sticks almost went into "stick like parts or legs" to accomodate guessing mind theory

almost censored blue black grey to accomodate guessing mind theory

I realize I censored the animals in the blowfish target to accomodate guessing mind
theory of Aztec pyramid
censored stone information the insidiousness at which the guesser theory mind works is
profound

9/22
womanly gummy trashy my little pony like things can translate instantly to fairy tale snow
globe paradiasical like setting - paradisiacal

Wisconsin dells space shuttle redux

9/8/14
fish in water --- was seduced by the luster of getting credit in being right -- into thinking
that I had received the same pair again for a W.E. session.
Session was significantly corrupted by me tending to idea of gray pyramid aztec
mexican structure --VALUE the outlier image -- that doesn't make sense to RESCUE YOU FROM THE
MOST POTENT CORRUPTER AND RUINER OF RV THERE IS THE GUESSER MIND
everything is a threshold .. literal is a threshold

every moment is absolutely unique, the position of body and cells once in a life time
always

8/14 Cowboy 2nd time around

Images themselves are so so immaterial and impertinent
the resulting message of your associations with the target are what is of
matter
your story lining of a target can override and become the palate for
expression of signal
you thought you had sleuthed it together at the end and put all your marbles
in the fighting forest fire scenario -- refrain from that source of data
immediate associations with image (data coming to you)
POST GOLD of lawn mower.. and army tower .. immediate associations

Event 1 Roses = On
Event 2 Green topiary = Displacement due to guessing storyline noise
through identifying and front loading - entire visceral feeling of target
conveyed in images overlooked (drowned out by guessing noise)
Event 3 Gorilla = On , but appearing not on because of unfamiliarity with
animals still
Event 4 Polar Bears = On, but appearing not on because of unfamiliarity
with animals still
Event 5 Water = Displacement believed from having feedback of "off"
essentially right away, but could've been On enough if I had not let ego
drown out the more subtle "gold" feelings of pastels and paradisical which I

could've picked up on and lead/centered my summary with

Event 6 Stars = This was the only frightening bad displacement -- photo not
instantly engaging and immersive to the mind
Event 7 Scale blue building = On -- but too much banking on
Event 8 1890s homestead = displacement with waterfall photo, but had on
elements early on - was thinking space travel, waterfall, or 1890s rural
structure,
Event 9 Wedding Dress lady = Displacement with fairy like light space
desktop, but also I was on some, the displacement blended with the
wedding dress lady

8/7
Trial

8/5 P7B Trial 8 23059650

certain ladder images felt the most gold about
should've thusly lead in session summary

Even with displacement go with initial impressions, data still is relevant, and
generally outweighs the "dis"
list associations, but with the caveat them up on your mind like you're
betting on red at the casino and going to win a fat check in terms of the
balance it will add to your RV creed.
That so seductively and without your awareness of what you're doing lends
to distorting your subconscious trying to come through, blocks it snuffs it
out

and your subconscious will try to impress stuff into you via the stuff your
theorizing

With this target couldn't sort out how I felt 1890s structure/rural, waterfall,
space travel at the same time
Displacement happened because not long after session saw a 1ARV page
with target feedback of a waterfall which mind went straight to.

7/29 blue ocean island

Go with what you're most confident about in session. NOT BASED ON
GIDDY HUNCHES. What feels gold through perspective of humbled
collude, sun coast, kaitlyn anne stewart measuring.
SO SUBTLE and precarious the slope into being seduced by thought.

Go into pre feedback feedback with very open and positive loving thoughts
and go into feedback with same thoughts.

You get confident .. and you edit your sessions, ego comes into
play, and something is absolutely demanded about having a
certain humility to your work. The noise of ego drowns out the
subtle feedback of subconscious.
Humble yourself before the data
I wonder if there is a component about confidence, arrogance which makes

you cut-off.. in addition to being prone to censoring data, cut off from signal
into your own world

7/25 Event 3 Gorilla

Emotional emotional emotional.
This is what the central thrust seems about.
Entire visceral feelings contained in images nonsensical in literal fashion

7/24 Event 2
Certain images have entire visceral feeling contained in the target.
Front loading taints the pallette of imagination through which sub can talk to
you

7/21 Event 1

7/20/14
Horse in waves with man
so much about what does visceral feeling mean to you Mark, what do
words mean to you

so much of primary what is being viewed as how you feel with a certain
target
RVing is knowing thy self, how does it make you Mark feel?
Suncoast
Jesse Owens
Collude
Kaitlyn Anne Stewart
Never underestimate the power of thinking mind to seduce you , this is
about surrender of that mind, like when recollecting sun coast or collude or
jesse owens
7/19 Texan
Another lesson in don't get into target feedback with a preconceived idea
about what the target is.. do not compare the feedback photo site to THAT,
compare it to your meagering of self before god transcript data.. not
completely understood feelings
Post Gold- something "constructed" didn't feel right, "achieved" did though,
same with mountain camp site felt "visit".
-building that looked 1800s in nature - deduced 1800s as being the related
target data

