itself, but dont you think it would be even more interesting if you looked back at it over a span of, say, a couple of decades? And, as it happens, that is just what we are going to do. Next month, NZ House & Garden celebrates its 20th birthday. While youre enjoying this magazine, were putting together a special June issue filled with lavish and lovely food, flowers, prizes and home ideas, as well as some fascinating insights into how Kiwi homes and lifestyles have changed over the past 20 years, and what we can expect in the next 20 years.
ABOVE Sara Nobles clever city garden, page 104, is all about cultural fusion. Inspired by European formal gardens, it has strong Pacific and Asian flavours. Sara says one of the best compliments shes had was from a Chinese visitor who assumed the owner was Chinese.
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SALLY WEARS A CAROLINE SILLS TOP FROM BROWNS, REMUERA; PHOTOGRAPHY BY JANE USSHER; MAKE-UP BY CLAUDIA RODRIGUES; HAIR BY MICHAEL KENT
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Kirstyn Renall Baker
Cake-maker Kirstyn Renall better known as the Sugar Queen is responsible for the ombr cake on our cover, which she whipped up the night before the photo shoot. The cake, which comprised five syrup-soaked layers in purple hues swaddled in buttercream and white chocolate ganache, was auctioned off after the shoot with proceeds going to Ozanam House in Palmerston North, which provides accommodation for cancer patients. Kirstyns also started giving away cupcakes through her Facebook page and has been amazed at the response from her Hawkes Bay community, who have been nominating friends and family members in need of a sweet pick-me-up. People really appreciate the kindness of others. In this day and age its very rare. Kirstyn, whos been decorating cakes as a hobby since her now-adult children were small, opened The Sugar Queen Cakery in Hastings three years ago. There, bakers are busy preparing for Mothers Day, one of the busiest days of the year.
LOCAL HEROES
Our Mothers Day cover photo was shot at Giselle and Matthew Reids Havelock North home (see more on page 74) and features their daughters Allegra, six, and Florence, three. The extravagant morning tea setting was put together with the help of a host of locals. Kirstyn Renall (pictured left) was up until 2.30am putting the finishing touches on the centrepiece cake, Suzanne Beaumont of Style Me Vintage lent our art director Richard Brunton all manner of pretty vintage wares and florist Kim McMillian of Lushka provided the beautiful flowers. Everyone was so friendly and accommodating, says Richard.
PHOTOGRAPH: Belinda Merrie STYLING: Richard Brunton CREDITS: Baked goods from The Sugar Queen Cakery; vintage tableware from Style Me Vintage; flowers from Lushka.
Just In: Manhattan - Stunning Italian porcelain subway tiles available in 9 colours.
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Talk back
Social climber
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After getting amazing feedback from the article on our home (Green Grass of Home, January issue) the Soeur Design gallery in Martinborough, where we purchased our climbing man, were so happy they sent us another one. So the climber on the cement wall near our entrance now has a companion. Sarah Montgomerie, Alfriston
Editors note: Check out our new website now beautiful homes, great prizes and our favourite recipes from past issues.
Ill-considered
As an avid reader, I am upset about a recent article where the home was described as not feeling schizophrenic. I have a beautiful son with schizophrenia. The illness is not about split personality and it should not be used to describe a house. No one who has not been through this ordeal will understand, but I do feel the word is used loosely and without much thought. Lynley Wimsett, Greenhithe
Easel-ly solved
Further to your discussion about what to do with the TV in the living room, I thought your readers might like to see my TV stand. Suzanne Roberts, Napier
An old salt
Loved seeing the stylish salt dishes in your March issue. My salt dish (below left) came from my grandmother. The glass is handmade and a bit scratched in places but it is over 100 years old. Marge Aldridge, Dannevirke
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ACTION STATIONS
The view is peaceful, the lifestyle hectic, and thats just the way this Taupo couple like it
WORDS ANDREA WARMINGTON / PHOTOGRAPHS TESSA CHRISP
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THESE PAGES Celia and Hugh Laitys Acacia Bay, Taupo home looks east over the lake to Mt Tauhara and beyond; many of the hedges, topiary and trees were transplanted from their previous garden, says Celia: We moved them to a friends garden, where they grew on for a year until they were ready to transplant. By the time we moved in, we were mowing the lawns and picking herbs and flowers.
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elia laity is a tricky woman to pin down. The garden designer-cum-event planner-cum-cooking teacher is constantly on the go. Shes just back from a skiing trip in Utah, where a nasty accident put her knee in a brace and forced her to sit still for three weeks (It just about drove me crazy, but I did manage to read five good books!) And now shes about to head down to Kaikoura for her annual girls walk, but not before she gets her Taupo home ready for the holidaymakers who will be renting it this weekend. Somehow, she still finds time to squeeze in a chat with NZ House & Garden while baking treats for one of her four grownup children to take on an upcoming road trip. There is a pause in proceedings as she pulls a tray of craisin Anzac biscuits from the oven and inhales blissfully (These smell great). >
THIS PAGE The kitchen opens to the east-facing morning terrace; Celia
and Hughs children gave them the Des Robertshaw painting by the door; Celia made the table runner: I ripped an old bit of fabric to bits. I didnt sew it I just frayed the edges. Celia and Hugh Laity. OPPOSITE (clockwise from top left) A vintage crate holds fruit and bay leaves from the garden. Pita crisps, panforte and chocolate chip cookies from the oven. An old post office table on the north-facing terrace. Celia made the bunting with the help of her sons mother-inlaw for their childrens wedding: We were bunting buddies. We used to sample champagne for the wedding and make bunting. We were gutted when the wedding was over and we didnt have an excuse to make bunting any more! Hooped rosemary is kept moist with lichen.
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THIS PAGE The oak coffer in the sitting room comes from
Hughs family in England; Celia gathered the pussy willow branches from the side of the road they dry out quickly and last for months: Im into things that last really well. I cant be bothered doing a whole lot of fresh things that last five minutes, says Celia. OPPOSITE (clockwise from top left) Celia is fond of the artwork on the Chinese dresser: Its actually an old piece of plywood I found in Hughs workshop. Hed spraypainted a slatted screen over it and it had left a pattern. The wooden chest in the sitting room came from an importer friend. Hugh originally hails from Cornwall, England, and an antique map of the county is displayed on the wall of the TV/music den. Many treasures have come from the Laitys previous home, including the mirror, which sits above an old cabinet recently repainted by Hugh. >
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Its a beautiful home to live in although its really large, we have lovely spaces. I never feel that were rattling around in it
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Its hard to believe Celia, then, when she claims that this is a gap year for her. I wanted to have a change of focus and not be committed to so many things. So this isnt busy? Celia laughs. Im lucky. I seem to have plenty of energy. You can say that again. The ex-primary school teacher has barely come up for air since she started her garden design business in Auckland in the late 1980s. When she and husband Hugh packed up the kids and moved to Taupo in the mid 1990s, Celia began offering cooking classes and planning events at their newly built country home and garden Sugar Maple Lodge (NZ House & Garden, April 2003). In 2007, Celia and Hugh decided it was time to build again. They went in search of sun, space and privacy and found an acre on a Taupo hilltop with views of the Kaimanawa Ranges, Lake Taupo and Mt Tauhara. We stood on the site and said wow, says Celia. It was another world up in the big sky. The slight slope, however, wouldnt do: Celia needed lawns and, naturally, a garden. Sometimes I look at people building on hills and think, Ooh, they havent got a flat enough site. They build this great big house and then theyve got no garden. >
THIS PAGE (clockwise from top left) Celia in her office. Letters from
grandchildren, old photos and inspirational sayings decorate the noticeboard. Twine used for wrapping cookies for gifts. Celia displays her beautiful, beautiful old rose book on a small easel. OPPOSITE A long sideboard makes a statement in the entranceway; its filled with woven baskets and bowls Celia has picked up on her travels from Vanuatu to New Mexico; the candlesticks were painted red to match the striped vase.
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THIS PAGE (clockwise from above left) Celia found the old ladder in her
daughters garden; she bought the cushion from a shop in Ohope: It came with a No version but I stuck to the Yes. The sewing kit belonged to Hughs grandfather and was carried with him throughout World War I. An elevated tub in Celia and Hughs bathroom looks out over the lake: We usually have a bath at night and you can see all the twinkling town lights. A box hedge, Heuchera Ruby Veil and white daphne grow beneath the bathroom window. OPPOSITE Celia and Hugh recently repainted the feature wall in their bedroom charcoal: We wanted something really dramatic, says Celia; the three small hearts were bought on a skiing trip to Austria.
Major earthworks were necessary to fulfil Celias wish for a decent-sized garden and, once the site was duly flattened, they set about designing a house. The couple drew up the plans for the spacious, modern home themselves, with Havelock North architect Simon Clarkson making only a few changes to their original design. Hugh, who has a building background and owns a scaffolding business, oversaw the build and did much of the finishing himself. Celia and Hugh were keen to take advantage of the many new products that had arrived on the market since they built Sugar Maple Lodge, installing practical polished concrete floors in the expansive kitchen and dining area, designed to accommodate Celias students, as well as underfloor heating and double glazing throughout. Theyre happy with the result too. Theres almost nothing I would change, says Celia. Its a beautiful home to live in although its really large, we have lovely spaces. I never feel that were rattling around in it. Celia and Hugh each have their own offices Celias is conveniently located just off the kitchen and each of the five bedrooms has its own bathroom. >
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THIS PAGE (clockwise from top right) Celia and Hugh dining with their
daughter-in-law Summer on the north-facing terrace. The entrance was the only place the Laitys could have large trees without impeding the view. Celia in her picking garden. OPPOSITE The vegetable garden features globe artichokes as well as beans, lettuce, tomatoes, beetroot, rhubarb and more; Celia encourages guests who are renting the house to help themselves.
