Professional Documents
Culture Documents
GROEN
8 FERD. BOLSTRAAT 1072 LJ AMSTERDAM
TEL +31 (0)20-6762240 FAX +31(0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
____________________
This catalogue follows the same principles as the one of instrumental music which was issued in 2002 and of which a
completely revised and updated version is in preparation: it tries to link information on the sources (manuscripts and
early printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia, but also
all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more the
spotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s the
printing presses flooded the market with editions for a much larger public than before.
Manuscripts
in alphabetical order of the RISM-library sigla which are listed here under the tab "Sources"; they have been selected from
the complete RISM-list, readily available in "RISM-Bibliotekssigel. Gesamtverzeichnis" (1999). To make things easier
you will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names and
sections where to find them. After the description and inventory of each manuscript are to be found the editions (in
facsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, and
concordances with other mss. Other editions of works ascribed to a composer (or several composers) can be traced
in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.
Early Prints
in chronological order of publication
After the description and inventory of each early print are to be found the editions (in facsimile or in transcription)
of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscripts
and other early prints.
Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers
A-Z" where the lists of sources refer back to the manuscripts and early prints.
Modern Collections
in alphabetical order of titles
All compositions ascribed to a composer are also included in the section "Composers A - Z".
Composers
Organization differs as per composer:
a) Complete list of works; all editions refer to the numbers in that list.
b) Opera Omnia available; all other editions refer to the description of it.
c) No complete work list and no Opera Omnia:
1. editions in chronological order of early prints
2. each publication with a description of its sources
Endless Beginnings
This is a first tentative version of the vocal catalogue. As a sort of "completion" will be a matter of a longer time, I
decided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated,
some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic.....
Noli me tangere?
I will be grateful for every sensible correction and for information concerning publications I might not have noticed;
this last remark is also meant for all those small scale music publishers who do not normally advertise their issues in
the music magazines.
Thanks
I am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains through
all these years.
Orders
Orders to sponsor all this work will be very welcome. Please see: "Order Information".
Help!
The lists of vocal music in this catalogue form by far the most extensive and complicated section of the whole
project. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or
are doubtful about something, please let us know!
Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.
Meindert de Heer
A.
MANUSCRIPTS
PRINTS
MODERN COLLECTIONS
COMPOSERS A - Z
MANUSCRIPTS
on library sigla
D-Usch 122
Page 1 of 546
242.R7
D-Usch 123
243.R7
Page 2 of 546
119,--
Page 3 of 546
38. (B. Musculus): O Herre Gott erbarm dich uber unss (in: 1597/7)
39. (D. Wolkenstein): Wol dem menschen der wandelt nit
40. (D. Wolkenstein): Hilff Gott wie geht es immer zu
41. (D. Wolkenstein): Ach Herr wie sind meiner Feind so viel
42. Quare tristis es anima mea
43. Pater peccavi in coelum / Quanti mercenarii
44. Miserere mei domine quoniam / Quoniam tu domine
45. O domine Jesu Christe propter
46. (H. Herpol): Dum sacrum mysterium cerneret Joannes
47. Deus misericordiam tuam / In civitate / Sicut erat in principio
48. (Compre): Asperges me domine / Miserere deus mei / Secundum. Gloria
49. (G. Cesar): Benedicite et ea quaesumums (also in CH-Bu F.X.17-20)
50. (A. Brumel): Sicut lilium inter spinas
51. O Her, wer wrt sein wonig han (incomplete)
52. (J. Walter): Wol dem der in Gottes forcht stehet (incomplete; in 1525/21)
53. (G. Dressler): Misericordiam volo et non sacrificium (in: 1567)
54. Warumb sen die studenten
55. Ey baur lass mir die rselien stan
56. (A. Scandello): Mit lieb bin ich ummbfangen (by Senfl?)
57. (A. Scandello): Ach Gott, wemb soll ichs klagen
58. Dilexi (quoniam exaudiet) / O domine libera anima mea
59. Domine Jhesu Christe fili dei vivi / Quia dixisti
60. Unum crede deum / Non sis occisor)
61. Diligite iustitiam
62. G. Schwaiger: Caenantibus illis accepit Jesus / Dixerunt viri tabernaculi mei
63. (W. Formelis): Domine lingua dolosa
64. (Bartholomaeus): Del crud'amor (io sempre)
65. (L. Lechner): Osculetur me osculo oris sui (in: 1575)
Editions:
nos. 1-65:
Facsimile of the manuscript; hardback
179,- nos. 24 and 33:
see: High Renaissance: Prints 1540: "Der ander Theil, kurtzweiliger guter
teutscher Liedlein" (nos. 53 and 57)
nos. 5, and 16-19:
see: 17th century: M. Praetorius: Complete Works: volume VIII (nos. 202,
273, 193, 62 and 277)
see also under composers
244.R7
E-Tc 25
Page 4 of 546
4. Asperges me
SSATB
5. Lauda Jerusalem (8 tono)
SSATB
6. Levavi oculos (6 tono)
SAATB
7. Benedicamus (1 tono)
SAATB
8. Eripe me (1 tono)
SSATB
9. Urbs beata Jerusalem
SSATB
10. Christe redemptor omnium
SATB
11. In convertendo (8 tono)
SATB
12. Nova resultent gaudia
SATB
13. Benedicamus (8 tono)
SSAT
14. Te Deum laudamus
SSAATB
15. Veni redemptor gentium
SAATB
16. Benedicamus (1 tono)
SSATB
17. Christe redemptor omnium
SSATB
18. Ave maris stella
SSAATB
19. Lumen ad revelationem / Nunc dimittis
SAATTB
19a. Magnificat octavi toni (conclusion only)
SAATTB
Libro de coro, 1549b
20-23. F. Guerrero:
20. Hostis Herodes impie
SATB
21. Celsi confessoris
SSATB
22. Conditor alme siderum
SATB
23. Hymnum canamus gloriae
SATB
24. C. de Morales: Jam Christus astra ascenderat
SATB
25. anonymous: O lux beata trinitas
SATB
26. J. Urreda (arr.): Pange lingua gloriosi
SATBB
27. anonymous: Concinat plebs fidelium
SATB
28. C. de Morales: Sacris solemniis
SATB
29. F. Guerrero: Ut queant laxis
SATB
30. C. de Morales: Felix per omnes
SSATB
31. anonymous: Hic judicandis ovibus (In festo Leocadiae)
SATB
32. F. Guerrero: O nata lux de lumine
SATB
33. anonymous: Monstra te esse matrem "el viejo"
SATB
34. C. de Morales: Monstra te esse matrem
SATB
35. anonymous: Veni redemptor gentium
SATB
Ambiela manuscript (c.1710-1733)
36. M. de Ambiela: Ecce justus, ecce pastor
SATB
37. M. de Ambiela: Stabat mater dolorosa
SATB
Concordances (except for no. 3a):
E-Bim 1 Fondo reserva, olim 34 (34: S1 only)
E-CU 3 (: anon.), 5 (1) and 6 (1: anon.)
E-E 2 (1: anon.)
E-GRcr 6 (14) and Calo no. 5 (14)
E-GRmf 975 (8, 26, 28)
E-GU 1 (1, 15)
E-Ledesma Parroquia de Santa Maria s.s. (14,18)
E-MO 752 (14)
E-Sc 2 (10: anon. and as: Auferte gentem perfidam)
E-Tc 1 (36)
E-TZ 2 (26)
E-V s.s. (14)
GCA-Gc 2-A (22)
1545: C. de Morales: "Magnificat...liber primus", Venice (19a)
Page 5 of 546
Edition:
nos. 1-37:
ed, introd., concordances and crit.comm. by M. Noone (in Spanish only)
100.R5
GCA-Gc 4
245.R7
79,--
Page 6 of 546
246.R7
247.R7
248.R7
178,--
69,--
Page 7 of 546
B.
1563/7
211.R5
1568/6
PRINTS
Musica Spirituale
"Musica Spirituale libro primo di canzon et madrigali a cinque voci. Composta da diversi come qui sotto, raccolta gia dal rev. mr. G. dal Bene... utilit
delle persone christiane, et pie, nuovamente posta in luce. Da Jan Nasco. Da
Lamberto Curtoy. Da Adrian Vuillahert. Da Vincenzo Ruffo. Da Grisostimo
da Verona", Venice, G. Scotto, 1563:
12 sacred madrigals:
1. J. Nasco: Mio pan'anzi mia vita (Canon al S. Sacramento)
2. L. Courtois: Destra di quel amor (Canzon)
3. A. Willaert: Pianget' egri mortali
4. anonymous: Dolc' la pace mia
5. Grisostimo da Verona: Ampia viva fornace
6. V. Ruffo: Vergine santa, d'ogni gratia piena
7. V. Ruffo: Vergine sol' al mondo
8. V. Ruffo: Deh sparg' o miser' alma
9. Grisostimo da Verona (or: G. Contino): Vergine santa, immaculata e pia
10. Grisostimo da Verona: O foss' il mio cor fieno
11. Maistre Jhan da Ferrara: Con doglia e con piet
12. V. Rufo: I'vo piangendo i miei passati tempi
Editions:
nos. 1-12:
ed. K. Powers
120,- no. 3:
see: A. Willaert: Opera omnia, volume XIV (no. 31)
(Novi thesauri musici) Liber quintus
"Liber quintus & ultimus, quo varie, tum sacre, tum alijs etiam locis honestissimis competentes ac congruis, plane nove, neque unquam antea, a quopiam
in lucem edite harmonie comprehendentur, veluti selectissima quedam, in D.
Ferdinandi...ac quorundam etiam aliorum illustrissimorum principum atque
heroum generosorum encomia: octo, sex, quinque, quatuor vocum, a prestantissimis nostri seculi musicis composite, & ad omnis generis instrumenta
musica accommodata; summo studio atque labore Petri Ioannelli de Gandino
bergomensis, collectae...", Venice, A. Gardano, 1568
J. de Brouck:
Carole, qui lato similem tibi quaerit in orbe
Qui rebus claris mensuram nominis imples
Ut vigilum densa silvam cingente corona
J. de Chayne:
Quis dabit oculis nostris fontem lacrimarum
J. de Cleve:
Austria Danubii rapido prosperrima fluxu
M. Deiss:
Quis dabit oculis nostris fontem lacrimarum
A. De la Court:
Page 8 of 546
212.R5
213.R5
1577/3a
Page 9 of 546
249.R7
1586/3
37,--
Diletto Spirituale
"Diletto Spirituale. Canzonette a tre et a 4 voci composte da diversi ecc.mi
musici. Raccolto da Simone Verovio. Intagliate et stampate dal medesimo.
Con l'intavolatura del cimbalo et liuto", Rome, 1586
a) Canzonette a3 and a4 with written-out accompaniment for keyboard (staff
notation) or lute (in Italian tablature):
1. F. Anerio: Jesu decus angelicum a3
2. F. Anerio: O Jesu mi dulcissime a3
3. R. Giovanelli: Iesu summa benignitas a3
Page 10 of 546
250.R7
1604/7
42,--
Rosetum Marianum
"Rosetum Marianum. Unser lieben Frawen Roesngertlein von drey und dreyssig lieblichen schnen Rosen oder Lobgesangen Gott dem Allmechtigen, und
dessen wrdigsten Mutter und Junckfrawen Marie, durch drey und dreyssig
beriembte Musicos und Componisten, mit sondern Fleiss auff ein Subiectum,
mif fnff Stimmen componirt, und letzlich zusammen getragen. Durch Bernhardum Klingenstein...", Dillingen, A. Meltzer, 1604
33 settings a5 by 33 different composers of the German devotional song "Maria
zart, von edler Art".
Part I:
1. G. Aichinger: Maria uns trst, die du erlst
2. Ph. Cornazzani: Maria rein, du bist nit klein
3. G. Flori: Maria gross, o edle Ros
4. J. de Fossa: Maria zart, von edler Art
5. Chr Harant: Maria Kron, die Engel schon
6. B. Klingenstein: Maria sss, hilf dass ich bss
7. S. Kolb: Maria Herz, wann tdlicher Schmerz
8. F. di Lasso: Maria mild, du hast gestillt
9. R. di Lasso: Maria fein, du gibst ein Schein
10. C. Luyton: Maria ein Reis, des Paradeis
11. J. Regnart: Maria fein, du klarer Schein
12. J. Reiner: Maria gut, du bist die Glut
13. F. Sale: Maria klar, du bist fr wahr
Page 11 of 546
109.S11
110.S11
1605/6
62,- 54,--
Page 12 of 546
112.S11
1609/18
qc.144
qc.145
39,--
Bicinia (Phalse)
"Bicinia, sive Cantiones suavissimae duarom vocum, tam divinae musices tyronibus, qam eiusdem artis peritioribus magno usui futurae, nec non & quibusvis
instrumentis accommoda: ex praeclaris huius aetatis auctoribus collectae...",
Antwerpen, Phalse/Bellre, 1609:
a) with text:
1-11. O. de Lassus:
(all from: "Novae aliquot ad duas voces cantiones", Mnchen, A. Berg, 1577
1. Beatus vir, qui in sapientia
2. Beatus homo, qui invenit
3. Expectatio justorum
4. Fulgebunt iusti
5. Iusti tulerunt spolia
6. Oculus non vidit
7. Qui sequitur me
8. Qui vult venire post me
9. Sancti mei
10. Serve bone & fidelis
11. Sicut rosa inter spinas
12. anonymous: O Maria
13. Josquin: Per illud ave ( = part II of: Benedicta es caelorum regina a6)
14. A. Pvernage: Deux que le trait / Ilz ont / C'est amour
15. A. Pvernage: La vita fugge
16. C. Verdonck: Lunghi da voi
17. C. Verdonck: Dissi a l'amata vita
b) without text:
18-47. 29 Fantasias by:
O. de Lassus (13), G. de Antiquis (2), B. Lupacchino (5), G.M. Tasso (2),
F. Facciola, O. di Martino, T. Papa, S. de Balbis, D. Mansaro, P. Nenna
and S. Felis
Editions:
nos. 1-47:
Facsimile of the 2 partbooks of the 1590 ed.; introduction by P. Stryckers
33,- 8 nos.:
Selection of 8 Fantasias; ed. B.Thomas (ed. also according to other sources) 10,--
Page 13 of 546
C.
236.R5
MODERN COLLECTIONS
170.R3
12,50
Page 14 of 546
Page 15 of 546
Antiqua Chorbuch
ed. H. Mnkemeyer
part I: Sacred Music (5 volumes)
168 works a3-a8 from 1400 to 1750 by German masters
119.S11
Page 16 of 546
120.S11
11. Defensor noster aspice (from: "Hymnorum sacrorum liber I",1542 (no.19)
12-14. H. Finck (all 3 form: "Sacrorum hymnorum liber primus", 1542):
12. Veni redemptor gentium (in 1542: no. 3)
13. O quam sanctus panis iste (no. 72)
14. Veni, creator spiritus / Accipite spiritum sanctum a5 (no. 52)
15-17. Th. Stoltzer:
15. Foeno iacere pertulit (see list of Stoltzer's sacred works: no. 68)
16. Christe, qui lux es et dies (no. 62)
17. In Gottes Namen fahren wir (no. 133)
18. M. Wolf: Vergebens ist all Mh und Kost (from: "Ein ausszug guter alter
und newer Teutscher Liedlein", Petreius, 1539 (no. 53)
19. L. Hellinck: Mit Fried und Freud ich fahr dahin (from: "Newe deudsche
geistliche Gesenge CXXIII", G. Rhau, 1544
20-22. B. Ducis:
20. Aus tiefer Not schrei ich zu dir a3 (from: "Trium vocum cantiones
centum", Petreius, 1541 (no. 34)
21. Nun freut euch, lieben Christen g'mein (from: "Newe deudsche geistliche
Gesenge CXXIII", G. Rhau, 1544)
22. Es wollt uns Gott gendig sein (from: idem)
23-24. J. Kugelmann (both from his: "Concentus novi", Augsburg, 1540):
23. Ein feste Burg ist unser Gott a3
24. Danket Gott, dem Herren a3
25-27. B. Resinarius (all from: "Newe deudsche geistliche Gesenge", 1544):
25. Gelobet seist du, Jesu Christ
26. Nun komm der Heiden Heiland
27. Komm, Gott Schpfer, heiliger Geist
28-31. S. Dietrich:
28. O lux, beata Trinitas a5 (from his: "Hymnen", G. Rhau, 1545)
29. Christ ist erstanden / Vita sanctorum (from: idem)
30. Es ist das Heil uns kommen her (from: "Newe deudsche geistliche Gesenge CXXIII", G. Rhau, 1544)
31. O barmherziger Gott (from: idem)
32. M. Agricola: Ach Gott vom Himmel sieh darein (from: idem)
33-35. S. Mahu (all from: "Newe deudsche geistliche Gesenge", Rhau, 1544):
33. Christ ist ertanden a5
34. Christ der ist erstanden
35. Ein feste Burg ist unser Gott a5
36-39. L. Senfl:
36. Pange, lingua, gloriosi corporis mysterium a5 (from: "Hymnorum sacrorum liber primus", G. Rhau, 1542: no. 66)
37. Patris sapientia (from: idem: no. 36)
38. Vergebens ist all Mh und Kost (from: "Newe deudsche geistliche Gesenge CXXIII", G. Rhau, 1544)
39. Christ ist erstanden a6 (from: idem)
19,-Volume II
40. S. Cellarius: Vexilla regis prodeunt (from: "Hymnorum sacrorum liber
primus", G. Rhau 1542 (no. 31)
41-44. A. von Bruck (all from: "Newe deudsche geistliche Gesenge", 1544):
41. Es ist das Heil uns kommen her
42. Christ der ist erstanden
43. Gott der Vater wohn bei uns
44. Mitten wir im Leben sind
45-46. G. Forster:
Page 17 of 546
121.S11
45. Vom Himmel hoch, da komm ich her (from: "Newe deudsche geistliche
Gesenge", G. Rhau, 1544)
46. Wohl dem, der in Gottes Furcht steht a3 (from: "Trium vocum cantiones
centum", Petreius,1541: no. 9)
47-55. J. Walter (nos. 47-54 from: "Wittenbergisch deudsch Geistlich Gesangbchlein...", G. Rhau, 1524/1551):
47. Nun komm der Heiden Heiland a5
48. Ein Kindelein so lbelich a5
49. Gelobet seist du, Jesu Christ
50. Joseph, lieber Joseph mein a5
51. Komm, heiliger Geist
52. Nun bitten wir den Heiligen Geist a6
53. Wir glauben all an einen Gott
54. Ein feste Burg ist unser Gott
55. Allein auf Gottes Wort
56. J. vom Brant: Gott sei gelobet (from his: "Der erste Theil geistlicher
Psalmen und teutscher Kirchengeseng", Eger, 1572
57-59. M. Le Maistre:
57. Nun bitten wir den heiligen Geist a3 (from his: "Schne und auserlesene
deutsche und lateinische geistl. Gesnge auf 3 Stimmen", Dresden, 1577)
58. Aus tiefer Not schrei ich zu dir (from his: "Geistliche und weltliche
Gesang mit 4 und 5 Stimmen...", Wittenberg, 1566)
59. Christe, der du bist Tag und Licht a7 (from: idem)
60. A. Scandello: Gelobet seist du, Jesu Christ a5 (from his: "Newe schne
ausserlesene geistliche deudsche Lieder", Dresden, 1575)
61. Chr. Hollander: O Herr, durch deinen bittern Tod a5 (from his: "Neue
teutsche geistliche und weltliche Lieder", Mnchen 1570/74)
62-63. J. de Kerle (both from his: "Preces speciales...", Venice, 1562):
62. Suscipiant, Domine, montes ecclesie tue
63. Kyrie
64-65. L. Schroeter (both from his: "Hymni sacri", Erfurt, 1587):
64. Lobt Gott, ihr Christe, alle gleich a5
65. Allein Gott in der Hh sei Ehr
19,-Volume III
66. C. Freundt: Wie schn singt uns der Engel Schar (from his Zwickau ms.
with Christmas songs)
67-69. O. de Lassus:
67. Maria voll Genad a6 (from his: "Newe teutsche unnd etliche frantzsische Gesng mit 6 Stimmen...", Mnchen, A. Berg, 1590)
68. Christ ist erstanden (from his: "Neue teutsche Lieder geistlich und weltlich mit vier Stimmen...", Mnchen, A. Berg, 1583)
69. Von morgen frh mit Gottes Lob (from: idem)
70. G. Dressler: Lobet den Herren, alle Heiden (from his: "Ausserlesene
teutsche Lieder...", Nrnberg, 1575)
71-72. L. Osiander (both from his: "Fnffzig geistliche Lieder und Psalmen mit
vier Stimmen auff contrapunctsweise...", Nrnberg, 1586):
71. Gelobet seist du, Jesu Christ
72. Christ lag in Todesbanden
73. I. de Vento: Gott ist mein Trost a3 (from his: "Neue teutsche Lieder mit
3 Stimmen...", Mnchen, 1572)
74-75. A. Crappius (both from his: "Der erste Theil neuer geistlicher Lieder
und Psalmen...", Helmstedt, 1594):
74. Nun ist es Zeit, zu singen hell a3
Page 18 of 546
Page 19 of 546
122.S11
Page 20 of 546
123.S11
124.S11
Page 21 of 546
125.S11
9,50
48,--
Cantual
130 old and new German and Latin a cappella works
(ed. G. Schauerte); 2nd. ed. 1957
a4, unless otherwise stated
NB: only works falling within the limits of this catalogue have been listed
Page 22 of 546
45,--
Page 23 of 546
216.R5
217.R5
16,--
16,--
Page 24 of 546
218.R5
219.R5
16,--
16,--
Page 25 of 546
220.R5
221.R5
1532: "Secundus liber vcum 4 vocibus. Motetti del fiori", Lyon, J. Moderne (1)
1539, 2/1545: A. Willaert: "Musica 4 vocum, liber secundus" (11)
1550: H. Isaac: "Choralis Constantinus, I" (3, 4)
1559: J. Clemens non Papa: "Liber quartus cantionum sacrarum" (2)
1565: O. de Lassus: "Sacrae lectiones ex propheta Job", Venice, Gardano (9)
1604: O. de Lassus: "Magnum opus musicum" (7, 8)
16,-Volume VI: Christmas & Advent-Motets a4
1. W. Byrd: O magnum mysterium
2. Clemens non Papa: Magi veniunt ab oriente
3. L. Compre: Verbum caro factum est
4. F. Guerrero: Roate caeli (2nd part of: Canite tuba)
5. H.L. Hssler: Dixit Maria
6. H. Isaac: Ecce virgo concipies
7. L. Marenzio: Hodie Christus natus est
8. G.P. da Palestrina: Dies sanctificatus
9. M. Praetorius: Omnis mundus jocundetur
10. J. Regnart: Prope est Dominus
11. C. Verdonck: Ave gratia plena
12. T.L. da Victoria: Ne timeas Maria
Sources:
I-Mcap 2269: ff.171v-179: from: Missa Hodie nobis de Virgine (3)
1550: H. Isaac: "Primus tomus Coralis Constantinus", Nrnberg (6)
1554: Clemens non Papa: "Cantionum sacrarum, liber primus", Leuven (2)
1563: G.P. da Palestrina: "Motecta festorum totius anni", Rome (8)
1570: F. Guerrero: "Motetta", Venice (4)
1572: T.L. da Victoria: "Motecta", Venice (12)
1577: J. Regnart: "Aliquot cantiones vulgo motecta appellatae", Nrnberg (10)
1584: engraving by J. Sadeler after a painting of M. de Vos (11)
1585: L. Marenzio: "Motecta festorum totius anni", Rome (7)
1591: H.L. Hassler: "Cantiones sacrae", Augsburg (5)
1607: W. Byrd: Gradualia, book II; London (1)
1607: M. Praetorius: "Musae Sioniae", part 5; Wolfenbttel (9)
16,-Volume VII: Motets for 3 voices
1. G.M. Asola: Deus canticum novum
SAB
2. G.M. Asola: O vos omnes
STB
3. W. Byrd: Memento salus auctor
STB
4. J. Clemens non Papa: Ego flos campi
STB
5. A. Constantini: Confitemini Domino
SST, bc
6. . Genet (Carpentras): Recordare Domine
ATT
7. . Genet: Sederunt in terra
AAB
8. O. de Lassus: Adoramus te Christe
STB
9. O. de Lassus: In pace in idipsum
STB
10. C. Monteverdi: Ave Maria
SST
11. C. Monteverdi: Lauda Sion
SST
12. C. Morales: Domine Deus
ATB
13. C. Morales: In die tribulationis
STB
14. G.P. da Palestrina: Jesu rex admirabilis
SSA
15. G.P. da Palestrina: Tua Jesu dilectio
SSA
Sources:
I-Bc (1-2)
1532: . Genet:"Liber lamentationum Hieremiae prophetae", Avignon (6-7)
1549: "Libro secondo de li motetti a tre voci", Venice (12)
1560: "Premier livre du recueil des fleurs produictes de la divine musique a
Page 26 of 546
222.R5
223.R5
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1605:
1607:
1612:
1617:
224.R5
225.R5
226.R5
16,--
16,--
16,--
Page 28 of 546
227.R5
228.R5
4. R. Ramsey: O sapientia
5. W. Byrd: Beata viscera
SAATB
6. F. Corteccia: Surge illuminare Jerusalem
7. J. Esquivel: Tria sunt munera
8. P. Philips: O beatum et sacrosanctum diem
9. J.Pzn. Sweelinck: Hodie Christus natus est
Sources:
GB-Cp: the "latter set" (4)
1571: Corteccia: "Canticorum liber primus", Venice (6)
1572: Palestrina: "Motettorum...liber secundus", Venice (3)
1586: J. Gallus: "Tomus primus musici opersi harmoniarum", Prague (1)
1604: O. de Lassus: "Magnum opus musicum", Mnchen (2)
1605: W. Byrd: "Gradualia, I", London (5)
1608: J. Esquivel: "Motecta festorum et dominicarum", Salamanca (7)
1612: P. Philips: "Cantiones sacrae quinis vocibus", Antwerpen (8)
1619: Sweelinck: "Cantiones sacrae cum basso continuo", Antwerpen (9)
Volume XIII: The English School for 6 voices
for SSAATB, unless otherwise indicated
1. W. Byrd: Aspice Domine
2. W. Byrd: O lux, beata trinitas
3. R. Dering: Jubilate Deo
4. Th. Morley: Laboravi in gemitu
5. W. Mundy: Adolescentulus sum ego
SAATBB
6. R. White: Ad te levavi oculos meos
7. Th. Ravenscroft: 4 Rounds a6 from "Pammelia":
a. Benedic Domine
b. Domine fili
c. Laudate nomen Domini
d. Laudate nomen Domini
Sources:
GB-Ob mus. f.1-6: the Hammond manuscript (4)
GB-Och 979-983 (5, 6)
1575: Byrd & Tallis: "Cantiones sacrae", London (1, 2)
1609: Th. Ravenscroft (ed.): "Pammelia", London (7a-d)
1618: R. Dering: "Cantica sacra", London (3)
Volume XIV: The Italian and Spanish Schools for 6 voices
for SSAATB, unless otherwise indicated
1. G. Gabrieli: Exaudi Domine
2. C. Merulo: Peccantem me quotidie
3. G.P. da Palestrina: Tu es Petrus
SSATBB
4. C. Porta: Ego sum pastor bonus
5. J. Esquivel: Duo seraphim
6. C. Morales: Ecce sic benedicetur ( = part 2 of: Beati omnes)
7. T.L. de Victoria: O domine Jesu Christe
Sources:
1553: "Tomus tertius psalmorum selectorum", Nrnberg (6)
1569: Palestrina: "Liber primus...motettoruma5-a7", Rome (3)
1576: T.L. de Victoria: "Liber primus....missas", Venice (7)
1583: C. Merulo: "Il primo libro de mottetti a 5 voci", Venice (2)
1585: C. Porta: "Musica sex canenda vocibus...liber tertius", Venice (4)
1597: Gabrieli: "Sacrae symphoniae...", Venice (1)
1608: J. Esquivel: Motecta festorum et dominicarum", Salamanca (5)
16,--
16,--
16,--
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229.R5
230.R5
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16,--
16,--
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a5
22,--
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169,--
98,--
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132.S11
133.S11
143.R3
21,--
8,--
a1
Page 35 of 546
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135.S11
Page 37 of 546
51. S. Calvisius: Veni sancte spiritus (from: "Harmonia cantionum eccl.", 1598)
52. G. Croce: Voce mea ad Dominum clamavi
20,50
Geistliche Chormusik
ed. J. Schabasser in 11 volumes
136.S11
137.S11
138.S11
9,50
9,50
9,50
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139.S11
140.S11
141.S11
142.S11
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143.S11
144.S11
145.S11
9,50
9,50
9,50
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146.S11
147.S11
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Gesellige Zeit, I
83 German Secular Songs; only original settings listed below
a4, unless otherwise indicated
1. J. Staden: Lobgesang: es ist ein kstlich Ding 3 equal voices
2. M. Praetorius: Der Morgenstern ist aufgedrungen
3. J. Gippenbusch: Wacht auf, ihr schnen Vgelein (Psalterion, 1642)
4. E. Kindermann: Morgengesnglein: Auf, ihr Sinne a3
6. E. Kindermann: Abendgesnglein: Weil nun anbricht die finstre Nacht a3
7. A. Gumpelzhaimer: Die Nacht ist kommen a3
8. M. Praetorius: Die Sonn verbirget ihren Schein ("Musae Sioniae", 1610)
9. J. Staden: Nun schein, du Glanz der Herrlichkeit a3
10. B. Gesius: Der du bist Drei in Einigkeit
a3
11. M. Praetorius: Der Winter ist ein strenger Gast
12. J. Eccard: Der Winter kalt
13. M. Praetorius: Nach grnerr Farb mein Herz verlangt
14. J. Clemens non Papa: Ach Sorg, du musst zurcke stan a3
15. J. Clemens non Papa: Der Winter ist vergangen
a3
16. L. Lemlin: Der Mai will sich mit Gunsten beweisen
17. L. Senfl: Laub, Gras und Blt
18. J.L. Langenau: Wohlauf, gut G'sell, von hinnen
19. L. Lechner: Grn ist der Mai
20. Th. Morley: Now is the month of Maying
a5
21. J.H. Schein: Der khle Maien
a3
22. O. de Lassus: Wohl kommt der Mai
23. anonymous: Sommer ist ins Land gekommen (c.1240; English) canon a6
24. anonymous: Der Mai tritt ein mit Freuden
a2
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66,--
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1546:
1577:
1585:
1585:
1589:
1595:
1597:
1608:
209.R6
19,--
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26,--
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Hilf mir, Gott, a4; Wie der Hirsch schreiet, a3; Ich will den Herrn loben, a3; Gott ist unsre Zuversicht, a4; Ich will den Herrn loben, a2
129-135. padre G.B. Martini: Anmut und edler Anstand, a2; Das Echo, a6;
Das Echo, a3; Liebliche Schwestern, eilet, a2; Bibitores, a3; Herbei,
zum frhlichen Tanz, a3; Wer gut sein Werk beginnt, a3
136. W. Boyce: Epitaph: Erblhende Jugend lieget hier a3
137-142. Ph. Hayes: An den Wassern Babylons, a4; Fliesse sanft, a3; Halleluja, a4; Halleluja, a4; Herr Gott, du hast verstossen uns, a3; Ubi sunt
gaudia, a6
143-147. S. Webbe: Danket unserm Herren, a3; Dir Herr, sei Lob, a3; Ich
will dich loben, a3; Dank sei Gott, a4; Wer darf dich nennen, a3
148-150. I.S. Smith: Alleluja, a2; Alle Welt lobe den Herrn, a3; Aufhebet
eure Augen, a3
151-152. anonymous: Im grnene Wald, a3; ber Nacht, wenn die Liebe, a3
153-175. J. Haydn: Willst du immer weiter schweifen?, a5; Trost, a3; Wein,
Bad und Liebe, a4; Weisung,a2; Ja und Nein, a3; An den Marull, a5;
Zuruf, a3; Hre, Mdchen, a3; Flucht der Zeit, a2; Die liebe Maienzeit, a4; Klugheit und Eitelkeit, a6; Drei Dinge, a3; Gewissheit und
Ungewissheit, a4; Homo sum, a4; Ahnung, a3; Tod und Schlaf, a4;
Das Hexen-Einmal-Eins,a4; Liebe,a3; Der freie Mann, a3; Misstraun
a5; Fester Sinn, a3; Herr Gnsewitz su seinem Kammerdiener, a4;
Nachtigallenkanon, a3
176. M. Haydn: Domine Deus
177. J.L. Dussek: Absage: Ho ho, ich merke wohl a4
178-197. W.A. Mozart: Kyrie, a5; Der Wiener Kanon, a4; Grechtelts enk,
a4; Ave Maria, a4; Lacrimoso, a4; O Herr mein Gott, a4; Ein Brief,
a4; Die Nachtigall, a3; Zur Totenfeier, a2; Zum Wein, a3; Morgensang, a6; Alleluja, a4; Caro bell' idol, a3; Der Gtz-Kanon: Kommt
her und singt, a6Am Feuer zu singen, a12; Heiterkeit, a3; Trinkkanon (orig.: O, du eselhafter Martin), a4; Zum Wein, a5; Essen, Trinken, a3; Gute Nacht!: Bona nox, a4
198-209. A. Salieri: Ubi malus cantus, a3; Scherzo, a3; Das Bild: Bald seufzt
der Mensch unselig, a3; Vivat!, a3; Steter Tropfen, a3; Kanonen?:
Dieses sind hier nicht Kanonen, a3; Glckwunsch: Heil und Segen,
a3; Das Glockenspiel, a3; Herbei, ihr Brder, a3; An Einen, der den
Halt verlor, a3; Wer ein Weib feit, a3; Gleichmut, a3
210-227. L. van Beethoven: Freu dich des Lebens, a2; Das Gttliche, a6;
Zum neuen Jahr, a3; Freundschaft, a3; Ewig Dein, a3; Es muss sein,
a4; Khl, nicht lau, a3; Hoffmann und kein Hofmann, a2; Falstafferl,
a5; Im Armen der Liebe, a3; O Tobias!, a2; Das Reden, a3; Signor
Abbate, a3; Kurz ist der Schmerz, a3; Schwenke dich!, a4; Glck,
a4; Auf den Erfinder des Metronoms, a4; Die C-Skala, a3
228-236. F. Kuhlau: Er ist da!, a3; Gern lachen die Heiden, a3; Lachkanon,
a3; Ihr Vgel, zwitschert, a3; Pflichtschuldigst ghnet, a3; O du
Nase aller Nasen, a3; Der Hagestolz; Anticherubinismus, a3; Den
grossen Sultan Kopo preist!, a3
237-248. L. Cherubini: Herr, hre mich!, a3; Auf, lasst uns singen!, a3; Lachkanon, a3; Im Wald zu singen, a3; Ermunterung, a3; Frohsinn, a2;
Warum?, a3; Solmisation, a3; Den Zeitknickern, a3; Tanzkanon,
a3; Gelbnis, a3; Cherubini, a2
Appendix: 249. J. Haydn: Die zehn Gebote der Kunst: 10 canons a3-a5
c) 19th and 20th century
(only the canons which fall within this catalogue)
Page 54 of 546
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Die Kurrende
130.S11
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131.S11
8,--
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150.S11
152.S11
63,--
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241.R5
242.R5
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19,--
Musica Divina
Anthology of 15th- & 16th-century sacred polyphony
ed. G. Acciai, M. Berrini and M. Boschini
a4, if not otherwise stated
1. J. Ockeghem: Ave Maria
2. Josquin Desprez: Salve Regina
3. Josquin Desprez: Tribulatio et angustia
4. W. Frye: O florens rosa a3
5. A. Brumel: Laudate Dominum de coelis
6. L. Compre: O genitrix gloriosa
7. C. Festa: Regem archangelorum
8. S. Festa: Angele Dei
9. C. de Rore: Sub tuum praesidium
10. A. Willaert: Regina coeli
11. G. de Wert: Diligite justitiam
12. G.P. da Palestrina: Surrexit pastor bonus
13. G.P. da Palestrina: Confitemini Domino
14. L. Marenzio: Sancta Maria
15. L. Marenzio: Cantantibus organis
16. A. Gabrieli: Domine exaudi orationem meam a6
17. O. de Lassus: In me transierunt a5
18. O. de Lassus: Domine in auxilium meum
19. C. de Morales: Inter vestibulum et altare
20. T.L. de Victoria: Passio secundum Johannem
21. J. Gallus: Resonet in laudibus
22. J. Gallus: Surrexit Christus
23. Th. Tallis: O salutaria hostia a5
24. W. Byrd: Haec dies a3
25. W. Byrd: Sacerdotes Domini
26. M. Ingegneri: Inter natos mulierum
27. V. Ruffo: Hodie Christus natus est a5
98,--
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58,--
49,--
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173,--
Das Musikwerk
Eine Beispielsammlung zur Musikgeschichte; ed. K.G. Fellerer
144.R3
Page 67 of 546
34,--
33,--
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156.S11
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252.R7
18,--
13,--
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1588: J. Peeters: : Il primo libro del Iubilo di S. Bernardo con alcune canzonette spirituali...a tre et quattro voci", Roma (41-43)
1588/11: "Il terzo libro delle laude spirituali a tre e a quattro voci stampate ad
instanza delli Rev. Padri della Congregazione dell'Oratorio..."
Rome, A. Gardano (50)
1591/3: "Il quarto libro delle laudi a tre et quatro voci stampate ad instantia
delli Rev. padri della Congregatione del'Oratorio...", Rome,
A. Gardano (45-47, 49)
I-Fn Banco Rari 230 (9)
246.R5
69,--
Page 72 of 546
Page 73 of 546
I-Fn Panciatichi 27: miscellany of sacred and secular music, early 16th c. (2)
I-Fn Panciatichi 173: Razzi autograph of alude a4 (3b, 11c, 19, 20b)
I-Fn Rossi Cassigoli 305: laudario (15)
I-Lg 2415 (20b)
I-MOe C.314 (25)
I-Rss X.1311 (20b)
I-Rv S1.35-40 (23)
1508/3: "Laude libro secondo", Venice, O. Petrucci (10a)
1534/4: "Liber secundus: 24 musicales 4 vocum motetos habet", Paris, Attaingnant (21)
1552: S. Joly: "Psalmi quinquagesimi perpulchra, et brevis enodatio, eleganter
music concinnata", Lyon (26)
1553/8: "Liber primus eccelsiasticarum cantionnum 4 vocum...", Antwerpen,
T. Susato (28)
1554/14: "Premier livre des pseaumes, cantiques et chansons spirituelles...",
Genve, S. Du Bosc & G. Guroult (28)
1556: J. Richafort: "Modulorum 4, 5 et 6 vocum", Paris (21)
1556/9: "Sextus tomus evangeliorum et piarum sententiarum...", Nrnberg, J.
Montanus & U. Neuber (28)
1563/6: Libro primo delle laudi spirituali de diversi eccell. e divoti autori",
Venice, f. Rampazetto (1, 3-9, 10b, 11b, 12-18)
1563: G. Animuccia: "Il primo libro delle laudi", Rome (10c)
1567/22: "Il primo libro delle villanelle alla napolitana, di D. G.D. da Nola...",
(2a: CT only)
1568/3: "Novi atque catholici thesauri musici. Liber secundus", Venice, A.
Gardano (24)
1569/30: "Il primo libro delle villanelle alla napolitana di D. G.D. da Nola",
Venice, C. da Correggio (20a)
1570/27: "Di D. G.D. da Nola, il primo libro delle villanelle alla napolitana",
Venice, G. Scotto (20a)
1583: W. Hunnis: "The poore widowes mite", London (30)
1586/2: "Diletto spirituale...da diversi ecc.mi musici. Raccolta et scritte da
Simone Verovio", Rome. M. van Buyten (10d)
1600: J. Reiner: "Liber mottetarum sive cantionum sacrarum sex et octo
vocum", Mnchen (27)
1609/8: M. Praetorius: "Musae Sioniae...Sechster Theil", Wolfenbttel (20b)
1612: C. Le Jeune: "Second livre des meslanges", Paris, Ballard (29)
1641/5: J. Barnard: "The first book of selected church musick...", London,
E. Griffin (31)
156,--
Der Schulchor
Eine Chorsammlung fr alle Schulgattungen
unter Mitarbeit fhrender Musikerzieher, Chorleiter und Komponisten
ed. E. Kraus
128.S11
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21,50
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21,50
247.R5
18,--
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24,--
248.R5
253.R7
165.S11
11,--
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16. J.S. Bach: Gelobet seist du, Jesu Christ (from cantata no. 64)
17. M. Schrer: Gelobet seit du, Jesu Christ SAB
18. F. Silcher: Herbei, o ihr Glub'gen
20. J. Eccard: Ich steh an deiner Krippen hier SATTB
24. E. Bodenschatz: Joseph, lieber Jospeh mein
28. J.F.E. Burgmller: Lasst uns alle frhlich sein
29. F.X.A. Murschhauser: Lasst uns das Kindlein wiegen
30. J.S. Bach: Lobt Gott, ihr Christen alle gleich BWV 376
35. J.H. Schein: Nun komm der Heiden Heiland SATTB
36. J.S. Bach: Nun singet und seind froh BWV 368
40. J.S. Bach: O Jesulein zart, dein Kripplein ist hart
46. J.S. Bach: Uns ist ein Kindlein heut geborn BWV 414
48. J.H. Schein: Vom Himmel hoch, da komm ich her
49. J. Schelle: Vom Himmel hoch, da komm ich her SSATB (from cantata:
Vom Himmel kam der Engel Schar
53. J.S. Bach: Wie schn leuchtet der Morgenstern (from cantata no. 36)
54. C. Freundt: Wie schn singt uns der Engel Schar
55. P. Crger: Wie soll ich dich empfangen (with 2 violins, bc)
56. J. Walter: Wohlauf, wohlauf, mit hellem Ton
Sources:
D-Z ms. of Cornelius Freundt with Christmas carols (54)
1551: J. Walter: "Wittenbergisch deudsch Geistlich Gesangbchlein" (56)
1567: "Suavissimae et iucundissimae harmoniae C.S. Buchaviense", Nrnberg,
T. Gerlach (7).
1597: J. Eccard: "Der ander Theil geistlicher Lieder...", Knigsberg (20)
1602: M. Schrer: "Gesang mit dreyen Stimmen...", Nrnberg (17)
1607: M. Pretorius: "Musae Sioniae, fnffter Theil" (10)
1608: Bodenschatz: "Harmoniae angelicae cantionum ecclesiasticarum...",
Leipzig (24)
1627: Schein: "Cantional", Leipzig (35, 48)
1657: P. Crger: "D. M. Luthers wie auch anderer gottseligen und christlichen
Leute geistliche Lieder und Psalmen...", Berlin (13, 55)
1657: H. Schtz: Becker Psalter (14)
1696: Murschhauser: "Octo-tonium novum organicum...", Augsburg (29)
1748: "Choralbuch fr Johann Friedrich Eberhard Burgmller" (28)
13,50
Page 80 of 546
D.