There's just such complete nonsense in terms of the images

you just need to go and focus primarily on what you feel.
Don't punt.. as with space shuttle and other sessions, that is put data that

you don't feel blank about

With the space shuttle session, which can happen at any time you NEED
TO CONSTANTLY BE ON GUARD ABOUT T/HAVING AN IDEA about
what the target is seducing you - that equals RV death.
7/11/14 dolphins ocean
almost nearly put as lead in "feels like visiting a haunted temple"
identifying too literally with images
one image towards the end which was a moment of GOLD was you
getting an image of a large empty temple like room.. alone in which..
and you correctly just taking away the strongest decoding visceral
feeling/sense being conveyed

7/9/14 space shuttle taxiing

like walking a balance beam
maintain personal detachment as if each ideogram you saw was your
first (HERE YOU WERE THINKING WISCONSIN DELLS WANTING TO
EVEN OUT THAT DOWN IN SUMMARY)
There were transportation elements that you almost unconsciously
ignored as the result of not remaining detachment. including moving
hangar (killer), a plan colliding on tracks (killer), a large scientific
hangar (killer).

SO WHAT CAUSED YOU to ignore them?

Not maintaining a level of detachment as if each ideogram I saw was
the first.
Weighting myself too much in sleuthing mind I had started to
solidify an idea based on collection of images on what target was,
which subbie became more constricted to communicate to me
through
Story-build, sleuth is the death of detachment ..you maintain a meditative
like balance in RV that thinking can easily knock you off of
AT one point you felt very on point about large and open space this
should've been corrective for the need for backing off theory mind.. and
viewing each image as if it was the first you've seen.
SAME problem happened in Outdoor playlet sleuthing (MAKING IT OUT
TO BE ABOUT ME SLEUTHING MIND, and NOT surrender to something
of higher purpose).. you thought about butterflies and bugs to the point of it
negatively affecting session
7/3/14 704686
Outdoor Playset
You almost went with "seeing the brilliant exotic genius of nature at work
(design artistry life of nature)" over "brings out the boy or childlike wonder in
me but seem like it could be eerie or weird or a bit too much for some"
The latter "brings out the boy in me'' was what was a sense that kept
gnawing at you

The former "seeing the brilliant exotic genius of nature at work (design
artistry life of nature)" was you creating a bit , was you being seduced by
thinking, seduced by identifying (based on an analytical counting
collection of images see), and a ramification of that
Same with the initial bug animal weird thing kind of inkling ideogram
conveying the playful kid like boy energy..you got seduced by ego mind
wanting to identify, and filtered
important to hold examples in your mind of being seduced to guard and
defend against that

It's all like a language like of charades or win lose or draw telling you a
feeling and feelings about a target
YOU GET SOME REAL ASS NONSENSE with some visual cues.. but you
keep going along gently feeling and prying and observing
The visuals and data are here nor there, ..don't like for a solid
grasping and certainty.. that's now what to do here.
it's the feeling that comes along with time
yes yes yes subconscious borrows from currently used
imagined/thought palette to convey and communicate to you.

7/2 Chair of Bull horns and hide

Not all images are created equal

some data is irrelevant

yes yes yes subconscious borrows from currently used
imagined/thought palette to convey and communicate to you.
YOU REGULARLY are drawing things that appear one way but are just
representations of things at the target unbeknownst to you.
You felt "rabid movement" instead of more sensical rapid, to a technical
looking image thing. Like rabid was more on point for some reason. This is
GOLD ask why in such times. Rabid obviously applies more to animals.
You felt the whole time a severity killing like blast and eeriness to the target
but impartial like you didn't mind being there, which was disorienting and
made you question yourself, but this was GOLD.

7/2 Quebecois treat

NEVER UNDERESTIMATE THE INCLINATION TO IDENTIFY, it's
seduces, and is seductive
You're trying to remember something! Keep it blank and open as that.
You're not trying to figure out and identify a physical place.
POST -give big creedence to the things that don't make sense . don't'
make sense TO what????
DO NOT view data collected later in a session through a filter of data you
collected early in the session

Don't pause or sleep mid session

SOME DATA IS SPURIOUS AND USELESS, some like the dessert treat
with repeating squares is so right on the money, have to sensitize
more to what that feels like
(Think of how when remembering people or places, your first 'taste' is
not the name but your feeling actually towards a person or place)

7/1/14 Tacoma Bridge collapse

Learn to trust what is subconsciously shown.
Good on me notes; about not feeling grid terms or statue face was
pertinent, nor chairs.
a reminder even when drawing things that look like something it could
just be mere representations of something you don't know

APP 6/25/14 Crop Circle

Joe mentioned how only 7 times in 40 years has he seen a target
you get representations of things
and you have to ask what feels right in your heart and mind.

