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Mediatheque
blurring Architecture, blurring boundaries
Toyo Ito's emphasis in designing architecture, to blur the boundary between architecture and urban space,
presented a simple solution and direction for the new mediatheque. The fundamental idea underlying the
design was the creation of public places and spaces that would be independent of specific functions to
accommodate the activities that are extremely complex. In essence, Ito liberated the discrepancies of the
various programmatic elements and proffered a new direction concomitant with the ideals of the media age.
Mediatheque is an example that has successfully achieved Ito's continuing emphasis to blur the boundary
between architecture and urban space. The struggle of maintaining the clarity of the diagram was to "blur" the
boundaries, not only in a physical sense, but also in a psychological sense.
Boundaries between
outside / inside
programmed space / open space
service users / service providers
space / people
are ambiguous and blurred.
1.0 TUBES
2.0 PLATES
3.0 SKIN
4.0 SEISMIC
1.0 TUBES
1.1 Concept | Development
The vertical load-bearing elements were initially conceived as trees made of thin metal mesh.
The intent of the meshes was to dissolve the traditional notions of a column and make it instead a space itself.
The meshes had to be transformed instead into bundles of thick steel tubes in order to satisfy the shear, seismic, lateral,
and gravity loads of the building structure. Within these structural parameters, though, the tree mesh concept largely
determined the final design of the bundles and tubes.
The engineer further varied bundle diameters and set the individual tube orientations at varying oblique angles within each
bundle to more closely achieve the flowing, free-form, asymmetric qualities that the architect envisioned.
2.0 PLATES
Conceptually, each floor of the Sendai Mediatheque
takes on a different character.
Recognizing the ever-increasing multi-tasking in todays
high-tech generation, Ito wanted to design a space that
can take on different activities and programs.
To further break the rigidity of highly specific functional
spaces, the space was defined by aggregation of
activities instead of designing the space according to the
specific programmatic function.
The spaces seek to transform themselves continuously
as the citizens of these neighborhoods appropriate the
space for their own activities.
Area 1
around the tubes
Area 1 requires load to be transmitted radially from the opening for the tubes. The web construction
around this area consists of steel beams, arranged triangularly, that transmit loads directly onto the Ibeam ring that is connected to the tubes.
Area 2
where tubes are
arranged in lines
Area 2 requires load to be transmitted in both directions equally to normalize the loads. The
structure here consists of beams that are arranged in square grid to spread out the loads onto Area
1.
Area 3
remaining floor plate
Area 3 occupies between Area 2s and the beams in this area are rectangularly organized to direct
the loads onto Area 2.
2.1
The faade/skin is treated as separate entity from the other structural components of Mediatheque.
Because of its transparent and immaterial quality, the skin does not distract visually from the tubes.
The uses of glass fins, steel point fixing and tension rods minimize the connection joints, which further
reinforces the faade as one continuous piece. The plenum in between further lends the Mediatheque a
quality of openness.
The double skin faade acts as both an acoustic barrier and a buffer zone against solar gain.
The discontinuous aluminum bands on the surface of the glass conceal the floor slabs behind. Again, reinforcing the
separation between the three elements.
3.4 Aesthetics
While the faade is physically the most outer layer, it is the most recessive visually. The real and virtual worlds all
melt into a seamless condition onto the skin/screen.
4.0 SEISMIC
In protecting occupants of the building, it is quite rarely the failure of structural systems, but rather the
nonstructural systems failures (such as non-load-bearing wall, breakage of glass window panes,
falling ceiling fixtures, and stuck-elevators) that have contributed the most to human fatality, injury,
discomfort, and to property damage. But we assume that in high seismic zones, such as in Japan,
these issues have already been confronted and solved.
Foundation detail
Perimeter Wall detail
The Mediatheque, then, also employs both a base isolation device at the basement level
and multiple dampening systems to include the perimeter wall to resist seismic forces in
a manner that begins to reinforce the conceptualization of a simple building of tubes,
plates and skin.
4.3 Conclusion
Although Ito maintains the simplicity of his design as that composed of three elements, an examination
of its seismic performance demonstrates how the tubular structure was differentiated into laterally and
vertically supporting tubes that could interact more efficiently with the diaphragm. In diagram, Ito
presents a rigid structure that can isolate itself from catastrophic ground movements and is mediated
by only four main tubular structures at the corner of the floor plates. The rest of the tubes are more
flexible in their lateral resistance and rather supports most of the vertical loads. Although the structure
isolates itself from ground movements and dampens vibrations that are created by earthquakes, one
would still be cautious of the use of glass structural members at the faade as a means to resist lateral
load. The glass members, although strong, are quite brittle. Hence, the use of gaskets and absorption
material is critical in the connections of the glass members.