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We used to share one bathroom with our four kids, says Celia. Now we often have parents and family staying and theyve all got their own bathroom. Its a real treat. Its also convenient for the travellers who take over the Laitys home at regular intervals, renting the house for private functions or just for a holiday. Though Celia and Hugh sometimes act as hosts, bed and breakfast-style, more often they take themselves elsewhere. Thats how we fund our trips, says Celia. We much prefer to let people do their own thing and we go away and do our thing. We visit friends and family, go walking and tramping, biking, skiing Celia encourages guests to help themselves to her plentiful vegetable garden on the north-facing, lower terrace, home to a bounty of produce: cranberries, minikins (small pumpkins), globe artichokes I love to give it away, says Celia. One guest said theyd gone out and got beetroot, lettuce, beans, courgettes and tomatoes and then cooked rhubarb for breakfast. Its great. Foreign backpackers help with the gardening in exchange for a room and food: Celia and Hugh have had 106 helpers to stay in the past three years, arranged through the HelpX website. >
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THIS PAGE Hugh is very proud of his lawn, says Celia: Hes my lawn man. He feeds it and looks after it; an expanse of lawn was important to the couple, who wanted a space for their grandchildren to play; pleached karaka grow beside the chimney and the two Acer Autumn Blaze trees turn a lovely red in autumn.
We absolutely love it, says Celia. Instead of having to pay someone to do everything, you have these lovely young kids from all over the world living with you. A number of them have become really good friends and its changed our lives. Celia might need to round up a few more helpers in the coming months as she awaits the arrival of two more grandchildren, helps her local Rotary with a cluster of events and plans a few more trips: to Byron Bay for a family celebration, then to Croatia to bike and boat, with a trip to somewhere snowy wedged in between. So her accident hasnt put her off skiing? Celias answer is a resounding: No way! Visit thelakeviewhouse.co.nz to find out more.
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Q&A
Best decorating tip: Re-cover cushions and repaint furniture and decorative pieces for an inexpensive new look. (Celia) Favourite family treasure: My family tree, which goes back to 1262, now framed and hanging above the fireplace. (Hugh) I can always count on: The stunning and dramatic sunrises. (Celia) The most memorable party we had here: Hughs Woodstockthemed party for 150. He cantilevered the marquee out over the cliff with scaffolding! (Celia) We love this part of New Zealand because: There are so many great outdoor activities and events And there are no traffic issues! (Hugh) Its a small but vibrant and caring community. And the stunning scenery of the lake, rivers and the mountains. (Celia) Celia and Hugh Laity
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DESIGNER DUO
The Mt Eden home of an architect and an artist is a live-in collaboration that shows their shared love of beach and bach
WORDS LEEANN YARE / PHOTOGRAPHS LARNIE NICOLSON
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THIS PAGE Justine and Jonathan Hawksworths Auckland home is filled with Justines art: Jonathan and I are both fans of all things nautical. We share great memories of family baches and my artwork is often inspired by the classic Kiwi holiday. OPPOSITE The walls in Justines studio are covered with recycled maritime charts and dotted with her artworks and the Christmas stockings and hearts she makes from vintage blankets; the studio doubles as the guest bedroom the art table on wheels easily rolls away and a bed folds down for guests.
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(clockwise from top left) The main living area opens to the pool; the rug is from Nood and the side tables from Freedom. The blue abstract above the hall table is Muriwai by Maree Wilson. Justine in her studio. When it comes to colour, Justine and Jonathan are both drawn to a base of black and white with pops of turquoise: In every home we have owned, we have started with the walls and ceilings in white; here we used Resene Black White, which lets our artworks speak for themselves. OPPOSITE Justines circular pieces hang on the living room wall; above them is a large antique oar that was found on the shore near Jonathans familys bach in Whanarua Bay, East Cape.
ight-time visitors to Justine and Jonathan Hawksworths Mt Eden home are welcomed by a glowing glass box that juts from its dark cedar cladding. Its the first outward sign of the collaboration between Jonathan, an architect, and Justine, an artist. The glass stairwell is Jonathans favourite feature and its etched with Justines art (see it on page 38 and 41). Jonathan came home one evening and said, I need an image tonight, says Justine the glass panels were about to be manufactured. So I had to design something on the spot. It was a bit stressful when I had to commit pen to paper. I had a real phew moment when they went in and looked good. The volcanic cone design Justine chose for the glass panels had particular significance as the view of iconic Auckland mountains was one of the sites key attractions. Although just finding a flat, empty section in the middle of built-up Mt Eden amounted to a coup in itself. >
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It was opportune spotting on Justines part, says Jonathan. The couple had been vaguely thinking of building as they were outgrowing their first home, a tower Jonathan had squeezed onto a 270sqm site. Hed made the most of a really small site but with two children [daughters Allie, now 13, and Pip, nine], it was getting a bit small for us, says Justine. She spied the rare plot of buildable land while out walking with the youngest of their two girls in a buggy. It was too good to pass up private, close to good schools and next door to a park, with views of Mt Eden, One Tree Hill and Big King (the remaining Three Kings cone). The site was pretty small, at just 500sqm, and covered by a huge pile of soil and rock left over from the development of the surrounding sections about 10 years before, meaning we had to clear truckloads of stuff before we could even begin, says Justine. The only positive was that the pile was so high we could climb up and see what the view would be like from the second floor before we began building. > 36 NZ H&G
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People often say that contemporary architecture is cold and sterile. This house shows it can be far from that
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THIS PAGE In the hallway on the first floor is a collection of artist Su McPhersons peg dolls: I have been collecting them for about 15 years; they are beautiful on their own but make a great installation as a group, says Justine. OPPOSITE (clockwise from top left) Justine with her daughter Pip, right, and her friend Maddy; the polished concrete floors are easy to maintain, as well as retaining heat from the all-day sun; the formica laminate kitchen cabinetry in Dune is a contemporary nod to the laid-back bach style that inspires the couple. The dining room has doors on two sides, meaning that whatever the wind direction they can still open the room to the outdoors; the table is from Danske Mobler. The seven round works are Bach Essentials by Justine; by the stairs is Precious Vessel by Penny Stotter. The art in the upstairs living room is by Allie and Pip.
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The master bedroom has views to the Waitakeres; Heaphy Track Nikau by Tony Ogle hangs above the chair, which is from Forma in Parnell. OPPOSITE (clockwise from top left) The glazed stairwell glows like a welcoming lantern at night; the graphics on the windows depict the surrounding volcanic cones and were designed by Justine. All the walls were painted white, then Allie and Pip picked an accent colour for their wardrobe doors, which flowed through to the rest of their rooms; Allie chose hot pink and Pip turquoise. Justine says shes not a fan of tiles and chose vinyl flooring for the upstairs bathroom as its easy to clean and quiet; the bathroom laundry chute is in the bottom drawer at left Justine says the girls tend to throw everything down, clean or dirty: Sometimes I just fold it up and put it back in their drawers. Allies room. Allie made The Owl and the Pussycat set out of felt.
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Jonathan, of Aucklands Black Box Architects, says it took a while to work out exactly how the house would sit on the section. He wanted to make the most of the sun and ensure that the outdoor area and pool connected well with the home. He was responsible for the main design of the house and its exterior appearance, but the couple collaborated on the interior. We do have a very similar aesthetic and tended to agree on most things, as we had the same overall vision, says Justine. We both find it easy to work out solutions through drawing so that was often the problem-solving tool that saved us. Justine had just two non-negotiable items on her list no fussy curtains, only blinds, and plenty of wall space for hanging art. I rotate artworks a lot and love having to take everything down for an exhibition, as it means you can start afresh after it. Previously an art teacher, Justine now divides her time between painting and looking after Allie and Pip.
I love working from home. My studio is actually a spare bedroom with a foldaway bed. When it is set up as a studio, it is quiet and sunny and I have a lovely view of the tui in the flax bushes outside. My work is inspired by the Kiwi bach, the beach and the sea. Its predominantly acrylic and pencil on recycled marine charts and maps, and aims to evoke thoughts of holidays and places visited, treasures collected and memories made. Justine uses vintage blankets to make a range of hearts, Christmas stockings and birds. Im not very good at sitting still so if Im with the family in front of the TV I have to stitch. Justine has also collaborated on The Bach Book, a journal designed to record family times. Theres one at Jonathans family bach at Whanarua Bay on the East Cape, a no-frills zone with no cellphone coverage, where the family escape to enjoy the bush, the birds and the beach. >
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THIS PAGE (clockwise from top left) Pip and her friend Maddy by the pool; the house is clad in rough-sawn, dark-stained cedar and ply painted in Resene Tiri. Justine with Pip and Maddy on the outdoor sofa, which came from Dawsons Furniture. The glazed stairwell juts from the cedar cladding: Its a real feature, especially at night when it glows from inside, and the graphics designed by Justine that depict the three local mountains make it truly unique, says Jonathan. Jonathan and Justine Hawksworth; their front door is painted in Resene Kitsch. OPPOSITE On the first-floor windows, vertical aluminium louvres facing west provide privacy and sun protection; on the north side horizontal battens perform the same role.