Lady asked Joe how do you separate aol from psychic stuff, how do

you know not to put stuff down.

How do you stop guessing and psychic function.
And it occurred to me that is the threshold between remote viewing
and not.
You can just guess all you want any time of the day. If you want to
guess you can do that any time of day, what are you doing in a remote
viewing class?
That's the difference between remote viewing and not down to the
moment. Thought is so seductive, and happens so quickly without
even notice usually it can cause conflict and seduce, get you without
realizing.
Never underestimate the power of thought to seduce

IT'S SO SO SEDUCTIVE AND SO SO EASY TO NOT pay attention and le t

the guessing seduce you, to

Monkey in the bucket of water

6/24/14
I'm constantly amazed to knew levels about how little consciously is known
about the images received.
Even as you draw them.
lecture about not castle building without awareness that that's what you're

doing.
tend to initially pull from common scenery grammar.. imagination is the
grammar
You drew what was like the hoover dam with a crack of water.. but it
could've well just has been the monkey in the bucket.
You consciously size up so quickly what it is, without even realizing that
that's what you're doing. Realize this.
what is "impossibly" being shown is what is being conveyed. For example
saw twisting light swirling lights.
If I had did an inquiry on lights it didn't feel right.

6/15/14
kittywampus (crooked, misaligned) tomb stones, old graveyard
DISTRUST what you think!
You thought about sand desert egyptian tombs, or climbing some wall (it
was being conveyed to you : vertical flat sides of the tombs, ..learning the
language of your subconscious, learning the language of your
subconscious just because a word for example begins with ch doesn't
mean it's close to being thusly a chair it could be cheese)
DONT TAKE IMAGES LITERALLY
THIS IS ABOUT THE FEELS (old feels)

5/20/14
Underwater Artifacts
Displacement is a huge issue
displacement found correlating to woman at door (Paulie, Kerry's mom
talking to Kerry's dad), detail of specific color of her mug. Saw and let detail
about really striking charlotte kevin transformer pic
the foremost goal of remote viewing is to not be seduce by thought, how do
you do that? be happy for things that don't make sense. feel, feel, jot down
whatever subbie gives you, be a servant to it
Remove what you think, look at data
Remove what you think
5/3/14
C130 dropping flares
I edited the experience out of the experience, to a thinking theory of sydney
opera house based on triangles I saw, THINKING IS INSIDIOUS, be
humble, discount yourself and sense.
I've NEVER HAD A SESSION WHERE ALL IMAGES WERE
CONSISTENT OR IS WHAT I GUESSER MINDED. The stronger the
guesser mind in the session the worse the session REMEMBER THIS
Remove what you think, look at data

Remove what you think

4/22/14
98746632
Chernobyl at meltdown

Remove what you think, look at data

Remove what you think
What you feel is what counts, what you feel about being it
4/8/14 collapsed bridge due to earthquake
Again, saw how trying to deduce from symbols is not the way to go about
this.
an act of moving the attention dial
Outliers (as in outlier to what normally is said) after session might be
worthy data
3/24/14
5318 2501 idyllic hifalutin kind of yawn disneyish pastel scenery in europe
You need to filter out what you think it is and just look at the data.
The data arrives from elsewhere. Have a humility and reverence and
respect for that. it's somebody elses

3/9/14 39E4561

A complete lack of confidence has been a good thing going back to

other sessions
Learned the importance of only exposing myself to one image at feedback
time, and being focused in the actual experience of giving myself feedback.
I displaced clearly onto a Matisse front page piece I got in Star Trib free
paper thing in the mail.. and also conflated some isabel stuff in the
Facebook news feed, and was viewing a bad kind of mental headspace of
anxiety I had at target feedback revelation

2/28/14 6DC9 6126 conoco phillips boat looking for oil

Attention to impossibilities
a sense was had after of thinking there isn't enough data to decode
these symbols analytically.. instead just feel it out in the exact same
way you try to bring into consciousness a word or name forgotten..
the jotting of symbols ideas is more catharsis, clearing blockages, like
being the stenographer for a szchophrenic child
2/22/14 3336 2DD0 Asian acrobat kids cirque du soleil like posed on top of
each other bending very hard
Did it really feel church like? No instead a sense of boredom a
display, ornate event. REMEMBER SEEING GLASS BREAKING, was
conveying glass

