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Science allows no
retreating in time, and insists on contemplating the consequences of
actions. In our time the utopian impulse has been largely replaced by
dystopian projections of disastrous current trends. (Scholes and
Rabkin 174)5
Not
only is one man's utopia another man's dystopia, but utopian visions
of an ideal society often inherently suggest a criticism of the current
order of things as nonideaJ, while dystopian warnings of the dangers
of "bad" utopias still allow for the possibility of "good" utopias,
especially since dystopian societies are generally more or less thinly
veiled refigurations of a situation that already exists in reality. !!!!!!!!!!!!
The dystopian
impulse in modern literature is confined neither to the marginal pop
cultural realm of science fiction nor to texts that are little more than
thinly veiled political tracts.
At the
same time, dystopian fiction does have strong ties to science fiction,
just as it resonates with numerous politically motivated critiques of
modern society. The dystopian genre thus serves as a locus for
valuable dialogues among literature, popular culture, and social
criticism that indicates the value of considering these discourses
together and potentially sheds new light on all of them.