Ideally theyd live beside the sea all the time, says Justine, but the pool is the next best thing. Heating it means the girls and their friends swim for five months of the year. Jonathan admits that having a heated pool and underfloor heating may not get the energy-efficiency tick, but other design elements are eco-friendly. The homes concrete floor stores the suns heat and keeps the house toasty at night and theres a heat pump hot water system and a 5000-litre Tanksalot water tank, which runs the toilets, laundry and outdoor taps (its flat, vertical design means it also acts as a dividing wall). When we get our Watercare analysis we come in at the high end of a one-person household, which is not bad for a family of four with a pool. 40 NZ H&G
Everyone is happy with the way the homes turned out. Its nice, as an architect, to be able to live in a home youve designed and to analyse what works and what doesnt, says Jonathan. The girls think its cool to live in a house their dad had such a massive input into, says Justine. With two living areas, they also like having their own messy space. The whole house really works. I use it frequently as an exhibition space or showroom and it is a great home for entertaining. People often say that contemporary architecture is cold and sterile. This house shows it can be far from that. I feel very proud of Jonathans design when people visit and love our home. See Justines work at justinehawksworth.weebly.com.
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www.plumbingworld.co.nz
Q&A
Practical ideas about our homes design that really worked: Theres a laundry chute in the upstairs bathroom that goes straight down to the laundry. And in the kitchen theres a shelving nook that is the zone for all the car keys, pens and hair ties that get left on the bench. (Justine) One piece of advice Id give other homeowners: Dont be scared to put a nail or pin in to hang an artwork lifes too short to stress about holes in the wall. (Justine) If theres one thing we could do differently: It would be to do the complete build in one go. We left out a few items and completed them later, which was a hassle. (Jonathan) One design technique that really worked for us: Using overheight doors adds a feeling of space. (Jonathan) Best decorating tip: Dont get too hung up on paint colours you can always change them at a later date. (Justine) Best seat in the house: The outdoor couch under the brolly. (Justine) Justine and Jonathan Hawksworth
DuraStyle designed by Matteo Thun. Its simplicity of form makes DuraStyle so unique; a narrow, elegant ceramic edge on the basins, negative detailing on the toilet cisterns and super-at toilet seats dene the range. Now available from Plumbing World.
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ANTENNA
In this issue were celebrating Mothers Day and theres nothing that warms a mothers heart more than a beautifully decorated nursery. Goat, goose and donkey prints, in various sizes from about $12 (excluding frames), all by Berkley Illustration on esty.com; all other props stylists own. The model is Lily Carter.
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News
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Tree of life
In-the-know nursery decorators steer clear of cutesy wallpapers that a child will soon outgrow. This hand-drawn tree design ticks all the boxes as far as were concerned. Its 230cm high; $243.10 (plus $20 postage) from thewallstickercompany.com.au.
Velvet revolution
Looking to create the feel of a formal salon? Start with a striking piece of furniture in this case a chrome-framed deco-inspired armchair in Zinc Textiles Lulu Jewel jacquard velvet, from James Dunlop. Part of the Glamorama collection, the fabric combines the power of deeply saturated hue and the graphic interest of pattern (a hint of scintillating fish scales perhaps or a scalloped tidescape at dusk?) with the textural thrill of velvet, spray-dyed to create subtle movement. 44 NZ H&G
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A MOTHERS (ART)WORK
While Hayley Pearce of The Art Room (theartroom.co.nz) screenprints her popular pillowcase sets in the basement studio of her Auckland home, her daughters Sylvie, four, and Zoe, nearly two, hang out with her, drawing pictures and playing make-believe games with Hayleys ink bottles. What are the pros and cons of running a business from home? The same thing most mums would tell you the juggle of trying to fit everything in, trying to be a good mum and a good businesswoman at the same time, working at the kitchen table while the girls are having lunch, doing deliveries while they have their sleep in the car. I often work late at night because, to keep the quality high, I do all the printing myself and make
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up to 300 pillowcases a week. The positive is that the kids are always with me, so I can run my business and still be there for them. Your best Mothers Day present idea? My mum says the nicest thing I ever gave her was a personalised stationery set, with her name on it, that I designed on the computer and printed. Shes always writing letters so she really loved it. Whats special about Mothers Day for you? My husband David gets the girls to make cards and pick flowers. Ive saved all the cards theyve made me so far. What do you really want for Mothers Day? A lie-in please and then a cup of coffee brought to me in bed. But not before 9am!
NEWS
3 DREAM DATES
HIGH TEA AT THE SAVOY
What better way to celebrate Mothers Day than with a very proper high tea at The Savoy (well, the Dunedin iteration)? How about if we add celebrity chef Julie Le Clerc? Join the award-winning author of 14 cookbooks in an indulgent afternoon as she chats with local food guru Judith Cullen as part of the Dunedin Writers and Readers Festival. 11 May, 2pm, $39, The Savoy, 50 Princes St, Dunedin; dunedinwritersfestival.co.nz
TOUGH TOPPER
Staying at her South of France holiday home, Linda Webster of Greytown noticed all her Gallic neighbours used oilcloth on their tables, inside and out. Back home, she launched La Cuisine from her Greytown woolshed, selling the durable fabric in a range of cheery colours and patterns. Its the most practical tablecloth ever, says Linda: You never need to wash it just a quick wipe-down and youre done. Its water-resistant and can be left outside, needs no hemming and the fabric is so hard-wearing it just never gives up. Visit lacuisine.co.nz.
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The motherboard
This warmly nostalgic hottie cover is made of vintage blankets by Elizabeth Berge, whose venture began when she was given a stack of blankets that had belonged to her greatgrandfather. If youve got a stash of old woollen blankets, you could have a go at making your own, or buy one for $42 from zippitydoodah.felt.co.nz.
These oversized organisers are a stylish way to keep tabs on various family members comings and goings throughout the week; chartnoticeboards.co.nz.
FUROSHIKI
The Japanese have used these pretty fabric squares for centuries. Now the furoshiki is being hailed as the ultimate ecofriendly way to wrap and carry just about anything. You can buy furoshiki cloths from etsy.com or make your own and google to find instructions to wrap a bottle, a bento box or to tie your furoshiki to make a reusable shopping bag.
INSIDERS STORIES
Clever idea for a book this Ellie Tennant whipped around the world visiting the homes of 12 interior design bloggers. Their homes are full of quirky, covetable ideas theyve picked up during their international online snooping. It includes the homes of super-popular bloggers like Victoria Smith of SF Girl by Bay fame and Joy Cho of Oh Joy! (thats her living room above), as well as other style mavens, including Karine Kong (NZ House & Garden, July 2013). The interiors are varied from cool Scandi to rustic cottage but friendly and approachable, with lashings of colour and playful originality. Our verdict: a great Mothers Day gift. (For more Mothers Day gift books see page 158.) Design Bloggers at Home, by Ellie Tennant, photographs by Rachel Whiting $49.99, publishers Ryland, Peters & Small, distributed in NZ by Bookreps. 46 NZ H&G
Canine chic
Visit chinchillapetwear.com for stylish ceramic pet bowls like these just the thing for fashionforward pooches, $49.
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s Fisher & Paykels resident laundry expert, Anna Duncan understands that taking care of your clothes can sometimes be a challenge. Like many New Zealanders, she dislikes ironing, so she washes on Fisher & Paykels Easy Iron cycle. As soon as the cycle has nished, she pops the clothes on a hanger and leaves them somewhere warm to dry. In winter, she takes a different approach. Getting clothes dry in the depths of winter can be a challenge especially when you consider that all clothes benet from being dried as quickly as possible. If its a particularly wet week, its better to use your dryer than let your wet clothes grow mouldy. Getting your clothes dry starts with the wash, says Anna select a fast spin for maximum moisture removal, before placing your clothes in Fisher & Paykels new AeroXLTM dryer. The AeroXLTM drains and collects the moisture into its tank, meaning the dryer does not need to be vented to the outside. It also comes with a drying rack and an internal light ensures youll never lose a sock again.
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MOTHER LODE
Our picks of the prettiest Mothers Day gifts
STYLING CLAUDIA KOZUB / PHOTOGRAPHS BELINDA MERRIE
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1 Adorn hurricane lantern $29.95 from Freedom, freedomfurniture.co.nz. 2 Im Gorgeous bag $138 from Allium, alliuminteriors.co.nz. 3 Etosha Wonki Ware bowls $31.50 each from Indie Home Collective, (09) 524 6971. 4 Linen scarf from Indie Home Collective. 5 Ecoya Lotus Flower candle $24.95 from Freedom. 6 Essense Pear & Ginger soap $19.95 from Isabel Harris, isabelharris.co.nz. 7 Love, Bake, Nourish by Amber Rose $45 from Indie Home Collective. 8 Diagonal pattern mugs $3.95 each from Freedom. 9 Essense Pear & Ginger liquid soap $39.95 from Isabel Harris. 10 Kas LuLu cushion $69 from Allium. 11 Necklace $32 from Redcurrent, redcurrent.co.nz. 12 Leather notebook $16.50 from Redcurrent.