You had an aversion to that word and renaissance there is perhaps

where feeling is
be suspect of data that all looks the same is cohesive to a place

you saw pink elements but got back to , took them too literally
it was symbolizing the feminine or female presence
you even saw one pink strange structure with some kind of japanese like
writing, but you filtered that out do to this ongoing dynamic of renaissance
church (god bless the saving graces of contrasts)
that rock structure person felt like a small girl hobbled over in pain (perhaps
uniformed or customer elaborately was conveyed)
the night court guy was a performer in stress
emotion conveyed by people seem trusthwory pretty clear in images,
likewise what you feel about a target seems pretty trustworthy

all in al the images are very rudimentary in what they are conveying
there seems to be a path of least resistance towards conveying images in
terms of big scenery images
like thats of least effort or power expended to convey to you
a lot of what is being conveyed in the imagery, but being taken for
granted as such, is the emotion that these images convey to you as a
person being there.

I saw churches perhaps because of the kind of boredom of being there

watching a kind of performance but yet being awed and intrigued by the
structures and design
the shinniness f the costumes had a weird way of trying to be conveyed
perhaps circle design conveying curvy design.. water maybe conveying
movin natural alive thing
THE CONTRASTES CAN RESCUE YOU FROM AN ANALYTICAL
DIRTTYING OF THE WELL PURVEYING YOUR SENSES IMAGES
Case in point being here the japanese writing on the pink structure thin
-how many past sessions have had information about kids??????? and kid
entertainers????????????? none hardly, and easily we can say this is the
session with the most such data. However this data was overlooked in
gestalt wrap-up.
You wrote about ornate and church yet these words didn't really articulate
what you

2/15 F0F2 A889 Man cleaning cooling mechanism on engine of USS

Reagan
Gestalt breakdown pre reviewal of Feedback data for very useful.

2/11 Fire Fighter

Write clearer
JUST TRUST in beginning
thankful for your god graces the contrastes
spend more time feeling
at end of session feel out strong gestalts
like subconscious is playing charades - is a language you're too dumb to
understand but much more efficient than words
2/7
large rocks coming out of ocean
I don't "feel" out the images enough.
You are a channel to the subconscious, or God. Subcconscious is trying to
channel messages to you.
the arch shape could represent hills mountain formations.
that dark black could be indicative of symbols at use
ridiculousness of images could be subconscious saying "yo dude don't
take this literal"
subconscious is playing charades with you

1/27/14
F103 333E (aerial photo of planes parked at canadian airport)
kept getting break away glass.. left me THINKING that was happening,
taking that literally but in hindsight looks like if I were more openminded that it was just glass being communicated to me or perhaps
the purpose of the site (wasn't impartial enough. As there is tons of glass
panels and solar panels in that photo.
I was getting ice a lot, perhaps the colors of the site.. but perhaps canada
and it's coolness was being represented to me. I realize that my conscious
mind without my realizing was creeping in and filtering out this viable detail
(conscious chokes subconscious). "Alright God, nice job, but I got it from
here.. (edging God out of life)"
if only someway to effectively photograph what is picked up in the mental
images. "images" made me realize, that even sounds and temperatures
feelings have to get communicated through them basically. that's foremost
what gets let in.
/I had piked up worker bee like activity traveling around in a circle and
curving paths a couple times

`
10/30/12
060906 burned through to 06092 in distress despair over how bad i did

10/17/12
south african large telescope
060830
when i tried to remember kaitlyn anne stewarts name, I got a pretty good
data piece of a white kind of technological monitoring space room. however
i doubted it and didnt record. success comes when you don't interpret. it is
filtering out of that part of mind that equates to doing this (RV).
dream stuff is crap
10/7/12
060823
Washington State Kite Festival
NEVER EVER THEORIZE in a session after a session for that matter. This
RV process is something of the antithesis, or absence of theorizing.
There's a gentleness to the data that comes in,
be a channel
you your thoughts are not mind, but a kind of noise which you embolden to
be more than that. terro ,