Agostini, L.
COMPOSERS
A-Z
Lodovico Agostini
1534 - 1590
"Le Lagrime del peccatore / a sei voci, / del M.R. monsig. D. Lodovico
Agostini, / prot: apost: capellano, & musico del serenissimo, & invittissimo
sig. Ducaa di Ferrara. Libro quarto, opera XII", Venice, G. Vincenti & R.
Amadino, 1586
from op. 12:
La morte morta / La vita breve SSATTB
*ed. L. Schmidt in: "Three sacred madrigals for 5 and 6 voices" (G. Costa,
L. Agostini and G. G. Gastoldi)
254.R7
Aleotti, R.
Raffaella Aleotti
c.1570 - after 1646
"Sacrae cantiones aquinque, septem, octo, & decem vocibus decantandae...
liber primus", Venice, G. Vincenti, 1593
Editions:
compl. ed. by C.A. Carruthers; Music at the courts of Italy, vol. 2 (hardb.)
from this edition:
*Angelus ad pastores ait SSATB
*Ascendens Christus in altum SATTB
*Facta est cum angelo SAATB
255.R7
256.R7
257.R7
258.R7
Aliseda, S. de
6,--
in prep.
2,- 2,50
2,50
Santos de Aliseda
died in 1580
Lamentatio Jeremiae prophetae SATB
see: Manuscripts: GCA-Gc 4: "A New World collection of polyphony for
Holy Week", ed. Snow
Ammon, B.
259.R7
Blasius Ammon
c.1560 - 1590
"Liber sacratissimarum (quas vulgo introitus appellant) cantionum selectissimus,
singulis diebus festivis, pro ecclesiae catholicae utilitate, cultusque, divini
honore non minus accommodatus, quam necessarius, quinque vocibus",
Vienna, S. Creuzer, 1582 introits a5
Edition:
complete ed. in:
Sacred Works; ed. C. Huigens; DT 73 (1931; R/1960); containing:
Introits, 1582 & Cantiones, 1590
69,- "Sacrae cantiones, quas vulgo moteta vocant, quibus adiuncti sunt ecclesiastici hymni de nativitate, resurrectione & ascensione Domini", Mnchen, A.
Berg, 1590
Page 81 of 546
259.R7
260.R7
261.R7
264.R7
265.R7
Confitemini domino
*ed. J. Schabasser
266.R7
262.R7
263.R7
Anerio, F.
69,--
4,50
4,50
SSAATBB
2,-SATB
2,-Felice Anerio
c.1560 - 1614
Page 82 of 546
Angus, J.
John Angus
fl 1543 - 1595
2 Anthems a4:
1. All my belief
2. Our Father which in heaven art
see: Collections: "Music of Scotland, 1500-1700", ed. Elliott / Shire
Animuccia, G.
Giovanni Animuccia
c.1500 - 1571
22 Laude a3-a8 from his 2 books of "laudi":
included in L. Schmidt's study: "Die rmische Lauda und die Verchristlichung
von Musik im 16. Jahrhundert"
(p. 276-429: 51 polyphonic laude , publ. or comp. in Rome, 1563-1591)
1. Iesu sommo conforto a4
2. Cuor maligno e pien di fraude a4
3. Ogni giorno tu mi di
4. Gia fu presa da te a4
5. S'io mori in croce per te a4
7. Laudate Dio a3
8. Ben venga amore a4
9. O Iesu buono a3
10. Iesu nato a4
11. Dimmi cor mio a4
12. Deh venitene Pastori a4
13. Pater noster a8
14. Ave regina caelorum (prima pars) a6
15. Venit Iesus a8
16. Beatus vir a8
17. Fu notte, o giorno / O divo sol a6
18. Poi ch'l cor string' et serra (1563) a4
19. Poi ch'lcuor mi stringe et serra (1570) a5
20. Al bel fonte sacro e degno a6
21. O peccator che fai a6
22. Signor io t'ho confitto a8
23. Dispost' ho di seguirti a4
Sources:
1563: G. Animuccia: "Il primo libro delle laudi...composte per consolatione et
a requisitione di molte persone spirituali, et devote, tanto religiosi, quanto secolari", Rome, V. Dorico (1-12, 18, 23)
1570: G. Animuccia: "Il secondo libro delle laudi, dove si contengono metetti,
salmi, et altre diverse cose spirituali vulgari, et latine...",
Rome, heirs of A. Blado (13-17, 19-22)
see: Collections: "Roman Laude , 1563-1591"
Jes, sommo conforto (Savonarola) SATB
see: Collections: "Savonarolan laude , motets & chansons"
Antn de Espaa
Antn de Espaa
Benedicamus Domino
SSATB
Page 83 of 546
GIAMMATTEO ASOLA
1532 or earlier - 1609
267.R7
6,--
268.R7
"Secundus Liber in quo reliquae missae octonis compositae tonis...ad facilitatem, brevitatem, mentemque sanctorum tridentini Concilij patrum accommodatae", Venice, A. Gardano, 1581
from this collection:
Missa quinti toni quatuor vocum
SATB
ed. L. Lera
15,--
269.R7
Page 84 of 546
270.R7
271.R7
52,- 9,--
272.R7
Omnes de Saba
SSAA
*ed. Haberl / Quack
1,50
SATB
Page 85 of 546
273.R7
Bassano, G.
1,20
GIOVANNI BASSANO
c.1558 - 1617
279.R7
Volume I
"Motetti per concerti ecclesiastici a 5.6.7.8. & 12. voci...", Venezia, G. Vincenti, 1598 (basso per l'organo: 1599)
1. O Rex gloriae a5
2. Beata Virgo a5
3. Benedicamus Deum a6
4. Haec est virgo sapiens a6
5. Dic nobis Maria a6
6. Gabriel Angelus a7
7. Viri Galilaei a7
8. Quem vidistis pastores a8
9. Angelus ad pastores ait a8
10. Cibavit nos a8
11. Deus qui beatum Marcum a8
12. Cantate Domino a8
13. Dum complerentur a8
14. Fuit homo missus a8
15. Ave Regina coelorum a8
16. Vocem jucunditatis a8
17. O Domine jesu Christe a8
18. Caro mea a8
19. Ave Regina coelorum a12
187,--
Volume II
"Concerti Ecclesiastici a cinque, sei, sette, otto, & dodeci voci...Libro Secondo; novamente composti, & dati in luce", Venice, G. Vincenti, 1599
1. Salvator mundi a5
2. Confitemini Domino a5
3. Sancta et immaculata a5
4. Voce mea ad Dominum clamavi a5
5. Viri sancti gloriosum sanguinem a6
6. O doctor optime a6
7. Nativitas tua Dei genitrix a7 and bc
8. Confitebor tibi, Domine a7 and bc
9. Hodie Christus natus est a7 and bc
10. Sancta et immaculata a8 and bc
11. Benedicam Dominum a8 and bc
12. Deus misereatur nostri a8 and bc
13. Laetentur coeli a8 and bc
14. Deus noster refugium a8 and bc
15. Jubilate Deo a8 and bc
16. Canite tuba a8 and bc
17. Factum est silentium a8 and bc
18. Omnes gentes a8 and bc
19. Tu gloria Jerusalem a8 and bc
20. Haec est beatissima a12 and bc
Page 86 of 546
Other sources consulted: the 1598 edition, also by Vincenti; D-Dl Lbau 4 (8),
D-Dl Lbau 8 and 70 (8), D-Dl mus.ms. 265 (12)
179,-Volumes III & IV: not yet published
b) Other Editions
with nos. of ed. Charteris
280.R7
7,- 11,--
285.R7
286.R7
13,--
289.R7
290.R7
12,--
281.R7
282.R7
283.R7
284.R7
287.R7
288.R7
291.R7
292.R7
293.R7
294.R7
295.R7
296.R7
297.R7
298.R7
299.R7
Page 87 of 546
Bazylik, C.
Cyprian Bazylik
c.1535 - in or after 1600
3 Polish sacred songs a4:
1. Piesna nowa, w kltrej jest dziekowanie
2. Nabozna piosnka
3. Piesn nowa krezescijanskiej paniej
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. III
Bellanda, L.
Lodovico Bellanda
fl 1593 - 1613
Canzonette Spirituali, 1599
"Canzonette Spirituali a due voci con altre tre, & quattro da sonare.
Novamente da Lodovico Belland date inluce", Verona, F. dalle Donne &
S. Vargnano, 1599
nos. 1-9: vocal duos; nos. 10-11: instrumental canzonas; nos. 12-13: instrumental canzonas
a) Duos for ST:
1. O Musa t / Tu spira al petto mio
2. O pi bella del Sole
3. Fu ben la prima donna
4. Nel bel seno chiudesti
5. Scorgi 'l mio debil legno
6. Morte m'h teso il laccio
7. Tu che l'interno effetto
8. Vergine pura d'ogni parte / Sola tu fosti eletta (by P. Funghetti)
9. O pi rara del Sole
b) Instrumental canzonas a3-a4 (according to his introd. meant for organ):
10-11. Canzonas a3 by R.P. Ambrogio
12-13. Canzonas a4
Editions:
nos. 1-13; ed. in score by A. Bornstein
nos. 12-13; ed. in score and parts for 4 recorders (SATB) by A. Bornstein
sa.142
sb.417
Bermdez, P.
30,- 15,50
Pedro Bermdez
fl 1592 - 1606
14 Works a4-a6 for Holy Week:
1. Missa de feria SATB
2. Passio secundum Matthaeum recitants; SATB
3. Passio secundum Lucam recitants; SATB
4. Passio secundum Joannem recitants; SSATB
5. Lamentatio Jeremiae prophetae SATB
6. Lamentatio Jeremiae prophetae SSATB
7. Salve regina SATB
8. Salve regina AATB
9. Salve regina SAATB
10. Salve regina SSATTB
11. Cum invocarum (ps. 4) SATB
12. Qui habitat (ps. 90) SATB
13. In manus tuas SATB
14. Nunc dimittis ST (AB missing)
Page 88 of 546
Vincentius Bertholusius
c.1550 - 1608
Motets, I (1601)
300.R7
301.R7
Page 89 of 546
Sources:
"Novi atque catholici thesauri musici. Liber Quartus", Venice, A. Gardano,
1568 (1-2); Tollius: "Moduli trium vocum", Heidelberg, Commelinus, 1597
(3-7); Tollius: "Motectorum 5 vocum liber secundus", Venice, 1591 (8); Bertholusius: "Sacrarum cantionum 6, 7, 8 et 10 vocibus; Liber primus", Venice,
A. Gardano, 1601 (9)
26,-Bevin, E.
Elway Bevin
c.1554 - 1638
First Service (Dorian, or Short Service) a4:
Te Deum-Benedictus-Kyrie-Credo-Magnificat-Nunc dimittis
see: 18th Century: Prints 1760-1773: W. Boyce: "Cathedral Music"
Beythonius, P.
Petrus Beythonius
2 Bicinia:
1. Studium verbi Dei, non avariciae
2. Custodia oculorum
see: A. Chrysoponos Gevicenus: "Bicinia Nova", 1579
Bianciardi, F.
FRANCESCO BIANCIARDI
1571/72? - 1607
Opera omnia; ed. S. Cisilino
Volume I: Motets, book 1 (1596)
"Sacrarum modulationum, quae vulgo mottecta vocantur, quatuor, quinis, senis
septem & octonis vocibus concinuntur, liber primus", Venice, A. Gardano
motets a4-a8
Volume II: Motets, book 2 (1601)
"Sacrarum modulationum, quae vulgo motecta vocantur, quattuor, quinis, senis
& octonis vocibus concinuntur, liber secundum", Venice, A. Gardano
motets a4, a5, a6 and a8
Volume III: Motets, book 3 (1607)
Sacrarum modulationum quae vulgo motecta vocantur, quattuor, quinis, senis,
& octonis vocibus concinuntur, liber tertius", Venice, A. Gardano & fratelli
motets a4, a5, a6 and a8
Volume IV: Masses (1605)
"Mssarum quattuor, & octo vocibus, liber primus", Venice, A. Gardano
masses a4 and a8
Volume V: Vesper psalms (1604)
"Vespertina omnium solemnitatum psalmodia, quatuor vocibus", Venice, A.
Gardano
psalms a4
Volume VI: Motets, book 4 (1608)
"Sacrarum modulationum, quae vulgo motecta vocantur, duabus, tribus, &
quatuor vocibus concinuntur, liber quartus", Venice, A. Gardano & fratelli
motets a2-a4 with bc
Volume VII: see section: Secular music
296.S11
297.S11
298.S11
299.S11
300.S11
301.S11
Bildstein, H.
59,--
59,--
59,--
52,--
52,--
48,--
Hieronymus Bildstein
c.1580 - in or after 1626
Page 90 of 546
Andrew Blackhall
1535/36 - 1609
3 Psalms:
1. Blessed art thou (ps. 128) a5
2. Judge and revenge my cause (ps. 43) a5
3. O God my strength and fortitude (ps. 18) a4
see: Collections: "Music of Scotland, 1500-1700"
2 Psalms in reports:
1. When are we sat in Babylon (ps. 137) ATBarB
2. O God my strength and fortitude (ps. 18) SATBarB
see: Collections: "Ten Scottish Psalms in Reports", ed. Elliott: nos. 10 and 4
Now lat us sing SATB
(by Blackhall?)
see: Collections: "Eight Early Scottish Carols", ed. K. Elliott: no. 4
Boluda, G. de
Gins de Boluda
c.1550 - in or after 1592
Asperges me
SATB
see: Manuscripts: E-Tc 25: Toledo Cathedral, Codex 25
Bonhomme, P.
Pierre Bonhomme
c.1555 - 1617
In nomine Jesu (introit)
SATB / SATB, bc
from his: "Melodiae sacrae", Frankfurt, N. Stein, 1603
see: Collections: "Dedication Service for St. Gertrude's Chapel"
Boni, G.
GUILLAUME BONI
died after 1594
Motets, book I 1573
"Primus liber modulorum quinis, senis, & septenis vocibus. Guglielmo Bono
Arvero auctore", Paris, A. le Roy & R. Ballard, 1573
1. Cantate Domino a5
2. Adesto dolori meo a5
3. Amen amen dico vobis a6
4. Sicut mater consolatur a6
5. Congregati sunt a6
6. Decantabat populus a5
7. Exurge quare obdormis a5
8. Domine quando veenris a5
9. Hei mihi Domine a5
10. Peccavi super numerum a6
11. Pater peccavi a6
12. Emendemus in melius a5
13. Inclina Domine a5
14. Media vita a6
Page 91 of 546
302.R7
59,--
Page 92 of 546
Page 93 of 546
303.R7
Borgia, G.
59,--
Giorgio Borgia
fl 1580
3 Laude a3-a5 from his: "Il primo libro delle canzoni spirituali a tre, quattro,
et cinque voci...", Torino, heirs of Bevil'acqua:
1. Veni dal ciel sacro fonte viva a4
2. Chi god'i beni tuoi a3
3. Di pensier in pensier a5
see: Collections: "Roman Laude , 1563-1591"
Brant, J.
Jan Brant
1554 - 1602
2 Motets:
Page 94 of 546
Jacob de Brouck
fl 1568 - 1583
3 State motets:
1. Carole, qui lato similem tibi quaerit in orbe
2. Qui rebus claris mensuram nominis imples
3. Ut vigilum densa silvam cingente corona
nos. 1-3:
see: Prints 1568: "(Novi atque catholici thesauri musici) Liber Quintus"
no. 1:
see: Collections: "Staatsmotten fr Erzherzog Karl II von Innersterreich"
"Cantiones tum sacrae (quae vulgo moteta vocantur); tum profane, 5, 6, et 8
vocum", Antwerpen, 1579
from this collection:
1 Motet and 2 Chansons: Laeta dies
Pleurs et souspirs
Une angelette
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
Bruschi, G.
Giovanni Bruschi
Missa Die Lune
SATTB
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume II
Burck, J. a
JOACHIM A BURCK
1546 - 1610
St. John Passion, 1568
304.R7
"Die deutsche Passion. Das ist die Historia des Leidens unsers Herrn Jhesu
Christi, nach dem Evangelisten S. Johanne in Figural-Gesang bracht...",
Wittenberg, H. Schwertel, 1568
(in fact a compilation from all 4 evangelists)
*ed. SATB
5,--
Page 95 of 546
306.R7
307.R7
183.R5
305.R7
7,--
308.R7
1,50
a4
Page 96 of 546
309.R7
310.R7
1,25
a4
1,25
WILLIAM BYRD
1543 - 1623
a) Alphabetical list of works
b) The Byrd Edition; gen. ed. Ph. Brett
c) Other Editions:
1. Collections
2. Single works
a) Alphabetical list of works
with ref. to vol. & no. of the Byrd Edition
Ab ortu solis cardine a4 VIIa/13
A carol for Christmas day: This day Christ was born (Hodie Christus natus est)
a6
XIV/27
A carol for New Year's day: O God that guides the cheerful sun, for 1 voice
and 5 viols a6 XIV/28
Ad Dominum cum tribularer / Heu mihi (ps. 119) a8 VIII/7
Adoramus te Christe (1 voice and 4 viols) a5 VIa/1
Adorna thalamum tuum Sion / Subsistit Virgo a3 VIb/23
Ad punctum in modico / In momento indignationis (fragmentary) a5 IX/13
A feigned friend a4 XIV/11
Afflicti pro peccatis / Ut eruas nos a malis a6 III/17
Ah aged dame (1 voice and 4 viols) XV/33
Ah, alas you salt sea gods (1 voice and 4 viols) not by Byrd? XV/46
Ah golden hairs (1 voice and 4 viols) XV/13
Ah silly soul, for 1 voice and 5 viols a6 XIV/31
Ah, youthful years (fragment) XVI/34
Alack when I look back a1 & a5 XI/11
All as a sea a5
XII/28
Alleluia. Ascendit Deus a5 VIIb/2
Alleluia. Ave Maria / Alleluia. Virga Iesse floruit a5 V/20
Alleluia. Cognoverunt discipuli a4 VIIa/16
Alleluia. Confitemini Domino a4 VIII/1
Alleluia. Emitte spiritum a5 VIIb/8
Alleluia. Vespere autem sabbathi / Quae lucescit a3 VIb/18
Alma redemptoris mater a4 VIb/5
Although the heathen poets a5 XII/21
Ambitious love hath forced me to aspire a5 XII/18
And as the pleasant morning dew (2nd part of: Behold how good a thing)
a6
XIII/39
And think ye nymphs / Love is a fit of pleasure a6 XIII/42-43
Page 97 of 546
Page 98 of 546
Page 99 of 546
My mistress had a little dog / But out alas (1 voice and 4 viols) XV/36
My soul oppressed with care (ps. 119) a5 XII/3
Ne irascaris Domine / Civitas sancti tui (O Lord turn thy wroth; Let not thy
wrath; Behold I bring you glad tidings) a5 II/12
Ne perdas cum impiis / Eripe me Domine a5 VIII/11
Nobis datus nobis natus. see: Pange lingua
Noctis recolitur. see: Sacris solemnis
Non vos relinquam orphanos a5 VIIb/13
Nunc dimittis servum tuum / Quia viderunt / Lumen ad revelationem a5 V/4
Nunc scio vere / Domine probasti me / Gloria Patri et Filio a6 VIIb/14
O admirabile commercium a4 VIIa/7
O clap your hands. see: First Preces and Psalms
Oculi omnium in te / Aperis tu manum / Caro mea a4 VIa/9
O dear life (tetx by sir Ph. Sidney) a5 XIII/33
O Domine adjuva me a5 II/3
Of gold all burnished / Her breath is more sweet a5 XIII/36-37
Of flatt'ring speech a3 XIV/2
O gloriosa Domina / Quod Eva tristis / Tu regis alti / Gloria tiibi Domine a3
VIb/14
O God but God (1 voice and 4 viols) XV/6
O God give ear (ps. 55) a5 XII/1
O God that guides the cheerful sun a6. see: A carol for New Year's day
O God the proud are risen against me a6 XI/4
O God which art most merciful (ps. 51) a3 XIII/4
O God whom our offences have justly displeased a5 XI/5
O happy thrice (fragment) XVI/42
O heavenly God (1 voice and 4 viols) not by Byrd? XV/49
O Lord bow down (1 voice and 4 viols) XV/7
O Lord how long wilt thou forget (ps. 13) a5 XII/5
O Lord how vain (1 voice and 4 viols) XV/8
O Lord make thy servant Elizabeth a6 XI/6
O Lord my God a4 XIII/22
O Lord rebuke me not in thy fury a1 & a5 XI/15
O Lord within thy tabernacle (1 voice and 4 viols) XV/1
O Lord who in thy sacred tent (ps. 15) a5 XII/6 & XVI/8
O lux beata Trinitas / Te mane laudem / Deo patri sit gloria a6 I/6
O magnum misterium a4 VIIa/8
Omni tempore benedic Dominum / Memor esto fili a5 VIII/12
O praise our Lord / Extol the greatness / Praise him on tube / The gladsome
sound / All the creatures a5 XI/21
Optimam partem elegit a5 V/25
O quam gloriosum / Benedictio et claritas a5 II/13
O quam suavis est Domine (hymn for the Ascension) a4 VIIa/18
O rex gloriae Domine virtutum a5 VIIb/6
O sacrum convivium a4 VIa/14
O salutaris hostia a4 VIa/13
O salutaris hostia a6 VIII/6
O sweet deceit a5 XVI/14
O that most rare breast a5
XII/35 & XVI/28
O that we woeful wretches (1 voice and 4 viols) XV/9
O trifling toys (fragment) XVI/43
Out of the deep a6 (by O. Gibbons?) XI/7
Out of the orient crystal skies (1 voice and 4 viols) XV/10
O you that hear this voice (on text by sir Philip Sidney) a5 XII/16 & XVI/16
(chant: Pange lingua) / Nobis datus nobis natus / verbum caro / Tantum ergo
a4
VIa/15
Pascha nostrum immolatus est a5 VIIa/24
Peccantem me quotidie (Let us arise from sin) a5 I/3
Peccavi super numerum a5 IX/22
Penelope that longed a5 XIII/27
Petrus beatus / Quodcunque vinclis / Per immensa saecula / Gloria Deo a5
VIII/9
Plorans ploravit et deducet / Dic Regi a5 VIa/3
Post dies octo / Mane nobiscum a3 VIb/21
Post partum virgo a5 V/18
Praise our Lord, all ye gentiles (ps. 117) a6 XIV/29
Precamur sancte Domine. see: Christe qui lux es
Preces / Responses a5 Xa/1
Preces Deo fundamus (fragement) XVI/44
Prevent us o Lord a5 XI/8
Prostrate o Lord I lie a5 XII/27 & XVI/21
Psallite Domino a5 VIIb/5
Puer natus est nobis / Cantate Domino / Gloria Patri et Filio a4 VIIa/1
Quem terra pontus aethera / Cui luna / Beata Mater / Beata caeli nuncio /
Gloria tibi Domine a3 VIb/13
Quis me statim (1 voice and 4 viols) XV/37
Quodcunque ligaveris a6 VIIb/20
Quomodo cantabimus / Si non proposuero a8 IX/23
Quotiescunque manducabitis a4 VIa/11
Quis est homo qui vult venire / Diverte a malo (ps. 33) a5 III/2
Recordare Domine testamenti tui / Quiescat Domine a5 III/11
Reges Tharsis a4 VIIa/11
Reges Tharsis (by Byrd?) a5 IX/24
Regina caeli / Quia quem meruisti / Resurrexit sicut dixit / Ora pro nobis a3
VIb/17
Rejoice rejoice with heart and voice (chorus of no. 35) a4 XIII/24
Rejoice unto the Lord (1 voice and 4 viols) XV/11
Responsum accepit Simeon a5 V/5
Retire my soul a5 XIV/17
Resurrexi / Domine probasti me / Gloria Patri et Filio a5 VIIa/20
Right blest are they (ps. 102) a3 XIII/2
Rorate caeli / Benedixisti Domine / Gloria Patri et Filio a5 V/12
Sacerdotes Domini a4 VIa/10
(chant: Sacris solemnis) / Noctis recolitur / Dedit fragilibus / Panis angelicus
(by Byrd?) a5 IX/25
Salve Regina / Eia ergo a4 VIb/4
Salve Regina / Et Iesum benedictum a5 III/4
Salve sancta parens / Eructavit cor meum a5 V/6
Salve sola Dei genitrix a4 VIb/9
Sanctus (by Byrd?) a3 IX.27
Save me, o God. see: First Preces and Psalms
Save me, o God, for thy name's sake (by Byrd?) a5 XI/9
Second preces and psalms: Preces, a5 / When Israel came out of Egypt, a5 /
Hear my prayer o God, a5 / Teach me o Lord, 1 and 5 voices + organ
(ps. 114, 55 & 119: 33) 2 versions Xa/3
Second service: Magnificat / Nunc dimittis M solo and 5 voices with organ
Xa/6
See those sweet eyes a5 XIII/29 & XVI/29
Senex puerum portabat a4 VIb/10
Senex puerum portabat a5 V/3
Short service: Venite / Te Deum / Benedictus / Kyrie / Creed / Magnificat /
Nunc dimittis a6 Xa/5
Sicut audivimus a5 V/2
Siderum rector a5 I/9
Similis illis fiant a4 (= 2nd section of: In exitu Israel; 1st section by J.
Sheppard; 3rd section by W. Mundy) VIII/2
Sing joyfully unto God our strength / Blow the trumpet a6 XI/10
Sing we merrily / Blow up the trumpet (ps. 81: 1-4) a5 XIV/20-21
Sing ye to our god a3 XI/24
Sing ye to our Lord (ps. 149: 1-2) a3 XIV/6
Sith Death at length (1 voice and 4 viols) XV/22
Sith that the tree (1 voice and 4 viols) XV/23
Solve iubente Deo a6 VIIb/16
Speciosus forma / Lingua mea a5
V/17
Spiritus Domini replevit / Exsurgat Deus a5 VIIb/7
Surge illuminare a4 VIIa/15
Susanna fair a5
XII/29
Suscepimus Deus / Magnus Dominus / Gloria Patri et Filio a5 V/1
Susanna fair a3
XIII/8
Susanna fair a5
XVI/22
Teach me, o Lord. see: Second Preces and Psalms
Te deprecor (2nd part of: Tribue Domine) a6 I/15
Terra tremuit a5 VIIa/23
The eagle's force (text by Th. Churchyard) a3 XIV/1
The careless thoughts are freed (2nd part of: From Cytheron) a4 XIII/20
The day delay'd (1 voice and 4 viols) by Byrd? XV/44
The fair young virgin a5 XVI/1
The greedy hawk (text from Whitney's "A choice of emblemes", 1586) a3
The Lord is only my support (1 voice and 4 viols) XV/2
The man is blest (1 voice and 4 viols) XV/4
The match that's made for just and true respects a5 XII/26
Then for a boat (2nd part of: Upon a summer's day) a3 XIII/13
The nightingale so pleasant a3 XIII/9
Third service: Magnificat / Nunc dimittis a5 Xa/7
This day Christ was born a6. see: A carol for Christmas day
This sweet and merry month (reprint of no. 8 in "The first sett of Italian
madrigalls Englished", 1590; text by Th. Watson?) a4 XIV/9
This sweet and merry month of May a6 XVI/3
Though Amaryllis dance in green a5 XII/12 & XVI/12
Though I be Brown (1 voice and 4 viols) XV/38
Thou God that guid'st a2 & a5 XI/16
Thou poets' friend (1 voice and 4 viols) XV/24
Timete Dominum / Inquirentes autem a5 VIa/5
Tollite portas / Quis ascendet a5 V/13
Tribue Domine a6 I/14
Tribulationes civitatum / Timor et hebetudo / Nos enim pro peccatis nostris
a5
II/14
Tribulatio proxima est / Contumelias et terrores a5 III/5
Tristia et anxietas / Sed tu Domine qui non derelinquis a5 II/4
XIII/18
361.S11
3. O Domine adjuva me
4. Tristia et anxietas / Sed tu Domine qui non derelinquis
5. Memento Domine congregationis tuae
6. Vide Domine afflictionem / Sed veni Domine
7. Deus venerunt gentes / Posuerunt morticinia / Effuderunt sanguinem / Facti
sumus opprobrium (ps. 78: 1-4)
8. Domine tu jurasti
9. Vigilate nesictis enim
10. In resurrectione tua Domine
11. Aspice Domine de sede sancta tua / Respice Domine
12. Ne irascaris Domine / Civitas sancti tui (O Lord turn thy wroth; Let not thy
wrath; Behold I bring you glad tidings)
13. O quam gloriosum / Benedictio et claritas
14. Tribulationes civitatum / Timor et hebetudo / Nos enim pro peccatis nostris
15. Domine secundum multitudinem
16. Laetentur coeli / Orietur in diebus tuis
Manuscript sources:
B-Br II. 4109: table book, c.1620 (7, 10, 12)
GB-Cfm 179: score (1)
GB-Cp: "Former" set (12) and "Latter" set (16)
GB-DRc A 3: organ (12), C 4 - C 7 (12), C 9 - C 11 (12), C 15 (12), C 17
(12) and C 19 (12)
GB-EL (in: GB-Cu) 1: organ (12), 2: organ (12) and 29: T (12)
GB-CF D/DP.Z6/1: B (2, 4, 6-8, 10-15)
GB-GL : B, c.1640 (12), TD from adds. to Barnard partbooks (12), organ
part, 17th-18th c. (12)
GB-Lbl Add.: 5058: score (1, 4, 8-11, 14-16), 5059: score (2), 14398: score
(1-12), 17784: B (12), 17792-17796: Sx lacking (4, 10, 12, 13),
23624: score (8), 29247: lute (5, 6, 8, 9, 12, 14, 15), 29372-29377:
Myriell's "Tristitiae Remedium" (10, 12), 29427 (10), 30087: score
(12), 30478: TC (12), 30479: TC (121), 30481-30484 (12),
32377: C (2, 12) and 47844: Ct (12)
GB-Lbl Harley 7337: score (12)
GB-Lbl RM: 24.c.11: score (12), 24.d.2: score (4, 5, 11-14), 24.h.11: score
(12).
GB-Lcm 1047: TD (12), 1189: score (12), 2036: CAB (16: 2nd part only),
and 2089: lute (1, 4, 6, 8, 9, 12, 14-16)
GB-Lcm Madrigal Society: B.1 - B.10 (13), G.27: T (9, 15)
GB-Lsp: TD, BD and BC (12)
GB-Ob mus. d.162: BD (12) and e1. - e.5 (2, 11, 12, 14)
GB-Ob mus.sch.: c.45-c.50 (10, 16), e.423: Ct (2-16)
GB-Ob Tenbury 341-344: B lacking (2, 4-15), 349-353 (13), 359-363 (13),
369-373 (1, 4, 6-15), 374-378 (13), 389: C (2, 4, 6-8, 1-14, 16),
1382: T (12), 1442: B (12), 1469-1471: T & Q lacking (12) and
1486: T (7, 10, 12-14, 16)
GB-Och 10: score (12), 47: organ (12), 984-988 (2-4, 7, 8, 10, 12-14, 16)
and 979-983 & 1024: T lacking (2-6, 11-14)
GB-Ojc 181: B (12)
GB-WB P 14: T (12) and P 12: Ct (12)
GB-Y M.: 1/2 and 1/5 - 1/8: CtC, MD, CtD, TD and BD (12), 499: B (12)
IRL-Dtc Press B.1.32: printed book with ms. adds. (12)
US-BEm M2. C645. Case B: organ part (12)
US-NH the Filmer partbooks (10)
US-NYp Drexel 4180-4184 (10, 12) and the Chirk Castle partbooks (12)
private collections: the Wilmott ms.: CT (7, 10, 12-14, 16) and the James ms.:
S (2, 4, 6-8, 10-14, 16)
Early prints:
1641: "The first book of selected church musick...collected out of divers approved authors, by John Barnard...", London, E. Griffin (12)
1663; 2/1664: J. Clifford: "The Divine Services and Anthems usually sung in the
cathedrals and collegiate choirs of the Church of England", London (12) 156,-362.S11
GB-Och 45: table book (16: opening only), 979-983 & 1024 (6, 7, 9, 10, 12,
14, 16: parts 1 & 2 only; 17, 19) and 984-988 (3, 5-7, 12, 13)
GB-Y M. 5/2 (1: 3rd part only; 18, 21)
IRL-Dtc Press B.1.32: printed book with ms. adds. (17)
private collections: the Willmott ms.: CT (16) and the James ms.: S (3, 7-9, 12,
16).
164,-363.S11
364.S11
108,--
Manuscript sources:
GB-Lbl Add. 5058: score (23: part 1 only), 34040: C (10) and 41156-41158:
SAB (1, 6, 12)
GB-Lcm 2035: CAB (1, 6, 12) and 2036: CAB (1, 12; 22: Propter veritatem
Adducentur regi only)
GB-Ob Tenbury 349-353 (10) and 369-373 (1, 4, 6, 8, 10-15; 16: Alleluia
only; 21; 22: Propter veritatem only; 23, 25)
365.S11
366.S11
153,--
148,--
148,--
369.S11
370.S11
159,--
373.S11
n.y.p.
24. Rejoice rejoice with heart and voice (chorus of no. 35)
25. Cast off all doubtful care (chorus of no. 40)
a5:
26. Weeping full sore
27. Penelope that longed
28. Compel the hawk (text by Th. Churchyard)
29. See those sweet eyes
30. When I was otherwise
31. When first by force
32. I thought that Love had been a boy
33. O dear life (tetx by sir Ph. Sidney)
34. Love would discharge (= 2nd part of no. 29)
35. From virgin's womb (for 1 voice and 4 viols)
36-37. Of gold all burnished / Her breath is more sweet
a6:
38-39. Behold how good a thing / And as the pleasant morning dew (ps. 133)
40. An earthly tree (for 2 voices and 4 viols)
41. Who made thee Hob (for 2 voices and 4 viols)
42-43. And think ye nymphs / Love is a fit of pleasure
44. If in thine heart
45. Unto the hills (ps. 21)
46-47. Christ rising again / Christ is risen again (for 2 voices and 4 viols c.q.
for 6 voices)
Sources:
GB-Cpc 6.1-6 (46, 47)
GB-DRc sources, all for nos. 46-47: A 5: organ, C 1: M, C 2: Ct, C 3: CtD2,
C 4: CtD2, C 5: CtC2, C6: CtD1, C 8: Ct, C 9: TD, C 10: TC,
C 11: TD, C 14: TC, C 16: BD and C 19: B
GB-GL TD, c.1660 (46, 47) and organ part, c.1670 (46, 47)
GB-Lbl Add: 17784: B (46, 47), 29372-29377 (46, 47), 29996: organ (24,
35, 40), 30087: score (46, 47), 30478: TC (46, 47), 30479:
TC (46, 47), 31443: score (1), 31992: lute (38-40, 46, 47),
GB-Lbl RM. 24.d.3: Will Forster's harpsichord book (8)
GB-Lcm 1045-1048 & 1051 (46, 47), 2041: M (38, 39),
GB-Llp 7643: B (46, 47)
GB-Ob mus.sch. d.162: BD (22, 46, 47), d.233-233: TQ lacking (46, 47)
and e.423: Ct (46, 47)
GB-Ob Tenbury 341-344: B lacking (46, 47), 791: organ (40, 46, 47), 1382:
T (46, 47)
GB-Och 1220-1224: several parts lacking (46, 47)
GB-Ojc 180: B (46, 47)
GB-WRch 1a: CtC (25)
GB-Y M.29: B (46, 47)
US-NYp Drexel 4302: score (46, 47) and 5469: organ (46, 47)
US-NYp the Chirk Castle partbooks (46, 47)
US-Ws V.a.408: Tr (46, 47)
1641: "The first book of selected church musick....collected by J. Barnard",
London (46, 47)
1663: J. Clifford: "The divine services and anthems usually sung in the cathedrals and collegiate choirs of the Church of England", London (46, 47)
376.S11
n.y.p.
"Psalmes, songs, and sonnets...Fit for voyces or viols of 3.4.5. and 6. parts.
Composed by William Byrd...", London, Th. Snodham, the assigne of W.
Barley, 1611
32 works a3-a6; * = on text from G. Whitney's "A choice of emblems", 1586
a3:
1. The eagle's force (text by Th. Churchyard)
2. *Of flatt'ring speech
3-4. *In winter cold / *Whereat an ant
5. *Who looks may leap
6. Sing ye to our Lord (ps. 149: 1-2)
7. I have been young (ps. 37: 25)
8. *In crystal towers
a4:
9. This sweet and merry month (reprint of no. 8 in "The first sett of Italian
madrigalls Englished", 1590; text by Th. Watson?)
10. Let not the sluggish sleep
11. A feigned friend
12. Awake mine eyes
13. Come jolly swains
14. What is life
15. Fantasia in g for 4 viols
16. Come let us rejoice (ps. 95: 1-2)
a5:
17. Retire my soul
18. Arise Lord into thy rest (ps. 132: 8-9)
19. Come woeful Orpheus
20-21. Sing we merrily / Blow up the trumpet (ps. 81: 1-4)
22. Crowned with flowers I saw fair Amarillis (text by E. Paston?)
23. Wedded to will is witless
24. Make ye joy to God (ps. 100: 1-2)
a6:
25. Have mercy upon me, for 1 voice and 5 viols (ps. 51: 1-2)
26. Fantasia in g for 6 viols
27. A carol for Christmas day: This day Christ was born (Hodie Christus natus
est)
28. A carol for New Year's day: O God that guides the cheerful sun, for 1
voice and 5 viols
29. Praise our Lord, all ye gentiles (ps. 117)
30. Turn our captivity (ps. 125: 5-7)
31. Ah silly soul, for 1 voice and 5 viols
32. How vain the toils, for 1 voice and 5 viols
Sources:
GB-DRc A 1: organ (25), C 1: M (25), C 10: TC (25), C 11: TD (25), C 19:
B (25)
GB-Lbl Add: 30478: TC (25: attr. to Gibbons), 31992: lute (32)
GB-Lbl Egerton 2009-2012 (22, 23)
GB-Lcm 2041 (22, 23)
GB-Llp 764: B (25)
GB-Ob f.20 & f.22-24: CSxTB (25)
GB-Ob Tenbury 791: organ (25)
GB-Ojc 181: B (25)
GB-SHR SRO 356 mus.ms. 5: B (25)
GB-Y M.29: B (25: attr. to Gibbons)
Appendix:
a) doubtful attributions:
42. By force I live
43. Methought of late
44. The day delay'd
45. Whom hateful harms
b) considered not to be by Byrd; not included in this edition:
46. Ah, alas you salt sea gods
47. Come tread the paths
48. My little weet darling
49. O heavenly God
Sources:
GB-Lbl Add: 5068 (37), 15117 (6, 49), 17786-91 (46, 48), 17792-6 (43),
18936-9 (2-3, 5, 7, 14, 19-20, 23, 29-30, 42, 45), 29247 (15),
29372-7 (30), 29401-5 (4, 7-11, 17-20, 22-23, 26, 28-29,
31-41, 44), 30480-4 (12), 30485 (6), 31992 (2-9, 11, 13-15,
21-22, 25-28, 30-33, 37) and 34050 (30).
GB-Lbl Egerton 2009-12 (9-10, 29)
GB-Lcm 2041 (10, 30), 2049 (24, 32) and 2089 (37)
GB-Ob mus.sch.: f.20-24 (12) and e.423 (5-6, 8-9, 13-14, 25)
GB-Ob Tenbury: 369-373 (37), 389 (1), 1469-71 (4, 11)
GB-Och 984-8 (1, 8, 12-13, 15, 28, 44)
US-CA 30 (7-11, 14-15, 17, 27-29, 31-33, 36-37, 39, 41)
US-NYp Drexel 4180-5 (16, 30, 46)
private collection: the James ms. (1)
378.S11
135,--
135,--
A Byrd Anthology: 14 anthems and motets, selected by John Milsom and ed.
by J. Milson, A. Brown, T. Symons, D. Skinner, P. le Huray, D. Willcocks, A.
Greening and J. Morehen; all for SATB:
I/1, II/12 and 15, III/20 and 21, VIa/6, VIIa/8 and 17, IX/14, XI/8, 10 and
22, and XIV/18 and 29
24,--
9 Anthems a4-a5-a6:
II/13 and 16, III/13 and 21, VIa/6 and 12, X/3, XI/10 and XIV/27
see: Collections: "The Oxford Book of Tudor anthems"
380.S11
381.S11
69,--
382.S11
11,--
383.S11
384.S11
384.S11
42,--
42,--
138,--
and 38
384.S11
386.S11
42,--
42,--
39,--
2. Separate Works
in alphabetical order
387.S11
12,--
388.S11
389.S11
390.S11
6,--
3,- 5,--
391.S11
5,--
392.S11
5,--
393.S11
Civitas Sancti Tui (Bow thine ear = 2nd part of: Ne irascaris Domine)
SATTB (II/12):
*ed. Fellowes / Shaw
6,--
394.S11
5,--
395.S11
8,50
396.S11
8,50
397.S11
9,--
398.S11
5,--
399.S11
5,--
400.S11
Earthly tree, an, SS + keyboard / Cast off all doubtful care, SSAT (XIII/40
and 25):
*ed. Ph. Brett
4,--
401.S11
5,--
403.S11
4,- 5,--
404.S11
Exsurge Domine
*ed. Smart
7,--
405.S11
402.S11
SATB (III/12):
13,--
406.S11
407.S11
408.S11
4,--
409.S11
3,--
3,50
5,--
413.S11
6,- 9,50
414.S11
Laetentur caeli
*ed. Symons
410.S11
411.S11
412.S11
5,--
2,50
SATBarB (II/16):
5,--
415.S11
2,50
416.S11
5,--
417.S11
Magnificat & Nunc dimittis from the Short Service SATTB (Xa/5):
*ed. Greening
7,--
418.S11
419.S11
420.S11
421.S11
422.S11
423.S11
Mass a4 (IV/1):
ed. Ph. Brett
ed. F. Hudson in pocket score
Mass a3 (IV/2); ed. Ph. Brett
ed. Ph. Brett (Byrd Edition)
ed. F. Hudson in study score; sources: a) first edition by Th. East, 1593-4
(+ ms. copies of this ed.); b) 2nd ed. by T. East, c.1599 ( = ms. copies of
this ed.); c) J. Baldwine's copy after the 1st ed. (GB-Lbl R.M. 24.d.2);
d) GB-Cfm 30.G.5: ms. copy by J. Immyns (18th c.); e) GB-Lbl Add.