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PATIENCE
Time spent away from your favourite toy can seem endless. Thats why we created SmartDrive technology, a clever way to get a wash down to just 15 minutes. Sadly thats still about a week in dog minutes.
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ALL LACED UP
This loose country-style arrangement uses a collection of vintage cream bottles tied together with pretty lace. Wed advise creating it where it will sit this is not an easy posy to move. A casual mix of flowers in white and different shades of pink works well; for a picked-from-the-garden look we chose hydrangeas, lisianthus, tweedia and stock. The bottles should be similar heights, but they dont need to be identical a little variation will add rustic charm. White Cluny lace $6/m from Spotlight, spotlight.co.nz; bottles stylists own.
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AGE DEFY
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A quick dip in a paint pot is all thats needed to create a personalised Mothers Day gift
STYLING CLAUDIA KOZUB / PHOTOGRAPH BELINDA MERRIE
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STIRRING STUFF
Useful, pretty and inexpensive to create an achievable gift for children to make. Choose paint that matches an accent colour in your kitchen and pour it into a narrow bottle (to keep paint wastage to a minimum). Dip the wooden spoons, let the excess drip off and hang up to dry (with the painted end down). Wooden spoon set $2 from Bits n Bobs, (09) 846 8949; paint colours Resene Gelato (pink) and Jet Stream; other items stylists own.
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SUNRISE SURPRISE
A fresh, super-easy breakfast on a tray to start Mums special day in style
WORDS & STYLING BERNADETTE HOGG PHOTOGRAPH MANJA WACHSMUTH
Begin with a simple seasonal fruit salad accompanied by good-quality orange juice, served in a vintage bottle. Transform a classic croissant into something special by drizzling it with icing made by combining sifted icing sugar with lemon juice, then scatter it lightly with toasted sliced almonds. Serve with a curl of butter and strawberry jam.
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COOKIE LOVE
A heartfelt gift for a much-loved mum or grandma served up in a sweet little box
WORDS & STYLING BERNADETTE HOGG PHOTOGRAPH MANJA WACHSMUTH
Its easy to personalise a store-bought box or decorate one youve made yourself youll find instructions on the internet for making boxes. Then just use a craft knife to cut a peephole shape in the lid (we used a cookie cutter as a guide) and glue cellophane to the underside using a glue stick. When filling with cookies, line the box to prevent grease marks showing through. Youll find our delicious Mothers Day Shortbread recipe at nzhouseandgarden.co.nz.
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FLOWERS
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Fairytale o wers
Overflowing vases, floral garlands and wands imbue celebrations with a sense of magic
PHOTOGRAPHS CATHERINE GRATWICKE
Florist Vic Brotherson (the photographs on these pages came from her new book Vintage Wedding Flowers) suggests displaying overblown roses in cast-iron pots and glass vases of varying heights; this will achieve a more whimsical, romantic look than a single, towering centrepiece. Buying your roses at least three days before you need to use them will ensure they are fully open. And dont limit yourself to the table: experiment with clusters of flowers fixed to the backs of chairs.
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Buttonholes and corsages traditionally worn at weddings and balls can provide inspiration for small arrangements in pretty glass vessels. These quietly sophisticated buttonholes are composed of fritillaria, hellebore, clematis, astrantia, rosebuds and clematis and tied with a dark ribbon so as to blend into an elegantly tailored gentlemans suit. >
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A grand arrangement needs plenty of breathing space to show it off, so position your masterpiece where it can be enjoyed but not where it will be difficult to pass or block the view. This bountiful arrangement of peony, lilac, clematis, foxglove and sorbus echoes the proportions of the curvy urn below. When selecting a vessel, think about how it can give your flowers more impact the bright turquoise colour adds an element of playfulness to the traditional urn form.
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FLOWERS
Flower garlands are no longer just for little girls theyve become a fashion favourite of late, seen gracing heads at a variety of events, parties, music festivals even worn in lieu of a traditional hat at the races. If youd like to make your own, choose flowers that will complement your hair and dress colour. Roses, hellebore and wax flowers have been used here, but a combination of lavender, cornflowers and flowering grass or a circlet of gypsophila might work for a less formal event. Combine with feathers or ribbons to add interest. >
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FLOWERS
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Dramatic arrangements work well in classic settings the decorative detail on this vintage cast-iron window box echoes the detail on the mantelpiece and the whole arrangement is neatly framed by the wall moulding. Depending on the season (and your budget) you could opt for all blossoms or just greenery; its the height that provides the drama. BELOW Planning a wedding? A floral wand might prove a better option for mischievous flower girls than a posy; they are wired and sturdy, which makes them easier for small hands to grasp.
Extracted with permission from Vintage Wedding Flowers by Vic Brotherson, with photography by Catherine Gratwicke. Published by Kyle Books and distributed in New Zealand by New Holland, $59.99.
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BEAUTY EXTRA
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WORDS & STYLING TRACEY STRANGE WAT TS
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An eyrie atop an art-filled hotel is home base for a Wellington couples whirlwind lifestyle
WORDS SUE HOFFART / PHOTOGRAPHS PAUL M C CREDIE
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THESE PAGES In the living room of Chris and Kathy Parkins downtown Wellington apartment, Kathy sits beside a Paul Dibble sculpture she bought for Chris; embossed black wallpaper provides a backdrop for some of Chris favourite artworks, including a baby painting by David Le Fleming, which slides to cover the entrance to Chris downstairs office; to its left hang works by Peter Stichbury and Beverly Rhodes; the sofa was in the apartment when Chris bought it but he had it re-covered in keeping with his black and white Coco Chanel theme.
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f theres a downside to living atop your own hotel, Chris Parkin cant imagine what it might be. The apartment he shares with his wife Kathy spans two floors and both sides of his Museum Art Hotel in downtown Wellington. Which means no lawns to mow or gutters to clean on weekends and, he gleefully explains, an endless supply of clean white towels in the bathroom as well as housekeeping staff to make the bed each day. The resident duo have no commuting or parking issues and, if no one wants to cook, a fine dining restaurant is several hallways away. Whats more, there is plenty of space 164 guest rooms for friends to stay. It really is like having a big country house in a way, says the hotelier of his unusually expansive home. Except its not in the country. It certainly isnt. One side of the Parkin apartment overlooks Te Papa museum and the harbour, with ferries circling in the distance and the farmers market across the road at weekends. In the opposite direction, Mount Victoria and the bright lights of Courtenay Place are a few minutes walk away. And work is literally on the doorstep. Kathy is general manager of the hotel that Chris bought, then audaciously moved along the street, 20 years ago. The property investor and developer-turned-hotelier saved the original, five-storey part of the hotel from demolition (its site was required for the building of Te Papa) before shifting it 120m on railway tracks. >
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Most weekdays, Chris and Kathy meet on the kitchen stools for an antipasto-style lunch; its also the first place Kathy heads to after work: Its beautiful in the evening with the lights of the city; the wooden finish on the island support is zebrano. OPPOSITE (from top) In the living room, twin Egg chairs overlook Chaffers Marina and the harbour. Chris and Kathy Parkin: Yes, says Kathy, Chris does make me laugh a lot.
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Its wonderful. You just take the elevator to work. There are always things happening. I really love it
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An Eames lounge chair and footstool sit at the end of the dining room, alongside city views. OPPOSITE (clockwise from top) The Baltic pine dining table came from Greytown and had to be craned in through the ninth-floor dining room window; it seats 22 people Were cosy, not squashed on chairs from Ashton Grove; the floral artwork behind them is by Dean Proudfoot. A friend gave Chris the miniature motorbike, which sits in front of a sculpture by Paul Dibble. Chris bought Kathy this Ralph Hotere painting, from his Window in Spain series; the wooden tui sculpture came from Avid Gallery. Twin Chinese dogs sit atop a red Chinese cabinet beneath the breakfast bar; in the background Geoff Dixons painting is a splash of bright colour.
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Kathy didnt know Chris then but joined crowds that lined the streets to watch a 3500-tonne moving spectacle. Her father, a Taranaki farmer, visited Wellington specifically to see the building make its two-day journey from Cable Street to Tory Street. In 2000, Kathy started work inside the hotel after Chris headhunted her from her business manager role at Downstage Theatre. Now she lives on the eighth and ninth floors with Chris and his ever-expanding, ever-changing array of original art. The collection sprawls through the couples apartment, along hotel corridors, inside the restaurant and throughout the lobby into a purpose-built gallery. They tend to stay in the apartment till I get sick of them, says the man who is always looking for his next venture.