9/30/12
060809
Qingdao International Sailing Regatta

9/25/12

Target: 060802
The Taoli Dance Competition in Beijin
I seem to have difficulty with targets that primarily people based Taoli
Dance Competition, silhouettes of people before a fire, sailor kissing
woman in times square
Overlooked is how much just general feelings or sentiments you feel about
the target, are attempted to be conveyed through the imagery you see.
I reviewed how I did, and worked through the session too strictly in the
flawed noun sense, looking back I see how subtlly I said in both sessions
things like fairytale, idylic, out of a book
9/19/12
Atomic Annie test
Describe don't identify, saw numerous and felt that .. describers of brown
sand dirt hills and mountains, seeing long expanses of landscape
pertained.
last target (060712) an emotional feeling of scared, disturbed ran
through ..but you didn't describe.
trying to hard to lock down on a black and white target thing,

instead of embracing reality of grays and ambiguity

9/18/12
060712
Tacoma Bridge "Galloping Gertie"
had an image of a CFL bulb rising up to a bridge; data so perfect can come
like this, had no other data really suggesting a bridge so I looked it over
some. BUT don't give way to naming and guessing during session.. that is
just the analytical mind or the NAG, the namer and guess.. as said "One of
our primary mantras of CRV is "Describe, don't identify." The left side of the
brain is what we refer to as the "NAG" the Namer and Guesser. It is the
part of your brain that just has to know what everything is. That is what
allowed us to survive as a species!
-the most important aim in sessions is to learn how to hold ones mind right
for more consistent success.
long sessions, gives excuse to let focus wander and drift in similar patterns
to daydreaming and what you do before going to sleep. no, you are doing
something. focus, commit

One of our primary mantras of CRV is Describe, dont identify. The left
side of the brain is what we refer to as the NAG the Namer and
Guesser. It is the part of your brain that just has to know what everything
is. That is what allowed us to survive as a species!
However, when you are trying to remote view anything, it is the nouns that
will lead you off track much of the time
We dont discourage the use of nouns because they are always wrong. We
discourage them because any time a Viewer or a psychic uses a noun, they

stop viewing.
9/9/12
070110 arecibo telescopes
The moment you analyze or react to something you see, instantly you
create mental analytical noise which drowns out signal and disconnects you
from finer signal.
I saw an arecibo like pit at one point, however other images didn't reflect
that ,.. give equal standing to al images seen, don't go truth by numbers.
Your great session with the lighthouse moving, you extrapolated "things are
symbols or nothing at all"
9/8
qwpd men before fire
zilch
9/7/12
klbv
ayers rock
I got zip. Zilch.
8/28/12
Target AUHN Sails on beach
I should've gone a little longer
I clicked on it with my analytical theory of plant aboretum "avoid trying to
identify something or letting your imagination fill in the blanks"
I didnt follow that.
I didn't detach enough from having my attention selector on me, on my

analyzation , do not view your viewing in session as an extension of

yourself.. I turned focus onto me instead of like when seeing a tree and just
letting it be naked.
I started judging what could this be, and that slapped me over the head.
dead center to the whole challenge remote viewing is to distant ones mind
from doing that.
8/19/12
Giant Wind Turbines
Humility is so important
Give things equal weight to all data (Saiges tree lot target: which entailed
lots of old nostalgia wonder provoking imagery.. the emotion conveyed their
was likely the sentiment trying to be communicated, did have imagery of
trees)
the constituent part breakdown idea can undress some of the symbolism of
what you see it tied up in. (but only a small small small small dosing of this)
Kept seeing free standing roller coaster curve, large free standing structure
with motion or activation going on
attention selecting towards analysis part of brain can so quickly imbue
session with a layer of stuff the data attempts to come through, quickly
making accurate data hard to detect.
a better more valuable goal is to learn, to get some sort of insightful block
of learning gained to learn how to do this more consistent and better
8/19/12

Lightcraft technologies "riding into space on a beam of light"

I ended up viewing what was not on the initial feedback page, but imagery
primarily on the company's website page.. which was linked. That being the
litup concentric ring saucer kind of stuff.

I censored myself again. DO NOT CENSOR. DO NOT VIEW REMOTE

VIEWING, ANY PART OF IT, as an extension of yourself, you have to
kneel before something greater. You have to be a participant in natural
law.. not a separatist, self promotionist which is what you do with
THOUGHT, and thinking/analyzing
I saw elements of desert and odd sci fi space craft.. those elements I
censored from reporting.

8/13/12
060621
Moving a lighthouse
really firm distrust of anything you see works pretty good, maybe.
things are symbols or nothing at all usually

-----------------------------Write only the details; don't try to decide what the target is.
If you can identify the image, then it likely is not from remote viewing the

target. In remote viewing, you will see indistinct images, shapes, and
colors, but they will usually not look like something identifiable. Relax and
empty your mind if something clearly identifiable comes into it.
When you do receive remote viewing signals, avoid trying to identify
something or letting your imagination fill in the blanks to make something
identifiable out of the impressions you have. If you can identify it, then your
imagination has created it.
When the imagination puts an image into your window, quiet your mind and
empty your rice bowl. Make your window black.
Practice that for five minutes now. Relax, close your eyes, and empty your
mind. As imagined images come into your mind, quiet your mind and empty
the window so it is black.