29382: also an Immyns copy; f) GB-Cfm 2.F.22: an imperfect copy in
score from the beginning of the 18th c.
Mass a5 (IV/3):
ed. Ph. Brett
ed. F. Hudson in pocket score
10,- 13,--
8,50
12,--
11,- 13,--
424.S11
5,--
2718.S11
18,50
425.S11
2,50
O lux beata Trinitas / Te mane laudem / Deo patri sit gloria SSAATB I/6:
see: Collections: "Chester Books of Motets": volume XIII
426.S11
427.S11
428.S11
429.S11
4,- 6,--
4,50
6,--
431.S11
5,- 5,--
432.S11
3,--
433.S11
6,--
430.S11
434.S11
435.S11
3,- 6,--
436.S11
437.S11
438.S11
4,--
440.S11
4,- 6,--
441.S11
Teach me, o Lord (from: Second Preces & Psalms) SAATB (Xa/3):
*ed. Fellowes / Webber
4,--
442.S11
7,--
443.S11
2,50
444.S11
4,50
445.S11
3,50
446.S11
4,--
447.S11
7,--
438.S11
4,--
7,50
448.S11
449.S11
Calvisius, S.
354.S11
3,50
16,--
SETHUS CALVISIUS
1556 - 1615
"Harmonia canticarum: Kirchengesnge und geistliche Lieder...", Leipzig, 1597
from this collection:
2 Sacred songs, a4:
1. O Lamm Gottes
2. Allein zu dir, Herr Jesu Christ
see: Collections: "Antiqua Chorbuch": part I, volume 3: nos. 90-91
2 Sacred Songs, a4:
1. Komm, Gott Schpfer, Heiliger Geist
2. Mein schnster Zier und Kleinod
in: "Kantional: 66 Choralstze alter Meister...", ed. W. Schulze
12,50
Bis hieher hat mich Gott gebracht, a4:
see: Collections: "Liederbuch des Deutschen Sngerbundes"
"Tricinia: ausserlesene teutsche Lieder...", Leipzig, 1603
311.R7
"Tricinia. Auszerlesene Teutsche Lieder, der meisten theil aus des Kniglichen
Propheten Davids Psalterio gezogen, neben etlichen andern geistlichen und
anmtlichen Politischen Texten, mit dreyen Stimmen zu singen, und sonst auff
Instrumenten zu ben", Leipzig, J. Apel / A. Bamberg, 1603
22 tricinia for SABar (alphabetical list of titles):
1. Des Herren Wort wahrhaftig ist
2. Der Herr ist mein getreuer Hirt
3. Der ist frwahr ein selig Mann
4. Ein feste Burg ist unser Gott
5. Erzrn dich nicht so sehre
6. Gnad mir verleih, o treuer Gott
7. Herr, du erforschst mein Sinne
8. Herr Gott, du richtest recht die Leut
9. Herr Gott, zeig mir den rechten Weg
10. Herr, wie gross sind deine Werke
11. Ich armer Snder komm zu dir
12. Ich dicht und tracht manch liebe Nacht
13. Ich will bei meinem Leben
14. Ich will sehr hoch erhhen dich
15. Lasset die Kindlein kommen
16. Lobet ihn, den Herren Christ
17. Mein Seel ist still in meinem Gott
18. Mit Dank wir sollen loben
19. Musiken Klang
20. Viel schner Knst und Gaben
21. Wenn ich betrbt und traurig bin
22. Zu Lob und ehr mit Freuden
Editions:
nos. 1-22:
ed. P. Rubardt
17,50
no. 4:
see: Collections: "Antiqua Chorbuch": part I, volume 3: no. 92
no. 19:
see: Collections: "Der Schulchor": vol. II, no. 38
Motets a6 - a8:
a) from: "Florilegium selectissimarum cantionum, praestantissimorum aetatis
nostrae autorum, 4.5.6.7. & 8. vocum...studio ac labore M. Erhardi Bodenschatz...", Leipzig, A. Lamberg, 1603:
1. Praeter rerum seriem SAATBB
2. Vom Himmel hoch da komm ich her SSATTB
3. Freut euch und jubiliert SSATTB
4. Gloria in excelsis Deo SSATTB
5. Joseph, lieber Joseph mein SSATTB
6. Quaerite primum regunum Dei SATB / SATB
7. Das alte Jahr vergangen ist SATB / SATB (also included in: "Florilegium
Portense.....E. Bodenschatz", Leipzig, Lamberg / Closemann, 1618)
b) "Florilegii Musici Portensis, sacras harmonias sive motetas V.VI.VII.VIII.X.
vocum. E diversis, iisque praestantissimis aetatis nostrae autoribus collectus
comprehendentis. Pars altera...Collectore et editore M. Erhardo Bodenschatzio...", Leipzig, A. Lamberg, 1621:
8. Zion spricht: Der Herr hat mich verlassen SATB / SATB
c) D-MN mus. 16 (no.40); S 1 and 2 (missing) supplied by the editor:
9. Singet dem Herrn ein neues Lied SATB / SATB
d) "Sethi Calvisii musici, astronomi & chronologi praestantissimi Schwanen Gesang aus dem 90. Psalm Davids vers 10...mit acht Stimmen componiret, und
kurz hernach dem Authori selbsten am 27. Nov. dieses 1615. Jahres bey
seinem Begrbnis in Leipzig zum ersten mal gesungen.....", Leizpig, L.
Kober, 1616:
10. Unser Leben whret siebzig jahr SATB / SATB (also in source b)
Editions:
nos. 1-10:
Critical edition by A. Tunger
15,- no. 5:
*ed. P.M. Young
3,50
*ed. SSATTB
2,--
312.R7
313.R7
314.R7
Canons
Canons on a chorale melody from his treatise "Melopoeia sive melodiae
condendae ratio, quam vulgo musicam poeticam vocant", Erfurt, 1592
some of them in: Collections: "Das Musikwerk", volume XXX
Cantone, S.
Serafino Cantone
fl 1580 - 1627
Sacrae Cantiones, 1596
"R.D. Seraphini Cantoni organistae S. Simplitiani Mediolanensis. Sacrae
Cantiones, sive Motecta, tum ad instrumenta omnia, tum ad vocis modulationem aptissima. Quinque vocum. Liber primus", Venice, A. Gardano, 1596
18 motets a5:
1. Fili mi si timueris Deum
2. Jesu dulcis memoria
3. Gaudent in coelis
315.R7
Carabantes, J. de
Juan de Carabantes
Passio secundum Matthaeum SATB (without chants)
see: Manuscripts: GCA-Gc 4: "A New World collection of polyphony for
Holy Week", ed. Snow
Carreira, A.
Antonio Carreira
c.1530 - 1597
2 Works:
1. In memoria aeterna
a3
2. Surrexit dominus
a5 (SSSAT)
see: Collections: Portuguese Polyphony: an anthology
Castro, J. de
Jean de Castro
c.1540 - c.1600
Chansons a3, II (1580)
"Second Livre de Chansons, Madrigalz et Motetz a trois parties", Paris, A.
Le Roy & R. Ballard, 1580
a) Chansons Franoises:
1. A qui sont deubs ces vers
2. O ma belle maitresse tous le moins prenez / Non non ne venez poinct
3. J'ay cent mille tourmens / Tant plus le suis malade
4. Mais voyez mon cher esmoy voyez / De telle faon voz yeux / Au contraire
voz beaux yeux / Que sans l'aide des chaleurs
5. Las! je n'eusse jamias pens / Si bien accort j'eusse appereu
b) Madrigalz:
6. Stando m'un gionro / Indi per alto mare / In un boschetto / Chiara fontana /
Una strania fenice / Alfin vid' io per entro fior
7. Poi che per ben amar
144.R8
Cato, D.
137,--
Diomedes Cato
before 1570 - after 1607
3 Sacred songs a4:
1. Quem terra, pontus, aethera
2. O gloriosa Domina
3. Piesn o swietym Stanislawie
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. III: 81-3
Cavalieri, E. de'
lamiae-Jerusalem
c. Lesson III: Incipit oratio-Recordare-Hereditas-Pupilli-Jerusalem
b) Nine Responsories for the same days:
4. Holy Thursday:
a. Eram quasi
b. Una hora
c. Seniores populi
5. Good Friday:
a. Tradiderunt me
b. Jesum tradidit
c. Caligaverunt
6. Holy Saturday:
a. Astiterunt
Aestimatus sum
Sepulto
c) A second set of lamentation settings for Thursday and Friday
in Holy Week, with one incomplete lesson by Duritio Isorelli:
7. Holy Thursday:
a. Lesson I: Incipit lamentatio-Aleph: quomodo-Beth: plorans ploravitJerusalem
b. lesson II: Daleth: viae Sion-Mem: quoniam-Jerusalem
c. Sade: vide Domine-Zain: o vos omnes-Jerusalem
8. Good Friday:
a. Lesson I (by D. Isorelli): De lamentatione-Heth: non est lex-Lamed:
defecerunt-Jerusalem
b. Lesson II: Aleph: levemus-Lamed: judicasti-Jerusalem
c. Lesson III: Ghimel: conclusit-Beth: in tenebris-Aleph: Me minavitJerusalem
d) 12 substitute choral verses and letters for section c;
possibly by Cavalieri; 1 piece by Constanzo Festa:
9. Judicasti
10. Zain: Plauserunt
11. Beth: In tenebris
12. (Aleph): Me minavit
13. O vos omnes
14. Jerusalem, a7 (by C. Festa)
15. Aleph: Quomodo sedet
16. Beth: Plorans ploravit
17. Jerusalem
18. Lamed
19. Beth
20. ghimel
32.Beth: Plorans ploravit; 33.Jerusalem; 34.Lamed; 35.Beth; 36.Ghimel
Edition:
nos. 1-32:
ed. M.C. Bradshaw (1990); Early Sacred Monody, volume III; hardback
123.S5
Ceballos, R. de
316.R7
128,--
Rodrigo de Ceballos
c.1530 - 1591
Ad Dominum cum tribularer SAATB
*ed. R. Cheetham from E-GRcr mus. 3 (anonymous)
9,50
317.R7
Chamater, I.
4,50
Ippolito Chamater
c.1535/40 - after 1592
Introit: Puer natus (from his: "Li introiti fondati sopra il canto fermo del basso
...a4-a6...commodi a cantari a misura breve ed anco alla ordinaria",
Venice, 1574)
see: Collections: "Das Musikwerk", volume XXX
Chayne, J. de
Jean de Chayne
c.1540 - 1577
Quis dabit oculis nostris fontem lacrimarum
see: Prints 1568/6: "(Novi atque catholici thesauri musici) Liber Quintus"
Chiaula, M.
Chrysoponos, A
see: M. Panhormitano
1. Mors tyrannorum
2. Sancti angeli praesides Ecclesiae Christi
3. Providentia Dei
4. Poema persecutorum Christi
5. Veritas temporis filia
6. Hypocrisis
7. Dies festi sanctifandi
8. Officia parentum in liberos
9. Pietas a teneris discenda
10. Pietatis fundamenta sunt solida
IV. Decade quarta:
1. Studium pietatis
2. Eruditio iuventutis est munus Deo gratum
3. Vera sapientia Christus
4. Fructus matrimonii
5. Impii mixti piis
6. Vitae moderator timor Domini
7. Primi novissimi
8. Pietas et avaritia non cohaerent
9. Gradus sanitatis
10. Militia Dominis
V. Decade quinta:
1. Ex pugna victoria
2. Pugnae qassiduitas
3. Charitas fructus fidei
4. Fidei omnia pervia
5. Crux fidei lapis Lydius
6. Fides invicta
7. Efficacitas precum
8. Aut Dei Sathanae
9. Securitas poenix obnoxia
10. Pietas ad omnia utilis
VI. Decade sexta:
1. Divitias a Deo
2. Praemia elemosynae
3. Modestia Christiana
4. Deus suorum militum custos
5. Qui amat periculum, peribit in eo
6. Deus et mundus duo pugnantia
7. Color hypocryseos
8. A mensa et saturi et sancti discedamus
9. Nomen Domini turris fortissima
10. Precum continuatio
VII. Decade septima:
1. Sine Deo nihil possumus
2. Robur fidei
3. Crux Christi
4. Vicissitudo grata
5. Disciplina Domini
6. Studium carnis praeposterum
7. Incredulitas stirps scelerum
8. Sustine Dominus
9. Sanguis martyrum semen Ecclesiae
318.R7
Cilano, J.J.
45,--
J.J. Cilano
Exaudi Domine orationnem meam
canon a4 in unisono
see: A. Gumpelzhaimer: "Compendium musicae" (no. 169)
319.R7
Contino, G.
SSAT / ATTB
7,--
Giovanni Contino
c.1513 - c.1574
Motets a5 (1560)
"Iohannis Contini ecclesiae cathedralis Brixiae magistri Modulationum quinque
vocum: Liber Primus", Venice, G. Scotto, 1560
1. O magnum mysterium / Ave Maria
2. Alleluia alleluia surrexit Dominus
3. Letentur celi exultet terra / Confitemini Domino
4. Prudens & vigilans virgo Catherina
5. Ave vivens hostia veritas
6. Apparuit benignitas & humanitas
7. Hic est praecursor dilectus
8. tempus est ur revertar / Nisi ego abiero paracletus
9. Objectum Antoni ne pectus / Nec bello iuveni tantum
10. Magnum haereditatis
11. O beatum virum
12. Texebat viridem Cloris formosa galerum / Ne virgo mala sana tuos
13. Sanctorum martyrum tuorum
14. Quis neget esse homini pulchrum
15. Austriae stirpis generosa proles / Tuque iam toto celebratus orbe
16. Deus qui nobis
17. Hodie Christus natus est
18. Letare Hierusalem
19. O beatum Pontificem
20. Sancti Dei omnes
21. Maria styabat ad monumentum plorans / Tulerunt Dominum meum
22. O admirabile commertium
Edition:
nos. 1-22:
The Sixteenth-Century Motet, ed. R. Sherr: volume 25; hardback
210,--
320.R7
Costa, G.
Gasparo Costa
fl 1580 - 1590
"Il primo libro de motetti et madrigali spirituali a cinque voci di Gasparo Costa
Bolognese, organista alla Madonna di San Celso in Milano. Novamente
254.R7
Costeley, G.
6,--
Guillaume Costeley
c.1530 - 1606
Musique, 1570
"Musique de Guillaume Costeley, organiste ordinaire et vallet de chambre, du
treschretien et tresinvincible Roy de France Charles IX", Paris, A. Le Roy &
R. Ballard, 1570
104 works a4 - a6: 101 chansons (some sacred) and 3 motets (see: # after title)
alphabetical list of titles; a4 if not otherwise stated; original page number indicated after each title:
1. A ce joly matinet (34)
2. Adieu monde puis qu'en toy (49)
3. *Allez mes premieres amours (p. 3)
4. *Allon gay gay bergeres (10)
5. *Allons au vert bocage (23)
6. *Amour tu faiz de nos coeurs (11)
7. *Approche toy jeune Roy (Prise du Havre) (42)
8. Arreste un peu mon coeur a5 (58)
9. Audite coeli # a5 (66)
10. *Bien, bien je vous pardonne (31)
11. *Bouche, qui n'a point de semblable (24)
12. Catin veut espouser Martin a5 (61)
13. *Ce beau tems me fait resjouir (15)
14. *Celle qu'ainsi fire voyez (responce) (17)
15. Celuy qui dit les astres (49)
16. Chanton de Dieu les merveilles (50)
17. *Chassons ennuy et toute desplaisance (6)
18. Combien roulent ilz d'accidentz (51)
19. Comment l'Eternel obscurcy (55)
20. De quoy me sert mignarde (27)
21. Dessoubz le may, pres la fleur (35)
22. *Dieu Cupido, ce grand vilain (28)
23. Domine salvum fac regem # (64)
24. *D'ou vient que ce beau tems (14)
25. Du clair soleil vient la lumiere (44)
26. D'un gosier machelaurier (52)
27. *Elle craint l'esperon (16)
28. En ce beau moys, en ce temps a5 (60)
29. Eructavit cor meum # a5 (65)
30. *Esprit doux de bonne nature (22)
31. *Fy du plaisir qui mille ennuys (6)
32. Grosse garce noire et tendre (21)
33. *Guillot un jour estant dliber (8)
34. *Hardis Franoys et furieux (La guerre de Calais) (36)
35. Helas que de mal j'endure (47)
152.R8
153.R8
154.R8
155.R8
Cosyn, J.
225,--
20,--
2,50
3,--
John Cosyn
fl 1585; buried Feb 1508/09
4 Consort anthems:
1. Except the Lord the house do make a5
2. Lord, to thee I make my moan a5
3. Now Israel may say a5
4. Yield unto God a5
see: Collections: "Consort Songs and Anthems", ed. Brett: section D
Cotes, A.
321.R7
Ambrosio Cotes
c.1550 - 1603
Mortuus est Philippus Rex (In exequiis Catholici Regis Philiipi II)
SSAATBB
&ed. I. Moody from E-VAcp 20
see: Collections: "Msica para Felipe II Rey de Espaa", ed. Sierra (no. 6)
8,--
Courtois, L.
Lambert Courtois
c.1520? - fl 1542 - 1585
Destra di quel amor, a5 ("Canzon"):
see: Prints 1563/7: "Musica Spirituale, libro primo"
Crappius, A.
Andreas Crappius
c.1542 - 1623
Da pacem, Domine
SSSATB
ed. Th.W. Werner (from: Crappius: Ausgew. Werke)
322.R7
2,--
"Der erste Theil neuer geistlicher Lieder und Psalmen...", Helmstedt, 1594
from this collection:
2 Songs a3:
1. Nun ist es Zeit, zu singen hell
2. Wenn wir in hchsten Nten sein
see: Collections: "Antiqua Chorbuch": part I, volume 3: nos. 74-75
Crassot, R.
Richard Crassot
c.1530 - 1572?
"Les Pseaumes mis en rime franoise par Clement Marot et Theodore de
Besze, et nouvellement mis en musique quatre parties", Lyon, 1564
from this collection (with German translations):
*Nun danket Gott, erhebt (Ps.105; German text; + psalm by Jambe de Fer)
*Danket Gott, denn er ist gut (Ps.136; German text; + psalm by le Grand)
*Jauchtzt, alle Lande, Gott zu Ehren (Ps. 66; German text; + ps. by Crger)
*Wenn der Herr einst die Gefangenen (Ps.126;German text; + ps.by Crger)
*Wie herrlich gibst du, Herr (Ps. 8; German text; + psalm by C. le Jeune)
323.R7
324.R7
325.R7
326.R7
327.R7
Cristo, P. de
1,75
1,75
1,75
1,75
1,75
PEDRO DE CRISTO
c.1550 - 1618
List of Works
provisional list according to O. Rees
principal sources: P-Cug 8, 18, 33 (mostly early works) and 36
other sources quoted
many anonynmous works might still be attributed to him
1. Ad Dominum cum tribualrer a4
2. Alleluia a3
3-6. Alleluia I-IV a4
7. Alleluia. Tu es Petrus a4
8. Alma Redemptoris mater a4
9. Amicus meus a4
10. Angelus Domini a4
11. Animam meam dilectam a4
12. Animam meam dilectam a4 (in P-Ln L.C.57)
13. Asperges me a4
14. Audi Israel a5
328.R7
329.R7
8,--
no. 181:
*ed. B. Turner from P-Cug misc.mus. 36; SSAT
see: Collections: "Hodie Christus natus est!": no. 6
330.R7
Croce, G.
94,--
4,50
GIOVANNI CROCE
c.1557 - 1609
a) Musica Sacra (1608)
"Musica Sacra to Sixe Voyces. Composed in the Italian tongue by Giovanni
Croce. Newly Englished", London, Th. East, 1608:
The 7 Penitential Psalms a6 in English translation; earlier published (with Italian
or Latin text) as: "Li 7 sonetti penitentiali" (Venice, 1596) and "Septem psalmi
poenitentiales", Nrnberg, 1599
1. Ps.6: Lord, in thy wrath reprove me not / Long have I languised (adaptation
of: Signor non mi reprender / Domine ne in furore...miserere)
2. Ps.32: Blessed are they whose faults / O thou, my refuge (adaptation of:
Beati quei / Beati quorum remissae sunt)
3. Ps.38: Lord in thine anger / My strength even fails (adaptation of: Signor nel
tuo furor / Domine ne in furore...quoniam)
4. Ps.51: Show mercy, Lord / Give me a clean heart (adaptation of: Habbi di
me / Miserere mei Deus)
537.S11
5. Ps.102: Hearken, Lord / All kings and nations (adaptation of: Effaudisci Signor / Domine exaudi...et clamor meus)
6. Ps.130: From profound centre of my heart / Upon thy word (adaptation of:
Dal profondo / De profundis)
7. Ps.143: Listen, o Lord / All kings and nations (adaptation of: Effaudisci Signor / Domine exaudi...auribus)
Edition:
nos. 1-7:
ed. J. Morehen; The English Madrigalists, volume 41
85,--
538.S11
4,--
544.S11
9,50
4,- 5,- 5,- 5,--
545.S11
3,--
539.S11
540.S11
541.S11
542.S11
543.S11
549.S11
550.S11
"Sacrae Cantilene concertate a tre, a cinque, et sei voci, con i suoi ripieni
quattro voci, et il basso per l'organo, del R.D. Giovanni Croce Chiozzotto...",
Venice, 1610, 2/1612
from this opus:
*Jubilate Deo soli: SSB / rip: SATB and bc; ed. R. Charteris
546.S11
547.S11
548.S11
5,--
4,- 9,50
4,- 4,--
*ed. R. Charteris
551.S11
4,--
1,20
554.S11
2,- 1,20
555.S11
1,20
556.S11
1,50
557.S11
558.S11
559.S11
560.S11
561.S11
562.S11
*Veni Domine
552.S11
553.S11
Crusius, J.
3,-SATB
SAATB
1,20
1,20
2,--
1,20
3,--
Johann Crusius
2 Canons:
1. Miserere, a3
2. Ave Maria, a2
see: Collections: "Der Kanon", ed. F. Jde: nos. 36-37
Daman, W.
William Daman
c.1540 - 1591
Miserere nostri SATTB
* ed. G.E.P. Arkwright from GB-Lbl Add. 29372-29377 (Th. Myriell's
"Tristitiae Remedium")
331.R7
Deiss, M.
2,50
Michael Deiss
born c.1552; fl 1564-1568
Quis dabit oculis nostris fontem lacrimarum, a5 (or by L. Senfl?):
see: Prints 1568: "(Novi atque catholici thesauri musici.) Liber Quintus"
see: Manuscripts: D-Usch 122 (no. 14)
Antoine De la Court
c.1530/35 - 1600
Carole, caesareo princeps de sanguine splendens a5
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"
see: Collections: "Staatsmotten fr Erzherzog Karl II von Innersterreich"
De la Court, H.
Henri De la Court
first half 16th century - 1577
3 State motets:
1. Aurea dum rutilis surgens aurora quadrigis
2. Caesaris ad bustum qui Dux Alphonse dolendum
3. Quid silbi vult haec clara dies coelumque serenum
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"
Dentice, F.
Fabrizio Dentice
1525/35 - before 1601
Miserere a4
see: Collections: "Florilegium cantuum sacrorum"
Miserere; in 3 versions:
a) a5 from his "Lamentationi....", Milan, 1593
b) from I-Rvat Cap. Sistina; with ornamentations
c) from Viola's "Responsorii", 1622; a4, with ornamentation by turn in each
part
all 3 versions in:
section: 17th-c. sacred music for 1 voice and bc:
see: F. Severini, "Salmi passaggiati", 1615; ed. M.C. Bradshaw
Donato, B.
Baldassare Donato
c.1525/30 - 1603
"Il primo libro di canzon villanesche alla napolitana a 4 voci. Aggionovi anchora alcune villote di Perissone a quattro con la canzon della gallina", Venice,
A. Gardano, 1550
from this collection:
Allein nach dir Herr Jesu Christ
see: Manuscripts D-Usch 122; originally: Se pur ti guardo
"Il primo libro de motetti per 5, 6 et 8 voci", Venice, 1599
from this collection:
Jerusalem cito veniet SATTB
* ed. Lumsden
Ave Maria SATTB
* ed. Lumsden
332.R7
333.R7
Dowland, J.
3,- 3,--
John Dowland
1563 - 1626
591.S11
a) Six works from "The Whole Booke of Psalmes: with their wonted tunes, as
they are song in churches, composed into foure parts...compiled by sondry authors, who have so laboured heerin, that the unskilfull with small practice may
attaine to sing their part which is fittest for their voice", London, Th. Est, 1592:
1. Put me not to rebuke, o Lord (ps. 38)
2. All people that on earth do dwell (ps. 100)
3. My soul praise the Lord (ps. 104)
4. Lord to thee I make my moan (ps. 130)
5. Behold and have regard (ps. 134)
6. A prayer for the Queen's most excellent Majesty (on the Cheshire tune for
ps. 146)
b) Another setting of Psalm 100 from Th. Ravenscroft's "The whole booke of
Psalmes", 1621.
7. All people that on earth do dwell (ps. 100)
c) 7 works in: "Mr. Noell his funerall Psalmes" (owner: the Duke of Portland of
Wellbeck, Nottinghamshire):
8. Lamentatio Henrici Noel
9. Miserere mei Deus (ps. 51)
10. The humble suit of a sinner
11. The humble complaint of a sinner
12. De profundis (ps. 130)
13. Domine exaudi (ps. 143)
14. Domine ne in furore (ps. 6)
12,-Dragoni, G.A.
Dressler, G.
GALLUS DRESSLER
1533 - 1580/89
Psalmen, 1562
"Zehen deudscher Psalmen in vier und mehr Stimmen gebracht durch Gallum
Dresseler der Schulen zu Magdeburgk Cantorem", Jena, D. Richzenhain &
Th. Rebart, 1562:
1. Ps.133: Sihe wie fein und lieblich ists a5
2. Ps. 14: Die thoren sprechen in irem Hertzen (Es spricht der unweisen Mund
wol) / Wil denn der Ubeltheter keiner das mercken a4
3. Ps. 121: Ich hebe meine augen auff zu den bergen / Der Herre behte dich a4
4. Ps. 24: Die Erde ist des Herrn a4
5. Ps. 31: Herr auff dich traw ich a4
6. Ps. 117: Lobet den Herrn alle Heiden a4
7. Ps. 25: Nach dir Herr verlanget mich a4
8. Ps. 13: Herr wie lange wiltu meiner so gar vergessen a4
9. Ps. 122: Ich frewe mich des das mir geredt ist / Wndschet Jerusalem glck
334.R7
335.R7
336.R7
10. Ps. 128: Wol dem der den Herrn frchtet / Sihe also wird gesegenet der
Mann a8
Editions:
nos. 1-10:
Facsimile of the 5 partbooks of the 1562 edition; these partbooks contain as
well: "Newe Tetsche Liedlein mit Fnff Stimmen" by O. de Lassus; Mnchen, A. Berg, 1567
no. 3:
*ed. E. Roller; SATB
no. 6:
*ed. Schott; SATB (together with Osiander: Gelobet seist du, Jesu Christ)
129,- 3,50
2,60
183.R5
"XVII. Cantiones Sacrae, quatuor et quinque vocum, in usum scholae Magdeburgensis compositae et editae a Gallo Dresselero", Wittenberg, G. Rhau
1. Venite ad me omnes / Tollite iugum meum a5
2. Lucerna pedibus meis a4
3. Haec est voluntas eius a4
4. Vespera nunc venit a4
5. Nil sum, nulla miser / Hoc mirum foedus a5
6. Quicquid erit tandem, mea spes / Quid valet hic mundus a5
7. Ecce ego vobiscum sum a5
8. Fundamentum aliud nemo potest ponere a5
9. Pectus ut in sponso / Iura thori Deus a5
10. Ego sum lux mundi a4
11. Sic Deus dilexit mundum a4
12. Amen amen dico vobis, si quis sermonem meum servaverit a4
13. Dixit Jesus mulieri Cananeae a5
14. Corporalis exercitatio a5
15. Amen amne dico vobis, qui sermonem meum audit a5
16. Ego plantavi, Apollo rigavit / Itaque neque qui plantat a5
17. Ego sum panis ille vitae a5
Editions:
nos. 10-17:
ed. Halm and R. Eitner in volume 24 of: "Publikationen lterer praktischen
und theoretischen Musikwerke, vorzugwseise des XV. & XVI. Jahrhunderts,
hrsg. von der Gesellschaft fr Musikforschung" (29 volumes; 1873-1905).
Reprint of all 29 volumes; hardback; only available as complete set
2.950
no. 4:
see: Manuscripts: D-Usch 236 (no. 126)
Cantiones Sacrae, 1574
"Opus selectissimum Scararum Cantionum, quatuor, quinque et pluribus
vocibus in gratiam musicorum compositarum a Gallo Dresslero Nebraeo,
cantore Magdeburgensi...", Nrnberg, Th. Gerlach & W. Kirchner, 1574
nos. 1-37 & 40: a5; nos. 38 & 41: a6; no. 39: a8; nos. 42-78: a4
1. Unam petii a domino a5
2. Non est bonum
3. Beati omnes
4. Ascania de gente
5. Petite et dabitur vobis
6. Laetare de uxore
7. Venite ad me omnes
8. Vivo ego dicit dominus
9. Cantate domino
10. Gaudens gaudebo
11. Sicut iuvenis amat virginem
12. Felix cui dederit
13. Rebus humanis
14. Non erubesco
15. Fide deo sis fortis
16. Fertur crucem, quia vera
17. Quicquid erit tandem
18. Ascaniae illustris princeps
19. Nil sum, nulla miser
20. Solis ut ad radios
21. Regnum mundi
22. Fundamentum aliud nemo
23. Pectus ut in sponso
24. Sicut Moses exaltavit
25. Dixit Jesus mulieri
26. Lex per Mosen data est
27. Jam moesta quiesce
28. Corporalis exercitatio
29. Nonne duodecim sunt
30. Si moram fecerit dominus
31. Si tua divino committes
32. Dominus noster Jesus Christus
33. Amen dico vobis
34. Apparuerunt apostolis
35. Ego plantavi Apollo rigavit
36. Ego sum panis
37. Ecce quam bonum
38. Subditus esto deo a6
39. Ecce quam bonum a8
40. Domine dirigie gressus meos a5
41. Quicquid agis dic grata a6
42. Vita quid est hominum a4
43. Sic deus dilexit mundum
44. Noli te quaerere
45. Auxilium meum domino
46. Ego sum resurrectio
47. Ne existimetis
48. Lucerna pedibus meis
49. Cum invitatus fueris
50. Domine ad quem ibimus
51. Haec est voluntas eius
52. Nisi dominus aedificaverit
53. Ut rosa saepe perit
54. Magdalena mei dulcissima nata
55. Sis asinus quemcunque
56. Vespera nunc venit
57. Mundus amat tenebras
58. Misericordiam volo
337.R7
182,--
Other Editions
Coniugium tibi sit blandum, a4:
source: "XIX Cantiones quatuor et quinque vocum", Mageburg, 1569
see: Manuscripts: D-Usch 235 (no. 36)
338.R7
339.R7
SATB
SATB
3,--
340.R7
341.R7
342.R7
3,50
SATB
2,50
3,- 2,50
Michel-Charles Du Buisson
fl 1560 - 1573
Cantio sacra de Annuntiatione Mariae Verginis
ed. W. Pass:
score
a6
8,--
*choral score
4,--
346.R7
347.R7
Gaudete et exsultate a5
from: "Novi thesauri musici liber primus...", Venice, A. Gardano, 1568/2
in: "Thesaurus musicus", volume 25; ed. W. Pass
11,--
348.R7
10,--
349.R7
11,--
345.R7
a5
8,- 4,--
350.R7
Du Caurroy, E.
9,--
EUSTACHE DU CAURROY
1549 - 1609
"Preces ecclesiasticae ad numeros musices redactae.
Authore Eustachio du Caurroy...Liber Primus",
Paris, P. Ballard, 1609
a3 - a9
1. Beati immaculati in via (4 parts) a5
2. In exitu Isral de Aegypto (6 parts) a5
3. Quem dicunt homines esse filium hominis? a4
4. Ave Maria gratia Dei plena, per secula a4
5. Ave Maria gratia plena, Dominus tecum a4
6. Favus distillans labia Caeciliae virginis, mel & lac sub lingua eus ( 2 parts) a4
7. Ave virgo gloriosa, Maria mater gratiae (2 parts) a5
8. Qui habitat in adjutorio altissimi (4 parts) a6
9. Veni sancte Spiritus a5
10. Mane prima sabbati, surgens Dei filius a4
11. Mittit ad virgiem, no quemuis angleum for 2 choirs a5 & a4
12. Sanctorum soboles sera parentium (2 parts) a5
13. Inviolata, integra & casta es Maria for 2 choirs: a5 & a4
14. Salve regina for 2 choirs: a5 & a4
15. Christus vincit, Christus regnat (2 parts) a5
16. Ave maris stella a5
17. Virgo Dei genitrix a7
18. Virgo Dei genitrix a5
593.S11
594.S11
595.S11
596.S11
597.S11
598.S11
599.S11
600.S11
601.S11
602.S11
603.S11
604.S11
605.S11
606.S11
607.S11
608.S11
609.S11
610.S11
611.S11
612.S11
613.S11
614.S11
615.S11
616.S11
617.S11
618.S11
619.S11
a4 - a7
a) Pseaumes a6:
1. Le long des eaux, o se bagne de Babylon la campgane (Ps. 136) a6
2. Le Seigneur, ds qu'on nous offence (Ps. 45)
3. Juge ma cause, Dieu plein d'quit (Ps. 25)
4. Du profond des maux de mon ame (Ps. 129)
b) Chansons a4 - a6:
5. Susanne un jour d'amour sollicite a6
6. Le juste que jugea le juge tres-injuste a4
7. Le ciel ne nous donne rien que le travail ne l'ameine a5
8. Nul ne peut voir de Dieu la pure essence a5
9. D'une mielleuse voix chante en ses vers Homere a4
10. Puis que le ciel veut ainsi que mon mal je regrette a6
11. Pour vous aymer je veux mal mon coeur a6
12. Quand j'estois chez mon pere petite camusette a5
13. Beaux yeux dont le pouvoir se lit en mon trepas a5
14. Tout humain plaisir a de sa nature a6
15. Un amour tout nouveau embrase ma poitrine a5
16. Rose vostre beau teint & vos douces odeurs a4
17. Heureux le siecle premier a4
18. Si j'ay du bien cruelle helas! c'est par mensonge! a4
19. Quand je pense m'esjour, boire, manger ou dormir a6
20. L'aisn masle des dieux, le Cesar de la France (1a Henry IV) a6
21. Je me plains fort de ce mignon de court a6
22. Helas! j'ay sans mercy le soucy & la pense a6
23. Celuy qui voudra s'empescher, qu'il entreprenne estre nocher a4
24. O qu'il est malais d'aymer & d'estre sage a5
25. Je ne l'ay dit qu' moy, & si je me deffie a6
c) Noels a4 - a6:
26. Noel, Un enfant du ciel nous est n a4
27. Noel, Sors de ton lit par, comme un nouveau soleil a4
28. Noel, Voicy l'heureuse nuit o la vierge sacre a4
29. Un enfant du ciel nous est n a5
30. Noel, Le ciel se resjout, la terre s'esjout, l'enfer, tremblant, soupire a5
31. Accourez bons Franois, chacun de nous s'assemble a5
32. Noel, Le premier pere Adam, par Eve nous feit estre miserables mortels a5
33. Noel, A ce beau jour de Noel, solemnel, chantons tous de voix hautaine a5
34. Noel, Le sainct promis par les divins orcales, Reparateur de l'immortalit a5
35. Noel, Sus troupe chanteresse d'Henry, roy des Franois a5
36. Noel, Du grand Dieu, tout mouvant, un fils nous est donn a5
37. Quand au dernier sommeil la vierge eut clos les yeux (Cant. de la Vierge) a5
38. Noel, En ceste nuit bien-heureuse, un enfant nous est donn a6
39. Noel, Chantons d'une douce armonie ceste saincte nativit a6
40. Noel, Ames dont la foy soupire aprs les biens qu'elle admire a6
d) Vers mesurez a4 - a5:
41. Nous te loons bon Dieu, des biens que nous offre ta bont
42. Vous qui le parvis du Seigneur frequentez (Ps. 133) a4
43. Dieu benin, j'espans jour & nuit devant toy (Ps. 88) a4
44. Preste l'oreille ma complainte Seigneur Dieu (Ps. 63) a5
45. Si le tout-puissant n'etablit la maison (Ps. 126) a5
46. O createur tu remets ce coup ton serviteur en paix (Cantique de Simon)
e) Chansons a4 -a5:
47. Ninfe qui tiens tant d'heur ( la Royne) a4
620.S11
621.S11
622.S11
623.S11
624.S11
625.S11
Dulichius, Ph.
626.S11
58,- 36,--
PHILIPP DULICHIUS
1562 - 1631
"Sex Cantiones Sacrae quinis vocibus",
Stettin, A. Kelner, 1593
6 Motets a5
PDV 41 - 46:
41. Omnes sitientes venite ad aquas
42. Concupiscendo concupiscit anima mea
43. Duo rogavi te / Ne forte satiatus iilliciar
44. Anni nostri sicut aranea
45. Euge serve bone
46. Beatus vir, qui habet uxorem
Edition:
nos. 44 and 45:
in: Ph. Dulichius: 6 Motets; ed. O von Steuber
22,--
627.S11
628.S11
147,--
629.S11
630.S11
205. Ich hebe meine Augen auf zu den Bergen (ps. 121)
206. Confitemini domino et invocate nomen ejus (ps. 104:1-3) (arr. of PDV 23)
207. Deus misereatur nostri et benedicat nobis (ps. 66: 2-8) (arr. of PDV 24)
208. Omnes gentes plaudite manibus (ps. 46: 2-3, 7-8)
209. Factus est repente de coelo sonus / Et apparuerunt illis linguae dispertitae
210. Gloria Patri, qui creavit nos / Te decet laus
211. Da pacem Domine
212. Ad te levavi oculos meos / Miserere nostri domine
213. Angelus ad pastores ait / Et subito facta est
214. Deus in adiutorium meum intende (ps. 69: 2-6)
215. Ecce quam bonum et quam jucundum (ps. 132: 1-3)
216. Delectare in domino (ps. 36: 4-5)
217. Indicabo tibi a homo
218. Ei qui potens est omnia facere
219. Converte me domine / Nonne Ephraim mihi filius
220. Maria Magdalena et Maria Iacobi et Salome
221. Unum petij a Domino
222. In domo patris mei mansiones multae sunt
223. Ecce quomodo moritur justus
224. Haec est voluntas patris
225. Beatus homo qui corripitur a Deo
226. Iacta super dominum curam tuam (ps. 54: 23)
227. Cum ignoramus domine quod agere debeamus
228. Verbum Christi habitet in vobis abundanter
229. Sic Deus dilexit mundum
230. Ehre sei Gott dem Vater der uns geschaffen hat
Editions:
nos. 201-230:
ed. R. Schwartz; Denkmler Deutscher Tonkunst, vol I/31; secundary ms.
sources used for this edition:
D-W Cod.Guelf. 324 (205)
D-Z 87/16 (203, 214 and 230)
H-Bn Brtfa 1 (204, 209, 211), 9 (201, 202), 7 (211: T) and 18 (204)
PL-GD 4006 (214) and 4012 (205, 208, 215)
83,- no. 208:
*ed. G. Goebel; SATB / SATB
3,50
"Secunda pars Centuriae octonum et septenum vocum
harmonias sacras laudibus sanctissimae Triados consecratas continentis...",
Stettin, J. Duber, 1608
27 Motets a7-a8 (PDV 231-245: a8; PDV 246-257: a7)
PDV 231-257:
231. Exaltabo te Deus (pd. 144: 1-2) (arrangement of PDV 21)
232. Domini est terra (ps. 23: 1, 3-5)
233. Lauda Ierusalem Dominum / Emittet verbum suum (ps. 147: 12-20)
234. Iubilate Deo omnis terra / Introite portas ejus in confessione (ps. 99: 2-5)
235. Paratum cor meum (ps. 107: 2-5)
236. Melior est misericordia tua (ps. 62: 4-6)
237. Christus humiliavit
238. Cantate domino canticum novum (ps. 149: 1-5)
239. Lobet den Herren, denn unsern Gott loben, das ist ein kstlich Ding
(ps. 147: 1, 7-11)
240. Lobet und preiset den Herren, so hoch als ihr vermget
632.S11
626.S11
22,--
626.S11
22,--
631.S11
626.S11
633.S11
Eccard, J.