Hes a former city councillor, an arts patron and a funder of projects such as the clown doctor scheme, which helps hospitalised Wellington children. Hes contemplating building a new five-star hotel in the city and almost relishes the prospect of planning consent battles for the envisaged tall, thin tower, at least 17 or 18 storeys very much a design hotel concept. Something you can go ooh and ahh about. His newest art endeavour is the national drawing competition that hes created, bankrolled and, he says, rather grandiosely dubbed the Parkin Prize. Chris gets bored easily, says Kathy. Which is why its great to be always doing things. Basically we go out just about every night and eat quite late. >
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The Friday NZ House & Garden visits, the couple have lastminute plans to fly to Queenstown and surprise a friend on his birthday. The previous Monday, the pair attended a party at Circa Theatre, took in a show on Wednesday and, on Thursday, strolled across the road to a gallery opening. The week before, they were in Sydney staying in a hotel with a bidet toilet system they are keen to install, inspired largely by its cosy heated seat. Towards the end of last year, they spent a month zigzagging the globe on round-the-world tickets won at a charity auction. Whenever theyre on the move, Kathy works, on planes or from other peoples hotel rooms, and can tap into their own hotels reservation system and even its security cameras by remote. At home, they remain close to the action. Its wonderful, says Kathy of living on the job. You just take the elevator to work. There are always things happening. I really love it. Once a month (if they are home) the pair host a Monday movie night for 20 friends. Theres a strict format homecooked pasta and red wine served at 7pm, a movie of Chris choosing at 8pm and always an intermission for one of Kathys home-made fruit pies, served with strawberry ice cream. Chris says his homes interior was inspired by a movie featuring the love affair between fashion designer Coco Chanel and composer Igor Stravinsky. A lot of the movie is taken up in various apartments for some reason I was really taken with the decor. Black and white, tans and gold, he says of the shiny black lacquer doors and sumptuous, tobacco-hued carpet selected for his own abode. Chris credits his parents, who emigrated from England, with introducing him to the arts, though he didnt much appreciate classical music or ballet during his boyhood in Otaki. He only saw later that their creative appreciation had rubbed off on him. I realised when I started doing up my first flats in my student days that I had a real interest in the way things looked. I can visualise how things will look. And, if he does need to complete a project, nothing much can stop the man who moved a hotel. It turns out, you can do anything when you set your mind to it.
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(from top) Before the addition of the powder room, designed by Chris, guests had to use one of four en suite bathrooms (including one for Chris office). In the master bedroom, the four porcelain sheep in rugby jerseys were made by artist Gregor Kregar, as part of his World Cup series. A recently purchased Melissa Sharplin painting overlooks the entrance to the bedroom area, with its Japanese panelled doors. OPPOSITE A gilt-framed mirror reflects one of the two guest bedrooms and its cityscape views.
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LOVED HERE.
Q&A
I became a hotelier: By accident. I was at a cocktail party one night, talking to the Secretary of Internal Affairs, whose department had acquired this newly built hotel on the future site of Te Papa. It was empty and I said I could open it and run it better than they could. It was very successful, so I was quite disappointed, three years later, when we got the notice to demolish it so they could start building Te Papa. My neighbour suggested we move it and we did. (Chris) My favourite furnishings are: The Egg chairs in the living area. We chose those chairs together and thats our favourite breakfast spot, where we sit together and look at the waterfront and talk about the day ahead. (Kathy) After the hotel, our next favourite place is: Our family beach house at Raumati. We have penguins living beneath the house. They make a hell of a racket sometimes, like noisy hotel guests. Its the closest we come to living in a regular house. (Chris) I get a kick out of: Being an arts patron. Sometimes its quite small things, such as funding an individual doing a film course in New York or providing temporary accommodation for an artist. Sometimes its bigger things, like the Parkin Drawing Prize. Partly its egotistical, I suppose should I say mostly? Everyone likes to feel somebody is paying them attention. (Chris) Chris and Kathy Parkin
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SIGNATURE
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In Giselle and Matthew Reids Hawkes Bay home, the kitchen is the social hub; in this photograph its been styled by NZ House & Gardens art director Richard Brunton for the Mothers Day cover shoot and photographed by Belinda Merrie; the bevelled subway tiles are from Heritage Tiles and the Perrin & Rowe Ionian kitchen tap is from In Residence in Auckland.
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IT TAKES A VILLAGE
This young family exchanged the village of Ponsonby in Auckland for the village of Havelock North and never left their comfort zone
WORDS VIVIENNE HALDANE / PHOTOGRAPHS JANE USSHER
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THIS PAGE A wall was removed to create a light-filled living area; Arteks Golden Bell pendant lights hang above a 200-year-old French antique oak table from John Stephens Antiques and Modernica fibreglass DSW dining chairs from Homage, both in Auckland: We loved all the chair colours, says Giselle, so we decided to mix and match them. OPPOSITE (clockwise from top left) Allegra perches on a Tripp Trapp chair; the wall colour is Resene Karen Walker Wan White. Giselle and Allegra; the leadlight window is original. In the foreground of this view from the formal lounge to the living room is a cushion from Pony Rider and a tripod floor lamp from Homage.
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GISELLE AND ALLEGRAS PORTRAIT BELINDA MERRIE
oving away from Auckland was a big decision for Giselle and Matthew Reid, but theyre comfortable with it. They have merely, they say, swapped one village for another: the village of Ponsonby in Auckland for the village of Havelock North in Hawkes Bay. The couple have a welcome sense of familiarity when they venture out with their daughters, Allegra, six, and Florence, three, for their Saturday morning coffee (fluffies for the girls) or to meet friends or go to the library. When we moved here in 2010, it was all about creating our ideal family life and a perfect home for our girls, says Giselle as two ballerinas pirouette and prance in the background. Allegra (in champagne-coloured tutu and parasol) chatters 19 to the dozen as Florence, in quick succession, exchanges a pink tutu for a polka dot bikini and then a one-piece swimming costume. The decision to relocate to their 1930s home was made easier by the fact that Matthews parents had moved to the Napier suburb of Westshore in 2007. We loved visiting them so much, we knew this was where we wanted to be, says Giselle. Holidays gave the family a chance to get the feel of the Bay and to decide where to live. They chose Havelock North early on. Giselle, a graphic designer who has worked in the publishing industry, is a lover of art deco style from the 1920s and 30s and had her heart set on a character home, as did Matthew. You tend to think of Havelock North as being leafy and green with lots of old homes on full sites, close to town, he says, but, in fact, they have become as scarce as hens teeth. >
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Floor to ceiling bookshelves in the formal lounge cater for this family of booklovers; an 1870 Louis Philippe mirror from John Stephens Antiques was a wedding present from Giselles parents and the floral cushion is made from vintage Sanderson fabric handed down by Giselles great-aunt; the walls are in Resene Karen Walker Pristine Lavender. OPPOSITE (clockwise from top left) The painting of irises in the formal lounge is by Belgian artist Gaston de Vel, who came to New Zealand to live in the 1960s. The formal lounge is the place we gravitate to when we have visitors, says Giselle; the deep rusty-red leather sofa is an old favourite. Florence and Allegra.
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The house they bought in 2012 a bungalow on a slightly elevated, private section within walking distance of the village satisfied most of their wish list. Well-known Hawkes Bay architect Eric Phillips designed it for a family who wanted to relocate from Napier following the earthquake in 1931. The bones of this house are immaculate, says Matthew. There was no expense spared when it was originally built from matai timber. The major change has been the removal of the 30-year-old extensions and the addition of quality ones. Adds Giselle: Having bought a house like this we werent going to compromise. We wanted to stay true to its era and retain lovely details such as the cornicing on the ceilings, but we wanted a modern take on it. To organise her vision she filled notebooks with ideas clipped from piles of magazines and trawled through online Pinterest boards. Among her best finds were the perfect antique bronze sconces seven in all located in New York, shipped over by Giselle and now in place in the master bedroom and living rooms: Feature lighting is just as important as artwork. Having totally lived and breathed this project for more than a year, Giselle thinks her attention to detail has paid off. Fortunately, she and Matthew are on the same wavelength when it comes to what they like. Local architect Simon Clarkson designed the kitchen and scullery extension, plus the master en suite extension. A wall was removed between the old kitchen and lounge to create an openplan living space and a second bathroom built. >
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THIS PAGE The Dotty Yellow tree pattern wallpaper in Florences room came from The Paper Room; Giselle made the lookalike dolls for Florence and Allegra. OPPOSITE (clockwise from top left) Florence and Allegra in Allegras bedroom; the pink rug is by Haba and the floral curtains came from the Interior Design Group in Havelock North. In the master bedroom, the Deco Diamond wallpaper harks back to art deco days; the 1930s ceiling light came from Giselles parents former home and the bronze antique wall sconces from New York; the gold curtain fabric is from the Interior Design Group. It is lovely to have a door from our bedroom onto the patio, says Giselle. In the master en suite a custom-made medicine cabinet hangs above a Perrin & Rowe pedestal basin from In Residence, who also supplied all the tapware.
Giselle likes to quote a couple of nuggets of advice from British designer and television presenter Kevin McCloud, in his book Principles of Home: Spend money on the things you touch every day and Dont spend money on a flashy oven. We took notice of the first piece of advice, she says, and installed Perrin & Rowe tapware throughout the house we had it in our previous house and nothing compares to it but ignored the second. And so a handsome Falcon double oven with separate grill takes pride of place in their kitchen. We basically designed the kitchen around it. We both enjoy cooking, says Matthew. Matthew, who also makes great coffee, carefully measured up the new kitchen to find enough space for a coffee machine and grinder that had originally been consigned to the scullery. 80 NZ H&G
Although the living areas have restful colour palettes and here Giselle bounced ideas off Havelock North interior designer Wendy Giltrap the bedrooms are quite another matter. In the master bedroom, a deco-inspired triangle pattern in green, black and off-white makes a strong statement of intent. Its offset by a plain white dado panel, polished wood floors and soft gold drapes but, even so, Matthew admits that, it took me a while to buy into the wallpaper its bold and very different. I think with your own private space you can be a bit brave, says Giselle, who likes the fact that the finished result is neither masculine nor feminine in style. When decorating the girls bedrooms, she kept their personal tastes and personalities in mind. >
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A 90s carport addition was removed to let in more light and restore authenticity at the entranceway; time-worn bricks and coat hooks add character. Matthew and Giselle with Allegra and Florence.