7/27/12

I got to learn to not try to analytically put it together so much what a target
is, I contorted this to be something 80s entertainment like, but really that
(the 80s entertainment sentiment I was picking up on) was just I think to
evoke from me the emotional data of the target, and I took that out of
context .. that symbolism to evoke those feelings, TO BE basically what the
target was.
I saw images of trees within the body of the session. Don't make analysis.
Give things equal weight to all data.
7/19
U.S. soldiers helping afghan villagers with cattle

report everything you see, .. do NOTHING based on what simply appears

the most
be basically a conduit and write down what you feel, keep it open is what
I'm saying
break down things to their constituent parts
you had the feeling of in your mind druids or monks was right .. people in
robes, or wrapped up heads and all totally in clothes, would've been spot
on
you saw a little tractor next to like a couple things, this would've been good,
same with all the dusty rock desert senses
7/14
balto dog sled race
-don't deduce pieces of data based on what you can see the most of
in images you see.
deduce based on what you feel (THINK: like dahntay jones or
robinson cano, how data that is accurate "feels" like that)
with the balto dog sled race, you saw an ice cream cone floating in water..
and you saw other images of blue and coolness.
"cool" felt right to you but you didn't know how it applied, you ended up
writing down water and artificial tank, based on seeing water in an artificial
settings several times... though water didn't reall feel on target.
You have to remember i'ts basically impossible, and has been, to piece

together what a target is just off of these images. You haven't had a
successful session to date that worked like that. Think of it as like guesses
of names when trying to remember something on the tip of your mind
tongue.

7/3
dome of the rock
Breakdown your data
early stuff is often just bullshit
for all intents and purposes you never see things truly, but are just getting
general ideas of what's going on.. these general notions if taken litterally
will make you fail. symbols contain more meaning than words.
if you can look at your data that you've down and your breakdown, and look
at ..from a kind of 3rd party REMOVED and DETACHED perspective, as in
they are symbols.. symbols that often get taken too literally, I think you can
fair well to matching session data to a target.
pumpkin got brushed aside, but quite a great data loaded symbol
6/22
060524 Amundsen South Pole Station
Not all images you receive are valid
some seem to resonate something .. like group photo was something that

resonated strong, and convivial atmosphere. hold dear what resonates well
and hold that up.
Reign in being deterministic about what you are seeing.
Be very mindful of filtering out what seems to be conscious mind filling in
the gaps of various image nuggets.
-distill the essences of what is going on the images.
Like you had an image of business men dining together ..and the daylight
shining in, the essence here seemed to be a convivial meeting of sides and
parties during the day.it seemed international like.
And some images are just crap crap nothing. ..and adding to the difficulty
some will be contorted through the prism of your analytical searching for an
answer to what is the target? For how this feels think of trying to remember
the word recidivism.. or anything you can't quite remember you can search
in your mind analytically, stamping about for something like it until you
analytically can come up with it, or surrender the analytical style of thinking.
Don't trust the images and what your conscious mind can consciously
weave from them.
Trust your senses, your sensing.
Also with your feedback you ran into the problem of filtering a lot of raw
data out that would've been good, but was filtered out for the sake of
conscious theory.
like you saw a dome, with lots of stuff going on around it. you felt clean
crisp unpolluted air. the most clean you've ever experienced, that tidbit got

filtered out.

"Parade" DIDN'T FEEL right... THIS IS YOUR TENUOUS ANCHOR TO

THE SIGNAL/TARGET
Group photo did. convivial atmosphere did. try breaking down words and
ideas to the feel right. In the same way of how the oft forgot name Robinson
Cano feels right as oppose to Juan Uribe a name you were getting blocked
on thinking it might be his, but you knew didn't feel right.
----------6/19/12
images can send you on a wild goose chase, I don't know if they should be
used at all. Still clear crisp images are mistaken information according to
remote viewing teachers.
My experience is whatever you are thinking about can strongly influence
what these random images produced by the conscious mind are. For
example I was thinking about new york and girls at the beginning of one
session and so I started getting seemingly random images with those
things. I carried into this session perhaps baggage from doing poorly with
the last session and trying not to be too caught off guard, kind of like RPS
theory, and ended up thinking about far off temple indiana jones places too
much perhaps.
I built a narrative , and this is key with conscious
thinking/guessing/deducing during a session you build up a narrative and
then your conscious mind produces more random images like that.
Perhaps I was viewing that image (buchanan practice target) I saw 5
minutes later of women lined up on a dock with white bags of bananas on

their heads and men on boats in a river waiting to collect the bananas. That
was more visually striking, the space needle had one image, and I just
quickly went ah fuck! click*
Maybe remote viewing is largely time travel oriented, in that you are viewing
your target feedback.
There was the incidence of you seeing in a session an image of a flight of
the navigator type craft which was the same as an image of something you
downloaded via Prager very shortly following a session
6/17/12
art didn't feel right or quite on point to me all along, and this is key: if a word
doesn't feel right: that is your grip onto the signal. it's an easy thing to brush
over: don't, use it to your advantage.