352.R7
PDV 329
22,- 3,50
JOHANNES ECCARD
1553 - 1611
Missa a 5 vocibus super "Mon coeur se recommende vous" (1578)
mass for SSATB, dedicated to Jakob Fugger
first edition by U. Herrmann from the ms. in D-Mbs
7,50
183.R5
"Neue geistliche und weltliche Lieder mit Vieren und Fnff Stimmen, gantz
lieblich zu singen, und auff allerley Instrumenten zu gebrauchen...",
Knigsberg, 1589.
ed. in volume 21 of R. Eitner's "Publikationen lterer praktischer und theoretischer Musikwerke, vorzugs weise des XV. & XVI. Jahrhunderts, hrsg. von
der Gesellschaft fr Musikforschung" (29 volumes; 1873-1905). Reprint in
29 volumes; hardback; only available as complete set
2.950
from this collection:
2 Lieder:
1. Nun schrz dich, Gretlein
2. Hrt ich ein' Kuckuck singen
see: Collections: "Antiqua Chorbuch", part II, volume 4: nos. 131-132
Nun schrz dich, Gretlein; SATB:
see: Collections: "Chorbuch der losen Bltter" (no.68)
Lieder auff den Choral..., 1597
"Der erste / ander Teil geistlicher Lieder auff den Choral oder gemeine Kirchenmelodey durchauss gerichtet", Knigsberg, 1597
for SATTB if not otherwise indicated
from this collection (in alphabetical order):
6 Lieder:
1. Der Tag, der ist so freudenreich I a4
2. Der Tag, der ist so freudenreich II a4
3. In dulci jubilo a4
4. Nun freut euch, liebe Christen g'mein a4
5. Nun komm der Heiden Heiland
6. Vom Himmel hoch da komm ich her
see: Collections: "Antiqua Chorbuch": part I, volume 3: nos. 82-87
2 Lieder:
1. Vom Himmel hoch, da komm ich her
2. Resonet in laudibus
see: Collections: "Baroque Christmas classics", ed. Blezzard
353.R7
354.R7
355.R7
356.R7
357.R7
358.R7
359.R7
360.R7
361.R7
362.R7
363.R7
364.R7
365.R7
366.R7
367.R7
368.R7
369.R7
370.R7
371.R7
372.R7
373.R7
374.R7
375.R7
376.R7
377.R7
378.R7
379.R7
380.R7
381.R7
382.R7
383.R7
384.R7
325.S11
385.R7
1,25
1,25
1,75
1,25
1,75
1,25
1,25
1,75
1,25
1,25
1,75
1,25
3,50
1,25
1,75
8,- 1,25
1,25
1,75
1,75
1,25
1,25
1,25
1,25
1,25
1,25
11,- 1,25
1,75
1,25
1,75
1,25
1,75
1,75
386.R7
387.R7
"30 Geistliche Lieder auff die Fest durchs Jahr", Mhlhausen, 4/1628 a4
from this collection:
*2 Lieder: Der Heilig Geist vom Himmel kam; Zu dieser sterlichen Zeit
*Der Herr Jesus mein hirte ist
1,25
1,75
388.R7
1,75
389.R7
390.R7
391.R7
392.R7
393.R7
394.R7
"Erste / Ander Teil der preussischen Fest-Lieder vom Advent an bis Ostern /
Von Ostern an bis Advent", Knigsberg, 1642/44 a5 - a8
from this collection:
*bers Gebirg Maria geht (a5 and a4)
*2 Lieder for SSATTB:
1. Der Heilig Geist vom Himmel man
2. Zu dieser sterlichen Zeit
*Maria wallt zum Heiligtum:
ed. Carus SSATTB
ed. J. Schabasser SSATBB
*O Freude ber Freude (SSAB / ATTB)
*Wir singen all mit Freudenschall (SATB / STB)
1,25
1,75
1,75
2,50
4,50
1,75
13 Chorales:
Christ lag in Todesbanden a5
Freut euch, ihr Christen alle a5
Freut euch, ihr lieben Christen a4
Herr Christ, der einig Gotts Sohn a5
Herr, wie du willst, so schick's mit mir a5
Mit Ernst, o Menschenkinder a5
Nachdem die Sonn beschlossen a5
Nun komm, der Heiden Heiland a5
Vater unser im Himmelreich a5
Verlieh uns Frieden gndiglich a5
Wir singen all mit Freudneschall a8
Zu dieser sterlichen Zeit a4
Zu dieser sterlichen Zeit a6
see: Collections: "Die Kurrende", volume II (nos. 26, 33, 53, 61, 63, 87,
90, 91, 98, 108, 117, 143, 151)
11 Chorales:
see: Collections: "Geistliche Chormusik": ed. in 11 vol. by J. Schabasser:
vol. I: nos. 6-7; vol. III: nos. 1, 5, 12; vol. V: no. 3;
vol. VI: nos. 12, 15; vol. VIII: nos. 5-6; vol. XI: no. 9:
Herr Christe, tu mir geben SATB
Herr, wie du willst SATTB
Im Garten leidet Christus Not SSATTB
Maria wallt zum Heiligtum (1592) SSATBB
O Freude ber Freude SSAB / ATTB
O Lamm Gottes unschuldig SATTB
bers Gebirg Maria geht (1592) SSATB
Verleih uns Friedne gndiglich SATTB
Vom Himmel hoch, da komm ich her SSATB
Was mein Gott will ,das g'scheh allzeit (1597) SATTB
Zu dieser sterlichen Zeit SSATTB
5 Chorales a5:
Erhalt uns, Herr, bei deinem Wort
Freut euch, ihr Chirsten alle
Herr Jesu Christ, wahr Mensch und Gott
Albinus Fabritius
died 1635
Ich weiss, dass mein Erlser lebet SATTB
*ed. W. Reich from the separate print in occasion of the burial of Magdalena
Pezel, Grlitz, 1585 (D-Dl Grimma 9)
1,75
395.R7
Faignient, N.
No Faignient
fl c.1560 - 1600
Chansons, Madrigales, Motetz, 1568
"Chansons, Madrigales & Motetz a 4, 5 & 6 parties, nouvellement composes. Le Premier Livre", Antwerpen, J. Laet, 1568
Chansons, madrigals and motets a4-a6:
chansons a4:
1. Angelicque bont
2. C'est de vous
3. Contraint je suys
4. Iamays ne cesseray
5. Ick sal den Heere
6. L'home qui est
7. Maer Heere want ick op der aerden moet
8. O pre un iour j'espere, que tu
9. Or veuilles doncq, je vous supplie
10. O Hemelsche vader
11. O allendighe mensche die daer was verdomt
12. Overvloedighen rijckdom
13. Par un matin tout par souhait
14. Soyons plaisants tous gallans en delaissant
15. Sus prens ton luth ma nymphette
16. Si par raison a vous mon coeur
17. Tout doucement
18. Un pre verd, je cognois
19. Vivre ne puis sur terre, car mort suis a
20. Vivant ne cesseray vos sainctz
21. Vostre rigueur veut doncques que je meure
madrigals a4:
22. Che fai che pensi
23. Deh dove senza me
24. Dormiva ne begl'occhi di madonna
25. Hor ch'il destin consente
26. Ogn'uno sap'hor mai la pena mia
chansons a5:
27. Adieu celle, que iay servi a mon povoir
28. Adieu Anvers, adieu la nobel ville
29. L'oeil dict asses
30. Rijckdom ende haven
31. Sus loues Dieu
madrigals a5:
32. Chi sara may
33. Donna per acquetar
34. Fermis 'il sol
35. Pero se l'opra non giung' al desio
36. Parmi veder la bella donna mia, con la qual
37. S'io mi lamento
motets a4-a6:
38. Deus patris mei Abraham & Deus patris a4
39. Antequam comedam a5
40. Erravi sicut ovis a5
41. Insignis virtute Comes Mansfeldae a5
42. Iamque exorta a5
43. Nunquid dixi a5
44. Multi dicunt a6
Edition:
nos. 1-44:
Facsimile of the 5 partbooks of the 1568 edition; introduction by E. Schreurs
no. 10:
see: Collections: "Fifteen Flemish songs of the Renaissance", ed. Lenaerts
396.R7
Farrant, R.
25,--
Richard Farrant
c.1525/30 - 1580
2 Anthems:
1. Call to remembrance SATB
2. Hide not thou thy face SATB
Sources:
GB-Cp the "former" set (1)
GB-GL TD & TC, c.1660 (1-2), B, c.1700 (1-2), organ, c.1670 (1)
GB-Lbl Add. 17784: B (1-2), 29289: A (1), 30087: score (1), 30478: TC (1)
GB-Lbl Harley 7338: score by Tudway (2)
GB-Lbl RM. 23.m.1-6: the Chapel Royal Books (1-2)
GB-Lcm printed music I.A.1: CtC2 (1-2)
GB-Lsp TD & BC, c.1670-90 (1-2)
GB-Ojc mus. 315: organ (1)
GB-Ob Tenbury 1023: score (1), 1176-1179 (2), 1180-1182: organ (2) and
1382 (1).
GB-Och 437: organ (1-2), 438: organ (1-2), 440: T (1), 1001: organ (1-2),
1220-1224 (1-2)
GB-WB P 11 & P 14-16: CtTTB (1-2)
GB-WRch 1a, 2, 2a, 3, 4 (1-2)
GB-Y M.1/1-8: the Gostling partbooks (1-2)
US-BEm M2. C645 Case B: organ (1-2)
1641: J. Barnard: "The first book of selected church musick", London (1-2)
1663: J. Clifford: "The divine services and anthems usually sung in the cathedrals and collegiate choirs...", London (1-2)
Edition:
see: Collections: "The Oxford Book of Tudor Anthems"
Lord, for thy tender mercy's sake SATB
by R. Farrant or by J. Hilton?
Sources:
397.R7
398.R7
3,- 4,--
399.R7
Volume I: Motets
1. Ad Dominum cum tribularer a5 C.1
2a. Ad te levavi oculos meos (1. pars) a5 C.2
2b. Miserere nostri, Domine (2. pars) a5 C.3
2c. Quia multum repliti sumus (3. pars) a5 C.4
3a. Afflictus sum (1. pars) a6 C.5
3b. Ne derelinquas me, Domine (2. pars) a6 C.6
4. Aurora diem nuntiat a5 C.7
5a. Benedic anima mea, Domino, Domine Deus (1. pars) a5 C.8
5b. Extendens caelum (2. pars) a4 C.9
5c. Qui fundasti terram (2. pars) a5 C.10
5d. Qui emittis fontes (4. pars) a5 C.11
5e. Rigans montes (5. pars) a4 C.12
5f. Saturabuntur ligna campi (6. pars) a5 C.13
5g. Posuisti tenebras (7. pars) a5 C.14
5h. Quam magnificata sunt (8 pars) a3 C.15
5i. Draco iste (9. pars) a5 C.16
5j. Emittis spiritum tuum (10. pars) a5 C.17
5k. Cantabo Domino (11. pars) a6 C.18
6. Benedic, anima mea, Domino, et omnia a5 C.19
7a. Benedicam Dominum in omne tempore (1. pars) a6 C.20
7b. Gustate, et videte (2. pars) a6 C.21
8a. Cantate Domino (1. pars) a5 C.22
8b. Quia beneplacitum est (2. pars) a5 C.23
9a. Conserva me, Domine (1. pars) a5 C.24
9b. Vias tuas, Domine (2. pars) a5 C.25
10. Credo quod Redemptor a6 C.26
11. Da pacem Domine I a5 C.27
12. Da pacem Domine II a6 C.28
400.R7
Anthem:
42. O remember not our old sins a6 C.78
43-49. Incomplete Motets:
43. Da pacem Domine III a6 C.68
44a. Deus misereatur nostri (1. pars) a6 C.69
44b. Confiteantur tibi populi (2. pars) a6 C.70
45a. Inclina Domine (see no. 22): Miserere mei, Domine (2. pars) a3 C.71
45b. Inclina Domine (see no. 22): Fac mecum signum (6. pars) a7 C.73
46. Jerusalem, plantabis vineam a7
C.74
47. Plorans ploravit in nocte a6 C.75
48. Agimus tibi a6? C.76
49. De profundis clamavi a5? C.77
Sources for vols. I-II:
GB-Ckc 314: fragment, alte 16th c. / early 17th c. (35: fragment)
GB-Cfm 178: score, c.1730 (7, 21: both anon.)
GB-Lbl Add. 5058: score, mid 18th c. (26, 38: both anon.)
GB-Lbl Add. 29247: late-16th / early-17th c. lute tablature (38)
GB-Lbl Add. 29372-7: "Tristitiae Remedium", 1616: CATBQSx (18, 30)
GB-Lbl Add. 29388-29392: ATBQSx, early 17th c., C lacking (anon.: 29;
one v missing, anon.: 3b, 7, 21, 22a, 36, 41a,c,e,f,h,i;
2vv missing, anon.: 10)
GB-Lbl Add. 30361-30366: CATBQSx: early 17th c. (21, 29: both anon.)
GB-Lbl Add. 30810-30815: C1-2ATBQSx: late 16th / early 17th c. (21: anon)
GB-Lbl Add. 31417: AT only, early 17th c., other vv lacking (10, 12, 17, 20,
22, 29, 32, 36, 44, 45a-b, 46, 47: 2vv only)
GB-Lbl Add. 31992: late-16th / early-17th c. lute tabl. (15, 21, 24, 29, 36)
GB-Lbl Add. 32377: C1 and C2 only, c.1560-1585 (12: anon.)
GB-Lbl Add. 37402 & 37406: Tr 1 & B only, early 17th c. (18)
GB-Lbl Egerton 995: CATQ, early 17th c.; B missing (1: incplt, anon)
GB-Lbl Egerton 3665: score, 1619 (1, 2, 4, 5a-g, 5i, 5j, 6, 8, 9, 11, 14, 16,
18, 19, 22c, 23, 24, 26, 27, 30, 31, 33, 34, 36, 38-40)
GB-Lbl Mad.Soc. A.11: Q only, late 16th c. / early 17th c. (25)
GB-Lbl Mad.Soc. G.21-26: C1-2A1TBQ, early 17th. c; A missing (21, 29)
GB-Lbl Roy.App. 25: T only, late 16th c. (3: textless; 42)
GB-Lbl R.M. 24.d.2: John Baldwin autograph, c.1600 (2b: textless)
GB-Lcm 2041: M only, early 17th c. (12, 21, 22, 29, 36b, 41a,c,e,f,h,i: anon)
GB-Lcm 2089: lute tabl., late 16th / early 17th c.(5d, 5i, 7, 8, 22a, 26, 29, 30)
GB-Ob mus. f.1-6: CQASxTB, 1660; Thomas Hammond's partbooks
(1, 10, 24, 26, 27)
GB-Ob mus.sch. c.45-50: CATSSQB, early 17th c. (1, 2b, 9b, 11, 14b, 19,
23, 25, 26, 30, 38: all anon.)
GB-Ob mus.sch. e.423: Ct only, c.1575-1590 (9b, 26)
GB-Ob Tenbury 340: lute tabl., late 16th / early 17th c. (10, 22a, 34, 48, 49)
GB-Ob Tenbury 341: S only, c.1600 (4, 5a, 6, 8, 9, 16)
GB-Ob Tenbury 341-344: SQSxCtT, c.1600; B lacking (1, 7, 19, 22a, 22d,
22e, 23, 26, 30, 34, 38, 41, 43)
GB-Ob Tenbury 369-373: SMQTB, late 16th / early 17th c. (26, 30, 38: anon)
GB-Ob Tenbury 379-384: C1-2AQSxTB, late 16th /early 17th c. (7, 10, 21)
GB-Ob Tenbury 1018: score, early 17th c. (anon.: 1, 13, 26, 30, 39; anon.
and textless: 5g, 5k, 9, 19)
GB-Ob Tenbury 1466: score, 18th c. (2b)
GB-Ob Tenbury 1469-1471: CAB, late 16th c.; 2 parts missing (38: anon.)
GB-Och 56-60: CQSxCtT, c.1620; B lacking (42)
GB-Och mus. 78-82: CAQTB and organ; early 17th c. (1, 2, 4, 5a-k, 6, 8, 9,
11, 14, 16, 19, 23-27, 30, 31, 33, 34, 36, 38, 39: all anon.)
GB-Och mus. 463-467: C1-2QTB, early 17th c. (1, 5g, 9, 11, 14b, 18, 19,
19, 23, 25, 26, 30, 33, 34, 38, 39: anon)
GB-Och mus. 880: bc part, early 17th c. (18: textless, anon.)
GB-Och mus. 979-983: SDCtSxB, late 16th c.; John Baldwin's partbooks; T
lacking (12, 38)
GB-Och mus. 984-988: TxMATB, late 16th c. (26, 36)
US-NH Filmer partbooks: CAQTB, early 17th c. (all anon.: 1, 2b, 5g, 5k, 9,
11, 18, 19, 22a, 22e, 24-26, 31, 33, 34, 36, 38, 39)
US-NYp Drexel 4302: early-17th c. score (5k, 12, 13, 15, 17, 20, 21, 22a,
32, 35, 36, 41a-h)
The James manuscript (private collection): S only, late 16th c.; companion to
GB-Ob Tenbury 389 = C; other parts missing
(3,10, 12, 15, 20, 23, 26, 32, 33, 36-39)
The Spencer manuscript (private collection): S only, c.1610; formerly part of
GB-Och 1279 (22a, 46; fragments of: 21, 29, 36b, 41)
1585: "Sacrae cantiones, cum 5, 6 et pluribus vocibus, de festis praecipuis
totius anni, a praestantissimis Italiae musicis nuperrime concinnatae,...
studio & opera Friderici Lindneri", Nrnberg, C. Gerlach (21, 29, 36)
1613: "Promptuarii musici, sacras harmonias sive motetas 5.6.7. & 8 vocum, e
diversis...authoribus collectas...Collectore Abrahamo Schadeo...",
Strasbourg, K. Kieffer (28)
175,-Fethy, J.
Figulus, W.
401.R7
Wolfgang Figulus
c.1525 - 1589
"Vetera nova, carmina sacra et selecta, de natali domini nostri Jesu Christi, a
diversis musicis composita, quatuor vocum. Zwantzig artige und kurtze
Weihnacht Liedlein alt und new mit sonderm fleis zusammen bracht mit vier
Stimmen vormals nie gedruckt. Der Erse Theil", Frankfurt an der Oder, J.
Eichhorn, 1575
20 Christmas songs a4, of which 10 are by Figulus:
1. Magnificat (Meine Seele erhebt den Herrn)
2. Joseph, lieber Joseph mein
3a-b. Vom Himmel hoch / Das soll euch ein Zeichen sein
4. Dies est laetitiae
5. In dulci iubilo
6. Helft mir Gottes Gte preisen
7. Puer natus / Ein Kind geborn zu Bethlehem
8. In natali Domini
9. Uns ist geborn
Edition:
nos. 1-9:
ed. K. Ruhland (set of 4 scores) from the unique copy in D-Mbs
28,50
Johannes Flamingus
fl 1565 - 1573
Opusculum cantionum, 1571
D-ROu Mus.Saec. XVI, 19: six splendid large manuscript partbooks in folio
containing:
1. Veni Sancte Spiritus a6
2. O pax, libertas a5
3. Suecis, Damacis et Lubecensibus a5
4. Missa Suecis, Damacis et Lubecensibus a5-a6
5. O lam gades, unschuldig a4
6. Vader unse a5
7. Jhesus Christus, unser Heiland a6
8. Godt sij gelavet a6
9. Pater, peccavi a5
10. Beati omnes
a6
11. Laus et perennis gloria a5
Edition:
nos. 1-11:
critical ed. by O. Kongsted; MMRB A/2
402.R7
Flori, G.
45,--
Giorgio Flori
c.1558 - after 1594
Maria gross, o edel Ross, a5:
see: Prints 1604/7: "Rosetum Marianum"
Formellis, W.
Wilhelmus Formellis
c.1541 - 1582
Arma manusque Dei Caesar veneranda potestas a8
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"
403.R7
11,--
404.R7
11,--
Fossa, J. de
JOHANNES de FOSSA
c.1540 - 1603
a) Collected Works; ed. E.M. Ennulat
405.R7
406.R7
12,--
Hernando Franco
1532 - 1585
9 Works a4-a5:
1. Salve regina SATB
2. Benedicamus Domino
3. Salve regina SATB
4. Benedicamus Domino
5. Salve regina SATB
6. Salve regina SATB
SATB
SATB
407.R7
Freundt, C.
9,50
Cornelius Freundt
c.1535 - 1591
Christmas songs from the Zwickau manuscript of Cornelius Freundt
408.R7
7,--
409.R7
Friderich, J.
1,25
Johannes Friderich
3 Canons:
1. Vom Himmel hoch, a4
2. Ein feste Burg, a4
3. Danket dem Herrn, a3
see: Collections: "Der Kanon", ed. F. Jde: nos. 58-60
Gabrieli, A.
ANDREA GABRIELI
c.1510 - 1586
Sacred Works
a) Chronological List of Sacred Works
b) Alphabetical List of Sacred Works
c) Editions
a) Chronological List of Sacred Works
41. Missa
42. Missa
43. Missa
44. Missa
132. In tribulatione Dominum (= Dolcissimo ben mio; see sec. works: no.114)
133. Veni, o Jesu mi (= Vieni Flora gentil; see secular works: no. 128)
1610: "Fatiche spirituali di Simone Molinaro...
Libro secondo a 6 voci", Venice, R. Amadino
134. Christe rex
(= Sonno diletto e caro; see secular works: no. 126)
135. Lucia sponsa Christi (= La bella pargoletta; see secular works: no. 117)
136. O spes miserarium (= O dolci parolette; see secular works: no. 54)
1616: "Madrigali de diversi auttori, accomodati per concerti
spirituali dal G. Cavaglieri...Opera quinta", Loano, F. Castello
137. Jesu dulcissime (= Aminta mio gentil; see secular works: no. 10)
138. Surge formosa mia amica a5
b) Alphabetical List of Sacred Works
45. Angeli archangeli
46. Angelus ad pastorus
81. Angelus ad pastores ait a7
82. Angelus Domini descendit de caelo a7
3. Annuntiate inter gentes
83. Ave regina coelorum a8
4. Ave sanctissima Maria
5. Beata es Maria
84. Beati immaculati in via a8
75. Beati quorum remissae sunt iniquitates (ps. 31/32)
47. Beatus vir qui inventus est
85. Beatus vir qui non abiit in consilio impiorum a6
48. Beatus vir qui suffert tentationem
124. Benedicam Domino in omni tempore a8
86. Benedicamus Dominum in omni tempore a12
87. Benedictus Dominus Deus Sabaoth a8
126. Bonum est
(= Sonno diletto e caro; see: secular works: no. 126)
6. Bonum est confiteri Domino
128. Cantate Deo, exultate, justi (= Hor ch'a noi torna; see sec. works: 116)
7. Cantate Domino canticum novum
49. Caro mea vera est cibus
134. Christe rex
(= Sonno diletto e caro; see secular works: no. 126)
50. Completi sunt dies
8. Confitebor tibi, Domine
88. Congratulamini mihi omnes a8
129. Cur te lusit amor (= Con che lusingh'amor; see secular works: no. 76)
79. De profundis clamavi ad te Domine (ps. 129/130)
89. Deus, Deus meus, respice in me a10
90. Deus, in nomine tuo salvum me fac a8
39. Deus miseratur nostris a12 (also in 1587)
9. Deus noster refugium at virtus
91. Deus qui beatum Marcum a7
92. Deus qui beatum Marcum a8
51. Diligam te, Domine
93. Domine, Deus meus, in te speravi a7
10. Domine, domine noster
78. Domine exaudi orationem meam a8 (ps. 101/102)
410.R7
411.R7
no. 1:
ed. Proske
11,--
412.R7
no. 2:
*ed. H. Schroeder
12,--
413.R7
nos. 3-38:
"Sacrae cantiones liber primus", 1565
A. Gabrieli: National Ed.: volume I
415.R7
416.R7
nos. 41-44:
"Primus liber missarum sex vocum", 1572
A. Gabrieli: National Ed. volume IV
414.R7
417.R7
418.R7
419.R7
420.R7
421.R7
422.R7
in prep.
2,50
12,--
in prep.
nos. 45-73:
A. Gabrieli: National Ed., volume VII; critical edition; introduction in Engl./It.;
ed. D. Bryant & E. Quaranta (hardback)
119,- nos. 45, 47-49, 51-73, 81 and 122:
A. Gabrieli: National Ed., volume 17/I; critical edition; introd. in Engl./It.;
Vocal compositions in keyboard intabulations from the Turin organ tablatures.
Facsimiles of the manuscripts; transcriptions and introduction by D. Fabris;
set of 2 volumes (incl. as well keyboard intabulations of 15 secular works:
see list of secular works: nos. 27, 220-231 and a madrigal a3 without title)
169,- no. 49:
*"Regensburger Tradition", vol. B 17
1,20
nos. 74-80:
A. Gabrieli: National Ed., volume 9; critical edition; introduction in Engl./It.;
ed. D. Arnold & D. Bryant (hardback)
96,- nos. 81, 82, 84, 85, 87, 88, 90, 92, 94-98, 199-103, 105, 108, 109, 111,
and 113-116 ( + 2 sacred works by Giovanni Gabrieli):
A. Gabrieli: National Ed., volume XI/1; crit edition; introduction in Engl./It.
ed. by D. Bryant (hardback)
129,- nos. 39, 83, 86, 89, 93, 99, 104, 106, 107, 110 and 112 ( + 3 sacred works
by Giovanni Gabrieli):
A. Gabrieli: National Ed., volume XI/2; critical edition; introd. in Engl./It.;
ed. by D. Bryant (hardback)
129,--
nos. 39-40: Deus misereatur nostris, a12 & Lucida ceu fulvo resplendet, a8:
see: Prints 1568: "(Novi atque catholici thesauri musici.) Liber Quintus"
423.R7
2,50
424.R7
7,50
425.R7
426.R7
427.R7
428.R7
3,25
5,--
7,50
14,50
430.R7
2,50
19,--
431.R7
5,--
432.R7
5,--
433.R7
5,--
434.R7
5 5,--
429.R7
436.R7
437.R7
435.R7
438.R7
2,50
5,--
5,--
Gabrieli, G.
GIOVANNI GABRIELI
c.1553/56 - 1612
a) Opera Omnia
b) Alphabetical List of Works
c) Other Editions:
a) Opera Omnia
ed. D. Arnold & R. Charteris
with catalogue numbers of Charteris
101.R7
102.R7
Volume I
The Motets from "Concerti", 1587 & "Sacrae Symphoniae", 1597
a) 5 motets from:
"Concerti di Andrea, et di Gio. Gabrieli organisti della sereniss. sig. di Venetia.
Continenti musica di chiesa, madrigali, & altro, per voci, & stromenti musicali,
6.7.8.10.12. & 16. Novamente con ogni diligentia dati in luce. Libro primo et
secondo", Venice, A. Gardano, 1587
1. Inclina Domine aurem tuam a6
2. Ego dixi: Domine miserere mei a7
3. O magnum mysterium a8
4. Deus, Deus meus a10
5. Angelus ad pastores ait a12
b) Motets 1-20 from:
"Sacrae Symphoniae, Ioannis Gabrieli...senis, 7, 8, 10, 12, 14, 15, & 16, tam
vocibus, quam instrumentis...", Venice, A. Gardano, 1597:
6. Cantate Domino a6
7. Exaudi Domine a6
8. Beata es Virgo Maria a6
9. Miserere mei Deus a6
10. O quam suavis a7
11. Benedixisti Domine a7
12. Exaudi Deus orationem meam a7
13. Sancta Maria succurre miseris a7
14. O Domine Jesu Christe a8
15. Domine exaudi a8
16. Iubilate Deo omnis terra a8
17. Misericordias Domini a8
18. Beati immaculati a8
19. Laudate nomen Domini a8
20. Iam non dicam vos servos a8
21. Beati omnes qui timent Dominum a8
22. Domine Dominus noster a8
23. Angelus Domini a8
24. O Jesu mi dulcissime a8
25. Sancta et immaculata virginitas a8
158,-Volume II
Motets 21-47 from "Sacrae Symphoniae...", 1597:
26. Diligam te Domine a8
27. Exultate iusti a8
28. Hoc tegitur a8
29. Ego sum qui sum a8
103.R7
104.R7
reprinting
reprinting
106.R7
189,-Volume V
Motets 25-31 from: "Symphonia Sacrae...Liber Secundus,
senis 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17, & 19, tam vocibus,
quam instrumentis, edition nova", Venice, B. Magni, 1615
77. Quem vidistis pasotres a14: AAT/TTT, 2 cornetts, 3 tromb., 3 instr, organ
78. In ecclesiis a14: SATB/satb, 3 cornetts, violin, 2 trombones, organ
79. Magnificat a14
80. Salvator noster a15
81. O quam gloriosa a16
82. Exaudi me Domine a16
83. Magnificat a17 (this work comes close to the Magnificat a33 GWV 151)
84. Buccinate in neomenia tuba a19
218,-Volume VI
Complete Madrigals
85. Alma cortes'e bella a3
86-87. Voic ch'ascoltate / Ma ben veggi'hor a4
88. Ahi, senza te a4
89. Deh, di me non ti caglia a4
90. Labra amorose e care a4
91-92. Quand' io ero giovinetto / Hor ch' io son gi vecchiarello a5
93. Donna leggiadra e bella a5
94. O ricco mio thesoro a5
95-96. Sacro tempio d'honor / Tal di vostra virtute a5
97-98. Signor, le tue man sante / Vergine, il cui figliol a5
99. Da quei begl' occhi a5
100. Dimmi, dimmi, ben mio a5
101. Vagh' amorosi a5
102. Queste felice herbette a5
103-104. S'al discoprir de l'honorata fronte / Le piante' allo splendor a5
105. Dolci, care parole a5
106-107. Quando Laura / Queste furon bellezz' et honestate a5
108. Amor s' in lei a6 (2nd part of Andrea Gabrieli's: In nobil sangue)
109. S'io t'ho ferito a6
110. Se cantano gl' augelli a6
111. Scherza Amarilli e Clori a6
112. Dolce nemica mia a7
113. Lieto godea a8
114. O che felice giorno a8
115. Dormiva dolcemente a8
116. Fuggi pur se sai a8
117. Chiar' angioletta a8
118. Addio, dolce vita a10
119. Sacri di Giove augei a12
120. Amor, dove mi guidi a12
121. Udite, chiari e generosi figli a15
Sources (in chronological order):
1575: "Il secondo libro de madrigali a 5 voci de floridi virtuosi del serenissimo
duca di Bavaria con uno dieci", Venice, herede di G. Scotto (91-92)
1575: "Di Cipriano et Annibale madrigali a 4 voci insieme altri eccellenti autori",
Venice, A. Gardano (86-87)
107.R7
1583: "De floridi virtuosi d'Italia il primo libro de madrigali a 5 voci...", Venice,
G. Vincenzi & R. Amadino (93, 94)
1586: "Musica spirituale composta da diversi eccellentissimi musici a 5 voci,
con due dialoghi 10...", Venice, A. Gardano (97-98)
1586: "Corona di 12 sonetti de G.B. Zuccarini...posta in musica da 12 eccellentiss. auttori a 5 voci", Venice, A. Gardano (95-96)
1587: "Fiori musicali de diversi auttori a 3 voci libro primo...", Venezia, G.
Vincenzi (85)
1587: "Concerti di Andrea, et di Gio. Gabrieli organisti della sereniss. sig. di
Venetia. Continenti musica di chiesa, madrigali, & altro, per voci, &
stromenti musicali, 6.7.8.10.12. & 16. Novamente con ogni diligentia
dati in luce. Libro primo et secondo", Venice, A. Gardano (103-104,
108, 112, 113, 118, 119)
1589: "Di Andrea Gabrielli il terzo libro de madrigali a 5 voci, con alcuni di
Giovanni Gabrieli...", Venice, A. Gardano (99, 100-105)
1590: "Dialoghi musicali de diversi eccellentissimi autori, a 7, 8, 9, 10, 11 et 12
voci...", Venice, A. Gardano (114-117, 120)
1591: "La ruzina canzone di Filippo de Monte, insieme un'altra di Cipriano de
Rore, et altri madrigali de diversi famosissimi autori 6 voci...", Venice,
A. Gardano (109)
1592: "Il trionfo di dori, descritto da diversi, et posto in musica, 6 voci, da
altretanti autori", Venice, A. Gardano (110)
1595: "Di XII autori vaghi e dilettevoli madrigali a 4 voci...", Venice, R.
Amadino (88-90)
1600: "Honori et amori Georgii Gruberi", Nrnberg; lost; ms. copy by Winterfeld (111)
D-Kl manuscript (121)
reprinting
I-VEaf manuscript (106-107)
Volume VII
Motets in manuscript sources and printed anthologies, part I
1991 / rev. edition 2003
122. Audi Domine hymnum a7 and bc C 122
123. Audite principes a15 (in 3 choirs) and bc C 123
124. Deus, Deus meus, respice in me a12 (in 2 choirs) and bc C 124
125. Deus in nomine tuo a8 and bc C 125
126. Diligam te Domine a7 C 126
127. Domine Deus meus a6 C 127
128. Dulcis Jesu patris imago (Sonata con voce) C 128
3 choirs: I: 1 voice, cornett, viola, 4 trombones; II: 1 voice, cornett, viola,
3 trombones; III: 4 voices, 2 cornetts, trombone, organ
129. Ego rogabo patrem a6 C 129
130. Exultet jam angelica turba a14 (in 3 choirs) C 130
131. Exultet jam angelica turba a17 C 131
4 choirs: I: 1 voice, 4 cornetts; II: 1 voice, 4 trombones; III: 4 voices;
IV: 1 voice, cornett, trombone
Sources:
a) prints:
1590/4: "Musica per concerti ecclesiastici, di diversi autori, novamente raccolta
et non pi stampata...", Venice, G. Vincenti (129)
1600/2: "Sacrarum symponiarum continuatio diversorum ecellentissimorum
authorum, 4.5.6.7.8.10. & 12. vocibus...", Nrnberg, Kaufmann
(126, 129)
1612/3: "Promptuarii musici, sacras harmonias sive motetas 5.6.7. & 8. vocum,
108.R7
109.R7
110.R7
1. Collection:
C. 1-25:
ed. D. Arnold (1956) of the motets from "Concerti" (1587) and "Sacrae
Symphoniae" (1597)
148,--
2. Single Works
in alphabetical order + Charteris's catalogue numbers
C.5: Angelus ad pastores:
SSAATBar / ATTBarBB
ed. in score and parts by B. Thomas
*ed. R. Charteris
*ed. Winter
115.R7
12,- 5,--
116.R7
14,--
118.R7
5,- 3,25
119.R7
5,--
120.R7
5,--
111.R7
112.R7
113.R7
114.R7
117.R7
122.R7
123.R7
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158.R7
159.R7
157.R7
14,--
reprinting
8,--
5,--
160.R7
SAATBarB
*ed. R. Charteris
164.R7
165.R7
161.R7
162/R7
163.R7
166.R7
167.R7
5,--
6,--
3,50
6,--
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10,--
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4,50
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in prep.
8,- 7,50
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4,50
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6,50
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5,--
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5,--
8,- 10,--
188.R7
7,50
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12,--
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12,--
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192.R7
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195.R7
in prep.
6,--
9,50
7,--
196.R7
SATB / SATB
*ed. R. Charteris from D-B mus.ms. 40028 (score written by A. Gumpelzhaimer), compared with the incomplte set of parts D-Rp Butsch 257a
(also copied by Gumpelzhaimer). Appendix: alternative setting a4 of: Gloria
Patri by Chr. Erbach
9,50
197.R7
5,--
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5 5,--
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5,- 3,50
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in prep.
8,- 7,- 7,- 8,50
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221.R7
4,50
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8,- 8,50
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234.R7
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5,--
8,- 8,--
239.R9
240.R7
Galli, A.
Antonius Galli
died 1565
Ecce quam bonum SSATTB
see: Collections: "Savonarolan laude , motets & anthems"
Gallus, J. (Handl)
439.R7
440.R7
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79,- 55,--
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Editions
nos. 1-118:
Monumenta artis musicae Sloveniae; ed. I. Klemencic:
volume I: In adventu Domini nostri Iesu Christi
volume II: De nativitate circumcisione et epiphania Domini
volume III: A dominica septuagesimae per quadragesimam de poenitentia
ed. E. Bezecny / J. Mantuani (1899/1905); DT 12 and 24 (R/1959):
volume I: from Advent until Septuagesima
volume II: from Septuagesima until Passion Sunday
no. 4: Adoramus te, a6:
see: Collections: "Antiqua Chorbuch": part I, volume 3: no. 78
nos. 60, 91 and 95: three Christmas motets SATB:
*ed. Beebe
nos. 27, 29, 71:
see: Collections: "Cantual": nos. 1, 14, 127
no. 27: Ecce concipies SATB:
*ed. Carus
nos. 27, 29 and 95:
see: Collections: "Chester Books of Motets", volume IV
no. 28: Ecce Dominus veniet SSATB:
*ed. Carus (+ anonymous: Hosianna dem Sohne Davids)
nos. 29, 45 and 95:
see: Collections: "Florilegium cantuum sacrorum"
no. 29: Ecce quomodo moritur iustus SATB:
*ed. Carus
*ed. J. Schabasser
see: Modern Collections: "Historical anthology of music", vol. I
no. 41: Haec est dies SATB / SATB:
*ed. J. Schabasser
no. 45: In nomine Jesu
*ed. Haberl/ Quack for SSAA
no. 50: Jerusalem, gaude, a6:
*ed. Gillesberger
no. 52:
see: Collections: "Das Musikwerk", volume IV
see: Collections: "Chester Books of Motets": volume XV
no. 60: Natus est nobis, a4:
*ed. Haberl / Quack for SATB
*ed. Haberl / Quack for equal voices
no. 72: Orietur stella SSATB:
*ed. Beebe
see: Collections: "Chester Books of Motets": volume XII
no. 74: O vos omnes SSAATTBB:
*ed. Beebe
no. 79: Pater noster SSAATTBB
*ed. Breitkopf
*ed. Peters
no. 84: Pueri concinite SSAT:
*ed. J. Schabasser
no. 95: Resonet in laudibus, a4:
*ed. J. Schabasser
4,--
1,75
1,75
1,25
2,--
2,50
1,20
6,--
2,50
2,- 3,50
3,70
2,50
2,50
469.R7
4,50
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471.R7
472.R7
473.R7
474.R7
475.R7
476.R7
477.R7
478.R7
479.R7
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2,50
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1,20
482.R7
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484.R7
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492.R7
493.R7
494.R7
495.R7
D-B (2); CZ-Pu XI B (3); CZ-Ps D A II (3); D-Dl ms. from Lbau, 59: no.21
(4); A-Wn Codex 16705: f.2 (5); A-Gu IV/8 (6-7); D-B Slg Bohn mus.ms.
21, 76 (8).
secondary sources: J. Gallus: 5 Masses a4-a6, ed. P.A. Pisk, DT 119 (1);
J. Gallus: 5 Masses, ed. P.A. Pisk, DT 94/95 (2, 4)
Editions:
nos. 1-8:
Monumenta artis musicae Sloveniae; ed. E. Skulj:
no. 1:
in: "5 Masses a4-a5-a6"; ed. P. A. Pisk; DT 119 (1969)
nos. 2 and 4:
in: "5 Masses a7-a8", ed. P.A. Pisk; DT. 94/5 (1959; R/1979)
496.R7
446.R7
441.R7
Gamboa, P. de
52,50
59,- 79,--
Pero de Gamboa
c.1560 - 1638
List of Motets (all a4)
1. (Gaudeamus) omnes in Domino
2. Estote fortes in bello
3. Salve, sancte Pater
4. Jesu redemptor I
5. Jesu redemptor II
6. (Te Deum...) te Dominum confitemur
7. Hodie Maria virgo caelos ascendit
8. O sacrum convivium
9. O crux ave, spes unica
10. O bone Jesu, illumina oculos meos
11. Surrexit Dominus de sepulcro
12. Emendemus in melius
13. Egressus Jesus secessit
14. Miserere nostri Domine
anonymous works ascribed to Gamboa:
15. (Beata viscera) Maria virginis
16. De profundis clamavi ad te
Sources
P-Pm mss. 40 (1-5, 15) and 76-79 (6-14, 16)
P-BRs 965 (4 and 5 attr. to Ladainhas)
Editions:
nos. 2, 3, 7-14, 16:
ed. J.P. d'Alvarenga
no. 9:
see: Collections: Portuguese Polyphony: an anthology
497.R7
Gastoldi, G.G.
24,--
"Sacre lodi / a diversi santi / con una canzone / Al glorioso serafico S. Francesco. Di Gio: Giacomo Gastoldi da / Caravaggio, Novamente poste lin luce.
/ A cinque voci", Venice, R. Amadino, 1587
from this collection:
Salve de' peccatori SSATB
*ed. L. Schmidt in: "Three sacred madrigals for 5 and 6 voices" (G. Costa,
L. Agostini and G. G. Gastoldi)
254.R7
Gatto, S.
6,--
Simone Gatto
1540/50 - in or before 1595
Missa Scarco di doglia a5
from his book of 3 masses a5-a6, Venice, 1579
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
Obsecro vos fratres a8
SATB / SATB
in: Three Motets for 8 voices by Rovigo, Gatto and Perini; ed. M. Fink;
MAM 47:
3 Motets a8 by masters from the court chappell at Graz:
1. F. Rovigo: Laudate Dominum in sanctis ejus (satb / satb)
2. S. Gatto: Obsecro vos fratres (satb / satb)
3. A. Perini: Perfice gressus meos (ssat / atbb)
Sources:
A-Wn Cod. 16703 (1-3)
PL-Legnica 98/52 (2; lost)
1604: "Motectorum 4, 5, 6, 7, 10 & 12 vocibus Simonis Gatti...tum Annibalis Perini...insequens opus hoc levidense noviter collectorum
autore Horatio Sardena...", Venice, Amadino, 1604: only T2 and
B1 have survived (2-3)
1611/1: "Promptuarii musici, sacras harmonias sive motetas 4, 5, 6, 7 & 8
vocum, e diversis, iisque clarissimis hujus et superioris aetatis
autoribus...pars prima...Collectore Abrahame Schadeo Senfftebergensi...", Strasbourg, Kieffer, 1611 (2)
1621/2: "Florilegii Musici Portensis, sacras harmonias sive motetas 5, 6, 7,
8, 10 vocum e diversis, iisque praestantissimis aetatis nostrae autoribus collectus comprehendientis. Pars altera...Collectore et editore
M. Erhardo Bodenschatzio...", Leipzig, Lamberg (2)
498.R7
Gawara, W.