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Home improvement that caused the most debate: Removing the perfectly good carpet throughout the house to polish the wooden floors, especially in the bedrooms. The original matai floors were just too good to leave covered up. With radiators and underfloor insulation, wooden floors are lovely practical for family living and a real feature. (Giselle) The kitchen appliance I couldnt live without: Is our Thermomix its like having another pair of hands in the kitchen. It literally revolutionises the way you cook and eat, and makes cooking healthy food from scratch so quick and easy. (Giselle) A quote I often use is: Enjoy the little things in life, for one day youll look back and realise they were big things. (Giselle) Favourite household chore: Making the beds. I always do this as early as possible to get maximum enjoyment of the rooms each day. Outer order contributes to inner calm. (Giselle) Favourite season in Hawkes Bay: Fig season. Te Mata figs are a weekly purchase from the farmers market when we can get them. Theyre delicious grilled with a sprinkle of sugar and served with Arataki honey and mascarpone. The autumn colours in Havelock North are beautiful. (Both) Favourite local restaurant: Pipi. The food is divine, the atmosphere relaxed and family-friendly and the decor is very pink the girls idea of heaven. (Both) Giselle and Matthew Reid
Florence is my little vintage girl she has lots of belongings in her room that I had when I was little while Allegra is arty and loves flowers and pretty things. Asked about her favourite part of her room, Allegra nominates the bunk beds: I like to bounce on the top and I can have my friends to stay for sleepovers. Matthew, an accountant, has a short commute to work past the orchards and on Sundays, the Hastings Farmers Market is their religion. Its where we do our weekly shop for fresh produce, says Giselle. Already lots of stallholders know us by name and we often run into people we know. We usually meet family there then head to Opera Kitchen in Hastings and gather around one of their big tables for a catch-up. Now that Giselles parents have moved from Hamilton and live only two streets away, the Reids feel their family circle is complete. And thats exactly what they envisaged when they made their village exchange. 82 NZ H&G
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Amber and John Hamilton wanted to create an enchanting and inviting entrance to their double-bay villa; plantings of buxus, lavender and Iceberg roses lead to the house; John laid the path using Vietnamese terracotta tiles with Italian hand-painted inserts. OPPOSITE Vintage wicker armchairs and a French Country mirror make the glassed-in front verandah a charming spot.
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SPECIAL EFFECTS
This Christchurch couple believe that, when doing up a house, its that little bit of extra effort that makes it outstanding
WORDS SUE ALLISON / PHOTOGRAPHS JANE USSHER
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mber hamilton claims to be a magpie. If thats true, she is a most discerning bird with an eye for the opulent. I admire minimalism but its just not me, she says, standing under an enormous crystal chandelier in the hallway of her Christchurch home. Amber, an interior designer, and husband John, a registered master builder, are birds of a feather and their villa in Opawa is a trove of things they love. They also love houses, especially houses with character, and have done up a phenomenal 55 to sell or rent since 2002. But this venerable villa is home, and always has been, to John and Amber and their three sons, Luke, 11, Marcus, 10, and Bede, seven. Youve got to have your oasis to come home to, says Amber, who won the NZ House & Garden 2013 Interior of the Year bedroom category. This house is quite glamorous, but its homely and comfortable as well. >
THIS PAGE (clockwise from top left) Pineapple lamps and a chandelier
light the hall, which has Ambers trademark dark ceiling. From left, John, Bede, Luke, Amber and Marcus Hamilton, with Emma, a rescued dog who picked the right home. Faux fur throws and a Natuzzi patchwork cowhide rug give the formal lounge a touch of exotic comfort. OPPOSITE Amber loved the rich ochre Ralph Lauren wallpaper in the formal lounge so much that she imported the same in red for the hall; she bought the antique Chinese cupboard after a good day at the Motukarara races.
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I love mixing checks, stripes and florals, says Amber of the kitchen and family room furnishings; John built the kitchen island using old floorboards with marine lacquer on the top. OPPOSITE (clockwise from top left) The dining table, which belonged to Johns father, came from an old monastery and extends to seat 12. The kitchen area flows through to the hall and formal lounge. Uplights and skylights provide an effective mix of artificial and natural lighting. A pair of harlequin-patterned lamps flank a resin oryx on the teak sideboard.
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The 1907 double-bay villa had only had a handful of owners when the Hamiltons bought it in 2000. Tucked into a bend of the Heathcote River south-east of the city centre, Opawa is a friendly, leafy suburb with established houses one of the oldest areas in Christchurch. It was the site of an early Maori outpost, Opawaho, and later settled by Europeans transporting goods up the river. For the Hamiltons, houses are about history and people. Soon after they moved in, a car pulled up while they were gardening. The visitor had been born in the house and still had a scar on his thigh where he had pulled a hot coal out of the fireplace as a toddler. It was his father, a railway engineer, who had closed in the outside verandah so he could sleep there after late shifts without disturbing his family. These are the stories Amber loves to hear. People have been born here, died here; there have been birthdays and Christmases. Its a house full of memories and family times. There wont be any more fire-related scars in the house. The internal chimneys were removed after the Christchurch earthquakes, although the Hamiltons, who did the repairs themselves, left the wrought-iron tiled fireplaces to keep the integrity of the house. >
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Of all the things Amber has picked up over the years and she bought her first antique chest aged 22 and her first house a few years later undoubtedly the most valuable was husband John. It was, literally, in a bar. Amber, who trained as an artist, had designed a top for the New Zealand freestyle ski team. So when she spotted an unlikely bloke propping up a bar wearing her shirt, she went over to challenge him. I thought he must have flogged it off someones clothesline, she says with a laugh. It turned out he was one of the ski circuit judges. We chatted for a bit and I thought, What a lovely guy. In John, she had found a soul mate and handy accomplice. He had spent the 1980s ski guiding in Colorado before taking a builders apprenticeship in Los Angeles. His penchant for Californian bungalows and New England colonial architecture transferred happily to Christchurchs wooden villas and Heathcote Helmore houses when he returned home. He now owns a building business specialising in character homes and renovations. Amber and John agree on almost everything. Everything, that is, except the matter of colour in the garden. Johnny likes colour, says Amber. I like white and green. We have to compromise. Amber has planted Iceberg roses, white daphne, hellebores, white tulips and dogs tooth violets. John has added splashes of colour with yellow Freesia roses and pink peonies. Amber has no such reservations about interior colour. The rooms exude rich reds, earthy ochres and golds. Several ceilings are near-black and the one in the family room is deep red. >
THIS PAGE (clockwise from top left) Amber has given the mantelpiece in the master bedroom a romantic look using glass and crystal. Johns cowboy boots, which sit in the dressing room, were brought home from the Calgary stampede. A French Country vanity fitted perfectly into the downstairs bathroom. Check curtains and a Halo antler light give the Xbox room a country lodge feel. OPPOSITE An ottoman (best invention ever, says Amber) sits at the end of the bed; the painting on the easel is by local artist Denise Hunter.
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This house is quite glamorous, but its homely and comfortable as well
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Most rooms have original mouldings and ceiling roses, and the light fittings are lavish. I always think lighting absolutely makes or breaks a house, says Amber. It creates the ambience. Small is okay in bedrooms but otherwise it has to be a statement. I tell my clients, Go big or go home! The sumptuous surroundings certainly meet with the approval of Lord Carson of Cholmondeley, the familys beloved walrus-whiskered Persian cat. The sitting room, with its fur cushions and luxurious furnishings, is one of his preferred resting places. I know its a bit Kardashian, says Amber, but I love all the trims and layer upon layer of textures. The spare room, which doubles as the boys Xbox room, has a striking Halo light fitting made of interwoven deer antlers. >
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(clockwise from top left) Recycled teak was used for the bench seating and table in the backyard. Lord Carson of Cholmondeley surveys his realm; topiaried bay trees and a low buxus hedge line the side fence. Lord C relaxes on the lawn in front of the outdoor seating area with its cabana house, spa and salt-water pool. OPPOSITE In the cabana house, which John built, Ambers love of the lavish is seen in the shag pile jute rug; the CC Interiors sofa with allweather upholstery and Robert Mark mirror add to the sense of summer luxury.
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THIS PAGE (from top) The front lawn looks out to a tree-lined street in the leafy neighbourhood. The house is painted in Resene Tapa and all the ornamentation is original; Amber says the tall French lavender along the path adds a touch of Provence and exudes an intoxicating fragrance as visitors brush past: But they do have to look out for bees.