This was a return back to much identical to the errors made in the garlic
remote viewing target Saige had.
you can run into the trap of trying to consciously deduce your target through
looking at your images. then what happens the images you receive are
colored by what you are consciously thinking about. images are like words
often, in that data is encoded in them.
in the rock climbing xtreme competitive sport fest session little if any time
was spent on consciously deducting what the target was through the
images. you did very much though note and record them. don't try to
conclude early on especially what a target is.
looking at past more successful sessions I overlooked this in this session:

surrender your conscious thinking and guessing

and just be surrendered to the subconscious
should be remote sensing not viewing
Let me say that again
should be remote sensing not viewing
6/9/12
CONSCIOUS THEORIZING , where you begin to form an idea of what it is
and keep adding adding adding to that idea, WILL FUCK FUCK YOU
OVER
keep in mind often landscape shots are just useless.
in general do not take images as literal
look for exaggerated impossible seeming elements in the images, this is
clue to what is being conveyed (this how with Saige's garlic hanging from
the wall, you saw images exaggeratedly white concrete, you thought
something to do with concrete.. eggh! wrong. what was being conveyed
was white white white and physical hardness)
REMOTE VIEWING DOESN'T HAPPEN QUICK
I saw where I went awry, my first little little thing was like of something of
soldiers running ... and then off my mind went with the theory of a battle.
I saw in my second image the whooshing sky (this was like an exaggerated
whirlpool sky, I should take that exaggeration as cue that the motion itself
likely was being conveyed) and I saw the sky from like a castle like tower

with exaggerated impossibly large jewels in the walls. Again I should've

taken this impossible exaggeration to imply more like artistic design, or just
for god's sake to not take it so literal.

5/23/12

-If you're in a bad head space, which I have fought through long ago to
success, you're consciously thinking too much, your conscious mind is
involved to much. Only conscious mind through it's judging can make you
feel separate, and so thusly down, only conscious mind and judging can
produce such negativity and pessimism and bad feeling, your job here is
just to record the data coming through and not think.
-So I just started again, recording diligently any image coming through
regardless of how vague it ended up being to the target. I started to just
view each image with an implicit trust. And then through that process I
slowly sensed out words and specifics I could gather about the target.

-It's important again, where a lot of difficulty error happens, is not to take
too much literal stock in the images you see.. you then formulate conscious
minded theories about what the target is, which drowns out the real nature
of the target, and you tend to edit info you record to fit your consciously
devised theory. And your job again is just to record data.
-Also, I realized with a sensing meditation of going from feet to legs to
hands to arms, etc to the whole body is sensed, it is better for me to frame
it as I would a prayer. In that viewing like each body part is a word in a
prayer.

-The repeated hill simplistic shape you saw in the form of windows on a
plane and various other images.. you didn't know what that shape was, but
then it came together at the end, what was being conveyed

It was a hard session, but I ended up doing very very well.

It was hard because I spent so much time in the beginning in negative funk,
not really trusting the images I was getting. I was thinking and worrying that
maybe somehow I'd lost how to do this. I spent an hour like that. I almost
stopped and just went with whatever little inkling I had at that point, though i
didn't feel like anything resonated that much.
Instead I got up out of bed, I do my RVing lying down in bed, and just kind
of readjusted.. thinking I'm starting over again and started again sitting up.
In past sessions where Ive done decent, I know I've done so much as gone
out of the room and ate stuff in the kitchen and came back. My point is that
you can get up and change your position, and this sometimes will help if
you're in a bad head space.
If you're in a bad head space, which I have fought through long ago to
success, you're thinking too much, your conscious mind is involved to
much. Only conscious mind can produce such negativity and pessimism
and downing, your job here is just to record the data coming through and
not think.
So I just started again, recording diligently any image coming through
regardless of how vague it ended up being to the target. I started to just
view each image with an implicit trust. And then through that process I
slowly sensed out words and specifics I could gather about the target.