23,--
W. Gawara
Per merita sancti Adalberti a5
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. I: no. 9
Geisenhof, J.
Johann Geisenhof
c.1570 - after 1615
Maria gut, du bist die Glut, a5:
see: Prints 1604/7: "Rosetum Marianum"
Gesius, B.
Bartholomus Gesius
?1555/62 - 1613
354.S11
700.S11
4,50
729.S11
730.S11
731.S11
1,25
732.S11
2,50
733.S11
1,25
734.S11
3,50
2,50
SATB
2,50
SATB
SATB
735.S11
SATB
2,50
793.S11
SATB
SAATB
SAATB
SSAATB
AATBB
TrSAATB
SAATB
SAATB
SSAATB
SAATBB
SAATB
SAT
SAATB
SAATB
SAATB
499.R7
500.R7
Giovannelli, R.
501.R7
5. Tribus miraculis a5
6. Beati estis a5
7. O salutaris hostia a5
8. Caro mea a5
9. Angelus Domini a5
10. Surrexit pastor bonus a5
11. Victimae paschali laudes a5
12. Gaudeamus omnes in Domino a8
13. Beatus vir a8
14. Voce mea ST, bc
15. Columna es immobilis AAA, bc
16. Cantemus Domino ST, bc
Sources used for this edition:
I-Rn mus. 153 (1)
I-Rvat Cap. Sistina 59 (13) and 122 (2)
1604: "Motecta, partim quinis, partim octonis vocibus concinenda. Nunc primum in Germania impressa", Frankfurt, W. Richter, 1608 (3-11)
1614: "Selectae cantiones excellentissimorum auctorum octonis vocibus concinendae...", Rome, B. Zannetti, 1614 / repr. Antwerpen, P. Phalse,
1621 (12)
1616: "Selectae cantiones excellentissimorum auctorum binis, ternis, quaternis
vocibus concinendae...", Rome, B. Zannetti (14, 15)
1618: "Scelta di diversi eccellentissimi eccellentissimi autori 2. 3. 4. et 5.
Posti in luce da F.Constantini Romano...Op. 4", Rome, Zannetti (16)
65,-b) Other Editions:
502.R7
Ave Maria
motet a8 for SSAATTBB
ed. M. Gabbrielli from I-Bsf ms. "Palestrina: Mottetti inediti III-3"
18,--
503.R7
Beata es
motet a8 for SSAATTBB
ed. M. Gabbrielli from I-Bsf ms. "Palestrina: Mottetti inediti III-3"
18,--
nelli, G.B.Nanino, G.M. Nanino, S. Sacchi, A. Stabile, F. Soriano, G. Troiani Tudertino and C. Zoilo; see for editions under their names)
score
set of parts
504.R7
505.R7
Gomlka, M.
Mikolaj Gimlka
c.1535 - in or after 1591
"Melodiae n psalterz Polski", Krakw, 1580
4-part homophonic settings of the 150 psalms in the Polish translation by J.
Kochanowski (1579)
Editions:
Facsimile of the 1580 edition
Compl. ed. M. Perz / J. Woronczak
8 Psalm settings:
ps. 6: Domine, ne in furore tuo arguas me
ps. 12: Salvum me fac, Domine
ps. 29: Adferte Domino, filii Dei
ps. 40: Exspectans exspectavi Dominum
ps. 45: Eructavit cor meum verbum bonum
ps. 47: Omnes gentes plaudite manibus
ps. 77: Voce mea ad Dominum clamavi
ps. 137: Super flumina Babylonis
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. III
506.R7
507.R7
Gonzaga,
19,- 87,--
32,- 38,--
Guglielmo Gonzaga
1530 - 1587
3 Masses for SATTB:
1. Missa In duplicibus maioribus
2. Missa In duplicibus minoribus
3. Missa Apostolorum
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume I
Missa In simplicibus minoribus SATTB
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume II
Graziani, T.
TOMASO GRAZIANI
c.1550 - 1634
Opera omnia
ed. L. Bertazzo & V. Bolcato
508.R7
Volume I
Mass & Motets, 1587
"Missa cum introitu ac tribus motectis, duodecim vocibus canenda, tribus
choris distincta...", Venice, A. Gardano, 1582
all 4 works for 3 choirs: SATB / AATB / SATB:
1. Missa cum introitu
(Gaudeamus omnes in Domino-Kyrie-Gloria-Credo-Sanctus-Agnus Dei)
2. Attendite a falsis prophetis
3. Benedictus Deus
4. O salutaris hostia
59,--
Volume II
Responsories, 1627
"Responsoria in solemnitate patris seraphici Francisci quatuor vocibus concinenda, una cum basso ad organum, pro libito adiuncta antiphona Salve S.
Pater concertata...Opera decima", Venice, A. Vincenti, 1627
SATB and bc:
8 responsories and an antiphon for SATB and bc:
1. Franciscus ut in publicum
2. In Dei fervens opere
3. Dum pater hunc persequitur
4. Dum seminudo corpore
5. Amicum quaerit pristinum
6. Audit in Evanagelio
7. Carnis spicam, contemptus area
8. De paupertatis horreo
9. Salve Sancte Pater (antiphone)
509.R7
Grisostimo da V.
29,--
Grisostimo da Verona
3 Sacred madrigals a5:
1. Ampia viva fornace
2. Vergine santa, immaculata e pia (or by Contino?)
3. O foss' il mio cor fieno
see: Prints 1563/7: "Musica spirituale, libro primo"
Grothusius, A.
Arnold Grothusius
Kyrie & Gloria from: Missa Deus misereatur nostri SATB / SATB, bc
from his: "Missa cum adiuncto Patrem &c. ad imitationem suavissimae et gravissimae motetae Orlandi di Lasso, Deus misereatur nostri, VIII vocum harmonia concinnata", Helmstedt, J. Lucius, 1588
see: Collections: "Dedication Service for St. Gertrude's Chapel"
Guami, G.
Gioseffo Guami
c.1540 - 1611
"Josephi Guami lucensis sacrae cantiones...5, 6, 7, 8 et 10 vocibus. Liber
primus", Venice, G. Vincenti & R. Amadino, 1585
from this collection:
In die tribulationis, a5:
SATTBB; *ed. A. Lumsden
In hoc cognovi, a6:
SSATBarB; *ed. A. Lumsden
510.R7
511.R7
Guerrero, F.
5,- 5,--
FRANCISCO GUERRERO
1528 - 1599
a) Opera Omnia; ed. Querol / Llorns
Volume I-II: Canciones y Villanescas spirituales
ed. V. Garc; introd. and study (Spanish) by M. Querol
"Canciones y Villanescas espirituales", Venice, Vincenti, 1589
512.R7
513.R7
29,--
515.R7
516.R7
517.R7
29,--
out of pr.
46,- 46,--
49,--
518.R7
519.R7
520.R7
521.R7
522.R7
89,--
SSATB:
523.R7
ed. M. Imrie
19,--
525.R7
19,- 19,--
526.R7
19,--
527.R7
19,--
528.R7
19,--
529.R7
13,--
530.R7
19,--
531.R7
Vsperas de Reyes
from: "Liber vesperarum", a4-a6; Rome, D. Basa / A. Gardano, 1584
ed. J.M. Llorens
48,--
524.R7
Canciones Spirituales:
532.R7
533.R7
534.R7
3,--
2,50
2,--
Motets:
almost all from:
"Sacrae cantiones, vulgo moteta nuncupata", Sevilla, 1555
"Motetta Francisci Guerreri in Hispalensi ecclesia musicorum praefecti, que
partim quaternis, partim quinis, alia senis octonis concinuntur vocibus",
Venice, heirs of A. Gardano, 1570
"Liber vesperarum", Rome, 1584
"Motecta...liber secundus", Venice, 1589
"Motecta Francisci Guerreri in Hispalensi ecclesia musicorum
praefecti, quae partim quaternis, partim quinis, alia senis, alis octonis, &
duo denis concinuntur vocibus", Venice, G. Vincenti, 1597
535.R7
10,--
536.R7
10,--
537.R7
11,--
538.R7
7,--
539.R7
540.R7
541.R7
4,--
8,--
543.R7
7,--
544.R7
542.R7
SATB:
4,--
SATB:
7,--
in prep.
SATB:
545.R7
7,--
546.R7
7,--
547.R7
7,--
4,--
549.R7
7,--
550.R7
7,--
551.R7
9,--
552.R7
553.R7
out of pr.
554.R7
7,--
555.R7
7,--
556.R7
7,--
557.R7
8,--
558.R7
7,--
4,--
560.R7
4,--
561.R7
7,--
548.R7
559.R7
SATB:
4,--
562.R7
563.R7
564.R7
4,--
7,--
7,--
565.R7
4,--
566.R7
7,--
567.R7
SATB:
8,--
568.R7
7,--
569.R7
7,--
570.R7
7,--
571.R7
7,--
572.R7
7,--
573.R7
7,--
574.R7
7,--
575.R7
7,--
SSATTB:
SATB:
Gumpelzhaimer
ADAM GUMPELZHAIMER
1559 - 1625
Compendium musicae
"Compendium musicae latino-germanicum. Studio & opera Adami Gumpelzhaimeri, Trospergij Boij. Nunc editione hac quinta nonnusquam correctum,
& auctum", Augsburg, V. Schoenig, 1611 (5th ed.; 1st ed.: 1591)
Latin-German textbook based on Faber's Latin "Compendium" with many
music examples (especially canons, a pedagogical passion of G.). The book
has run through 13 editions, with many revisions and additions.
Music contained in this treatise (5th ed. onf 1611):
a) by A. Gumpelzhaimer:
1. Altissimi gratia tantum SA
2. Ascendisti in altum SA
3. Benedictus qui venit SA
4. Benediximus vobis in nomine Domini SATB
5. Cantate Domino canticum novum / Notum fecit Dominus SSSB
6. Cantate Domino SSATB
7. Crucifixus etiam pro nobis SS
8. Da pacem Domine in diebus nostris SA
9. Da pacem Domine in diebus nostris SATB
10. Da pacem Domine in diebus nostris SSATB
11. De fructus ventris tui SB
12. Dirige nos SA
13. Domine fili Dei vivi SATBar
14. Domine memento mei cum veneris in regnum tuum circle canon a4
15. Dominus regit me SA
16. Justicia de caelo prospexit
crab canon
17. Justicia et pax osculatae sunt crab canon
18. Miserere mei Deus (ps.51) SSATB
19. O Herr Jesu Christ du mein getrewer Gott SSATB
20. O Herr nimm von mir SA
21. O Jesu Christ mein Herr und Gott SAT
22. O lux beata Trinitas SA
23. Recordare promissionis tuae SA
24. Seid frlich in den Herrn SST
25. Spirirus sancti gratia SA
26. Verdamme niemand SA
27-38. Twelve Examples of the ambitus of tones I-XII SATB
Fugues & Canons:
39. Adjuva nos Deus
canon a4
40. Adjuva nos Deus salutaris noster
canon a2 in diapason
41. Agnus Dei
canon a4 in unisono
42. Altissimi gratia tantum
canon a4
43. Aperis tu manus tuas
fuga a2 in subdiapason
44. Ascendo ad Patrem meum
canon a6 in unisono
45. Audi Domine & miserere mei
fuga a3 in unisono
46. Ave Maria gratiosa
canon a4
47. Benedica anima mea Domino
canon a2 in unisono
48. Benedicam Domino in omni tempore
fuga a2 in unisono
canon a2 in unisono
canon a6
canon a2 in unisono
canon a2 in unisono
canon a2 in unisono
canon a2 in unisono
canon a2 in homophonia
canon a4 in unisono
canon a4 in unisono
fuga a4
fuga a6 in unisono
canon a2 in unisono
canon a2 in subdiapason
canon a2 in homophonia
canon a2 in unisono
canon a2 in diapason
canon a8 in unisono
canon a2 in unisono
canon a4
canon a4
canon a2 in epidiapason
canon a2 in subdiapason
canon a 2 in diapason
fuga a4
canon a3
canon a4 in unisono
canon a4
fuga a6
canon a2 in unisono
canon a2 in unisono
canon a2 in unisono
canon a4
fuga a4 in unisono
canon a4
canon a4
canon a4 in unisono
fuga a5 in unisono
canon a2 in unisono
canon a2 in unisono
crab canon a2
fuga a3 in unisono
canon a2 in subdiapason
canon a2 in unisono
canon a2 in unisono
canon a2 in homophonia
canon a2 in unisono
canon a8
canon a2 in subdiapason
canon a5
canon a4
fuga a4
fuga a4
canon a5
M. Asola:
165. Eterno foco vivo
fuga di un tempo, una ottava piu basso
166. Giova mai sempr' e porge fuga di un tempo perfetto una ottava piu basso
167. Ma quel ch'ha cura de tutte lecose fuga di un tempo, una quinta piu basso
168. Quest' compagn'eterno
fuga a2 di un tempo all'unisono
J.J. Cilano:
169. Exaudi Domine orationnem meam
canon a4 in unisono
Ph. Cornazzani:
170. Impia sub dulci melle venena jacent canon a4
J.L. Hassler:
171. Dein vertrauen stet in Christum allein fuga a4
172. Vanitas vanitatum
canon a2 in subdiapason
F. de las Infantas:
173. Ave Maria gratia plena
fuga a4 in unisono
174. Tu es Petrus
canon a4
175. Veni creator Spiriturs
canon a4 in unisono
Josquin Des Prez:
176. Haec est vita aeterna ST
177. Per illud ave prolatum SA
O. de Lassus:
178. Aegra currit ad medicum SS ( = Lauda mater a6, part II)
179. Auditui meo dabis gaudium SA (from: Psalmi poenitentiales)
180. Beata cujus brachijs secli pependit SA ( = Vexill regis a6, part III)
181. Cantate Domino canticum novum / Viderunt omnes termine terrae (a5) SS
182. Discedite a me omnes SA
(from: Psalmi poenitentiales)
183. Expandi manus meas ad te SA (from: Psalmi poenitentiales)
184. Intellectum tibi dabo SA
(from: Psalmi poenitentiales)
185. Ipsa te cogat pietas SA
( = Jesu nostra redemptio a6, part III)
186. Iustus cor suum tradet SA (from: Nova aliquot...ad 2 voc. cantiones)
187. Laetamini in Domino SA
(from: Psalmi poenitentiales)
188. Non avertas faciem SS
(from: Psalmi poenitentiales)
189. Oculus non vidit SA
(from: Nova aliquot...ad 2 voc. cantiones)
190. Putruerunt et corruptae SS
(from: Psalmi poenitentiales)
191. Quoniam qui talia agunt SA
( = Diliges, a4, part II)
192. Scribantur hec in generatione altera SS (from: Psalmi poenitentiales)
193. Te deprecamur largius SA
( = Jesu corona virginum a6, part III)
R. del Mel:
194. Pro lege et pro grege
canon a4
M. Panhormitano:
195. Laudate nomen Domini
canon a7 in unisono
J. Peetrino:
196. In nomine Jesu
canon a4 in unisono
J. Reiner:
197. Expandi manus meas ad te SS
Instrumental works:
198. anonymous: Ricercare TB
199. G. de Antiquis: Ricercare ST
200. C.V. Fanelli: Ricercare TB
201. S. Felis: Ricercare ST
202. G.P. Gallo: Ricercare ST
203. P. Nenna: Ricercare ST
Editions:
151.S5
152.S5
131.E3
153.S5
nos. 1-203:
Facsimile of the 5th edition (1611); hardback
nos. 41, 46, 52, 56, 57, 64, 87, 107, 112, 117, 135, 145:
see: Collections: "Das Kanon Buch": nos. 305, 315, 321, 336, 338, 339,
341, 366, 368, 382, 385 and 396
nos. 20, 41, 46, 49, 52, 56, 63, 64, 73, 86, 87, 92, 96, 110, 117, 135, 142
and 145:
see: Collections: "Der Kanon", ed. F. Jde: nos. 38-57:
no. 19:
*ed. J. Schabasser; SSATB
see: Collections: "Die Kurrende", volume I (no. 100)
no. 20:
see: Collections: "Der Schulchor": vol. VI, no. 26
no. 20 and 86:
in "4 Spruchkanons" (incl. also 2 by Telemann)
no. 64 ("Der grimmig Tod"):
see: Collections: "Der Schulchor": vol. II, no. 52
no. 145:
*ed. Carus (incl. 2 pieces by Praetorius and Schtz)
Haussegen: Wo Gott zum Haus nicht gibt (canon a2)
see: Collections: "Liederbuch des Deutschen Sngerbundes": no. 102
51,--
2,50
3,50
1,25
154.S5
155.S5
156.S5
59,--
1,25
1,25
157.S5
158.S5
"Neue Teutsche Geistliche Lieder, nach art der Welschen Canzonen, mit
vier Stimmen componirt", Augsburg, V. Schnigk, 1594
3e ed. as: "Wirtzgrtlins, Teutsch und Lateinischer Geistlicher Lieder, Erster
Theil / Ander Theil, nach art der Welschen Canzonen, mit vier Stimmen componirt, und nun zum andermal inn Truck verfertiget", idem 1619
from this collection of 29 sacred songs:
2 Songs a4:
1. Auf dein Zukunft, Herr Jesu Christ
2. Lob Gott getrost mit Singen
see: Collections: "Chorbuch zum Kirchenjahr" (nos. 4 and 58)
Aller Augen warten auf dich; SSATB:
see: Collections: "Der Schulchor": vol. VI, no. 38
Lobt Gott getrost mit Singen a4
*ed. J. Schabasser; SATB
2,50
see: Collections: "Die Kurrende", volume I (no. 1)
Wir danken dir Herr Gott Vater
a5
*ed. J. Schabasser; SSATB
2,50
Lustgrtlein...Ander Theil, a3 (1611)
159.S5
160.S5
161.S5
162.S5
163.S5
1,25
1,75
1,75
1,25
1,75
Other Works
7 Sacred songs:
164.S5
165.S5
166.S4
1,75
a4
2,50
1,25
J.A. Hagel
Maria Herz, mit grossem Schmerz, a5:
see: Prints 1604/7: "Rosetum Marianum"
Hagius, K.
Konrad Hagius
1550 - 1616
803.S11
1,75
804.S11
1,75
805.S11
2,50
806.S11
807.S11
808.S11
1,25
809.S11
2,50
Handl, J.
a4
a4
2,50
a4
2,50
see: Gallus, J.
Harant, K.
842.S11
15,--
870.S11
871.S11
out of pr.
872.S11
873.S11
874.S11
182,--
212,--
reprinting
"Sacri Concentus, quatuor, 5, 6, 7, 8, 9, 10 & 12 vocum...Editio altera, correctam & motectis aliquot aucta...", Nrnberg, P. Kaufmann, 1601, enl.: 1612
53 Motets a4-a12; * = from the 2nd enlarge edition (1612)
1. A Domino factum est istud a8
2. Ad Dominum, cum tribularer a5
3. Aeterni sincera a8
4. Aeternus vere est solus Deus a6
5. Alleluia, laudem dicite a5
6. Angelicos cives a7
7. Angelus ad pastores ait a9
8. Beati omnes, qui timent a8
9. Canite tuba in Sion a5
10. Cantate Domino a4
11. Cantate Domino a12
12. Conditor magni Genitorque / Conditor coeli a6
13. Deus in nomine tuo / Ecce enim Deus a4
14. Domine Deus meus, ne quaeso a6
15. Domine Deus Pater a4
16. Domine, Dominus noster a12
17. Ecce Maria genuit a5
18. Ego vero afflictus sum a4
19. Esse volens guadere a8
20. Exaltabo te, Domine a8
21. Exsultate Deo a5
22. Exsultavit cor meum a6
23. Gaudent in coelis animae a5
24. Gratias agimus tibi a5
25. Hodie completi sunt dies a6
26. Ite in universum mindum a4
27. *Jubilate Deo omnis terra a4
28. Jubilate Deo omnis terra a8
29. Jubilate Deo a5
30. Laetentur coeli a4
31. *Laudate Dominum de coelis a8
32. *Laudate Dominum in sanctis ejus a8
33. *Laudate Dominum omnes gentes a4
34. Laudate Dominum a8
35. Miserere mei, Deus a8
36. Miserere nostri, Domine a5
37. Misericordias Domine a8
38. O admirabile commercium a6
39. O Domine Jesu Christe a8
40. O sacrum convivium a7
41. *Omnes gentes, plaudite a10
42. Plaude triumphalem a5
43. Quem vidistis, pastores a4
44. Qui laudat Dominum a4
45. Sancta et immaculata a10
46. Sancta Maria a10
47. *Si bona suscepimus a8
48. Surrexit Pastor bonus a6
49. Tibi laus, tibi gloria a8
50. Tu es Petrus a5
875.S11
876.S11
877.S11
878.S11
90,--
176,--
879.S11
880.S11
Sources:
1598: "Sacrae symphoniae, diversorum excellentissimorum authorum, 4.5.6.7.
8.10.12. & 16. vocibus...", Nrnberg, P. Kaufmann (1)
1600: "Sacrarum symphoniarum continuatio. Diversorum excellentissimorum
authorum 4.5.6.7.8.10 et 12 vocibus...", Nrnberg, P. Kauffmann (4)
1615: "Reliquiae sacrorum concentuum G. Gabrielis, J.-L. Hasleri, utriusque
praestantissimi musici...", Nrnberg, P. Kauffmann (2, 5-9)
186,-Volume XII; ed. C.R. Crosby
Vocal works from manuscripts
in preparation
in prep.
Volumes XIII/1-2 and XIV: organ works. See section "Keyboard music"
B. Other Editions
a) Collections
881.S11
Venusgarten, 1615
"Venusgarten: oder Neue lustige liebliche Tntz Teutscher und Polnischer Art,
auch Galliarden und Intraden mit 4.5.6 Stimmen mit und ohne Text zur
musicalischen Kurtzweil und Recreation den Vocal und Intsrumentalmusicanten zum besten auss unterschiedlichen Exempearn in ein Opusculum
zusammen gebracht und componirt durhc Hanns Leo Hassler von Nrnberg
und Valentin Haussmann Gerbipol.", Nrnberg, P. Kuaffmann, 1615
Only 3 of the 5 partbooks have been preserved (single extant copy in D-Usch:
A, T & Q); this collection contains 39 songs a4 by Haussmann, 10 songs a4
and 1 song a5 by Hassler, 18 dances a4 and 41 dances a5 by Haussmann, and
10 intradas and 1 gagliarda a6 by Hassler.
The Haussmann pieces were first published in "Neue artige und liebliche Tntze"
(1598; 6/1606) and "Venusgarten" (1602) and all 98 of them were then reprinted in "Ausszug auss...der Teutschen Tntz...und. Venusgarten" (1608/9).
The 11 Hassler songs were first printed in his "Neue tetsche Gesang nach Art
der welschen madrigalien und Canzonetten" (1596) and the intradas and the
gagliarda were first published in his "Lustgarten neuer teutscher Gesng, Balletti,
Galliarden un Intraden", Nrnberg, 1601.
For the 98 works by Haussmann: see under his name: "Ausszug...der Teutschen
Tntz...und...Venus Garten", 1608/9: nos. 1-98
Edition:
Facsimile of the 3 remainint partbooks (A,T, Q) of the Schermar copy of the
1615 edition
58,- I/7, VII/26 and VIII/5:
see: Collections: "Antiqua Chorbuch": part I, volume 4: nos. 119-121
I/35:
see: Modern Collections: "Historical anthology of music", vol. I
I/38:
see: Collections: "Chester Books of Motets": volume XVI
IIb / 4, 7, 8, 14, 19:
see: Collections: "Antiqua Chorbuch", part II, volume 4: nos. 149-152, 158
882.S11
14,--
883.S11
IIb/9, 11, 13, 17, 18, 22 and IX/13, 18, 2026, 27, 29:
"Zwlf ausgewhlte Madrigale und Lieder"
10,--
884.S11
885.S11
4,--
VII/2, 9, 24, 26: Four sacred songs a4: Aus tiefer Not; Ein feste Burg; O
Mensch bewein; Wenn mein Stndlein
11,50
886.S11
887.S11
888.S11
889.S11
890.S11
891.S11
892.S11
4,50
5,50
7,- 2,60
2,60
SAATTB:
7,--
893.S11
1,50
894.S11
895.S11
896.S11
13,--
897.S11
1,75
899.S11
2,- 1,70
900.S11
1,75
901.S11
2,50
902.S11
903.S11
898.S11
2,20
17,50
SSATB:
SATB:
2,50
SATB:
2,30
905.S11
4,- 12,--
906.S11
3,50
907.S11
904.S11
908.S11
909.S11
910.S11
911.S11
912.S11
4,--
14,- 2,20
20,50
18,- 7,50
913.S11
914.S11
915.S11
916.S11
917.S11
SATB:
2,50
1,75
918.S11
919.S11
2,80
920.S11
1,25
1,25
921.S11
1,25
922.S11
1,25
923.S11
VIII/1, verse 1: *Ach Gott, vom Himmel sieh darein SATB; ed. Carus
1,25
924.S11
2,50
925.S11
254.S11
SATB:
SATB:
2,50
926.S11
927.S11
928.S11
12,50
SATB:
2,50
SATB / SATB
2,70
SATB:
2,50
929.S11
5,--
930.S11
931.S11
1,25
SATB
1,50
VIII/56:
see: Collections: "Der Schulchor": vol. II, no. 70
VIII/59: Warum betrbst du dich
*ed. J. Schabasser
932.S11
SAT:
933.S11
2,50
SATB:
2,50
2,20
936.S11
1,75
2,60
937.S11
12,--
2,- 2,30
934.S11
935.S11
938.S11
939.S11
Jakob Hassler
1569 - 1622
Jesu ich bitt, verschmh mich nit, a5:
see: Prints 1604: "Rosetum Marianum"
Hle, G. de la
Georges de la Hle
1547 - 1586
Collected Works; ed. L. Wagner
578.R7
Volume I
1. Asperges me a5
2. Missa Gustate et videte a5 (on motet by Lassus)
3. Missa In convertendo Dominus a5 (on Rore's motet)
4. Missa Nigra sum sed formosa a5 (on Crecquillon's motet)
5. Missa Oculi omnium in te sperant Domine a5 (on motet by Lassus)
6. Missa Quare tristis a6 (on motet by Lassus)
135,--
Volume II
7. Missa Benedicta es caelorum regina a7 (on Josquin's motet)
8. Missa Fremuit spiritus Jesu a6 (on motet by Lassus)
9. Missa Prater rerum seriem a7 (on Josquin's motet)
10. Nonne Deo subiecta erit anima mea
11. Mais voyez mon cher esmoy
Sources:
1578: "Octo missae quinque, sex et septem vocum", Antwerpen, Plantin (1-9)
1593: "Sacrarum cantionum...liber I", ed. F. Sales; Prague (10)
1597: "Le Rossignol musical des chansons de diverses et excellens autheurs de
nostre temps a 4, 5 et 6 parties...", Antwerpen, P. Phalse (11)
124,--
579.R7
Herold, J.
Johannes Herold
c.1550 - 1603
"Historia des Leidens und Sterbens unsers Herrn und Heilands Jesu Christi
aus dem Heiligen Evangelisten Mattheo mit 6 Stimmen componiert", Graz
1594.
ed. H.J. Moser
135.S14
Hilton, J. sr.
John Hilton sr
died 1608
Lord, for thy tender mercy's sake (or by R. Farrant?) SATB
Sources:
GB-EL (in GB-Cu) 4: mid-17th c. organ part, and 28: T
GB-Lbl Harley 7340: score by Tudway, c.1715
GB-Ob mus. d.162: BD
GB-Och mus. 437: late-17th c. organ part; mus. 1220-1224
FG-SHR SRO 356 mus.ms. 5: B of c.1625
Editions:
*ed. P.M. Young
see: Collections: "The Oxford Book of Tudor Anthems"
580.R7
Homberger, P.
2,--
Paul Homberger
c.1560 - 1634
3 Motets for double choir:
1. Domine, ad adjuvandum me SSAT / ATTB
2. Veni sancte Spiritus SATB / SATB
3. Domine, ad adjuvandum me SATB / SATB
sources:
D-Rgk ms.156 (1, 3)
"Veni Sancte Spiritus, antiphona vetus...", Regensburg, M. Mylius, 1621 (2)
ed. E. Kraus; "Musik der Oberpfalz", vol. 4 (1972)
942.S11
19,--
17,50
2 Christmas carols:
1. Ein Kind geborn zu Bethlehem, a4
2. All Ehr und Lob soll Gottes sein, a5
see: Collections: "Renaissanc Christmas carols from East-Bayern"
Hooper, E.
Edmund Hooper
c.1553 - 1621
581.R7
Hoyoul, B.
582.R7
2,--
BALDUIN HOYOUL
1547/48 - 1594
a) Latin and German motets
ed. D. Golly-Becker and A. Traub (with original clefs)
Denkmler der Musik in Baden-Wrttemberg, vol. 7
a) "Sacrae Cantiones quinque, sex, septem, octo, novem et decem vocum,
quae cum vivae voci, tum omnis generis instrumentis musicis commodissime
applicari possunt. Autohre Balduino Hoyoul...", Nrnberg, Gerlach, 1587
1. Cantate Domino canticum novum SSATB
2. Peccavi super numerum / Quoniam iniquitatem meam SSATB
3. Quae Domine eloqueris SSATB
4. Tribularer si nescirem / Secundum multitudinem SATTB
5. Ego sum via SATTB
6. Miserere mei Deus / Ecce enim in iniquitatibus SAATB
7. Laetatus sum SSATB
8. Veni Domine SAATB
9. Tulit ergo Dominus / Ex omni ligno Paradisi comede SAATB
10. Ut queant laxis SAATB
11. Da pacem Domine SSATTB
12. Ego sum panis vivus / Et panis, quem ego dabo SATTBB
13. Pater peccavi / Quanti mer5cenarii SSATBB
14. Venite, exultemus Domino / Quoniam ipsius / Hodie si vocem eius SATTBB
15. Ascendisti in altum SSATTB
16. Sol oriens SSATTB
17. Philippe qui videt me SSAATBB
18. Sit vena tua benedicta SSATTTBarB
19. Ut nova connubiii sint SSAATTTBB
20. Uxores subditae estote SSAAATTBBB
b) The other Latin motets:
21. Ab oriente venerunt / Videntes autem stellam SSATTB
22. Cum inducerent puerum Jesum SSATTB
23. Iam surrexit dominus / Cito euntes dicite discipulis SSATTB
24. Si confitearis in ore SSAATTBB
25. Non est in aliquo SSAATTBB
98,--
other editions:
582.R7
583.R7
62,--
89,--
584.R7
585.R7
"Don Fernandi de las Infantas patritii Cordubensis Sacrarum varii styli Cantionum tituli Spiritus Sancti Liber III cum sex vocibus", Venice, G. Scotto,
1579.
from this collection:
Congregati sunt inimici nostri (Pro victoria in turcas Mellite obsedionis, 1565)
* ed. L. Gamblin; SSATTBB
8,50
Loquebantur variis linguis
*ed. B. Turner; SSAATTBB
10,- Victimae Paschali laudes
*ed. M. Noone; SSTTBarB
7,--
586.R7
587.R7
588.R7
MARC'ANTONIO INGEGNERI
c.1547 - 1592
a) Chronological list of sacred works
b) Other sources
c) Editions
a12
a12
589.R7
nos. 1-4:
ed. R. Tibaldi; Opera Omnia, volume I/1
590.R7
nos. 5-49:
ed. in M.L. Duggan's dissertation: "Marc'Antonio Ingegneri: motets for four
and five voices", 1968
115,--
39,--
no. 30:
see: Collections: "Musica Divina", ed. Acciai e.a.
593.R7
nos. 55-63:
*ed. R. Walter:
volume I: nos. 55-57
volume II: nos. 58-60
volume III: nos. 61-63
594.R7
no. 68:
see: Collections: "Cantual": no. 34
*ed. Schott for TTBB
3,60
46,--
nos. 85-96:
ed. G. Acciai
20,--
591.R7
592.R7
595.R7
596.R7
nos. 99-113:
ed. in L.E. Barker's dissertation: "The eight voice polychoral motets of Marc'
Antonio Ingegneri: a transcription, analysis and evaluation", 1974
115,--
597.R7
nos. 122-140:
ed. D. Sabaino; Opera Omnia, vol. I/5
598.R7
no. 128:
ed. in M.Y. Fromson's dissertation: "Imitation and innovation in the NorthItalian motet, 1565-1605", 1988
599.R7
nos. 141-171:
ed. M. Toffetti; Opera Omnia, vol. I/8
600.R7
Inglott, W.
39,--
115,--
39,--
William Inglott
1554 - 1621
Short Service (incomplete)
1. Venite 2. Te Deum 3. Benedictus 4. Kyrie 5. Creed 6. Magnificat 7. Nunc
dimittis
sources: GB-Norwich cathedral 5: Ct, D, TC, BD and BC; GB-Och 1001:
organ book, c.1640 (Te Deum only)
ed. and reconstr. by M. Walsh; transcr. by R. Turbet:
nos. 1-3
no. 5
nos. 6-7
601.R7
602.R7
603.R7
Jeffries, M.
MATTHEW JEFFRIES
fl c.1590
List of Works
a) services:
1. First Service (Te Deum-Kagnificat-Nunc dimittis) verse
2. Second Service (Te Deum-Magnificat-Nunc dimittis) full
3. Service "for meanes" (Venite-Te Deum-Benedictus-Kyrie-CredoMagnificat-Nunc dimittis) full
b) full anthems:
4. Praise the Lord, o ye servants (incompl.)
5. My love is crucified (incompl.) a5
6. Praise the Lord, ye servants (incompl.)
7. Sing we merrily (I) a5
8. In Thee, o Lord, do I trust a6
9. Lord, remember David a6
10. Rejoice in the Lord, o ye righteous a6
11. My song shall be alway / O Lord, the very heavens (incompl.) a6
c) verse anthems:
12. Praise the Lord, the God of might (incompl.) a6
d) consort anthems (with accompaniment of viols):
13. If the Lord himself
14. Out of the deep
15. Sing we merrily (II)
Sources:
GB-Cp: the "former set": MD, CtD1-2, BD (10)
GB-Cp: the "latter set": TD (10)
GB-Cp: the "latter set": MC, TC, BC, organ (10)
GB-DRc: A1: organ (10), A2: organ (3), C2: Ct (6, 7, 10), C2*: Ct (10),
C4: CtD2 (10), C5: CtC2 (10), C6: CtD1 (10), C7: CtC1 (7,
10), C9: TD (10), C10: TC (10), C11: TD (10), C14: TC (6, 7,
10), C15: TD (10), C16: BD (10), C17: BC (6, 7, 10), C19: B
(6, 7, 10).
GB-GL: TC: copy of Barnard partbooks with additions (1, 2)
GB-Lbl Add. 17792-5: CATQB, Sx lacking (10)
GB-Lbl Add. 29372-7: Myriell's "Tristitiae remedium": CATBQSx (8, 9, 13)
GB-Lbl Add. 30478: TC (6, 7, 10)
GB-Lbl Add. 30479: TC (6, 7, 10)
GB-Lbl Harley 6346: texts only (12)
GB-Lcm 1045-1051: MD, CtD, TD, MC, CtC, TC, BC; BD lacking (11)
GB-Lcm Printed music I.A.1: ms. insertions in Barnard partboks (1, 2, 9)
GB-Ob Tenbury 791: the Batten organ book (12, 13)
GB-Ob Tenbury 807-811: M, Ct1-2, T, B; Sx lacking (13-15)
604.R7
Kemp, A.
86,--
Andrew Kemp
fl 1560 - 1570
3 Sacred Works:
1. Te Deum a4
2. ye children which do serve the Lord (ps. 113) a4
3. Now Israel may say (ps. 124) a4
see: Collections: "Music of Scotland, 1500-1700"
Psalm 6 in reports: Lord in thy wrath reprove mee not ATTB
see: "Ten Scottish Psalms in Reports", ed. K. Elliott: no. 2
Kerle, J. de
JACOBUS DE KERLE
1531/32 - 1591
Preces speciales, 1562
"Preces Speciales pro salubri generalis concilii succesu, ac conclusione,
populique Christiani salute, & unione: atq; contra Eccelsiae hostium furorem,
ex sacra scsriptura, & Ecclesiae usu a reverendo patre Petro de Soto ordinis
pradicatorum collectae: & per Iacobum de Kerle Flandrum Yprensem illustrissimi & reverendissimi cardinalis Augustani compositorem ad figuras &
modos musicos accommadatae. Cum quatuor vocibus. Cum gratia et privileggio", Venice, A. Gardano, 1562
Prayers a4, especially composed for the Council of Trent in the new approved
sober style.
All 10 "Preces" consists of main Responsory, Versus I-III, Repetitio I-III,
Gloria patri a3, and conclyding Kyrie
1. Pro Concilio: Suscipiant, Domine, montes ecclesiae tue-V.1: Illustra faciem
tuam-R.1: Salvos fac eos filios pauperum-V.2: Da illis non querere, a3-Et
humilia calumniatorem hereticum-V.3: Aufer ab eis, a3-R.3: Ut unanimes uno
ore-V. a3; Gloria patri et filio-Kyrie
2. Pro Concilio: Descendat, Domine, ros unctionis spiritus sancti-V.1: Confirma
Domine-R.1: Ut participes effecti-V.2: Da illis sensum perfectum, a2-R.2:
In domo tua ecclesia-V.3: Edifica civitatem tuam, a3-R.3: Habentes pastores
-V. a3: Gloria patri-Kyrie
3. Pro Concilio: Exaudi, Deus noster, orationem et preces servorum tuorumV.1: Exaudi Domine, placare-R.1: Nec enim in iustificationibus-V.2: Ne
moreris, a3-R.2: Nec enim in iustificationibus nostris-V.3: Inclina ad nos, a3R.3: Nec enim in iustificationibus nostris-V. a3: Gloria patri- Kyrie
605.R7
4. Pro Populi Christiani unione: Salvos nos fac, Domine-V.1: Non sint, Domine,
iam-R.1: Ut unius corporis-V.2: Da nobis, Domine, non plus sapere, a3R.2: Ut notum sit in gentibus-V.3: Non sint, Domine, in fidelibus, a3-R.3:
Ut luceat lux nostra-V. a3: Gloria patri-Kyrie
5. Pro eadem unione: Simus, Domine, renati omnes-V.1: Sit multitudinis christianorum-R.1: Ut dilectio-V.2: Sis tu, Domine-R.2: Ut credat mundus-V.3:
Non sit, Domine, in corpore tuo, a3-R.3: Et convertantur ad te-V. a3: Gloria
patri-Kyrie
6. Pro Remissione peccatorum: Domine Deus magne et terribilis, peccavimusV.1: Tibi, Domine, misericordia-R.1: Et nunc, Domine, avertatur-V.2: Domine, pater noster-R.2: Avertatur ira tua-V.3: Cognovimus Domine, impietates,
a3-R.3: Avertatur ira tua-V a3: Gloria patri-Kyrie
7. Contra Ecclesiae hostium furorem: Congregati sunt inimici nostri-V.1: Ecce,
inimici tui-R.1: Contere fortitudinem-V.2: Leva manus tuas, a2-R.2: Atque
depone eos-V.3: Ne tradas irationabilium, a3-R.3: Ut cognoscant, quiaV. a3: Gloria patri-Kyrie
8. Contra eosdem hostes: Peccavimus, Domine, cum patribus nostris-V.1:
Respice, Domine-R.1: Et noli con fitentes-V.2: Erige brachium tuum, a3R.2: Et noli con fitentes-V.3: Domine deus veri fidelis, a2-R.3: Ne dicant
heretici-V a3: Gloria patri-Kyrie
9. Contra eosdem hostes: Domine rex omnipotens, in ditione tua-V.1: Tu Domine-R.1: Exaudi preces servorum tuorum-V.2: Benedictus, Deus, qui, a3R.2: Exaudi preces servorum tuorum-V.3: Exaudi, Dominus, orationem, a3R.3: Et libera nos-V. a3: Gloria patri-Kyrie
10. Contra eosdem hostes: Miserere nostri, Deus, omnium et respice nos, a5V.1: Leva manum tuma, a5-R.1: Ut cognoscant, a5-V.2: Contere caput
principum, a3-R.2: Ut cognoscant, a5-V.3: Miserere plebi tue-R.3: Ut
enarrent magnialia tua, a5-V. a3: Gloria patri-Kyrie, a5
Editions:
nos. 1-10:
ed. O. Ursprung (1926; corrected reprint 1971); with extensive introductory
study (in German) and thematic catalogue of Kerl's works, expended for the
1971 reprint by R. Machold; Denkmler der Tonkunst in Bayern, vol. 34;
notation in SATB-clefs, with underlaid keyboard score
140,- from no. 1:
Suscipiant, Domine, montes ecclesie tue & Kyrie:
see: Collections: "Antiqua Chorbuch": part I, volume 2: nos. 62-63
"Liber modulorum sacrorum 4, 5 et 6 vocibus. Summa diligentia compositae,
correctae, & nunc primum i lucem aeditae...", Mnchen, A. Berg, 1573
16 motets a4-a6; from this collection:
no. 16: Dissipa gentes quae bella volunt:
see: Manuscripts: D-Usch 122 (no. 18)
606.R7
1,50
706.R7
1,50
608.R7
Klabon, K.
1,20
Krysztof Klabon
c.1550 - in or after 1616
Kyrie paschale a5
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. II: 18
Piesn I & III & V Kaliopy Slowienskiej
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. III
Klingenstein, B.
Bernhard Klingenstein
1545/46 - 1614
Maria sss, hilf dass ich bss, a5:
see: Prints 1604/7: "Rosetum Marianum"
Knfel, J.