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Favourite power tool: Johnny. He can fix anything! (Amber) Best money ever spent: Extending the house in 2006 to include a new kitchen and living area. (Both) Best advice ever received: Work hard! Play hard! ( John) At the moment I am enjoying eating: Buffalo mozzarella from Mercato in Fitzgerald Ave. (Amber) And trying out different craft beers. My favourite is Moa. (John) Best moments in the garden: Picking fresh herbs from the potager and serving them straight to the table. (Amber) A quote that I often use is: From Oscar Wilde. We are all in the gutter but some of us are looking at the stars. (Amber) I love this part of New Zealand because: We are just a few minutes from the beach and a little over an hour from Mt Hutt skifield. (Amber) Happiest day in this house: There were three: bringing our newborn baby boys home from hospital. (John) Favourite local restaurant: Baretta on St Asaph Street. (Both) But the Bunrunners cafe on Fitzgerald Ave has the best coffee and pies. (John) Favourite local shopping area: A wonderful little mall in Woolston called The Tannery. (Amber) Most important thing to us: Family and friends. (Both) Amber and John Hamilton
Another beast is on the floor in the form of a Natuzzi cow rug. Persian carpets line the polished wooden hall floor. Opulent country lodge, says Amber. Thats probably how I would describe it. But I love an eclectic mix of old and new. Whether in their own house or the ones they do up, Amber says they go by the principle that, If you are going to do something, its only a little bit more effort to make it special. Its a philosophy they extend to life in general: If you are nice and kind and polite, and go the extra mile, you can get anything you want in life. 94 NZ H&G
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THESE PAGES Beyond a rustic gate made from totara palings that once graced the Warkworth A&P grounds, clipped hedges of Lonicera nitida lead down to an Italian olive urn in Penny and Rowan Wiggins Warkworth, Auckland garden; Penny favours lonicera because it grows much faster than box, though it does need more manicuring; Malus Profusion crab apples feature in each oval created by the hedge and rengarenga, daylilies and scabiosa provide colour in the foreground.
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hen you garden for a living, what happens when you retire? Especially when your workplace for the past 15 years has been arguably the finest garden in the country. In the case of Penny and Rowan Wiggins, you leave Ayrlies behind and create your own brand new garden. Just six years after buying their 0.8ha plot carved from a subdivided farm near Warkworth, they have created a garden thats the stuff of dreams. Its so dreamy, in fact, that the NZ Gardens Trust recently assessed it as a Garden of National Significance, despite its newness. Think romantic, fragrant, old-style roses, beautifully colour-matched masses of them, rubbing shoulders with spiky foxgloves, spreading climbers and knee-high pillows of perennials. They have about 200 roses and, if Penny had the room, Id have all David Austins roses. Each plant has been carefully chosen with the colour wheel in mind and must be worthy of its place. And youll look in vain for a weed. Penny takes pride in keeping on top of the blighters weeding, she says, is her favourite job. >
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(clockwise from top left) The white roses are Margaret Merril and Winchester Cathedral, with foxgloves in the background; an umbrella-shaped albizia tree is one of several in the garden. The path is planted with Euphorbia polychroma (foreground), arctotis and gazania. Penny and Rowan Wiggins with Labradors Lily and Jessie. OPPOSITE Mutabilis shrub roses flank the path Penny notes that this rose can also be grown as a climber; the pink cranesbill geraniums are spread by division.
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The Paddocks, as the garden is known, has the feel of a longestablished English garden until you spot the olive grove (they produce their own oil) beyond the stand of native trees. Other pointers to its place in the Pacific are two ancient kauri trees. I feel so sorry for them, says Penny. Once all this land was covered with kauri. At least theyve got each other for company. And lets not forget the vege garden, a model of perfection enclosed by a hedge of Beatsons Brown coprosma. The garden yields so much produce they are always giving it away, as well as winning prizes at local events for their top-notch veges. You cant appreciate The Paddocks without knowing a bit of the back story. Hampshire-born Penny learned to love gardening thanks to a green-fingered father who let her have her own plot. The family also had an absolute scream of a gardener confusingly named Joyce. He used to set me to work so I didnt annoy him so much, recalls Penny. The family moved to this country when Penny was 10 and during her adult years shes had three award-winning gardens of her own, all of which were must-see destinations during the Trinity Garden Festival, when that prestigious event raised funds for the Auckland Anglican cathedral. But the best day of her life, says Penny, came when Bev McConnell took her on to do a bit of part-time weeding at Ayrlies, her internationally celebrated country garden in Whitford: I was absolutely thrilled. > 100 NZ H&G
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THIS PAGE Rowan is adept at building steps: He takes great care to make sure their depth and width are just right, says Penny; here, his steps lead to the vegetable garden, bordered by Coprosma Beatsons Brown; one of Pennys favourite roses, Abraham Darby, grows at the bottom of the steps. OPPOSITE (from top) The Little Burger pittosporum has been clipped by Penny into shapes that resemble cob loaves: They look great in winter when theres not much else around. Penny dead-heading Eglantyne, one of her many David Austin roses.
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THIS PAGE The albizia comes into leaf in early spring; the topiary shapes are Teucrium fruticans; Penny was given a hard time about clipping the pittosporums along the fence line into different shapes, but now Rowan is doing it at work so it must be okay. OPPOSITE (clockwise from top left) The front garden, full of colourful roses and perennials, is contained by an elegant teucrium hedge for just a hint of formality. The path along the back of the house; a Radermachera sinica (China doll) grows outside Penny and Rowans bedroom: You can cut it down to the ground and it will grow back again, says Penny. Penny at work in the vegetable garden.
Pennys job gradually expanded to include catering and showing the garden to busloads of tourists. When I heard her laughter wafting up from the lower garden I knew everyone was having a good time, wrote Bev in her book Ayrlies: My Story, My Garden. She was brave in expounding her theory that women had more patience and smaller boots than men and were therefore better at weeding. One chap who did not take offence was new recruit Rowan. In fact, love bloomed and they got married, their romance nurtured by a love of hard work and gardening excellence. These days the couple live at The Paddocks with biddable black Labs Jessie and Lily, and Sebastian, a Tonkinese cat. Penny gardens here full-time while Rowan works at a private garden nearby. Even though they worked together as pals for years before they became an item, surely two pros in the know might have artistic differences in their own shared project? Perish the thought. We work so well together, says Penny. They split their tasks: shes on weeding, planting, sowing seeds and running a small on-site nursery; hes on propagating, 102 NZ H&G
pruning, hard landscaping, lawns, hedges and buildings (tool sheds etc). Rowans favourite plants are hemerocallis (daylilies), cranesbill geraniums and the grassy chondropetalum and lomandra. His favourite trees are liquidambar for their autumn colour, taxodiums (swamp cypress) and Prunus Mark Jury. Rowan has a wonderful eye, says his wife. And hes so fastidious that he makes the bigger picture look well finished. They hadnt planned to open to the public when they started here, but I got calls from garden friends curious to see what we were doing, says Penny. One thing led to another and people now come in busloads from near and far. UK gardening doyenne Rosemary Alexander popped by the other day and admired her healthy roses. I was so honoured, says Penny. She was surprised and delighted to have their work recognised as a Garden of National Significance. Maybe we are getting better as we go, she says. Gardening is a lot of hard work but we do it for the passion of it all. Practical Penny leaves us with this thought: Keep on top of weeds. Catching one weed saves a million weeds.
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Climate: Frosts in winter to minus 4C. But we also get typical Auckland summer temperatures in the late 20s. Soil: Good sound soil. Hours per week in the garden: Every day except in heavy rain. Watering: No elaborate watering system. I use a hand-held hose when things start to look limp in summer. Most significant plant: Im most excited about the flowering magnolias. We have 12, mostly from the Jury Garden [jury.co.nz]. Favourite plant: Roses and clematis. Most-used tool: Felco secateurs. You can replace all the parts, which is great because I wear down the blades. Best edible crop: Black from Tula, a Russian heirloom tomato that looks like a contorted, ugly Beefsteak. Best tip for other gardeners: Keep on top of things, a little and often. Just plug away. Do you propagate any of your own plants? Yes, from cuttings and seeds and root cuttings. Do you open your garden to the public? By appointment. For details, see the NZ Gardens Trust website, gardens.org.nz. Penny Wiggins
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Noble and David Kirkpatricks Mt Eden property, koru-style patterns created from mondo grass and ground stone signal the multicultural inspiration behind the gardens design. OPPOSITE Sara planted the urns with fuchsias to add a touch of whimsy and soften the more formal front garden; she spotted the pew outside a nearby second-hand shop: Its a great place to sit, put on shoes or rest the shopping while locating house keys.
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FUSION FORMULA
A blend of Pacific, Asian and European influences animates an Auckland garden designed with fun in mind
WORDS KAREN BURGE / PHOTOGRAPHS JANE USSHER
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ara noble always coveted a villa in the Auckland inner-city suburb of Mt Eden, but not the picket fence, box hedging and standard roses that often seem to go hand in hand with such houses. Its not that Sara doesnt like formality in fact, shes studied the garden design of ancient Chinese, Indian, European and Islamic cultures its just that she wanted something that better represented her life in multicultural New Zealand. And so her century-old double-brick Federation-style family home one of a group of houses known as the Seven Sisters is reached through a traditional front gate that leads straight into a piece of living sculpture. The usual lawn and garden beds have been replaced with koru-style patterns inspired by the Jacobean filigree and fretwork on the house and formed with mondo grass and paths of ground stone. Sara commissioned the curved metal edging that maintains the pattern the effect is striking. People will read it as being Maori or Pacific and Im happy with that. For me, the inspiration came from grand French gardens where you have gravel paths through box hedge. But it doesnt have to be acres of palatial gardens; you can have a pretty little front yard that does the trick. And, as Sara says, how formal can a garden feel when it has a grove of nikau leading to the front door? Ive always loved the nikau and pretty much from the beginning I knew there would be nikau as my grove. I love the trunks and I love the form. >
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THIS PAGE The lime grove provides a restful outlook from the lower level of the house. OPPOSITE (clockwise from top left) Glassed arches at the side of the pool terrace replicate arches at the front of the house. A black metal staircase linking the pool deck with the lower garden is intended to invoke the feeling of descending to a New York subterranean apartment; all the iron work was done by Pausma Wrought Iron in Onehunga. Many of the plants are natives: Im not slavish to it but I like to keep the plants more or less appropriate to their habitat, with some wild exceptions, says Sara, pictured bottom left.