It's important again, where a lot of difficulty error happens, is not to take too
much literal stock in the images you see.. you then formulate conscious
minded theories about what the target is, which drowns out the real nature
of the target, and you tend to edit info you record to fit your consciously
devised theory. And your job again is just to record data.
Also, I realized with a sensing meditation of going from feet to legs to hands
to arms, etc to the whole body is sensed, it is better for me to frame it as I
would a prayer. In that viewing like each body part is a word in a prayer. I'll
say an Our Father prayer during each RV session, I backed off sensing
meditation for most of the sessions with you. I find what happens with me,
is I end up consciously making too much conscious noise in judging how
well I'm sensing or focusing, anytime your judging your doing conscious
mind stuff.. and that judging often begets getting frustrated and negative.
Where as with like prayer I say the word and try to apply focus but if I lose
focus in going through the motions in saying the words I'm not berating
myself.
-----------------------------------------------------------------------5/21/12
Ideas of cracking something handheld sized and white to be cooked with..
and cooking with this target in a kitchen obviously are there. Also though
aside from what the woman's face was saying, I felt the target was
something that was boring to me, but I didn't put that down.
I felt at one point "crack an egg crack a tooth" was a phrase that resonated
with the target, but I censored that because it didn't make sense to my
conscious which was leaning towards the target being some physical
landmark with lots of concrete.

Also, the different images of concrete I saw.. it was such an exaggerated

white, I should've maybe took cue that concrete wasn't just simply being
conveyed... but more like hey jerk... look at all this white! white!! white!!
white hard surface. (in addition to the garlic the white wall it hangs against I
think factors in here)
My conscious mind got in during the session and disturbed the pure data. I
analytically decided it must be some outdoor place thing.. which lead to me
throwing away some data I mentioned, and not just correctly feeling the
concrete I saw as just communicating the idea of white hard surfaces.

-------------------------------------------------------------------------------5/8/12
It's interesting and worth pointing out how the images I saw were off, I think
in general images you see.. vast majority of the time are not literal
snapshots of the target, but contain data wrapped up in them to kind of
decode.
Like how I think I correctly (to an extent) decoded seeing those young
adults in costume.. one of which was a girl I know who is an actress.. to be
mainly a conveyance of young people playing or having a good time in a
public place. The scene looked like young adults participating in a
convention at a hotel, but from what I was sensing/feeling that was not
relevant to the target quite as such.
Even with the red box where I saw a girl similar to that one in the box, it was
not an image of that girl on the box .. it was more like a real woman, and
she was topless .. and like standing face to face with me, and had quite a
bit of accessories on, but not the same accessories as the girl pictured.

I think the images you see in a session are like language, written language,
like how the word dog written on a piece of paper does not look like a
dog ... a circle with a line coming up the right side of it, a space, a circle, a
space, then another circle with a line coming down on the right side of it
and then curving up and left , No, a dog doesn't look like that, but that
series of lines and circles and curves contains the idea of a pitbull.
And as such like that I think these images are like language which contain
ideas that describe the target.

I read the other day someone said that this is not remote viewing, this is
sensing, remote sensing. We should really think of it as such, I think that is
helpful. My learning and progress got derailed putting too much creedence
in these images I'd see, taking them at face value, and not sensing enough.
I didn't experience any kind of success I could feel tethered to, until I
started just going with words that seemed to resonate with the target (in so
sensing). This idea along with just the whole practice of RV just being about
just quieting your conscious mind and all of its theorizing and judgement, I
think are two big lessons I can impart towards success.

I'm guilty of letting my conscious filter out flirting with expressing the idea
sensed of amusement rides and roller coasters, I looked up in google
images after my session .. fort lauderdale, to see what the hell I was
sensing, I saw an image in the results of a roller coaster, and I thought
maybe but then it said it was 200 miles away .. and was like no on the
amusement park front.
The overlapping criss cross bars I described moving, looked just like what
you'd see making up an old wooden style roller coaster, it was all funny and

moving though (as to say not a literal image of a roller coaster, but it looked
just like that kind of framework and roller coaster was what I thought) , I
think the idea being conveyed was one of a ride.
I don't know how exactly the image of the shiny little bumpy rocks or fish I
saw fits in.. though I can say in hindsight those little kiddie rides to me
always are mighty mighty shiny and glossy (and kind of seeming maybe a
little unsanitary too). Though I wasn't sensing that whole glossy shiny thing
as being part of the target.
I can understand the hanging black plane thing dripping with oil in a mall
like setting, I sensed the idea of some kind of attraction was on offer
through, and again I can see in hindsight also the idea of something shiny,
and something stationary people could ride on conveyed through it.
The images I got of people, like on floors at a mall, also I had one of like a
sports stadium with people on it.. I also had one similar to like the las vegas
strip, these things were conveying the idea to me of an attraction,
spectacle, colorful manmade noise. It's what I sensed in them, which is why
I wrote the intro to my session that way,