Johann Knfel
1525/30 - in or after 1617
Cantus Choralis, 1575
"Cantus Choralis, musicis numeris quinque vocum inclusus, eo ordien, quo per
totum anni curriculum praecipuis diebus festis in ecclesia cantari solet, a
Iohanne Knefelio", Nrnberg, Th. Gerlach, 1575
a5, if not otherwise indicated:
a) De adventu Domini:
1. Rorate coeli desuper / Coeli enarrant gloriam Dei
2. Kyrie, fons bonitatis / Christe, unice Dei patris genite / Kyrie, ignis divine
3. Et in terra pax hominibus / Domine fili unigenite / Quoniam tu solus sanctus
4. Prophetae sancti praedicaverunt / Alleluia
5. Fortem expediat pro nobis nuncium / Superbientium terat fastigia / Exi qui
mitteris / Virgo suscipias, Dei depositum / Consiliarium humani generis
6. Sanctus / Pleni sunt coeli (a3) / Osanna in excelsis / Benedictus qui venit /
Agnus Dei
b) De nativitate Christi:
7. Puer natus est nobis / Cantate Domino canticum novum
8. Kyrie, magnae Deus potentiae / Christe geniteque culpas Adae / Kyrie, cuius
natus Emanuel restauravit
9. Alia compositio: Kyrie, magnae Deus potentiae / Christe geniteque culpas
Adae / Kyrie, cuius natus Emanuel restauravit
10. Gratias agimus tibi / Domine fili unigenite / Qui tollis peccata mundi /
Quoniam tu solus sanctus
11. Dies sanctificatus illuxit nobis / Alleluia
12. Grates nunc omnes reddamus (a6) / Huic oportet ut canamus
13. Alia compositio: Grates nunc omnes reddamus (a6) / Huic oportet ut canamus
14. Dancksagen wir alle / Den sollen wir alle
15. Sanctus / Pleni sunt coeli / Benedictus qui venit / Agnus Dei
609.R7
c) In epiphaniis Domini:
16. Ecce advenit dominator Dominus / Deus iudicium tuum regi da
17. Festa Christi omnis Christianitas / Quae miris sunt modis ornata / Ut natus
est Christus / Secum munera deferunt / Hic ira saevi Herodis / Anno hominis tricesimo / Patris etiam insonuit / Huic omnes auscultate populi
d) De resurrectione Christi:
18. Salve festa dies / Ecce renascentis / Namque triumphanti / Legibus inferni /
Qui crucifixus erat
19. Resurrexit sicut dixit / Non derelinques animam meam
20. Kyrie Paschale
21. Et in terra pax hominibus / Qui tollis peccata mundi
22. Pascha nostrum / Alleluia
23. Victimae Paschali laudes / Dic nobis Maria / Credendum est magis
e) De ascensione Christi:
24. Viri Gallilaei quid admiramini / Omnes gentes plaudite manibus
25. Ascendit Deus in iubilatione / Alleluia
26. Rex omnipotens die hodierna/ Nam quadraginta, postquam surrexerat /
Apostolorum pacis / Et misit eos in mundum / Et convescens praecepit eis /
Non post multos enim dies / Et cum haec dixisset / Ecce stetere, amicti /
Iesus enim hic / O Deus, mare, polum / Sanguine proprio redemisti nos /
In qua tibi canamus
f) De festo pentecostes:
27. Spiritus Domini replevit orbem terrarum / Confirma hoc Deus
28. Veni sancte Spiritus, reple tuorum / Alleuia
29. Veni sancte Spiritus, et emitte coelitus / Veni pater pauperum / In labore
requies / Sine tuo numine / Flecte quod est rigidum / Da filij meritum (a6)
g) De Sancta Trinitate:
30. Benedicta sit sancta Trinitas / Benedicamus patrem et filium
31. Benedictus es, Domine Deus / Alleuia
32. Pater, Filius, sanctus Spiritus / Non tres tamen Dij sunt / Maiestas par et
potestas (a3) / Quem tremunt impia tartara / Nunc omnis vox atque lingua /
Eia et eia, nunc simul iubilemus / O adoranda Trinitas (a6) / Per te sumus
redemti / Te adoramus omnipotens (a6)
33. Te Deum laudamus: Te aeternum patrem / Tibi Cherubin et Seraphin /
Sanctus / Pleni sunt coeli / Te Prophetarum / Te per orbem terrarum /
Venerandum tuum verum / Tu rex gloriae / Tu ad liberandum / Tu ad dexteram Dei (a4) / Te ergo quaesumus / Salvum fac populum tuum / Per singulos
dies / Dignare Domine die isto / Fiat misericordia tua
34. Harmonia sex vocum pro derensione verae Ecclesiae: Serva Deus verbum
tuum (a6) / Ostende nunc potentiam (a6) / Vivificator spiritus (a6)
35. Da pacem Domine (a6)
Edition:
nos. 1-35:
Facsimile edition of the 5 partbooks of the 1575 edition
156,--
610.R7
SSATB
1,75
Simon Kolb
c.1556 - 1614
Krell, M.
M. Krell
Jesu ich bitt, verschmh mich nit, a5:
see: Prints 1604/7: "Rosetum Marianum"
La Hle, G. de
Lampadius, H.
329.S11
see: Hle, G. de la
H. Lampadius
2 Motets:
1. Victimae paschali laudes / Agnus redemit oves.
Easter motet for SSATTB from PL-GD mss: 4005 and 4007
2. Gratos nunc omnes reddamus
Christmas motet for SSATTB from PL-GD ms. 4005
Included in:
"Danziger Kirchenmusik. Vokalwerke des 16. bis 18. Jahrhunderts"
Critical edition in score, and introduction (in German) by F. Kessler:
1. F. de Rivulo: Verbum caro factum est SATB (from PL-GD 4003)
2. F. de Rivulo: A solis ortus cardine/Beatus autor saeculi SATB (same source)
3. F. de Rivulo: Alleine Gott in der Hhe sei Ehr SATB (same source)
4. F. de Rivulo: Descendit angelus Domini SATB / SATB from "Thesaurus
musicus...Tomo I...", Nrnberg, Montanus & Neuber, 1564 and from mss.:
PL-GD 4003, D-Rp A.R. 791, D-Mbs 1536 and D-Dl Grimma 49/50.
5. H. Lampadius: Victimae paschali laudes / Agnus redemit oves.
Easter motet for SSATTB from PL-GD mss: 4005 and 4007
6. H. Lampadius: Gratos nunc omnes reddamus
Christmas motet for SSATTB from PL-GD ms. 4005
7. J. Wanning: Judica me Deus
Psalm motet for SSAATTBB from his : "Sacrae Cantiones 5, 6, 7 et 8
vocibus...", Nrnberg, C. Gerlach & heirs of J. Montanus, 1580
8. J. Wanning: Ascendo ad patrem
Ascension motet for SATTB from his: "Sacrae Cantiones 5 et 6 vocum accomodatae ad dies festos totius anni...", Venice, A. Gardano, 1590
9. N. Zangius: Deus misereatur nostri
Psalm motet for SSAB / ATTB from his: "Harmonia votiva pro felici fato...",
Bautzen, N. Zipser, 1602
10. A. Hakenberger: Dulcis jesu pie Deus
Passion motet for SATB / SATB from his: "Sacri modulorum concentus de
festis solennibus totius anni,...8 vocibus...", Stettin, J. Duber, 1615
11. G. Bohle: Ad Dominum cum tribularer
Psalm motet for SATB / SATB and bc from PL-GD ms. 4035
12. Ch. Werner: O du allersssester und freundlichster Herr Jesu
Sacred concerto for Alto, 2 violins and bc from his: "Praemessa Musicalia in
quibus motetae singulae vel un duabus vocibus, & duobus vel tribus instrumentis musicis modulandae un cum basso ad organum...Pars secunda (quarta et ultima)...", Knigsberg, P. Mensius, 1646 (only and incomplete
copy at S-V; completed after D-Lr ms. KN 206 (nos.51-64: complete
copy of the whol opus)
13. Ch. Werner: In dir ist Freude
Sacred concerto for 2 Sopranos and bc (same sources as for no.12)
14. D. Jacobi: Preise, Jerusalem, den Herren
Psalm concerto for SSATTB, 2 violins, bassoon or cello, 4 trombones (attb)
Gregor Lange
c.1540 - 1587
24 Motets a4, a5, a6 and a8 from his (19) "Cantiones aliquot novaue..."
Frankfurt an der Oder ,1580) and "Liber secundus (26) cantionum sacrarum",
Nrnberg, 1584.
ed. by R. Starke in vol. 25 of: "Publikationen lterer praktischer und theoretischer Musikwerke, vorzugsweise des XV. & XVI. Jahrhunderts, hrsg. von
der Gesellschaft fr Musikforschung" (29 volumes; 1873-1905). Reprint of
all 29 volumes; hardback; only available as complete set
2.950
183.R5
611.R7
Langreder, M.
Martin Langreder
died before 1602
7 contrafacta Magnificat settings a6, published in:
M. Herrer: "Canticum gloriosae deiparae Virginis Mariae...super varia (ut
vocant) madrigalia", Passau, 1602
from this group:
Magnificat super Un pastor SSATBB
ed. K. Ruhland
612.R7
Lassus, F. de
1,80
11,--
Ferdinand de Lassus
c.1560 - 1609
Maria mild, du hast gestillt, a5:
see: Prints 1604/7: "Rosetum Marianum"
Lassus, O. de
ORLANDE de LASSUS
1532 - 1594
Sacred Works
see for secular works & (sacred) German songs:
section: Late Renaissance: Secular Music
A. Complete Works, Old Series
B. Complete Works, New Series
C. Complete Motets, gen.ed. P. Bergquist
D. Alphabetical checklist of the sacred works
E. Chronological list of the sources in print
F. Separate Editions: Smaller collections & Single works
At the moment (2003) 2 volumes with sacred works are available or due to be
published soon: vols. I and III
See for volumes containing only secular works: section :"Late Renaissance:
Secular music".
Earliest printed sources in parentheses behind titles (see chronological
list of sources in print); manuscript sources given for each volume
613.R7
Volume I
Motets, part 1: motets a2 - a4
1.Beatus vir, qui in sapientia a2 (1577d)
2.Beatus homo, qui invenit a2 (1577d)
3.Oculus non vidit a2 (1577d)
4.Justus cor suum a2 (1577d)
5.Expectatio justorum a2 (1577d)
6.Qui sequitur me a2 (1577d)
7.Justi tulerunt spolia a2 (1577d)
8.Sancti mei a2 (1577d)
9.Qui vult venire a2 (1577d)
10.Serve bone et fidelis a2 (1577d)
11.Fulgebunt justi a2 (1577d)
12.Sicut rosa a2 (1577d)
13-24.Twelve Bicinia without text (Fantasie/Ricercari) a2 (1577d)
25.Haec quae ter triplici a3 (1575a)
26.Ego sum resurrectio a3 (1575a)
27.Christus resurgens ex mortuis a3 (1575a)
28.Ave regina coelorum a3 (1575a)
29.Sancta et immaculata a3 (1575a)
30.O Maria clausus hortus a3 (1575a)
31.Domine, non est exaltatum a3 (1575a)
32.(2nd part:) Sicut ablactatus est a3 (1575a)
33.Domine, Deus meus a3 (1577a)
34.Justus es Domine et rectum a3 (1575a)
35.Laetatus sum a3 (1575a)
36.(2nd part:) Jerusalem quae aedificatur a3 (1575a)
37.(3rd part:) Quia illic sederunt a3 (1575a)
38.(4th part:) Propter fratres meos a3 (1575a)
39.Deus tu scis a3 (1575a)
40.Cantate Domino canticum novum omnis terra a3 (1575a)
41.(2nd part:) Cantate Domino et benedicite a3 (1575a)
42.Ego sum pauper a3 (1575a)
43.(2nd part:) Laudabo nomen Dei a3 (1575a)
44.Exaudi me, Domine a3 (1575a)
45.Diligam te, Domine fortitudo a3 (1575a)
46.Beati omnes, qui timent Dominum a3 (1575a)
47.(2nd part:) Ecce sic benedicetur a3 (1575a)
48.Exaudi Deus orationem meam a3 (1575a)
49.(2nd part:) Contristatus sum a3 (1575a)
50.Ego dixi, Domine a3 (1575a)
51.(2nd part:) Convertere Domine usquequo a3 (1575a)
52.Adoramus te Christe, I a3 (1604)
53.Adoramus te Christe, II a3 (1604)
54.Verbum caro panem verum a3 (1604)
55.Agimus tibi gratias a3 (1604)
358,--
Volume III
Motets, part 2: a4 and a5
118.Exsurgat Deus a4 (1588b)
119.Exultate justi in Domino a4 (1568b)
120.Iniquos odio a4 (1565b)
173.Fertur in conviviis vinus / Volo inter omnia / Potatores incliti / Meum est
propositum / Et plusquam ecclesiam diligo a4 (1564b)
174.Qui regit astra tibi a4 (1604)
175.Scio enim quod redemptor a4 (1568b)
176.Domine, quando veneris a4 (1555b)
177.Quid facies a4 (1582b)
178.Sancta Maria, I a4 (1604)
179.Sancta Maria, II a4 (1604)
180.Sancta Maria, III a4 (1604)
181.Multarum hic resonat a5 (1571b)
182.Cernere virtutes qui vult a5 (1568b)
183.Gratia soli Dei pie a5 (1569a)
184.(2nd part:) Legitimo ergo nihil a4 (1569a)
185.(3rd part:) Res mira ignoti a6 (1569a)
186.Si quid vota valent a5 (1571b)
187.Te spectant, Reginalde a5 (1556)
188.Tibi laus, tibi gloria a5 (1564/4)
189.(2nd part:) Da gaudiorum praemia a5 (1564/4)
190.Jerusalem plantabis a5 (1562)
191.(2nd part:) Gaude et laetare a5 (1562)
192.Angelus ad pastores ait a5 (1562)
193.Alleluja vox laeta a5 (= Veux-tu ton mal) (1559/12)
194.(2nd part:) Alleluja prae gaudio a5 (= Puisqu'en mon mal) (1559/12)
195.Exsultet coelum mare a5 (1571b)
196.Resonet in laudibus a5 (1569a)
197.(2nd part:) Hodie apparuit a3 (1569a)
198.(3rd part:) Magnum nomen Domini a5 (1569a)
199.Sidus ex claro veniens a5 (1569a)
200.(2nd part:) Qui maris, terrae a5 (1569a)
Manuscript sources:
A-Sca 4 417 (162)
A-Wn 16697 (136), 16704 (199-200), 18828 (187), and Suppl.mus. 2129:
Mus. I.57 (183-185)
CH-Bu F.IX.43: tabl. (144) and F.IX.44: tabl. (188-189, 199-200)
CZ-Pu Rokycany A V 19a (199-200)
D-As ms. suppl. to 4 273-278 (138, 157-158, 188-189)
D-AAm 256 (133, 192)
D-AN: IV.g.14 (190-191) and IV.g.18 (188-189)
D-ASsb 4783: tabl. (190-192)
D-B: 12594 (125), 12566/14 (176), 30075 (126), 40028 (133), 40110 (192),
40112 (192), 40598: tabl. (157-158, 192).
D-DEl 12150: tabl. (158, 188, 192)
D-Dl 123 (139), 503 (192, 196,199-200), 1274 (143) and 2-D-22 (188-189)
D-Dl Grimma 54 (188-189)
D-Dl Lb 31 (188-189)
D-Dl Pirna Codex II (196-198)
D-Dl Sche 35b (192)
D-Lr KN: 144 (192) and 150 (192)
D-Lh A.203 (192)
D-Mbs: 15 (118), 20 (187), 24 (195, 199-200), 263 (199-200), 1501 (143),
1503/1 (192), 1536 (126), 1640: tabl. (192, 198-200), 2744 (124,
126-132, 134-137, 145-149, 151-155, 160-163, 165, 167, 168).
D-Ms 2327 (147)
298,--
Volume V
Motets, part 3: for 5 voices, I; revised edition
201.Quem vidistis pastores (1569a)
202.Descendit sicut pluvia (1571b)
203.(2nd part:) Coram illo (1571b)
204.Nuntium vobis fero (1571b)
205.(2nd part:) Thus Deo, myrrham (1571b)
206.Ecce Maria genuit (1568b)
207.(2nd part:) Ecce agnus Dei (1568b)
208.Mirabile mysterium (1556)
209.Videntes stellam magi (1562)
210.(2nd part:) Et apertis thesauris (1562)
211.Tribus miraculis (1565c)
212.Animam meam dilectam (1565b)
213.(2nd part:) Congregamini et properate (1565b)
214.Popule meus (1582e)
215.(2nd part:) Numquid redditur (1582e)
216.Alma Venus (1560b)
217.(2nd part:) Nunc elegos divae (1560b)
218.Quis mihi det lacrimis (1573b)
219.Tristis est anima mea (1565b)
220.Angelus Domini locutus est (1571b)
221.Christus resurgens ex mortuis (1582e)
Manuscript sources:
A-Wn: 16697 (242-248), 16704 (204-207, 223, 229-230), 16705
(262-263), 18828 (219, 251), 19189 (251)m 19259: tabl. (251)
CH-Bu F.IX.44: tabl. (219)
CZ-Pnm XIV.C.149 (209-210, 251)
D-As 19 (223)
D-AN IV.g.14 (251-253, 261)
D-ASsb 4783: tabl. (209-210, 216-217, 222, 223, 251, 261-263)
D-B: 40032: tabl. (222), 40034: tabl. (251), 40039 (206-207), 40192 (222),
40112 (222), 40212 (219), 40598: tabl. (222, 251), 40630 (251) and
40632: tabl. (223, 251)
D-BS organ tabl. (220, 222, 223, 251)
D-DEl 12150: tabl. (201, 219, 223)
D-Dl: 265 (264), 503 (201); 1-D-6 (219), 2-D-22 (206-207, 209-210),
1-E-24 (264)
D-Dl Gl 5 (219)
D-Dl Grimma: 7 (212-213, 219), 49 (208), 54 (223)
D-Dl Lbau 8 (239) and 10 (239)
D-Dl Pirna: Cod. II (20*), Cod. III (201, 206-207)
D-Lr KN.210 (206-207)
D-Lh A.: 203 (209-210, 264), 209: tabl. (222) and 210: tabl. (222)
D-Mbs: 11 (271-272), 13 (220), 15 (202-203, 236-238, 244-245, 252-253,
264), 20 (208), 24 (204-205, 233), 1503 i (219), 165o: tabl. (201,
204-208, 211, 219, 220, 222, 223, 231, 232, 236-237, 240, 251,
264, 265), 1641: tabl. (209-210, 214-215, 221, 236-237, 260, 268,
271-272) and 2744 (250)
D-Ms: 1200 (251), 1217 (219), 2319 (224), 2320 (212-213)
D-Ngm 8820 N (201),8820 X (222), 8820 Z (208)
D-Nla S.E.: 96 (212-213, 219, 234-235, 252-253), 142 (202-203, 206-207,
211, 220, 261, 262-264) and 222 (221, 260)
D-Rp A.R.: 728-732 (222), 774 (218, 236-237, 260, 268, 271), 786-837
(220, 223, 264), 849-852 (222), 853-854 (206-211), 855-856
(202-207, 232), 861-862 (264), 863-870 (219), 871-874 (220,
222), 875-877 (209-210, 251), 893 (251), 942-946 (201, 206,
211), 960-963 (222), 985-986 (204-207, 211), 996-1010 (201,
206-207), 1011-1017 (209-210, 219);
AN.1 (201, 204-207, 211);
B: 223-233 (219), 271-274 (206-210, 219, 222, 223);
C: 119: tabl. incompl. (202-203, 221, 222)
D-Sl: 1 (222, 223, 251, 261), 5 (211) and 11 (238)
D-Z XXXIII,34,e (206-207), LXXIV,1 (209-210, 219, 221-223, 264) and
CIII,3 b (251).
E-V 17 (216-217)
E-VAcp mus.ms. 20 (251)
F-VE 698: tabl. (251)
GB-Cfm 198-201 (206-208, 211, 212, 216-217, 219, 234-235, 240)
GB-Lbl Add. 29467: tabl. (273), 30361-66 (219, 222), 31438 (251), 31992:
tabl. (219, 251)
GB-Lbl K.i.c.23 (273)
GB-Ob Tenbury 431-344 (219) and 854 (221)
H-Bn Brtfa: 16 (209-210, 219, 222), 26 (206-207); Mus.pr. 1 (219)
H-Gz XI.b.54: tabl. (214)
I-Bl M/225 (219, 222, 231, 251)
229,--
Volume VII
Contents of the old edition; the revised one is still in preparation
Motets, part 4: for 5 voices, II
275.Pater Abraham, miserere (1571b)
276.(2nd part:) Fili recordare (1571b)
277.Quem dicunt homines (1567/3)
278.(2nd part:) Tu es Christus (1567/3)
279.Qui sunt hi sermones (1582e)
280.(2nd part:) Tu solus peregrinus (1582e)
281.Fili quid fecisti nobis sic? (1564/4)
282.Missus est angelus (1565b)
283.(2nd part:) Ne timeas, Maria (1565b)
284.(3rd part:) Dixit autem Maria (part A) (1565b)
285.(4th part:) Dixt autem (part B) (1565b)
286.Pater peccavi (1564b)
287.(2nd part:) Quanti mercenarii (1564b)
288.Emendemus in melius (1571b)
289.Dilige solitudinem (1583/2)
290.De ore prudentis (1565c)
291.Quid prodest stulto (1564b)
292.Mors tua, mors Christi (1585b)
293.(2nd part:) Quisquid erit tandem (1585b)
294.Noli regibus (1571b)
295.(2nd part:) Date siceram (1571b)
296.Venite ad me omnes (1571b)
297.Auris bona est (1582e)
298.Memento peccati tui (1597)
299.Stabunt justi (1571b)
300.(2nd part:) Hi sunt, quos habuimus (1571b)
301.Rebus in adversis (1569a)
302.Quid prodest homini (1571b)
303.(2nd part:) Futurum est enim (1571b)
304.Venite filii, audite me (1604)
305.(2nd part:) Diverte a malo (1604)
306.Ubi est Abel? (1567/3)
307.Domine, Deus fortissime (1585b)
308.Audi benigne conditor (1568/2)
309.(2nd part:) Multum quidem peccavimus (1568/2)
in prep.
Volume IX
Contents of the old edition; the revised one is still in preparation
Motets part 5: for 5 voices, III
337.Veni, Domine, et noli tardare (1583/2)
338.Peccata mea, Domine (1582e)
339.Heu mihi, Domine, quia peccavinimis (1556)
340.Misericordias Domini (1573b)
341.Deus qui sedes super thronum (1562)
342.Bonitatem fecisti (1565b)
343.Si ambulavero in medio (1556)
344.Credidi propter (1569a)
345.(2nd part:) Vota mea (1569a)
346.O Domine salvum me fac (1562)
347.(2nd part:) Non moriar (1562)
348.Quam benignus es (1562)
349.(2nd part:) O beatum hominem (1562)
350.Domine, probasti me (1556)
351.(2nd part:) Ecce Domine (1556)
352.Adversum me loquebantur (1562)
in prep.
Volume XI
Motets, part 6: for 6 voices, I
Contents of the old edition; the revised one has not yet been published
in prep.
Volume XII
Compositions with French texts, part I
The Chansons a4 from "Les Meslanges..contenantz plusieurs chansons,
tant en vers latins qu'en ryme francoyse...", Paris, 1576 a4-a6, a8, a10
1. Las, voulez-vous (1555b)
2. L'heureux amour (1576b)
3. Si le long temps (1559/12)
4. Un advocat dit sa femme (L'homme de bien dit son ame) a4 1570b
5. Sauter, danser, faire le tours (1576b)
6. Si par souhait je vous tenoit (1570h)
7. En un chteau, madame (L'homme mortel contemplant) (1570h)
8. Monsieur l'abb (Maistre Robbin) (1564a)
9. Qui dort ici (1564a)
10. Soyons joyeux sur la plaisante verdure (1564c)
11. Quand mon mari vient (Quand l'homme honneste) (1564a)
12. Ardant amour souvent (1564c)
13. ce matin (L'avarte veut avoir) (1564a)
14. Si je suis brun (1573c)
(2nd part:) Ne vous soit trange (1573c)
15. La nuit froide et sombre (1576b)
16. O vin en vigne (Bont divine, vien et monstre) (1570h)
17. Avec vous (Dieu) mon amour finira (1555b)
18. Un jour vis un foulon (On ne peut le fol amour) (1570h)
19. Je l'aime bien (J'aime mon Dieu et l'aimerai) (1555b)
20. Fleur de quinze ans (1564a)
21. Un doux nenny (Ta voix, Dieu, avec ton doux) (1560b)
22. Hlas, quel jour (1560c
23. Le temps pass je soupire (1567/11)
24. Si du mal'heur (1573c)
25. En espoir vis et crainte (1555b)
26. Je suis quasi prest (1570h)
27. Du coprs absent (1564a)
28. J'ai cherch la science (J'ai du ciel la chance) (1564a)
29. La mort est jeu pire (1564a)
30. Si vous n'tez en bon point (1564a)
31. Le vrai ami (Le vertueux ne s'estonne de rien) (1564a)
32. Or sus, filles (Sus, je vous pri) (1576b)
33. Qui bien se mire (1573c)
621.R7
Volume XIII
Contents of the old edition; the revised one is still in preparation
Motets, part 7: for 6 voices, II
480.Angelus Domini descendit (1585a)
481.(2nd part:) Nolite timere (1585a)
482.Ego sum qui sum (1570g)
483.(2nd part:) Ego dormivi (1570g)
484.Congratulamini mihi omnes (1566d)
485.(2nd part:) Tulerunt Dominum (1566d)
486.Jesu nostra redemptio (1567/3)
487.(2nd part:) Inferni claustra (1567/3)
488.(3rd part:) Ipsa te cogat pietas a2 (1567/3)
489.(4th part:) Tu esto nostrum gaudium (1567/3)
490.Tempus est ut revertar (1566d)
491.(2nd part:) Nisi ego abiero (1566d)
492.Hodie completi sunt (1582d)
493.(2nd part:) Misit eos (1582d)
494.Jam non dicam vos (1573a)
495.(2nd part:) Accipite spiritum sanctum (1573a)
496.Veni creator spiritus (1568a)
497.(2nd part:) tu septiformis minuere (1568a)
498.(3rd part:) Hostem repellas (1568a)
499.Veni sancte spiritus (1582d)
500.Vincenti dabo edere (1594)
501.(2nd part:) Qui vicerit (1594)
502.O quam suavis est Domine (1568a)
503.Ave verum corpus (1582d)
504.Creator omnium Deus (1556)
505.Da pacem domine, II (1556)
506.Da pacem Domine, I (1582d)
507.Pater noster, I (1585a)
508.(2nd part:) Panem nostrum (1585a)
509.Pater noster, II (1565b)
510.(2nd part:) Ave Maria gratia plena
511.Media vita in morte sumus (1573b)
512.(2nd part:) Sancte Deus (1573b)
513.Infelix ego omnium (1566d)
514.(2nd part:) Solus igitur Deus a4 (1566d)
515.(3rd part:) Ad te igitur piissime, Deus (1566d)
516.Agimus tibi gratias (1573b)
517.Alma redemptoris mater (A) (1582d)
518.Alma redemptoris mater (B) (1604)
519.Ave regina coelorum (A) (1582d)
520.Ave regina coelorum (B) (1604)
521.Regina coeli laetare (A) (1585a)
522.(2nd part:) Resurrexit sicut dixit (A) (1585a)
523.Regina coeli laetare (B) (1604)
524.(2nd part:) Resurrexit sicut dixit (B) (1604)
525.Salve regina mater (A) (1582d)
526.Salve regina mater (B) (1604)
527.Salve regina mater (C) (1604)
528.(2nd part:) Eia ergo (1604)
529.(3rd part:) Et Jesum benedictum (1604)
in prep.
Volume XIV
Compositions with French texts, part 2:
The Chansons a5-a8 from "Les Meslanges...", 1576
1. Noblesse gist au coeur a5 (1570h)
2. La terre, les eaux (La terre son Dieu va louant) a5 (1564b)
3. Vive sera et toujours perdurable a5 (1570h)
4. Mon coeur se recommande (Qui laboure champ ou vigne) a5 (1560c)
5. Rends-moi, mon coeur a5 (1561/5)
6. Mon coeur ravi d'amour a5 (1564b)
7. Sur tous regrets a5 (1560c)
8. Susanne un jour a5 (1560c)
9. De tout mon coeur a5 (1564b)
10. J'endure un tourment a5 (1564b)
(2nd part:) Mais quel propos a5 (1564b)
11. Vous, qui aimez les dames a5 (1560b)
12. J'attends le temps a4 (1560c)
13. Chanter je veux la gente (l'heur de l'ame) a5 (1569/19)
14. Un messagier a5 (1570h)
15. Dix ennemis (Mes vains dsirs), tous darms a5 (1576b)
(2nd part:) Et me prenant au collet a5 (1576b)
16. S'il y a compagnon (Il n'y a que douleur) a5 (1576b)
17. Et d'o venez-vous a5 (1564b)
18. Veux-tu, ton mal Puis qu'en mon mal) a5 (1559/12)
19. (2nd part:) Le voulez-vous a5 (1559/12)
20. Las, me faut il a5 (1560c
21. Un triste coeur rempli a5 (1570h)
22. Ardant amour souvent (Divin amour; La ferme foi) a5 (1560c)
23. Je ne veux plus que chanter a5 (1565a)
24. Au feu, venez-moi a5 (1564c)
(2nd part:) l'eau jettez-toi a5 (1564c)
25. Au temps jadis a5 (1560c)
26. Elle s'en va de moi (Elle prit ma chair) a5 (1560c)
27. Le rossignol plaisant a5 (1560c)
28. Est-il possible moi a5 (1560c)
29. Une puce j'ai dedans l'oreill' a5 (1576b)
(2nd part:) Nul remede a5 (1576b)
30. Le dpartir (Partir d'ici, c'est un departement) a5 (1564b)
31. Comme la tourterelle a5 (1565a)
(2nd part:) O t'attend ta matresse (De l'ternelle liesse) a5 (1565a)
32. Puisque fortune (Pech infame; Puis que pech moi) a5 (1564b)
33. Quand me souvient (Sentant l'effort e la triste) a5 (1570h)
34. Toutes les nuits a5 (1563)
35. Qui veult d'amour (Qui de pech veut savoir) a4 (1576b)
36. Un jour l'amant a8 (1570h)
37. Que dis-tu? a8 (1576b)
38. Dis-moi, mon coeur a8 (1573c)
Manuscript sources:
A-Wn 19259: tabl. (8)
CH-Bu: F.IX.70 (8), F.X.21 (8), F.X.25/26 (8)
CZ-Velk s.s. (8)
D-AN IV.g.18 (18)
D-AS 4783: tabl. (4, 7, 11, 20, 21, 26-28)
D-B: 40032: tabl. (8, 26, 27), 40034: tabl. (8), 40212 (8, 30), 40306 (8),
40363 tabl. (8) and 40598: tabl. (8, 12, 21, 28)
D-B mus.pract. 0.60: tabl. of Ochsenkun, ms. suppl. (8)
D-DEl 12150: tabl. (8)
D-HB CXX (4, 6, 8, 12, 27, 28, 30), XXXII,4,4 (8) and XXXII-XXXV (8)
D-Lh A.203 (18)
D-Mbs: 259 (7, 31, 36), 266 (8), 1501 (4, 7, 8), 1640: tabl. (18)
D-Ngm 138037 (8)
D-Nst 96 (18)
D-Rp: A.R:. 774 (27), 853-854 (18), 855-856 (18), 891-892 (18), 942-946
(18), 985-986 (18), 996-1010 (18); AN.1 (18); B: 237-240 (8) and
271-274 (18)
D-W 175: tabl. (8)
D-Z CIII,3.b (8)
E-Mbm 13231 (8)
E-V 17 (4, 8, 27)
E-VAcp (8)
F-Pn Bourdeney Codex: (4, 7, 8, 12, 18, 21, 22, 25, 26)
F-VE 698: tabl. (5, 20, 25, 28) and 711: tabl. (7, 20, 22, 27)
GB-Cfm 24.E.13-17 (4) and 268: Fitzwilliam virginal book (8, 27)
GB-Cu D.d.2.11: tabl. (8, 13)
GB-Lbl Add.: 11583 (8), 29247: tabl. (26), 27247: tabl. (27), 29485 (8),
30016-21 (8, 27), 30485 Lady nevelle's book (8), 30491 (8),
31438 (4, 16), 32377 (8, 17), 33933 (8) and 36484 (8)
GB-Lbl Egerton 995 (8)
GB-Lbl K.i.c.23: ms. suppl. (8)
GB-Lcm 2089: tabl. (27)
GB-Ob Tenbury: 602-6 (27) and 1172 (8)
I-Bc Q 34 (8)
I-MOe C.311 (8)
IRL-Dtc D.3.30: tabl. (8)
NL-At 208.A.27: tabl. (27)
NL-Uim 3.L.16 (4, 6-12, 18, 21, 22, 26, 27)
PL-Brzeg (8, 18)
PL-GD: 2165 (9), 4003 (8)
PL-WRu (8, 18, 36, 38)
S-Skma Sacks tabl. (8)
US-NH tablature (8)
623.R7
218,--
Volume XV
Contents of the old edition; the revised one is not yet available
Motets, part 8: for 6 voices, III
545.Andreas Christi famulus (1585a)
546.Lauda mater ecclesia (1582d)
547.(2nd part:) Aegra currit (1582d)
548.(3rd part:) Surgentem cum victoria (1582d)
549.In principio erat verbum (1566d)
550.(2nd part:) Fuit homo mussus a Deo a4 (1566d)
551.(3rd part:) In propria venit
552.In illo tempore (1577c)
553.Fremuit spiritu Jesus (1556)
554.(2nd part:) Videns Dominus (1556)
555.Nuptiae factae sunt (1566d)
556.(2nd part:) Dixit mater eius (1566d)
557.(3rd part:) Et dicit eis Jesus a3 (1566d)
558.(4th part:) Omnis homo primum bonum vinum ponit (1566d)
559.Ego cognovi (1594)
560.Audi tellus, audi magnus (1566d)
561.(2nd part:) Ubi Plato? a4 (1566d)
562.(3rd part:) Ubi David rex doctissimus? (1566d)
563.Anni nostri sicut (1566d)
564.Qui timet Deum (1594)
565.Omnis enim homo (1585a)
566.In religione homo vivit (1585a)
567.Multae tribulationes (1577c)
568.O mors, quam amara (1564b)
569.(2nd part:) O mors, bonum est judicium tuum (1564b)
570.Cum essem parvulus (1582d)
571.(2nd part:) Nunc cognosco (1582d)
572.Dixit Joseph undecim fratribus suis (1564/1)
573.(2nd part:) Nunciaverunt Jacob dicentes (1564/1)
574.Certa fortiter (1582d)
575.Luxuriosa res vinum (1594)
576.Timor Domini principium sapientiae (1594)
577.Homo cum in honore esset (1566d)
578.Conveniens homini est (1585a)
579.Fratres nescitis (1594)
580.Fratres gaudete in Domine (1585a)
581.(2nd part:) Petitiones vestrae (1585a)
582.Junior fui (1566d)
583.(2nd part:) Declina a malo (1566d)
584.Circumdederunt me dolores mortis (1601/3)
585.Libera me, Domine (1568a)
586.Recordare, Jesu pie (1594)
587.Si coelum et coeli coelorum (1594)
588.Vere, Dominus est (1594)
589.In dedicatione templi (1594)
590.Unus Dominus, una fides (1604)
591.Fratres, qui gloriatur (1604)
592.Peccavit David (1604)
593.Omnium deliciarum (1604)
594.Ne derelinquas amicum (1604)
595.Qui patiens est (1604)
Volume XVI
Compositions with French texts, part 3:
Chansons a3-a8 from the 1571, 1583 and 1583 editions
263,--
Volume XVII
Motets, part 9: for 6 voices, IV
Contents of the old edition; the revised one is not yet availabe
609.Prolongati sunt dies mei (1594)
610.(2nd part:) Inveterata sunt a4 (1594)
611.(3rd part:) Si ergo fas dicere (1594)
612.Quam magnificata sunt (1564b)
613.(2nd part:) Beatus homo quem tu erudieris (1564b)
614.Quare tristis es anima mea (1564b)
615.Oculi mei semper ad Dominum (1585a)
616.Domine da nobis auxilium (1585a)
617.Deficiat in dolore vita mea (1594)
618.Domine deduc me (1566d)
619.(2nd part:) Sepulchrum patens (1566d)
620.Clamaverunt ad Dominum (1570g)
621.Memor esto verbi tui (1585a)
622.Lauda anima mea Dominum (1594)
623.Respicit Dominus vias hominis (1594)
624.Domine, Dominus noster (1577c)
625.Cum invocarem exaudivit me Deus (1570g)
626.(2nd part:) Sacrificate sacrificum a3 (1570g)
627.(3rd part:) Signatum est super nos (1570g)
628.Ad Dominum cum tribularer clamavi (1594)
629.(2nd part:) Heu mihi, quia incolatus meus (1594)
630.Vidi calumnias (1594)
631.(2nd part:) Rursum contemplatus sum (1594)
632.Dominus mihi adjutor (1566d)
633.(2nd part:) Bonum est confidere in Domino (1566d)
644-645, 652, 656, 665-670), 1538 (624), 1640: tabl. (621, 624,
634-635, 656), 2744 (656), 1641: tabl. (646, 657-658), 4480 (624,
652, 669, 670) and 4748: tabl. (634-635)
D-Ngm 7090/62: fragment (614), 8820 N (620, 643), 138037 (652, 670)
D-Nla S.E. 96 (624, 632-633)
D-Rp A.R.: 233-238 (663-664), 774 (632-633, 637, 639, 641-642, 652,
656, 663-664, 669, 670), 775-777 (618-619, 624-627, 633,
637-640, 652, 665-666, 670), 875-877 (644-645), 893
(637-640), 930-939 (643), 942-946 (621, 663), 985-986 (663,
664), 1011-1017 (624, 652, 656, 669, 670)
A.N. 1 (621, 663-664)
B.: 271-274 (643)
C.: 119: tabl. (646, 667-669)
D-Sl: 1 (650-651), 15 (632-633, 664-664) 16 (625-627, 641-642)
D-Z: LXXIV,1 (624), LXXX,3 (624)
E-VAcp mus.ms. 20 (625-627)
GB-Cfm: 112-113 (654-655), 198-201 (612-614, 618-619, 624, 632-635,
644-645, 650-651, 654-655, 665-668) and 24.E.13-17 (644-645)
GB-Lcm 2089: tabl. (614, 634)
GB-Lbl Add.: 29247: tabl. (625-627, 644-645), 29388-92 (634-635),
30361-66 (634-635), 32377 (644-645)
H-Bn Brtfa: 1 (652), 17 (624, 656), 24 (652)
H-Gz XI.b.54: tabl. (644, 669, 670)
I-Rn 77-88 (614)
I-Rsc: 389 (634-635) and 792-795 (634)
NL-Uim 3.L.16 (644-645)
PL-Brzeg: 5 (657-658), 40 (670), 54 (624)
PL-GD 2165 (644-645)
PL-Letpn: 27: tabl. (624), 49 (624, 670)
PL-Wu 7.41.5.15 (624-627)
PL-WRu: 1 (612-614, 618-619, 624, 632-635, 637-640, 644-645,
650-652, 665-666), 11 (643), 15 (652, 656, 663-664, 670),
30 (622) and 103 (670)
SI-Ln 207 (644)
626.R7
in prep.
Volume XVIII
Compositions with German texts, part 1
The 3 volumes of German Lieder a5 of 1567, 1572 and 1576
a) 1567: "Neue tetsche Liedlein", Mnchen; a5:
1. Vater unser im Himmelreich (1567c)
2. Ich ruf' zu dir, Herr Jesu Christ (= toi je crie) (1567c)
3. Die Fassnacht ist ein' schne Zeit (1567c)
4. Ist keiner hie, der sprich zu mir (1567c)
5. Der Wein, der schmeckt mir also wohl (1567c)
6. Die Zeit, so jetzt vorhanden ist (1567c)
7. Vor Zeiten, was ich lieb und werd (1567c)
8. Im Land zu Wrttemberg (1567c)
9. (2nd part:) Da das der Herr des Weins (1567c)
10. (3rd part:) Der Richter lacht (1567c)
11. Im Maien hrt man die Hahnen (1567c)
12. Wie lang, o Gott, in meiner Not (1567c)
13. (2nd part:) Verzag', Herz, nit (1567c)
14. Frau, ich bin euch von Herzen hold (1567c)
263,--
Volume XIX
Motets, part 10: a6 - a8:
Contents of the old edition; the revised one is still in preparation
671.Quam bonus Israel Deus a6 (1594)
672.(2nd part:) Quia non est respectus morti a6 (1594)
673.Timor et tremor venerunt super me a6 (1564/3)
674.(2nd part:) Exaudi Deus deprecationem meam a6 (1564/3)
675.Voce mea ad Dominum clamavi a6 (1604)
676.Cantate Domino canticum novum omnis terra a6 (1582e)
677.Quemadmodum desiderat cervus a6 (1569a)
678.Confitebor tibi, domine a6 (1594)
679.Te Deum laudamus a2-a6 (1568a)
680.Tibi progenies a6 (1604)
681.(2nd part:) Tu quae versat a6 (1604)
682.(3rd part:) Dum nos Erebi a6 (1604)
683.Flemus extremos hominum labores a6 (1604)
684.(2nd part:) Regiam Christi bene firma cautes a6 (1604)
685.Heu quis armorum furor a6 (1594)
686.(2nd part:) Jam satis longo rabies a6 (1594)
687.Heu quos dabimus a6 (1601/3)
688.(2nd part:) Mens male conscia terrore a6 (1601/3)
689.Tragico tecti sirmate coelites a6 (1604)
690.(2nd part:) Hic belligeras alta per urbes a6 (1604)
691.Momenta quaevis temporis a6 (1601/3)
692.Vos quibus rector a6 (1601/3)
693.Musica Dei donum a6 (1594)
694.Nunc gaudere licet a6 (1568a)
695.Tityre, tu patulae a6 (1560b)
696.(2nd part:) O meliboee, Deus nobis a6 (1560b)
697.Ad primum morsum a6 (1594)
698.Ne reminiscaris a7 (1577c)
699.Vide homo quae pro te patior a7 (1595)
in prep.