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THIS PAGE Sugar cane palms (Dypsis baronii ), Chinese toons and birds of paradise beside the pool, which is surrounded by Indian sandstone. OPPOSITE (clockwise from top left) Sara loves the abrupt change in texture from the grass to the river stones at the base of the waterfall and around the lower garden. The red Buddha has previously been painted in both blue and gold. A view from the bottom garden. Julia, right, and her friend Erica rest in the pool at the top of the waterfall; in the background is the rendered wall Sara asked the plasterers to finish roughly she then layered on four different shades of yellow paint to create the patina she wanted.
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The front garden may be a creative triumph, but its also an exercise in restraint at least in terms of planting using just mondo grass, nikau palms and two fuchsias in urns. The planting needs to be simple because it is all about the pattern. Colour is really important but pattern and texture are number one for me. Its the crashing of the very formal against the very informal and the blending of those. Function was also carefully considered, so the curvy paths had to be just wide enough for the rubbish bins, which go on a meandering journey down to the kerb (though, says Sara, If youre in a hurry you can just rip them straight over the top). The mondo grass is given a quick trim with the weedeater once a year but the look is otherwise maintenance-free. At the front of the house where Sara lives with husband David Kirkpatrick and children Izzie, 21, Francis, 18, and Julia, 12, the Portuguese tessellated verandah tiles are the focus and one of Saras favourite features. I had chosen a colour scheme of white, yellow, brown and black on the basis that one day I would find the right tiles. Its just lucky that I did, she says with a laugh. Thought also went into how to link the front garden with the back. When installing the pool, the council required the removal of the old concrete path to reduce the amount of impermeable paving, which sent Sara off on a path research quest. The pavers of the new path, seen on page 110, are actually pieces of imprinted tarmac from a road in Indonesia and are spaced with two old Indonesian millstones and little pieces of bluestone rock Sara recycled when her neighbours were taking down an old wall. Its been in four years but it looks very established. To some extent Ive faked it by creating what looks like an old country path. We have put in a little grove with Japanese maples [flanking the new path] and in winter, before they go into leaf, the trunks and branches are a fabulous bright red. Ive been bossy with them and made them into an arch. >
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After 20 years in residence, Sara and David have things pretty much as they want them but Sara initially rejected the house on a drive-by inspection. It was painted an 80s terracotta pink. At the real estate agents insistence she went inside. I got to the front room and thought, This is it. I loved the big old windows the ornate plaster ceiling and cornices. Three waves of renovation followed, with the garden being the last and perhaps most pleasurable for Sara. She says working with garden designer Robin Shafer, construction company Second Nature and Frontier Pools was a dream experience, with creative ideas flowing between them. Sara has long been immersed in creative worlds, through her former role at Whitecliffe College of Art and Design and now her university studies in design technologies. She has lived in China and Singapore, is a Treaty of Waitangi freak and has worked as campaign coordinator for the Green Party in Epsom. The different styles shes encountered have influenced her home and garden. In the back garden, with its distinctive yellow concrete pool and waterfall, she has taken features from the front of the house, such as the fretwork and arches, and reinterpreted them, including iron-work fences that she designed herself. The pool area flows out to a chequer-board paved area with topiary citrus trees. Ive domesticated something quite grand, says Sara. This is a little folly version of a French garden and its pretty as pretty can be. The bonus is that we get lots and lots of limes, so I can make lime curd and Thai curries. Saras love of the quirky also shows up strongly in the planting, with birds of paradise (Strelitzia reginae) and Chinese toons (Toona sinensis) beside the pool for a Dr Seuss effect. A red Buddha sculpture under the cabbage trees is surrounded by vibrant nasturtiums, bright red hibiscus and spiky oioi. The garden goes from quite formal at the front to less formal as you flow to the back and its quite whimsical in places, says Sara. We dont do serious its too dreary. Life should be fun.
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(from top) Clematis Silver Moon climbs up the wall. Izzie, 21, with Mimble, who was adopted after being found in the middle of a busy four-lane Auckland road; a few edibles are planted alongside the path: Just some lettuce, herbs and a few berries. Sara recently made new covers for the chairs using Warwick Kona outdoor fabric; the pot holds a bromeliad (Aechmea fasciata). OPPOSITE A view of the back of the house, which has been added to and renovated by Sara and David over 20 years.
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My approach to design: I want my environment to be joyful, even cheeky. Snobbery is the enemy of creativity. Garden strong point: It has good bones. The house has a real formality about it that I wanted to continue. So the spaces in the garden are a bit like rooms, with strong formal geometries, like the rows of nikau at the entrance or the chequer-board citrus. But within that formality there is playfulness. Starting a garden: I think the trick is to look and look and look. I looked at lots of magazines and I ripped out things I liked and collected them and stuck them on lots of bits of cardboard. By that stage themes are percolating through. Trickiest moment in the design process: Getting the new garden walls to look established. I told the plasterers to stop before they thought they were finished. I think they thought I was mad. I used a base coat of brick terracotta paint and the top four rough coats of different yellows. In places I took to it with a scraper and in other places added some filler. I hope it looks like its been there forever. My design philosophy: I see us as really strongly part of the Asia Pacific basin. I like the idea that we can all learn from each other, that we can be different but together. So the Asian and Pacific influences are strong. The greatest compliment for me during last years Garden DesignFest was when a young Chinese woman said, My mum thought the owner must be Chinese. Sara Noble
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THE
FENCING
If youre new to living on a lifestyle block, you might not realise that a couple of broken fence battens is all your livestock need to escape and run amok. Thats why, as the leading rural insurer, weve teamed up with lifestyle block experts and put together a handy owners manual for your property. Its full of practical advice to help make your life in the country a little easier. For your free FMG Lifestyle Block Owners Manual visit fmg.co.nz or call 0800 366 466.
FMG0444
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When I moved in here I knew I couldnt cope with the navy blue and scarlet bedroom walls so, with the help of a nephew, I painted the room. I didnt count the number of times I scaled the ladder with the roller of white paint, but my legs counted each ascent silently on that first day, shrieking with pain on the second. On the third day I took them to an osteopath and couldnt walk for the rest of the week. So I hired a painter. He painted well and cheerfully, and drank eight cups of takeaway coffee a day. But not all tradespeople have been so effective. Some were just careless. The builder backed his ute over a row of hedging guavas. Another builder dropped a wrench on the new floorboards and gouged a hole. A plumber installed a new hot water cylinder and taps and when I turned the kitchen tap on the plumber was well on his way down the motorway by then water spurted out from under the sink and flooded those new floorboards. The flood didnt stop until a friend miraculously appeared with a set of tools, and gumboots. Some tradespeople dont listen. The arborist was to give the massive virgilia a light haircut for the summer. Instead, in the time it took me to put on the washing and do the dishes, he had reduced the tree to leafless stumps. The electrician listened as carefully as a parrot when I described how he was to lengthen the cord drop over the dining room table. Easy job. When I returned home there was the light fitting, affixed directly to the (high) ceiling. But, on balance, Id still rather hire a tradesperson than do the job myself. And all over my suburb of old houses people have made the same trade-off. Tradesmens vans, their doors and tailgates open like wings, clutter the berms and driveways everywhere I walk. What would we do without them? I imagine you are more selfsufficient in the country.
A tradesman can take up to six months to fit you in out in the country so it helps to have a handyman on tap. Farmers are inventive characters and they can fix most things that break down appliances, lawnmowers, cars, broken windows and doors, leaky taps and blocked drains. In the country it is particularly important to be able to plumb leaks and unblock drains. Plumbers are as scarce as raindrops in a drought and, when they do arrive, their work can be of Fawlty quality, as you discovered. Our builder employed a lovely young chap called Quentin to do the plumbing in our new house. Alas poor Quentin was not given the floor plans and used his initiative to site the bathroom fittings. Our bathroom floors were left a mosaic of small holes after baths, vanities and basins were reinstated as the plans intended. Quentins major bungle, we suspect without reference to the plans, was the installation of the stove and wetback system. The smooth flow of water in a wetback system is determined by the angle of the pipes. Quentin did not get the angles right but we did not discover this until we lit our first fire, by which time Quentin was cycling in France. We moved into the house on a cold June day and the first thing we did was light the log-burner. As the water warmed in the wetback pipes, they began to crack and bang and, as the heat accelerated, so did the banging in the pipes. We grew used to our noisy pipes that first winter but visitors would jump with alarm and then this funny little dialogue would take place: What was that? Dont worry. Its just Quentin. Whos Quentin? Quentin was the plumber. Sadly he trapped himself in the pipes. We let Quentin out last summer and now the pipes are quiet. I rather miss him.
114 NZ H&G
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toda y
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