Volume XX
Compositions with German texts, part 2:
Lieder a3-a8 from prints (1573, 1583, 1588, 1590) and manuscripts
a) 1573: "6 Cantiones latinae...6 teutsche Lieder (a4) sampt einem
Dialogo (a8)...", Mnchen:
1. Ein Esel und das Nussbaumholz a4
2. Annelein, du singst fein a4
3. Aus gutem Grund a4
4. Es tut sich all's verkehren a4
5. Wem soll man jetzund trauen a4
6. Audite nova, der Bauer von Eselskrichen a4
7. Nun grss dich Gott, mein Mndlein rot a8
b) "Neue teutsche Lieder, geistlich und weltlich...", Mnchen, 1583
all a4:
8. Christ ist erstanden
9. Die Gnad' kommt oben her
10. (2nd part:) Wer Gott vertrauen tut
11. (3rd part:) Wir armes Volk
12. (4th part:) Das Volk von Israel
13. (5th part:) Joseph verkaufet
14. (6th part:) Als Holophernes hat
15. (7th part:) Darauf hat Gott gesandt
16. (8th part:) Daniels Knaben drei
17. (9th part:) Daniel geworfen war
18. (10th part:) Darum, o frommer Christ
19. (11th part:) Der dies Lied hat gemacht
20. (12th part:) Hierauf sei nun gepreist
21. Aus meiner Snden Tiefe
22. (2nd part:) Wann sich dein grimmer Zorn
23. (3rd part:) Allein Gott ich vertraue
24. (4th part:) Von gott kein Mensch abweiche
25. Selig ist, der auf Gott sein' Hoffnung setzet
26. Was heut' soll sein a4
27. Wach auf, o Menschenkind
28. (2nd part:) Ist doch Gott gar ein freundlich Mann a6
29. Bauer was trgst im Sacke?
30. Ich weiss mir ein Maidlein
31. Ich hab' ein' Mann
32. (2nd part:) Wann er aufsteht
33. (3rd part:)Nach dem Frhmahl
34. (4th part:) Umb fnffe hin
35. (5th part:) Ich armes Weib
36. (6th part:) Bald ich von Gelt
37. (7th part:) Wann ich dann sag
215,--
Volume XXI
Motets, part 11: a8 - a12
722.Omnes de Saba venient a8 (1590/5)
723.Tui sunt coeli a8 (1604)
724.Osculetur me osculo a8 (1582a)
725.Alma redemptoris mater a8 (1604)
726.Salve regina mater a8 (1604)
727.Beatus Nicolaus a8 (1604)
728.In conspectu angelorum (by L?) (1570d)
729.Dixit Dominus a8 (1570g)
729.Deus misereatur nostri a8 (1566d)
730.Laudabit usque ad mortem a8 (1604)
731.Dixi custodiam vias meas a8 (1577c)
732.Ecce quam bonum a8 (1604)
733.Confitebor tibi, domine a8 (1564/1)
734.In convertendo Dominus a8 (1565b)
735.(2nd part:) Convertere Domine captivitatem a8 (1565b)
736.Levavi oculos meos a8 (1566d)
737.Omnia tempus habent a8 (1585a)
738.(2nd part:) Tempus amplexandi a8 (1585a)
739.Jam lucis orto sidere a8 (1564/1)
740.(2nd part:) Qui ponit aquam a6 (1564/1)
741.Vinum bonum et suave a8 (1570g)
742.Dixit Martha a9 (1577c)
743.Inclina Domine a9 (1604)
744.Quo properas facunde nepos a10 (1565b)
745.Aurora lucis rutilat a10 (1604)
746.Mira loquor a10 (1604)
747.Domine quid multiplicati sunt a12 (1604)
748.(2nd part:) Ego dormivi a12 (1604)
749.Laudate Dominum omnes gentes a12 (1573a)
Manuscript sources:
A-Wn: 15946 (733) and 16697 (725, 726, 734-735)
CH-Bu F.IX.44: tabl. (729, 734-735)
CZ-Pnm XIV.C.149 (734-735)
D-B: 2593 (734-735), 12566/6 (734-735), 30075 (733-735), 40039 (729),
Lassus, O. de
in prep.
224,--
84,--
632.R7
633.R7
193,--
634.R7
635.R7
162,--
198,--
636.R7
637.R7
207,--
638.R7
639.R7
640.R7
189,--
chanson)
59. Missa Se salamandre a4 (possibly by J. Lockenburg) (on Crequillon's
chanson)
60. Missa Surrexit Pastor bonus (I) a5 (possibly by I. de Vento) (on his
own motet)
61. Missa Si me tenez a6 (possibly by J. Vaet (on Crequillon's chanson)
62. Missa Mon coeur se recommende vous a5 (on his own chanson) (of
doubtful authority; possibly by J. Eccard)
63. Officium mortuorum a4 (possibly by J. de Kerle)
Manuscript sources:
A-M VI.3023 (60)
A-Wn 15970 (59) and 16696 (63)
B-Ecaussinnes: castle library, Fondation van der Burch: ms. s.s. (58)
D-As 28 (60, 62) and 227 (61)
D-Mbs 51 (59), 57 (62), 79 (63) and 2746 (58)
D-Nla S.E. 19 (60)
D-Z CVII, 10 (61)
H-Bn Brtfa 12 (61)
PL-WRu 10 (56), 93 (56, 57), 97 (57, 61), 99 (61) and U.K. 19 (61)
SI-Ln 285 (59)
SK-Le B (56)
232,--
641.R7
642.R7
288,--
268,--
644.R7
645.R7
82. Magnificat VII. toni: Recordare Jesu pie a6 (on own motet) (1619)
83. Magnificat VII. toni: Margott laboures les vignes a4 (on own chanson)
(1619).
84. Magnificat VIII. toni: Alma real a5 (on Rore's madrigal) (1619)
85. Magnificat II. toni: O che vezzosa aurora a6 (on Vecchi's madr.) (1619)
86. Magnificat VII. toni: D'ogni gratia e d'amor a6 (on Striggio's madr.) (1619)
87. Magnificat Perpulchrum VII. toni a7 (1619)
88. Magnificat III. toni: S'io credessi per morte essere scarco a4 (on A. de
Reulx's madrigal) (1619).
89. Magnificat VI. toni: Beau le cristal a4 (on own chanson) (1619)
90. Magnificat VII. toni: Pange lingua a4 (1619)
91. Magnificat I. toni a5 (B) (1619)
92. Magnificat VII. toni: Vous perdes temps a5 (on Sermisy's chanson) (1619)
Manuscript sources:
D-Mbs: 21 (88-92), 48 (71-82), 56 (83-87) and 71 (85, 87)
235,-646.R7
647.R7
359,--
648.R7
189,--
155,--
649.R7
650.R7
651.R7
123,--
88,--
232,--
284,--
288,--
179,--
655.R7
Lassus, O. de
656.R7
657.R7
Volume I:
"Il primo de Mottetti a cinque & a sei voci nuovamente posti in luce",
Antwerpen, J. de Laet, 1556
ed. by J. Erb
nos.1-12 a5; nos.13-17 a6:
1. Delitiae Phoebi
2. Peccavi qui faciam tibi
3. Stet quicumque volet potens
4. Domine, non est exaltatum cor meum
5. Heu mihi, Domine quia peccavi
6. Si ambulavero in medio
7. Ad te, Domine, levavi animam meam
8. Gustate et videte
9. Mirabile mysterium
10. Te spectant, Reginalde Poli
11. Domine probasti me
12. Dominus scit cogitationes hominum
13. Fremuit spiritus Jesu
14. Heroum soboles
15. Si qua tibi obtulerint
16. Creator omnium, Deus
17. Da pacem Domine
Volume II:
"(Viginti quinque) Sacreae Cantiones quinque vocum tum viva voce tum
omnis generis instrumentis cantatu commodissimae ima primum in
lucem editae...", Nrnberg, J. Montanus & U. Neuber
ed. by J. Erb
1. Confitemini Domino
2. Omnia quae fecisti nobis
3. jerusalem, plantabis vineam
4. Videntes stellam Magi
5. Deus qui sedes super thronum
6. Heu quantus dolor
7. Veni in hortum meum
8. Angelus ad pastores ait
9. Exuadi Domine vocem meam
10. Taedet animam meam
11. O Domine salvum me fac
12. Adversum me loquebantur
13. Quam benignus es
14. In me transierunt irae tuae
15. Nisi Dominus aedificaverit domum
16. Non vos me elegistis
17. Legem pone mihi, Domini
18. Illustra faciem tuam
19. Surrexit pastor bonus
20. Surgens Jesu
21. Confundantur superbi
22. Clare sanctorum senatus
23. Sicut mater consolatur filios
24. Benedicam Dominum in omni tempore
25. Caligaverunt oculi mei
86,--
128,--
658.R7
Volume III
17 Motets from the 5 volume anthology:
"Thesauri musici tomus I/II/III/IV/V", Nrnberg, Berg & Neuber, 1564
ed. by P. Bergquist
from Tomus Primus:
"Thesaurus musicus continens selectissimas octo, septem, sex, quinque et quatuor vocum Harmonias, tam veteribus quam recentioribus symphonistis
compositas, & ad omnis generis instrumenta musica accomodatas. Tomi
primi continentis cnationes octo vocum...", Nrnberg, J. Montanus & U.
Neuber, 1564
1. Confitebor tibi Domine a8
2. Jam lucis orto sidere a8
5. In te, Domine, speravi a6
7. Dixit Joseph undecim fratribus suis a6
8. Verbum caro factum est
14. Te decet hymnus Deus in Sion a4
from Tomus Secundus:
"Thesauri musici tomus secundus continens optimas septem vocum cantiones
ex variis autoribus collectas...", Nrnberg, J. Montanus & U. Neuber, 1564
3. Decantabat populus Israel a7
4. Estote ergo misericordes a7
from Tomus Tertius:
"Thesauri musici tomus tertius continens cantiones sacras, quas vulgo Motetas
vocant, ex optimis musicis selectas. Sex vocum...", Nrnberg, J. Montanus &
U. Neuber, 1564
6. Timor et tremor a6
9. Quam magnificata sunt opera tua a6
from Tomus Quartus:
"Thesauri musici tomus quartus continens selectissimas quinque vocum harmonias, quas vulgo Motetas vocant...", Nrnberg, J. Montanus & U. Neuber
10. Cognoscimus Domine a5
11. Fili, quid fecisti nobis sic? a5
12. Tibi laus, tibi gloria a5
13. Confisus Domino tua pectora a5
from Tomus Quintus:
"Thesauri musici tomus quintus, et ultimus, continens sacras harmonias quatuor
vocibus compositas. Quatuor vocum...", Nrnberg, J. Montanus & U. Neuber
15. Qui cupit exsolvi a4
16. Amen, amen, dico vobis a4
17. Quasi cedrus exaltata sum a4
104,--
659.R7
Volume IV
ed. P. Bergquist
24 Motets a4-a8 published for the first time in:
a) "Primus liber concentuum sacrorum quos motetos vulgo nominant quinque &
sex vocibus compositorum...", Paris, A. le Roy & R. Ballard, 1564
the most reprinted from the 1556 and 1562 motet books (see vols. I and II of
this edition);only the 3 new motets included here:
1. Surge, propera amica mea et veni a6
2. Quare tristis es anima mea? a6
3. O mors, quam amara est memoria tua a6
b) "Modulorum Orlandi de lassus quaternis quinis senis septenis octonis & denis
117,--
Volume V
ed. P. Bergquist
26 motets a5, a6 and a8 published for the first time in the following 2 prints:
a) "Quinque et sex vocibus perornatae sacrae cantiones nunc primum omni diligentia in lucem editae...Liber secundus", Venice, G. Scotto, 1565
1. Missus est Angelus Gabriel a5
2. Tribus miraculis a5
3. Cantate Domino canticum novum a5
4. De ore prudentis a5
5. Deus canticum novum a5
6. Jesu corona virginum a6
7. Vexilla regis prodeunt a6
8. Concupiscendo concupiscit a6
9. Lauda Jerusalem a6
b) Motet books II-IV published by Gardano in 1566:
"Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex vocum
liber secundus", Venice, A. Gardano
"Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex vocum
vocum liber tertius", Venice, A. Gardano
"Orlandi Lassi sacrae cantiones vulgo motecta appellatae sex et octo vocum
liber quartus", Venice, A. Gardano
10. Zachaee, festinans descende a5 (by Lassus?)
11. Quid gloriaris in malitia a5
12. Gloria Patri et Spiritui Sancti a6 (by Lassus?)
13. In principio erat verbum a6
14. Cum natus esset Jesus a6
15. Domine, deduc me a6
16. Nuptiae fatae sunt a6
164,--
661.R7
Volume VI
ed. P. Bergquist
20 Motets a4-a8 printed for the first time in the following prints:
a) "Selectissimae Cantiones...", Nrnberg, Th. Gerlach, 1568: motets a6-a8
b) "Selectissimae Cantiones...", Nrnberg, Th. Gerlahc, 1568: motets a4-a5
These two editions contain almost all the works previously published in France
and Italy as well as 20 motets a4-a8 published here for the first time; as these
volumes were faulty, also the corrected and expanded reissue by L. Lechner
(1579) has been taken in account.
a) a6-a8:
1. In monte Oliveti oravit ad Patrem a6
2. O quam suavis est Domine a6
3. O crux splendidior cunctis astris a6
4. Veni Creator Spiritus a6
5. Locutus sum in lingua mea a6
6. Beatus vir qui non abiit a6
7. Huc me sidereo a6
8. Nunc gaudere licet a6
9. Te Deum laudamus a6
10. Libera me Domine de morte aeterna a6
11. Laudate pueri Dominum a7
12. Laudate Dominum, quoniam bonus a7
13. Edite Caesareo Boiorum a8
b) a4-a5:
14. Cernere virtutes a5
15. Salve festa dies a5
16. Christe, Patris verbum a5
17. Alleluia vox laeta personat a5
18. Ave color vini clari a5
19. Ecce Maria genuit nobis a5
20. Exsultate justi in Domino a4
125,--
662.R7
Volume VII
ed. P. Bergquist
24 Motets a5 and a6, published for the first time in the following prints:
a) from "Cantiones aliquot quinque vocum", Mnchen, Adam Berg, 1569:
14 Motets a5:
1. Qui novus aethereo
2. Da pater antiquae
3. Beatus ille qui procul negotiis
4. Res neque ab infernis
5. Rumpitur invidia
Volume VIII
ed. P. Bergquist
"Moduli quinis vocis nunquam hactenus editi",
Paris, A. Le Roy & R. Ballard, 1571
19 Motets a5:
1. Multarum hic resonat
2. Emendemus in melius
3. verba mea auribus percipe
4. Pater Abraham miserere mei
5. Venite ad me omnes qui laboratis
6. Noli regibus, o Lamuel
7. Si bona suscepimus
8. Angelus Domini locutus est
9. Stabunt justi in magna constantia
10. Quid tamen o quid agis
11. Veni, dilecte mi
12. Deus judex justus
13. Exsultet caelum mare
14. Si quid valent
15. Quid prodest homini
16. Descendit sicut pluvia
17. Dominator, Domine
18. Inter natos mulierum
19. Nuntium vobis fer
664.R7
132,--
86,--
Volume IX
ed. P. Bergquist
"Patrocinium musices...cantionum... prima pars", Mnchen, A. Berg, 1573:
21 motets, 7 each for 4, 5 and 6 voices:
21 Motets: nos.1-7: a4, nos.8-14: a5 and nos.15-21: a6:
117,--
Volume X
ed. P. Bergquist
"6 Cantiones latinae (a4), adiuncto dialogo (a8); 6 teutsche Lieder (a4), sampt
einem Dialogo (a8); 6 Chansons franoises nouvelles (a4), avecq un dialogue
(a8); 6 madrigali nuovi (a4), con un dialogo (a8)", Mnchen, A. Berg, 1573:
a) 6 Cantiones latinae a4:
1. Quare tristis es anima mea?
2. Quid estis pusillanimes
3. Domine secundum actum meum
4. Fallax gratia
5. Eripe me de inimicis meis
6. Honorabile est inter omnes
b) 6 Teutsche Lieder a4:
7. Ein Esel und das Nssbawmholtz
8. Annelein, du singst fein
9. Auss gutem grundt
10. Es thut sich als verkeren
11. Wem soll man jetzund trawen
12. Audite nova!
c) 6 Chansons franoises a4:
13. Un jeune moine
14. Si du mal'heur vous avies cognoissance
15. Si ie suis brun
16. Quant un cordier cordant
17. Qui bien se mire
18. Sces tu dir l' ave
d) 6 Madrigali a4:
19. Di persona era tanto ben formata
20. Sotto duo negri e sottilissimi archi
21. Sotto quel sta quasi fra due vallette
22. Bianca neve il bel collo
666.R7
667.R7
77,--
Volume XI
ed. P. Bergquist
a) "Liber mottettarum trium vocum", Mnchen, A. Berg, 1575:
15 motets a3, plus 3 from the revised 1577 edition:
1. Haec quae ter triplici
2. Domine, non est exaltatum cor meum
3. Ego sum resurrectio et vita
4. Laetatus sum
5. Deus tu scis insapientiam meam
6. Ego sum pauper et dolens
7. Exaudi me Domine
8. Exaudi Deus orationem meam
9. Sancta et immaculata virginitas
10. Cantate Domino canticum novum
11. Christus resurgens ex mortuis
12. Ego dixi: Domine miserere mei
13. O Maria clausus hortus
14. Beati omnes qui timent Dominum
15. Ave Regina caelorum
from the 1577 edition:
16. Domine Deus meus in te speravi
17. Justus es Domine
18. Diligam te, Domine
b) "Novae aliquot et ante hac non ita usitatae cantiones suavissimae, ad
duas voces cantiones", Mnchen, A. Berg, 1577:
12 texted duos and 12 duos without text
nos.19-24 for CA; nos.25-30 and 37-42 for TB; nos.31-36 for CT:
19. Beatus vir qui in sapienta morabitur
20. Beatus homo qui invenit sapientiam
21. Oculus non vidit
22. Justus cor suum tradet
23. Expectatio justorum laetitia
24. Qui sequitur me
25. Justi tulerunt spolia impiorum
26. Sancti mei
27. Qui vult venire post me
28. Serve bone et fidelis
29. Fulgebunt justi sicut lilium
30. Sicut rosa inter spinas
31-42: Twelve Duos without text
77,--
Volume XII
ed. R. Oettinger
"Sacrae Cantiones quinque vocum", Mnchen, A. Berg, 1582:
20 motets a5:
1. Auris bona est
2. Peccata mea Domine
3. Beatus vir qui inventus est
4. Ego sum panis vivus
5. Impulsus eversus sum
6. Feci judicium et justitiam
7. O sacrum convivium
8. Justorum animae
9. Cantantibus orgains
10. Popule meus quid fecit tibi
11. Qui sunt hi sermones
12. Anima mea liquefacta es
13. O salutaris hostia
14. Benedixisti Domine terram tuam
15. Deus tu conversus
16. Respexit Elias
17. Christus resurgens ex mortuis
18. Evehor invidia pressus
19. Ego sum pauper et dolens
20. Ut queant laxis
668.R7
669.R7
Volume XIII
"Motetta typis nondum uspiam excusa", Mnchen, A. Berg, 1582
17 Motets a6:
1. Alma rfedemptoris mater
2. Ave regina coelorum
3. Ave verum corpus
4. Benedictio et claritas
5. Cum essem parvulus
6. Da pacem Domine
7. Deus in adjutorium meum intende
8. Deus meus in simplicitate
9. Domine quid multiplicati sunt
10. Hodie completi sunt
11. Lauda mater ecclesia
12. O altitudo divitiarum
13. O decus celsi genus
14. O gloriosa domina
15. Salve regina mater
16. Veni Sancte Spiritus
17. Vulnerasti cor meum
79,--
119,--
Volume XIV
ed. D. Crook
"Sacrae Cantiones...recens singulari industria compositae",
Mnchen, A, Berg, 1585
31 Motets a4 & Stabat mater a8:
1. Confitebor tibi, Domine
2. Domine convertere
3. Intende voci orationis meae
4. Exaudi Deus orationem meam
5. Improperium exspectavit cor meum
670.R7
671.R7
78,--
Volume XV
ed. D. Crook
15 motets (14 a6, 1 a8) from:
"Cantica sacra, recens numeris et modulis musicis ornata a 6 et 8 vocibus",
Mnchen, A. Berg, 1585
1. Andreas Christi famulus
2. Angelus Domini descendit
3. Conveniens homini est
4. Domine da nobis auxilium
5. Domine non est exaltatum
6. Fratres gaudete in Domino
7. Haec est vera fraternitas
8. Huc ades o Erneste
9. In religione homo vivit
10. Memor esto
11. Oculi mei semper
12. Omnia tempus habent a8
13. Omnis enim homo
14. Pater noster
15. Quam pulchra es
86,--
Volume XVI
ed. D. Crook
"Cantiones sacrae sex vocum", Graz, G. Widmanstetter, 1594
30 motets a6:
1. Nectar et ambrosiam
2. Prolongati sunt dies mei
3. Si caelum et caeli caelorum
4. Deficiat in dolore vita mea
5. Qui timet Deum
6. Ego cognovi quod erit bonum
7. Vere Dominus est in loco isto
8. Lauda anima mea Dominum
9. Respicit Dominus vias hominis
10. Vincenti dabo edere de ligno vitae
11. Luxuriosa res vinum
12. Timor Domine principium sapientiae
13. Ad Dominum cum tribularer
14. Vidi calumnias quae sub sole geruntur
15. In dedicatione templi
16. Beatus homo
17. Ad primum morsum
18. Multifariam multisque modis
19. Deus iniqui insurrexerunt
20. Heu quis armorum
21. Cantabant canticum Moysi
22. Fratres nescitis
23. Genuit puerpera Regem
24. Quam bonus Israel Deus
25. Confitebor tibi Domine
26. Musica Dei donum optimi
27. Diligam te Domine
28. Exaltabo te Domine
29. Conserva me Domine
30. Recordare Jesu pie
672.R7
155,--
Volume XVII
ed. P. Bergquist
26 Motets from Printed Anthologies and Manuscripts, 1555-1569
1. Audi dulcis amica mea a4 (1555b)
2. Peccantem me quotidie a4 (1555b)
3. Inclina Domine aurem tuam a4 (1555b)
4. Domine quando veneris a4 (I) (1555b)
5. Alma nemes a4 (1555b)
6. Calami sonum ferentes a4 (by Cipriano de Rore) (1555/19)
7. Dulces exuviae a5 (1570h = enlarge ed. of 1562)
8. Alma Venus a5 (1560b)
9. Tityre, tu patulae a6 (1560b)
10. Quia vidisti me, Thoma a4 (1563/3)
11. Scio enim quod redemptor meus vivit a4 (1568b)
12. Fertur in conviviis a4 (1564b)
13. Quid prodest stulto a5 (1564b)
14. Pater peccavi a5 (1564b)
15. Deus qui bonum vinum creasti a4 (1565a)
16. Forte soporifera a5 (1566/17)
17. Quis est homo qui timet Dominum? a5 (1567/3)
18. Ubi est Abel? a5 (1567/1)
19. Quem dicunt homines a5 (1567/3)
673.R7
674.R7
117,--
Volume XVIII
ed. P. Bergquist
Motets from Printed Anthologies and Manuscripts, 1570 - 1579
1. Pacis amans a6 (1570g)
2. Dic mihi quem portas a8 (1570g)
3. Pronuba Juno a4 (1570a)
4. Presidium Sara a4 (1570a)
5. Beati pauperes spiritu a4 (1572b)
6. Jam non dicam vos servos a6 (1573a)
7. Laudate Dominum omnes gentes a12 (1573)
8. Bestia curvafia a5 (1576b)
9. Agimus tibi gratias (I) a5 (1576d)
10. Ne reminiscaris Domine (I) a4 (1577c)
11. Quicumque vult salvus esse a5 (1577c)
12. Domine Jesu Christe qui cognoscis a5 (1577c)
13. Cum rides mihi a5 (1577c)
14. Lauda Sion Salvatorem a6 (1577c)
15. Multae tribulationes justorum a6 (1577c)
16. In illo tempore dixit Jesu a5 (1577c)
17. Domine Dominus noster a6 (1577c)
18. O gloriosa domina...qui te creavit a6 (1577c)
19. Ne reminiscaris Domine (II) a7 (1577c)
20. Dixi custodiam vias meas a8 (1577c)
21. Dixit Martha ad Jesum a8 (1577c)
22. Beatus Nicolaus a8 (D-Mbs 15)
23. Mira loquor sed digan fide: Epitaphium divi Bernardi a10 (D-Mbs 15)
24. Congregati sunt inimici nostri a5 (D-Mbs 15)
25. Regina caeli laetare a5 (D-Mbs 15)
26. Exsurgat Deus a4 (D-Mbs 15)
27. Si bene perpendi a5 (1579)
28. Agimus tibi gratias (II) a5 (1579)
29. Ave Maria alta stirps a4 (1579)
30. Proba me Deus a4 (1579)
31. Anna mihi dilecta a4 (1579)
188,--
7. Osculetur me osculo a8
8. O bone Jesu a4
9. Scapulis suis obumbrabit tibi a4
10. Exaltabo te, Domine a4
11. Levabo oculos meos a4
12. Domine, vivifica me a4
13. In te speravi, Domine a4
14. Qui tribulant me a4
15. Meditabor in mandatis tuis a4
16. Immittet Angelus Domini a4
17. Diliges proximum tuum a4
18. Quid facies facies a4
19. Dilige solitudinem a5
20. Veni, Domine, et noli tardare a5
21. Confirma hoc, Deus a6
22. Salve Regina, mater misericordiae II a8
23. Dixi ergo in corde meo a5
24. Mors tua, mors Christi a5
25. Domine Deus fortissime a5
26. Sancta Maria, omnes Sancti Dei a5
27. Quocumque loco fuero a5
28. Domine Jesu Christe, pastor bone a5
29. Salve Regina, mater misericordiae II a6
30. Salve Regina misericordiae I a4
31. Salve Regina misericordiae II a4
32. Adoramus te Christe I a4
33. Adoramus te Christe II a3
34. Adoramus te Christe III a3
35. Tibi laus, tibi gloria a4
36. Venite filii, audite me a5
37. Retribuet tibi Dominus a5 by L.?
38. Tu es pastor ovium a5 by L.?
39. Benedic Domine, domum istam a8
40. Da pacem, Domine a5
41. Omnes de Saba venient a8
42. Regina caeli laetare I a6
43. Regina caeli laetare II a7
Sources:
a) manuscripts:
D-Mbs mus.ms. 14 (42)
D-Mbs mus.ms. 21 (22)
D-Mbs mus.ms. 23 (5, 6)
D-Mbs mus.ms. 24 (1)
D-Mbs mus.ms. 48 (43)
D-Mbs Mus.ms. 2744 (3, 4, 9-13, 15, 16)
D-Mbs Mus.ms. 2748 (30)
NL-Uim ms-F1 (29)
b) prints:
1582: "Fasciculi aliquot sacrarum cantionum", Nrnberg, Gerlach (7)
1582: "Lectiones sacrae", Mnchen, Berg (8-18)
1585: "Hieremiae prophetae lamentationes...", Mnchen, Berg (23-28)
1586: "Sacrae cantiones", Venice, A. Gardano (36-38)
1586: "Beatissimae virginis Mariae octo cantica...", Paris, Le Roy & Ballard
(30-35).
1588: "Moduli quatuor et octo vocum...", Paris, A. Le Roy & R. Ballard (39)
1588: "Moduli quinque vocum", Paris, A. Le Roy & R. Ballard (40)
1583/2: "Harmoniae miscellae cantionum sacrarum, ab exquisitissimis aetatis
nostrae musicis cum 5 & 6 vocibus...", Nrnberg, Gerlach (19-21)
1590/5: "Corollarium cantionum sacrarum 5, 6, 7, 8, et pourium vocum, de festis praecipuis anni. Quarum quadam ante, praestantissimis nostrae
aetatis musicis, in Italia separatim editae sunt...opera Friderici Lindneri...", Nrnberg, C. Gerlach (41)
165,-675.R7
676.R7
Lassus, O. de
Volume XX
Motets from:
a) "Cantiones quinque vocum ab Orlando di Lasso et huius filio Ferdinando di
Lasso. Compositae, typis iam primo subiectae et in lucem editae", Mnchen,
A. Berg, 1597 (11 motets by Orlando; 12 motets by Ferdinando):
b) "Cantiones sacrae, ab Orlando de Lasso, et huius filio, Rudolpho de Lasso,
sex vocibus composite typis iam primo subiectae & in lucem editae", Mnchen,
N. Heinrich, 1601 (8 motets by Orlando; 7 motets by Rudolph):
n.y.p.
Volume XXI
Motets a3 - a12 from Lassus: "Magnum opus musicum...complectens omnes
cantiones...", Mnchen, 1604
n.y.p.
Accipe daque (2nd pt. of: Anna mihi dilecta veni) a4; 1579;O 171; B XVIII/31
Accipe qua recrees; 2nd part: Quo fers a6; 1604; O 446-447
Accipite spiritum sanctum (2nd pt. of: Jam non dicam vos) a6; 1573a; O 495;
B XVIII/6
Ad coenam agni. see: Cuius corpus sanctissimum
Ad Dominum cum tribularer / Heu mihi a6; 1594; O 628-629; B XVI/13
Adoramus te Christe a3 (I); 1604; O 52
Adoramus te Christe a3 (II); 1604; O 53
Adoramus te Christe a4; 1604; O 87
Adoramus te Christe a5; 1604; O 224
Adorna thalamuym a4; 1585d; O 78; B XIV/22
Ad preces nostras. see: Respice Clemens solio
Ad primum morsum a6; 1594; O 697; B XVI/17
Ad te Domine levavi / Vias tuas a5; 1556; O 388-389; B I/7
Ad te igitur (3rd pt. of: Infelix ego) a6; 1566d; O 515; B V/23
Ad te levavi animam meam a6; 1582d; O 656
Ad te levavi oculos meos / Miserere nostri a6; 1570g; O 657-658; B VII/22
Ad te perenne gaudium a3; 1604; O 57
Adversum me loquebantur a5; 1562; O 352; B II/12
Aegra currit (2nd pt. of: Lauda mater ecclesia) a6; 1582d; O 547; B XIII/11
Aestimatus sum (responsorium) a4; N XXIV/34
Agimus tibi gratias a3; 1603; O 55
Agimus tibi gratias a4; 1604; O 97
Agimus tibi gratias a5; 1576d; O 239; B XVIII/9
Agimus tibi gratias a5; 1579; O 240; B XVIII/28
Agimus tibi gratias a6; 1573b; O 516; B IX/21
Agrippa sibylla: Summus erit sub carne a4; N XXI/12
Alia est enim (2nd pt. of: Quicumque vult salvus esse) a5; 1577c; B XVIII/11
Alleluja laus et gloria a4; 1604; O 68
Alleluja prae gaudio (2nd pt. of: Allejua vox laeta) a5; 1568b; O 194; B VI/17
Alleluja, vox laeta personat / Alleluja prae gaudio a5; 1568b; O 193-194;
B VI/17
Alma nemes quae sola (Alme Deus qui cuncta tenes) a4; 1555b; O 169;
B XVII/5
Alma nemes qui cuncta tenes. see: Alma nemes quae sola
Alma parens quae sola / Qua sina coelestis / Nos pia turba / Tu modo diva /
Aspicent invictos a5; 1604; O 254-258
Alma Redemptoris mater a5; 1597; O 241
Alma Redemptoris mater a6; 1582d; O 517; B XIII/1
Alma Redemptoris mater a6; 1604; O 518; B XIX/6
Alma Redemptoris mater a8; 1604; O 725
Alma Venus (Christe Patris verbum) / Nunc elegos a5; 1560; O 216-217;
B VI/16; B XVII/8
Alme Deus qui cuncta tenes see: Alma nemes quae sola
Amen a4; N XVIII/38
Amen amen dico vobis a4; 1564/5; O 91; B III/16
Amicus meus osculi (responsorium) a4; N XXIV/18
Amore currit (Pater superni luminis) = Qui pascis inter lilia (Jesu corona virginum) a4; N XVIII/35
Amore currit (= contrafactum of: Qui pascis inter lilia) a4; N XVIII/40
Andreas Christi famulus a6; 1585a; O 545; B XV/1
Angeli, Archangeli (antiphona) a4; N XXIV/54
Angeli Domini (antiphona) a4; N XXIV/53
Angelus ad pastores ait a5; 1562; O 192; B II/8
Angelus Domini (Alleluia) a6; N XXIII/42
Angelus Domini descendit / Nolite timere a6; 1585a; O 480-481; B XV/2
Angelus Domini locutus est a5; 1571b; O 220; B VIII/8
Anima mea liquefacta a5; 1582e; O 353; B XII/12
Animam meam dilectam / Congregamini a5; 1565b; O 212-213; B IV/17
Animam meam dilectam (responsorium) a4; N XXIV/26
Anna mihi dilecta veni / Accipe daque a4; 1579; O 170-171; B XVIII/31
Anni nostri sicut a6; 1566d; O 563; B V/24
Ante me non est formatus a6; 1573b; O 457; B IX/16
A quanti gi felici (Lagrime di S. Pietro, 17) a7; 1595; n XX/17
Aqua sapeintiae (Officium in feria tertia post Pascha) a6; N XXIII/45
Archangele Michael cinstitui (antiphona) a4; N XXIV/52
Ascendit Deus in jubilatione a6; N XXIII/30
Asperges me IV. toni a5; 1574b; N XXIII/2
Asperges me VII. toni a5; 1574b; n XXIII/3
Aspice ut invictos a5; 1604; O 258
Astiterunt reges (responsorium) a4; N XXIV/33
At illi (2nd pt. of: Cum natus esset) a6; 1566d; O 462; B V/14
Benedicite montes (3rd pt. of: Benedicite omnia opera) a6; 1565b; O 37;
B IV/11
Benedicite omnia opera / Benedicite ignis / Benedicite montes / Benedicite
sacerdotes a5-a6; 1565b; O 369-372; B IV/11
Benedicite sacerdotes (4th pt. of: Benedicite omnia opera) a6; 1565b; O 372;
B IV/11
Benedictio et claritas a6; 1582d; O 460; B XIII/4
Benedictus Dominus Deus Israel I. toni a9; N XXIV/16
Benedictus Dominus Deus Israel III toni a9; N XXIV14
Benedictus Dominus Deus Israel IV. toni a9; N XXIV/15
Benedictus es Domine...in labiis a4 (I); 1585d; O 142; B XIV/9
Benedictus es Domine...et respondebo a4 (II); 1585d; O 149; B XIV/27
Benedixisti Domine a5; 1582e; O 399; B XII/14
Bestia curvafia pulices (Bestia stultus homo) a5; 1576b; O 444; N I/8;
B XVIII/8
Bestia stultus homo see: Bestia curvafia pulices
12 Bicini without text a2; 1577d; O 13-24
Bone Jesu verbum patris a8; 1604; O 720
Bonitatem fecisti a5; 1565b; O 342; B IV/14
Bonum est confidere (2nd pt. of: Dominus mihi adjutor) a6; 1566d; O 633;
B V/22
Calami sonum ferentes (by Cipriano de Rore?) a4; 1555/19; B XVII/6
Calicem salutaris (antiphona) a6; N XXIV/44
Caligaverunt oculi mei (responsorium) a4; N XXIV/29
Caligaverunt populi mei a5; 1562; O 400; B II/25
Cantabant canticum Moysi / Quis non timet a6; 1594; O 659-660; B XVI/21
Cantantibus organis / Fiat Domine a5; 1582e; O 271-272; B XII/9
Cantate Domino canticum novum / Cantate et benedicite a3; 1575a; O 40-41;
B XI/10
Cantate Domino canticum novum / Viderunt omnes a5; 1565c; O 327-328;
B V/3
Cantate Dominum canticum novum a6; 1582e; O 676
Cantate ei (2nd pt. of: Exurgat Deus) a5; 1573b; O 374; B IX/8
Cantate et benedicite (2nd pt. of: Cantate Domino canticum) a3; 1575a; O 41;
B XI/10
Carmina chromatico a4; N XXI: prologus
Caro mea vere est cibus a5; 1574b; N XXIII/17
Caro mea vere est cibus a6; 1574b; N XXIII/40
Cernere virtutes a5; 1568b; O 182; B VI/14
Cerno Dei (Erythrea sibylla) a4; N XXI/11
Certa fortiter a6; 1582e; O 574
Chi ad una ad una raccontar (Lagrime di S. Pietro, 9) a7; 1595; N XX/9
Christe Dei soboles see: Anna mihi dilecta veni
Christe Patris verbum see: Alma Venus
Christe qui lux es et dies (hymn; by Lassus?) a6; N XXIV/57
Christus redemptor omnium. see: Beata quoque agmina & Tu lumen
Christus resurgens ex mortuis a3; 1575a; O 27; B XI/11
Christus resurgens ex mortuis a5; 1582e; O 221; B XII/17
Cibavit eos (Officium Corporis Christi) a6; N XXIII/32
Cimmeria sibylla: In teneris annis a4; N XXI/4
Circumdederunt me dolores mortis a6; 1601/3; O 584
Clamaverunt ad Dominum a6; 1570g; O 620; B VII/19
Clare sanctorum senatus / Thoma a4; 1562; O 262-263; B II/22
Haec est fides (4th pt. of: Quicumque vult salvus esse) a5; 1577c; B XVIII/11
Haec est vera fraternitas a6; 1585a; O 539; B XV/7
Haec quae ter triplici a3; 1575a; O 25; B XI/1
Hellespontica sibylla:Dum meditor quondam a4; N XXI/7
Heroum soboles a6; 1556; O 454; B I/14
Heu mihi Domine (Nunc dimittis II. toni) a5; N XXIV/9
Heu mihi Domine quia peccavi a5; 1556; O 339; B I/5
Heu mihi quia incolatus meus (2nd pt. of: Ad Dominum cum tribularer) a6;
1594; O 629
Heu quantus dolor a5; 1562; O 428; B II/6
Heus quis armorum furor / Jam satio longo a6; 1594; O 685-686; B XVI/20
Heu quos dabimus miseranda / Mens male a6; 1601/3; O 687
Heu quos dabimus miseranda / Mens male a7; 1604; O 712-713
Hic belligeras (2nd pt. of: Tragico tecti syrmate coelites) a6; 1604; O 690
Hic nempe mundi I (Deus tuorum militum) a4; N XVIII/27
Hic nempe mundi II (Deus tuorum militum) a4; N XVIII/30
Hic nempe mundi III (= Vos prima Christi vicitima) a4; N. XVIII/36
Hieremiae prophetae lamentations (9) a5; 1585b; N XXII/a
Hispanum ad coenam / Mox importuno a5; 1569a; O 442-443; B VII/9
Hi sunt quos habuimus (2nd pt. of: Stabunt justi) a5; 1571b; O 300; B VIII/9
Hi sunt quos retinens (Sanctorum meritis) a4; N XVIII/31
Hodie apparuit (2nd pt. of: Resonet in laudibus) a5; 1569a; O 197; B VII/12
Hodie completi sunt / Misit eos a6; 1582d; O 492-493; B XIII/10
Hodie nobis caelorum (responsorium) a5; N XXIV/38
Hodie nobis de caelo (responsorium) a5; N XXIV/39
Homo cum in honor esset a6; 1566d; O 577; B V/20
Honorabile est (Inter omnes) a4; 1573c; O 93; B X/6
Hostem repellas (3rd pt. of: Veni Creator Spiritus) a6; 1568a; O 498; B IV/4
Hostis Herodes. see: Ibant magi quam viderant
Huc ades / Sic Erneste a6; 1585a; O 448-449; B XV/8
Huc me sidero / Pungentum capiti / De me solus a6; 1568a; O 476-478;
B VI/7
Iam mea certa manent (Cumana sibylla) a4; N XXI/6
Ibant magi quam viderant (Hostis Herodes) a5; N XVIII/7
Il-il-lic-lic (2nd. pt. of: Su-su-per-per) a5; 1567/13; O 384; B XVII/21
Illumina oculos meos a4; 1604; O 84
Illustra faciem / Quam multa multitudo a5; 1562; O 364-365; B II/18
Illustre quiddam cernimus (Quicumque Christum queritis) a4; N XVIII/24
Il magnanimo Pietro (Lagrime di S. Pietro, 1) a7; 1595; N XX/1
Il magnanimo Pietro (Nunc dimittis I. toni) a7; N XXIV/5
Immittet angelus a4; 1582b; O 152; B XIX/16
Impleta sunt (2nd pt. of: Vexilla regis prodeunt) a6; 1565c; O 473; B V/7
Improprium expectavit a4; 1585d; O 130; B XIV/5
Impulsus eversus sum / Vox exultationis a5; 1582e; O 376-377; B XII/5
Inclina Domine aurem tuam a4; 1555b; O 133; B XVII/3
Inclina Domine a9; 1604; O 743
In conspectu angelorum a8; 1570 (by Lassus?); 1570d; O 728
In convertendo Dominus / Convertere Domine a8;1565b; O 734-735; B IV/23
In dedicatione templi a6; 1594; O 589; B XVI/15
In Deo salutare meum / Sperate in eo a6; 1573b; O 663-664; B IX/19
Inde tuo si quis studio (2nd pt. of: Confisus Domino) a5;1564/4;O 311;B III/13
In Domino laudabitur (pt.2 of: Benedicam Dominum) a5;1562; O 398; B II/24
In exitu Israel de Egypto (psalmus in falsobordone) a6; N XXV/40
Plebs igitur (2nd pt. of: Martini festum celebremus) a5; 1573b; O 267; B IX/13
Popule meus / Numquid redditur a5; 1582e; O 214-215; B XII/10
Populum humilem a4; 1585d; O 151; B XIV/11
Populus eius (2nd pt. of: Jubilate Deo omnis terra) a6; 1565b; O 668; B IV/20
Possedi servos (2nd pt. of: Dixi ergo in corde meo) a5; 1585b; O 316;
B XIX/23
Post partum virgo inviolata a4; N XXIII/21
Potatores incliti (3rd pt. of: Fertur in conviviis vinus) a4; 1564b; O 173;
B XVII/12
Praecinite Domino (3rd pt. of: Laudate Domium quoniam bonus est) a7;
1568a; O 709; B VI/12
Praesidium Sara a4; 1570a; N I/2; B XVIII/4
Precatus est Moyses a4; 1585d; O 131; B XIV/12
Princeps egregius (8th pt. of: Princeps Marte potens) a4; 1604; O 65
Princeps gloriosissime (antiphona ad Magnificat) a4; N XXIV/55
Princeps Marte potens, Guilelmus / Gloria pontificum Ernestus / Magnanimus
princeps / Matronarum decus / Virginitatis honos / Luna velut / Nec
minus effulget Salome / Princeps egregius / Vive Pater patriae a4-a8;
1604; O 58-66
Proba me Deus a4; 1579; O 138; B XVIII/30
Procul recedant somnia, I (Te lucis ante terminum) a4; N XVIII/13
Procul recedant somnia, II (Te lucis ante terminum) a5; N XVIII/34
Procul recedant somnia, III (Te lucis ante terminum) a4; N XVIII/39
Prolongati sunt dies mei / Inveterata sunt / Si ergo fas a6; 1594; O 609-611;
B XVI/2
Pronuba Juno tibi (Gratia summi; Qui regit astra) a4; 1570a; O 174; N I/1;
B XVIII/3
Prophetiae Sibyllarum a4; 1600; N XXI/1-12
Proptera Deus (2nd pt. of: Quid gloriaris) a5; 1566c; O 367; B V/11
Propter fratres (4th pt. of: Laetatus sum) a3; 1575a; O 38; B XI/4
Providebam Dominum a7; 1604; O 705
Psallite Domino a6; N XXIII/31
Psalmi Davidis poenitentiales: Domine ne in furore tuo...miserere / Beati quorum
remissae sunt / Domine ne in furore tuo...quoniam ; Miserere mei Deus /
Domine exaudi...non avertas / De profundis / Domine exaudi...auribus
percipe a5; 1584b; N XXVI/1-7
Puer natus est nobis (Officium natalis Christi) a5; 1574b; N XXIII/4
Pulvis et umbra sumus a4; 1573b; O 95; B IX/5
Pungentum capiti (2nd pt. of: Huc me sidero) a6; 1568a; O 477; B VI/7
Quae te vicit clementia (Jesu nostra redemptio) a4; N XVIII/16
Qual' l'incontro (Lagrime di S. Pietro, 4) a7; 1595; N XX/4
Quam benignus es / O beatum hominem a4; 1562; O 348-349; B II/13
Quam bonus Israel Deus / Quia non est respectus a6; 1594; O 671-672;
B XVI/24
Quam magnificata sunt / Beatus homo a6; 1564/3; O 612-613; B III/9
Quam multa multitudo (2nd. pt. of: Illustra faciem) a5; 1562; O 365
Quam pulchra es / Guttur tuam a6; 1585a; O 533-534; B XV/15
Quanti mercenarii (2nd pt. of: Pater peccavi) a5; 1564b; O 287; B XVII/14
Quare tristis es anima mea a4; 1573c; O 113; B X/1
Quare tristis es anima mea a6; 1564b; O 614; B IV/2
Quasi cedrus a4; 1564/5; O 79; B III/17
Qua sine coelestis (2nd pt. of: Alma parens dilecta) a5; 1604; O 255
Quel volto (Lagrime di S. Pietro, 12) a7; 1595; N XX/12
Qui vicerit (2nd pt. of: Vincenti dabo edere) a6; 1594; O 501
Qui vult venire a2; 1577d; O 9; B XI/27
Quocumque loco fuero / Jam quod quae sivi a5; 1585b; O 225-226; B XIX/27
Quocumque pergis (2nd pt. of: Jesu corona virginum) a6; 1565c; O 542;
B V/6
Quod licet id libeat a5; 1604; O 410
Quod non capis (3rd pt. of: Lauda Sion salvatorum) a6; 1577c; B XVIII/14
Quo fers (2nd part of: Accipe qua recrees) a6; 1604; O 447
Quoniam ad te (2nd pt. of: Verba mea auribus percipe) a5; 1571b; O 319;
B VIII /3
Quoniam fortitudo mea (2nd pt. of: In te domine speravi) a6; 1564/1; O 645;
B III/5
Quoniam qui talia (2nd pt. of: Diliges proximum) a4; 1582b; O 89
Quo properas facunde a10; 1565b; O 744; B IV/24
Quo vulneratus insuper (Vexilla regis prodeunt) a4; N XVIII/14
Rebus in adversis a5; 1569a; O 301; B VII/7
Recessit pastor noster (responsorium) a4; N XXIV/30
Recordare Jesu pie a6; 1594; O 586; B XVI/30
Recordatus est (4th pt. of: Benedic anima mea Domino) a6; 1570g; O 607;
B VII/15
Regina coeli laetare / Resurrexit sicut dixit a4; 1604; O 73-74
Regina coeli laetare a5 (I); 1604; O 243
Regina coeli laetare / Resurrexit sicut dixit a5 (II); 1604; O 244-245;
B XVIII/25
Regina coeli laetare / Resurrexit sicut dixit a5 (III); 1604; O 246-247
Regina coeli laetare / Resurrexit sicut dixit a6 (I); 1585a; O 521-522
Regina coeli laetare / Resurrexit sicut dixit a6 (II); 1604; O 523-524
Regina coeli laetare / Resurrexit sicut dixit a7; 1604; O 700-701
Regiam Christi (2nd pt. of: Flemus extremos) a6; 1604; O 684
Regnum mundi a6; 1573b; O 540; B IX/20
Res mira ignoti (2nd pt. of: Gratia soli Dei pie) a6; 1569a; O 185; B VII/13
Res neque ab internis a5; 1569a; O 435; B VII/4
Resonet in laudibus / Hodie apparuit / Manum nomen Domini a5; 1569a;
O 196-198; B VII/12
Respexit Elias a5; 1582e; O 268; B XII/16
Respice Clemens solio (Ad preces nostras) a4; N XVIII/12
Respice me (2nd pt. of: Tu Domine benignus es) a5; 1565b; O 235; B IV/18
Respicit Dominus vias hominis a6; 1594; O 623; B XVI/9
responsiones in Missa a4; N XXV/44
Responsum accipit Simeon a4; N XXIII/22
Resurrexi (Officium Paschale) a5; 1574b; N XXIII/8
Resurrexi (Officium Resurrexionis Domini) a6; N XXIII/36
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a4) a4; 1604; O 74
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a5 I) a5; 1604; O 245
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a5 II) a5; 1604; O 247
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a6 I) a6; 1585a; O 522
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a6 II) a6; 1604; O 524
Resurrexit sicut dixit (2nd pt. of: Regina coeli laetare a7) a7; 1604; O 701
Rex gloriose martirum. see: Aurem benignam protinus
Rumpere livor (2nd pt. of: Evehor invidia pressus) a5; 1582e; O 430; B XII/18
Rumpitur invidia a5; 1569a; O 436; B VII/5
Rursum contemplatus (2nd pt. of: Vidi calumnias) a6; 1594; O 631; B XVI/14
Sacerdos in aeternum (antiphona) a6; N XXIV/42
Solus igitur (2nd pt. of: Infelix ego) a6; 1566d; O 514; B V/23
Sperate in eo (2nd pt. of: In Deo salutrem meum) a6; 1573b; O 664; B IX/19
Sperent in te omnes a4; 1585d; O 114; B XIV/29
Spiritus Domini (Officium Pentecostes) a5; 1574b; N XXIII/12
Sponsa quid agis. see: Quid tamen
Stabat mater dolorosa a8; 1585d; N XXIII/19; B XIV/32
Stabunt justi / Hic sunt quos habuimus a5; 1571b; O 299-300; B VIII/9
Stetit Angelus juxta a4; N XXIV/50
Stet quicumque volet / Si cum transierint a5; 1556; O 425-426; B I/3
Subque tuo (2nd pt. of: Te merito Daniel) a5; 1604; O 270
Sumens illud ave (Ave maris stella) a4; N XVIII/10
Summus erit sub carne (Agrippa sibylla) a4; N XXI/12
Super flumina Babylonis a4; 1585d; O 132; B XIV/13
Surgens Jesus Dominus noster a5; 1562; O 223; B II/20
Surge propera amica mea et veni / Surge...speciosa a6; 1566b; O 536-537;
B IV/1
Surgentem cum victoria (3rd pt. of: Lauda mater ecclesia) a6; 1582d; O 548;
B XIII/11
Surge...speciosa (2nd pt. of: Surge propera amica mea) a6; 1566b; O 537;
B IV/1
Surrexit Dominus (Alleluia) a6; N XXIII/46
Surrexit Dominus (communio) a6; N XXIII/44
Surrexit Dominus vere (invitatorium) a6; N XXIV/36
Surrexit Pastor bonus a5; 1562; O 222; B II/19
Suasanne un jour (Nunc dimittis I. tni) a5; N XXIV/13
Suscepimus Deus (Officium in Purificatione Beata Maria) a4; N XXIII/20
Su-su-per-per / Il-il-lic-lic a5; 1567/13; O 383-384; B XVII/21
Taedet animam a5; 1562; O 314; B II/10
Tanquam ad latronem (responsorium) a4; N XXIV/24
Te decet hymnus a4; 1564/1; O 139; B III/14
Te deprecamur (3rd pt. of: Jesu corona virginum) a6; 1565c; O 543; B V/6
Te Deum laudamus a6; 1568a; O 679; B VI/9
Te lucis ante terminum. see: Procul recedant somnia I-III
Te mane laudum carmine (O lux beata trinitas) a4; N XVIII/8
Te merito Daniel / Subque tuo a5; 1604; O 269-270
Tempus amplexandi (2nd pt. of: Omnia tempus habent) a8; 1585a; O 738;
B XV/12
Tempus est ut revertar / Nisi ego abiero a6; 1566d; O 490-491; B V/19
Tenebrae factae sunt (responsorium) a4; N XXIV/25
Te nunc laetetur (2nd pt. of: Pacis amans) a6; 1570g; O 456; B XVIII/1
Te spectant Reginalde, poli a5; 1556; O 187; B I/10
Thoma Bartholomeae (2nd pt. of: Clare sanctorum senatus) a5; 1562; O 263;
B VIII/19
Thus Deo myrrham (2nd. pt. of: Nuntium vobis fero) a5; 1571b; O 205
Tibi Christe splendor patris. see: Collaudamus venerantes
Tibi laus tibi gloria a4; 1604; O 67; B XIX/35
Tibi laus tibi gloria / Da gaudiorum a5; 1564/4; O 188-189; B III/12
Tibi progenies / Tu quae versat / Tu nostros Deus / Dum nos Erebi / Tu multa
a6; 1604; O 420-424
Tibi progenies / Tu quae versat / Dum nos Erebi a6; 1604; O 680-682
Tiburtina sibylla: Verax ipse Deus a4; N XXI/10
Timor Domini gloria a6; 1604; O 599
Timor Domini principium a6; 1594; O 576; B XVI/12
Lassus, O. de
Venice, A. Gardano
1566b: "Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex
vocum liber secundus", Venice, A. Gardano
1566c: "Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex
vocum liber tertius", Venice, A. Gardano
1566d: "Orlandi Lassi sacrae cantiones vulgo motecta appellatae sex et octo
vocum liber quartus", Venice, A. Gardano
1567a: "Di Orlando Lasso Libro quarto de Madrigali a cinque voci da lui
novamente in Germania composti & hora dati in luce", Venice,
A. Gardano
1567b: "Magnificat octo tonurum sex quinque et quatuor vocum nunc primum
excusa et per O.l di Lasso composita", Nnrberg, Th. Gerlatz, in
officina J. Montani piae memoriae
1567c: "Newe tetsche Liedlein mit fnff Stimmen welche gantz lieblich zu
singen und auff allerley Instrumenten zugebrauchen von O. di Lassus
componirt und von im selbst corrigirt....", Mnchen, A. Berg
1568a: "Selectissimae Cantiones quas vulgo motetas vocant partim omnino
novae partim nusquam in Germania excusae sex & pluribus vocibus
compositae per excellentissimum musicum...", Nnrberg, Th. Gerlatz
1568b: "Selectissimae Cantiones quas vulgo motetas vocant martpim omnino
novae partim nusquam iln Germania excusae quinque et quatuor
vocibus compositae per exc. musicum...", Nrnberg, Th. Gerlatz
1569a: "Cantiones aliquot quinque vocum...jam primum in lucem summa cura
atque diligentia editae authore Orlando di Lassus", Mnchen, A. Berg
1569b: "Liber secundus sacrarum cantionum quatuor vocum vulgo motetas vocant cantui imnisque generis instrumentis accomodatarum summa
diligentia aeditus auctoribus O. di Lassus Cypr. de Rore", Leuven/
Louvain, P. Phalse
1570a: "Disieme livre de chansons quatre parties d'Orflande de Lassus &
autres", Paris, A. le Roy & R. Ballard
1570b: "Mellange d'Orlande de Lassus contenant plusieurs chansons tant en
vers latins qu'en ryme francoyse a quatre cinq six huis dix parties",
Paris, A. le Roy & R. Ballard
1570c: "Praestantissimorum divinae musices auctorum missae decem quatuor
quinque & sex vocum antgehac nunquam excusae", Leuven/Louvain,
P. Phalse & J. Bellre
1570d: "Premier livre des chansons a quatre et cinq parties composes par O.
di Lassus, c. de Rore et de nouveau plus correctement que cy devant
imprimes & emendes", Leuven/Louvain, P. Phalse
1570e: "Quinque missae suavissimis modulationbus refertae una quinque reliquae vero quatuor vocibus concinendae...liber secundus", Venice
1570f: "Second livre des chansons a quatre et cincq parties composes par O.
di Lassus, C. de rore & Ph. de Mons, de nouveau corriges & emendes", Leuven/Louvain, P. Phalse
1570g: "Selectiorum aliquot cantionum sacrarum sex vocum fasciculus adiunctus in fine tgribus dialogis octo vocum quorum nihil adhuc in lucem est
editum authore Orlando di Lassus", Mnchen, A. Berg
1570h: "Viginti quinque sacrae cantiones quinque vocum...authore Orlando di
Lassus", Nrnberg, Th. Gerlatz (enlarged edition of 1562)
1571a: "Livre de chansons nouvelles a cinc parties avec deux dialuges: a huict
...d'Orlande de Lassus", Paris, A. le Roy & R. ballard
1571b: "Moduli quinis vocibus nunquam hactenus editi Monachii Boioariae
compositi Orlando lasso auctore", Paris, A. le Roy & R. Ballard
1572a: "Der ander Theil teutscher Lieder mit fnff Stimmen nit allein zum
singen sonder auch aller Handt Instrumenten (wer deren genugsam
bericht ist) wol und artlich zugebrauchen...newlich componirt in Truck
geben und sonders Fleiss aigner Person corrigiert", Mnchen, Berg
1572b: "Moduli quatuor et octo vocum Orlando Lasso auctore", Paris, A. le
Roy & R. Ballard
1573a: "Moduli sex septem et duodecim vocum Orlando lasso auctore", Paris,
A. le Roy & R. Ballard
1573b: "Patrocinium musices Orlandi de Lasso...cantionum quas mutetas vocant opus novum prima pars...", Mnchen, A. Berg
1573c: "Sex cantiones latiane quatuor adiuncto dialogo octo vocum, Sechs
teutsche Lieder mit vier sampt einem Dialogo mit 8 Stimmen, Six
chansons francoises nouvelles a quatre voix avecq un dialogue a
huict, sei madrigali nuovi a quatro con un dialogo a otto voci, summa
diligentia compositae correctae & nunc primum in lucem aeditae..."
Mnchen, A. Berg
1574a: "Patrocinium musices Orlandi de Lasso...Missae aliquot quinque
vocum, secunda pars...", Mnchen, A. Berg
1574b: "Patrocinium musices Orlandi de Lasso...Officia aliquot de praecitpuis
festis anni 5. vocum, tertia pars...", Mnchen, A. Berg
1575: "Patrocinium musices Orlandi de Lasso...Passio quinque vocum: idem
lectiones Iob & Lectiones matutinae de navitivate Christi quatuor vocum. Quarta pars", Mnchen, A. Berg
1575a: "Liber mottetarum trium vocum quae cum vivae voci tum omnis generis
instrumentis musicis commodissimae applicari possunt...", Mnchen,
A. Berg
1576a: "Der dritte Theil schner newer teutscher Lieder mit fnff Stimmen
sampt einem zu End gesetzten frantzsischen frlichen Liedlein welche nit allein lieblich zu singen sondern auch auff allerley Instrumenten
zugebrauchen von O. di Lasso...componiert, selbst corrigiert unnd
inn Truck verordnet worden", Mnchen, A. Berg
1576b: "Les Meslanges d'Orlande de Lassus contenantz plusieurs chansons
tant en vers latins qu'en ryme franoyse a quatre cinq six huit dix
parties: reveuz par luy et augmentz", Paris, A. le Roy & R. Ballard
1576c: "Patrocinium musices Orlandi de Lasso...Magnificat aliquot quatuor
quinque sex & octo vocum. Quinta pars", Mnchen, A. Berg
1576d: "Thrsor de musique d'Orlande de Lassus contenant ses chansons
quatre cinq & six parties", (Genve, P. de. St. Andr)
1577a: "Liber mottetarum trium vocum quae cum vivae voci tum omnis generis
instrumentis musicis commodissim applicari pussunt auctae nunq.
denu in cluem aeditae", Mnchen, A. Berg
1577b: "Missae variis concentibus ornatae ab Orlando de Lassus cum cantico
Beatae Mariae octo modis musicis variatio", Paris, le Roy & Ballard
1577c: "Moduli quatuor quinque sex septem octo & novem vocum Orlando
Lassussio auctore", Paris, A. le Roy & R. Ballard
1577d: "Novae aliquot et ante hac non ita usitate ad duas voces cantiones
suavissimae omnibus musicis summe uitles: nec non tyronibus qum
ejus artis peritioribus summopere inservientes...summa diligentia
compositae correctae et nunc primyum in lucem aeditae", A. Berg
1579: "Altera pars selectissimarum cantionum quas vulgo motetas vocant
quinque et quatuor vocibus compositarum...et restituta ut sopra indicavimus", Nrnberg, C. Gerlach & heirs of J. Mantanus
1581a: "Orlandi lassi musici praestantissimi Liber Missarum quatuor et quinque
1588b:
1588c:
1589:
1590:
1594:
1595:
1597:
1600:
1602:
1604:
1607a:
1607b:
1610:
1619:
1555/19: "Le quatoirsiesme livre a quatre parties contenant dixhuyct chansons italiennes, six chansons francoises, & six motetz faictz (a la
nouvelle composition d'aucuns d'Italie) par rolando di Lassus nouvellement imprim...", Antwerpen, T. Susato
1555/30: "Villanelle d'Orlando di Lassus e d'altri eccellenti musici libro secondo", Roma, V. Dorico
1557/20: "Secondo libro delle muse a tre voci. Canzon villanesche alla napolitana, di nuovo raccolte et date in luce", Roma, A. Barr
1558/13: "Secondo libro delle muse, a quattro voci. madrigali ariosi, de diversi
eccell.mi autori, con doe canzni di Giannetto, di nuovo raccolti et
dati in luce", Roma, A. Barr
1559/12: "Douziesme livre de chansons nouvellement composes en musique a
trois, quatre, & cinq parties par plusieurs autheurs, imprimes en
quatre volumes", Paris, A. le Roy & R. Ballard
1559/13: "Treziesme livre de chansons nouvellement composes en musique
quatre parties, par plusieurs autheurs, imprimes en quatre volumes"
Paris, A. le Roy & R. Ballard
1560/14: "Il terzo libro delle villotte alla napolitana de diversi con due moresche
novamente stampate. A tre voci", Venice, A. Gardano
1561/5: "Douziesme livre de chansons nouvellement composes en musique
quatre, & cinq parties, par Orlande de Lassus, & autres autheurs,
imprim en quatre volumes", Paris, A. le Roy & R. Ballard
1561/10: "Il terzo libro delle Muse a cinque voci composto da diversi eccellentissimi musici con uno madregale a sei, et uno dialogo a otto, novamente per Antonio Gardano stampato & dato in luce", Venice
1562/7: "Il terzo libro delle Muse a quattro voci. Madrigali ariosi, da diversi
eccell. musici raccolti, et dati in luce", Roma, A. Barr
1563/3: "Liber primus Musarum cum quatuor vocibus sacrarum cantionum que
vulgo mottetta vocantur ab Orlando di Lassus, Cipriano rore, et aliis
ecclesiasticis authoribus compositarum, et ab Antonio Barr collectarum et in lucem nunc primum editarum", Venice, F. Rampazzetto
1564/1: "Thesaurus musicus continens selectissimas octo, septem, sex, quinque et quatuor vocum Harmonias, tam veteribus quam recentioribus symphonistis compositas, & ad omnis generis instrumenta musica accomodatas. Tomi primi continentis cnationes octo vocum...",
Nrnberg, J. Montanus & U. Neuber
1564/2: "Thesauri musici tomus secundus continens optimas septem vocum
cantiones ex variis autoribus collectas...", Nrnberg, J. Montanus &
U. Neuber
1564/3: "Thesauri musici tomus tertius continens cantiones sacras, quas vulgo
Motetas vocant, ex optimis musicis selectas. Sex vocum...", Nrnberg, J. Montanus & U. Neuber
1564/4: "Thesauri musici tomus quartus continens selectissimas quinque vocum
harmonias, quas vulgo Motetas vocant...", Nrnberg, J. Montanus
& U. Neuber
1564/5: "Thesauri musici tomus quintus, et ultimus, continens sacras harmonias
quatuor vocibus compositas. Quatuor vocum...", Nrnberg, J. Montanus & U. Neuber
1566/2: "Primo libro de diversi eccellent.mi auttori a quattro voci, intitulato
il Desiderio. Nuovamente posti in luce, per giulio Bonagionta...",
Venice, G. Scotto
1566/17: "Di Cipriano de Rore il quinto libro di madrigali a cinque voci insieme
alcuni de diversi autori. Novamente...Stampato & dato in luce",
Venice, A. Gardano
1567/1: "Suavissimae et iucundissimae harmoniae: octo, quinque et quatuor
Lassus, O. de
F. SEPARATE EDITIONS:
Smaller Collections & Single works
a) Collections
"Il primo de Mottetti a cinque & a sei voci nuovamente posti in luce",
Antwerpen, J. de Laet, 1556
nos.1-12 a5; nos.13-17 a6:
1. Delitiae Phoebi
2. Peccavi qui faciam tibi
3. Stet quicumque volet potens
4. Domine, non est exaltatum cor meum
5. Heu mihi, Domine quia peccavi
6. Si ambulavero in medio
7. Ad te, Domine, levavi animam meam
677.R7
678.R7
679.R7
8. Gustate et videte
9. Mirabile mysterium
10. Te spectant, Reginalde Poli
11. Domine probasti me
12. Dominus scit cogitationes hominum
13. Fremuit spiritus Jesu
14. Heroum soboles
15. Si qua tibi obtulerint
16. Creator omnium, Deus
17. Da pacem Domine
Edition:
nos. 1-17:
Facsimile of the 5 partbooks of the Laet edition
34,--
680.R7
681.R7
682.R7
683.R7
684.R7
198,--
22 (of the 31) Fugger motets a4 from source 1582d (nos.2-5, 7-11, 13-18,
20, 21, 23, 25, 26, 28, 31):
Adorna thalamum tuum Sion; Benedicam dominum; Benedictus es Domine;
Confortamini et iam nolite timere; Custodi me Domine; Dextera Domini fecit
virtutem; domine convertere et eripe; Domine exaudi orationem meam;
Domine fac mecum; Domine in auxilium respice; Domine labia mea aperies;
Exaudi Deus orationem meam; Exspectans exspectavi; Factus est Dominus;
Gressus meos dirige; Omproperium exspectavit cor meum; Intende voci orationis meae; Jubilate Deo; Miserere mei Domine; Perfice gressus meos;
Populum humilem; super flumina Babylonis
ed. Carus
13,--
Prophetiae Sibyllarum
"Prophetiae Sibyllarum...chromatico more singulari confectae", Mnchen,1600
Prologus &12 motets a4:
Prologus: Carmina Chromatico
1. Persica sibylla: Virgine matre
2. Libyca sibylla: Ecce dies venient
3. Delphica sibylla: Non tarde veniet
685.R7
686.R7
687R7
688.R7
689.R7
690.R7
691.R7
692.R7
693.R7
12,--
106,--
69,--
9,--
9,- 9,--
16 Pieces a2:
694.R7
13,--
4 Motets a4-a5:
1. Surrexit pastor bonus a5
2. Justorum animae a5
3. Domine, labia mea aperies a4
4. Jubilate Deo a4
see: Collections: "Cantual": nos. 45, 100, 110 and 111
695.R7
696.R7
2 Motets a4-a5:
1. Domine secundum actum meum SATB
2. Emendemus in melius SATTB
*ed. C. Wearing
8,--
697.R7
8,--
10,--
698.R7
699.R7
*ed. C. Wearing
8,--
7,--
701.R7
1,50
3,--
702.R7
1,50
703.R7
1,50
700.R7
704.R7
2,50
705.R7
10,--
706.R7
2. Magnificat
ed. C. Wearing from: "Magnum opus musicum", Mnchen, N. Heinrich,
1604: no. 745 (1), "Magnum opus muscium...bassus ad organum...", Wrzburg, 1625 (1) and D-Mbs mus.ms. 14: f.99 (2)
11,--
707.R7
1,50
708.R7
6,50
709.R7
1,20
710.R7
1,20
711.R7
1,20
712.R7
713.R7
714.R7
715.R7
1,50
716.R7
3,20
717.R7
718.R7
1,20
719.R7
Confortamini; SATB:
*ed. Haberl / Quack
1,20
6,--
1,20
3,--
5,--
241.R7
720.R7
721.R7
a6
8,--
2,50
1,20
722.R7
6,--
723.R7
6,--
724.R7
3,20
725.R7
1,20
726.R7
1,20
727.R7
1,20
728.R7
5,--
729.R7
730.R7
731.R7
6,50
5,--
732.R7
12,--
733.R7
734.R7
1,20
735.R7
1,20
1,20
9,--
1,70
Expectatio justorum a2
see: Collections: "Invitation to Madrigals", volume IV
737.R7
1,20
738.R7
739.R7
23,--
740.R7
1,50
741.R7
1,50
6,--
742.R7
1,20
743.R7
1,20
744.R7
1,50
745.R7
8,--
746.R7
5,--
In me transierunt, a5:
see: Collections: "Musica Divina", ed. Aciai e.a.
747.R7
1,20
748.R7
2,50
749.R7
750.R7
751.R7
5,--
2,50
1,20
752.R7
*ed. A. Lumsden
see: Collections: "Chester Books of Motets", volume XI
3,--
753.R7
754.R7
5,--
755.R7
5,--
756.R7
8,--
757.R7
5,--
758.R7
5,--
759.R7
760.R7
Magnificat septimi toni SATB (accompanying strings and wind only rental)
ed. D. Stevens
761.R7
2,70
762.R7
3,20
763.R7
3,70
764.R7
8,--
765.R7
8,--
766.R7
8,--
767.R7
3,20
3,50
8,--
768.R7
769.R7
1,20
2,70
11,50
770.R7
771.R7
772.R7
5,--
773.R7
8,--
774.R7
775.R7
11,--
776.R7
3,--
777.R7
778.R7
779.R7
9,50
1,20
20,50
11,-SATB
14,- 1,20
781.R7
11,- 3,--
782.R7
11,--
783.R7
19,--
784.R7
11,--
785.R7
10,--
786.R7
11,--
787.R7
5,--
788.R7
5,--
780.R7
789.R7
790.R7
5,--
791.R7
7,--
792.R7
1,20
793.R7
1,20
794.R7
1,20
795.R7
6,--
796.R7
8,--
797.R7
798.R7
5,--
799.R7
5,--
800.R7
2,80
10,--
1,20
801.R7
802.R7
803.R7
1,20
804.R7
3,20
805.R7
2,50
1,20
6,--
806.R7
807.R7
808.R7
1,20
7,- 5,--
Timor et tremor:
see: section 17th Century: Sacred music for choir: MA: "Seven chromatic
motets from the Baroque era", ed. Blume
809.R7
7,50
810.R7
1,20
811.R7
812.R7
813.R7
5,--
814.R7
5,--
Lassus, Rudolph de
7,- 3,20
Rudolph de Lassus
c.1563 - 1625
"Teutsche Psalmen: geistliche Psalmen, mit dreyen Stimmen, welche nit allain
lieblich zu singen, sonder auch auff aller hand Art Instrumenten zugebrauchen.
Durch Orlandum de Lasso,...und seinen Sohn Rudolphum newlich componiert und in Truck verfertiget", Mnchen, A. Berg, 1588 (1588/12)
100 psalms: 50 by Orlando and 50 by Rudolph
Editions:
nos. 1-100:
Facsimile of the 3 partbooks of the 1588 edition; hardback
48,- no. 6: Straf mich, Herr, nicht in Eifermut
in: H. Osthoff: "Die Niederlnder und das deutsche Lied, 1400-1640"
(p. 580-582)
65,--
815.R7
475.R5
LEONHARD LECHNER
c.1553 - 1606
a) Complete Works; ed. Ameln e.a.
b) Other Editions
a) Complete Works
816.R7
817.R7
818.R7
819.R7
91,--
Volume III
"Neue teutsche Lieder mit vier und fnff Stimmen", Nrnberg, 1577 (including
also sacred songs); ed. U. Martin
96,--
Volume IV
"Sanctissimae virginis Mariae canticum, quod vulgo Magnificat inscribitur, secundum octo vulgares tonos...quator vocibus", Nrnberg, 1578 (8 magnificat)
ed. W. Lipphardt
79,--
820.R7
Volume V
"Neue teutsche Lieder, erstlich durch...Jacobum Regnart...componirt mit drey
Stimmen, nach art der welschen Villanellen, jetzund aber...mit fnff Stimmen
gesetzet...con alchuni madrigali in lingua Italiana a 5 voci", Nrnberg, 1579:
21 "Kurtzweilige teutsche Lieder" for 3 voices by J. Regnart, arranged by L.
Lechner for 5 voices & original Italian madrigals a5 by Lechner;
ed. K. Ameln
108,--
821.R7
Volume VI
"Sacrum cantionum...quinque et sex vocum. Liber secundus", Nrnberg, 1581;
ed. K. Ameln
158,--
822.R7
Volume VII
"Neue teutsche Lieder mit fnff und vier Stimmen", Nrnberg, 1582 (including
sacred songs); ed. K. Ameln
136,--
823.R7
Volume VIII
"Liber Missarum sex et quinque vocum adjunctis aliquot Introitibus in praecipua
festa, ab Adventu Domini usque ad festum Sanctissimae Trinitatis", Nrnberg,
1584 (3 masses and 10 introits); appendix: models of the masses: O. de Lassus: "Domine, Dominus noster", L. Marenzio: "Non fu mai cervo", and C. de
Rore: "Non lasso martire"; ed. W. Lipphardt
178,-Volume IX
824.R7
"Neue lustige teutsche Lieder mit vier und fnff Stimmen nach art de welschen
Canzonen", Nrnberg, 1586/1588; ed. E.F. Schmidt
91,--
825.R7
Volume X
"Septem Psalmi Poenitentiales sex vocibus compositi,...additis aliis quibusdam
piis cantionibus sex et plurium vocibus", Nrnberg, 1587 (6 psalms a6; 13 motets: nos.1-10 a6, no.11 a7, no.12 a12 in 3 choirs, and no.13 a18 in 3 choirs);
ed. I. Bossuyt
139,--
826.R7
Volume XI
"Neue geistliche und weltliche teutsche Lieder mit fnff und vier Stimmen",
Nrnberg, 1589; ed. K. Ameln
827.R7
828.R7
829.R7
830.R7
116,--
Volume XII
"Historia der Passion und des Leidens unsers einigen Erlsers und Seligmachers
Jesu Christi", Nrnberg, 1594 (this ed. lost or never published; manuscript of
the 1593 performance in Stuttgart in D-Kl); for 4 voices; ed. K. Ameln
full score
76,-*choral score
8,-Volume XIII
"Newe Gaistliche und weltliche Teutsche Gesang samt zwayen Lateinischen"
(1606) for 4-5 voices; ed. after the mansucript in D-Kl (incomplete)
ed. W. Lipphardt
97,--
Volume XIV
Nine works for special occasions:
1. Festgesang zur Einweihung der Altdorfer Hochschule
2. Zwei Kanons als Widmung im Stammbuch des Kantors Theodor Lindner
3. "Quid Chaos"
4. Three Kronborg motets for King Frederick II of Denmark
5. "Illustrissimo heroi ac domino...Ioachimo Eernesto, antiquissimi stemmatis
Anhaldini...Harmoniam hanc Panegyricam composuit" (1582): panegyrics on
prince Johann Ernst of Anhalt (a6)
6. Epithalamium for A.J. Gugel and M. Muffel (1585)
7. Laudatio: motet in honor of August, Elector of Saxony, a6 (1585)
8. "Eadem epitaphia (Martini Crusii), musicis modis...sex vocibus, in Martini
Crusii...De imp.rom. Friderico...Barbarossa...oratio", Tbingen, 1593: 2 epitaph
motets for emperor Friedrich Barbarossa and his wife
9. Music for the wedding of count Johann Georg of Sachsen (1604)
ed. K. Ameln and U. Martin
165,-b) Other Editions of Sacred Works
831.R7
832.R7
3,50
4,50
III. from "Neue teutsche Lieder mit vier und fnff Stimmen", 1577 (including
833.R7
834.R7
835.R7
10,--
11,--
4,50
836.R7
837.R7
12,- 10,--
838.R7
839.R7
10,- 2,50
XII: "Historia der Passion und des Leidens unsers einigen Erlsers und Seligmachers Jesu Christi", Nrnberg, 1593: St. John Passion a4:
ed. K. Ameln: see above: "Complete Works", vol. 12 for full and choral score
842.R7
XIII. from :Newe Gaistliche und weltliche Teutsche Gesang samt zwayen Lateinischen", 1606 (a4-a5):
*Deutsche Sprche von Leben und Tod (a4)
*Das Hohelied Salomonis (a4)
*Gott bhte dich (a4) (+ 3 Lieder byArbeau, Hausmann and anon.)
843.R7
840.R7
841.R7
Le Febvre, J.
8,50
8,50
3,- 2,50
J. Le Febvre
CLAUDE DE JEUNE
1528/30 - 1600
Sacred Works
"Dix Pseaumes de David
nouvellement composez a quatre parties en forme de motets. Avec un
Dialogue a scept", Paris, Le Roy & Ballard, 1564
844.R7
in prep.
217.S6
218.S6
219.S6
220.S6
845.R7
1. Chants en exultation au Dieu qui habite ein Sion (canon ultimi erunt primi, et
primi ultimi; fugue double quatre) a4
2. Il faut que de tous mes esprits Ton los & prix j'edalte & prise (Ps. 128, du
premier mode autentique) in 4 parts a5
3. Deba contre mes debateurs (Ps. 35, du second mode plagal) in 13 parts
a3 - a7
4. Propos exquis faut que de mon coeur sorte (Ps. 45, du troisiesme mode)
in 7 parts a3 - a6
5. Mon Dieu me paist sous sa puissance haute (Ps. 23, du quatriesme mode)
in 3 parts a5-a6
6. Seigneur enten ma requeste (Ps. 102, du cinquiesme mode) in 16 parts a2-a7
7. Misericorde au pauvre vicieux (Ps. 51, du sixiesme mode) in 9 parts a2-a6
8. Or peut bien dire Isral maintenant (Ps. 124, du septiesme mode) in 4 parts
a5 - a6.
9. O Dioeu qui nous as debouts (Ps. 60, du huictiesme mode) in 7 parts a3-a6
10. Des qu'adsversit nous offense (Ps.46, du neufiesme mode) in 5 parts a5-a6
11. C'est en Jude proprement que Dieu s'est acquis un renom (Ps. 76, du
dixiesme mode) in 7 parts a3 - a6
12. Tes jugemnes Dieu veritable, baille au Roy pour regner (Ps. 72, du l'unsiesmode) in 10 parts a3 - a6
13. Le tout-puissant mon Seigneur & maistre a dit ce mot (Ps. 110, du dousiesme mode) in 4 parts a3 - a6
nos. 1-13:
Critical ed. A.H. Heider in 3 volumes (using also the moral contrafacta in the
Ballard ed. of 1618: "Ddacorde...sous lesquels ont t mises des paroles
morales")
185,-"Les Cent cinquante Pseaumes de David
mis en musique quatre parties",
Paris, veuve Robert Ballard et P. Ballard, 1601
a4 if not otherwise stated
Ps. 92: O que c'est chose belle de te lour Seigneur (fugue l'unisson apres
deux tens)
a5
Ps. 1. Qui au conseil des malins n'a est
846.R7
153,--
847.R7
68,--
2, 3, 4, 5, 6, 7 et 8 parties",
Paris, P. Ballard, 1606
851.R7
852.R7
848.R7
849.R7
850.R7
24,--
227.S6
228.S6
229.S6
230.S6
231.S6
Le Maistre, M.
in prep.
12,--
MATTHUS LE MAISTRE
c.1505 - in or before 1577
Geistliche und weltliche teutsche Gesang, 1566
"Geistliche und weltliche teutsche Gesang mit 4 und 5 Stimmen...", Wittenberg, J. Schwertel, 1566
Songs in alphabetical order:
Ach Gott, du liebster Vater mein a4
Ach Gott, erhalt uns bei deinem Wort a4
Ach Gott, vom Himmel sieh darein a4
Ach herzigs A, tu mein gedenken a4
Ach unser himmlischer Vater, lehr und regier a4
All mein Hoffnung im Glauben ist a4
An Wasserflssen Babylon a4
Aus tiefer not schrei ich zu dir I (a4)
Aus tiefer not schrei ich zu dir II (a4)
Beim khlen Wein der Brder mein a4
Bis frhlich, vertrau Gott wohl a4
Bist du der Hnsel Schtze a4
Brich nicht an mir mein Zuversicht a4
Christ ist erstanden von der Marter alle a4
Christ ist erstanden von der Marter alle a6
Christ lag in Todesbanden a5
Christ unser Herr zum Jordan kam a6
Christe, der du bist Tag und Licht a4
Christe, der du bist Tag und Licht a7
Christum wir sollen loben schon a5
Christum wir sollen loben schon a6
Da Glck und Unglck streiten tt a5
Der Fuchs darf Glck, dass seine Tck I a4
853.R7
475.R5
854.R7
855.R7
856.R7
857.R7
858.R7
859.R7
860.R7
861.R7
862.R7
863.R7
179,--
864.R7
865.R7
866.R7
867.R7
868.R7
475.R5
869.R7
Leopolita, M.
1,20
1,50
1,20
1,70
1,20
65,--
15,--
Marcia Leopolita
died 1589
PASCHAL DE L'ESTOCART
1539? - after 1584
Sacrae Cantiones, 1582
"Sacrae Cantiones, quatuor, quinque, sex et septem vocum, recens in lucem
emeditae, Paschalio Lestocartio, Noviodunensi, auctore. Liber primus",
Paris, B. Vincent, 1582
1. Ode, en laquelle Jesus Christ, vray Dieu et vray homme, ramentoit tous
Chrestiens les biens qu'ils obtienent par luy (J. Grevin):
a. Je suis vray Dieu a4
b. Je suis celuy qui bastis a4
c. Et d'abondant a4
d. Mais il ne peut longuement a3
e. Je suis celuy qui le voyant a4
f. Je suis celuy qui en croix a4
g. Je suis celuy qui du sepulcre a4
h. Finalement je montay a4
i. Je suis celuy qui contre tous a3
j. Je puis changer a4
k. En terre au ciel a5
l. Vous qui tendez a6
2. Ce faux Satan (S. Goulart) a4
3. D'un oeil pleurant a4
4. De sang et d'arrogance a4
5. Ou est le vray pays a4
6. Quelle est ta loy (S. Goulart) a4
7. Le monde un jour a4
8. Peccantem me quotidie a4
9. Dieu est regnant (Th. de Bze) a3 (canon)
10. Agnus Dei a2 (canon)
11. A vous, vos enfants / Puissiez vous cependant a5
12. Deux coeurs aimants a5
13. Gott schaff in mir a4
14. Quand je viens penser a5
15. Je ne veux plus bastir a5
16. Pour mourir bien heureux a5
17. Susanne un jour (G. Guroult) a5
18. Helas mon Dieu (G. Guroult) a5
19. O combien est plaisant (Th. de Bze) a4- a5
20. Orsus serviteurs (Th. de Bze) a4-a5
21. Quos anguis dirus a5
22. Hodie Christus a5
23. Non vos relinquam a5
24. Ut tibi (S. Melanchton) a6
25. Angelus autem a6
870.R7
59,--
871.R7
Lobo, A.
75,--
ALONSO LOBO
c.1555 - 1617
Liber primus missarum, 1602
"Liber primus missarum Alphonsi Lobo de Borja, Sanctae Eccelsiae Toletanae Hisp. primatis...", Madrid, ex Typographia Regia, 1602
a) masses:
1. Missa Beata Dei genetrix a6 (on motet of Guerrero)
2. Missa Maria Magdalena a6
3. Missa O Rex gloriae a4 (on motet of Palestrina)
4. Missa Petre, ego pro te rogavi a4
5. Missa Prundentes virgines a5 (on motet of Guerrero)
872.R7
873.R7
874.R7
875.R7
876.R7
877.R7
878.R7
879.R7
880.R7
881.R7
4,50
4,50
884.R7
4,50
885.R7
4,50
882.R7
883.R7
886.R7
4,50
4,50
888.R7
4,50
889.R7
11,--
887.R8
890.R7
891.R7
892.R7
893.R7
894.R7
7,--
4,50
4,50
5,--
12,50
21,50
Carl Luython
1557 - 1620
Maria ein Reis, des Paradeis, a5:
see: Prints 1604/7: "Rosetum Marianum"
Luzzaschi, L.
Luzzasco Luzzaschi
1545? - 1607
"Sacrarum cantionum liber primus", Venice, 1598
from this collection:
*Gaudent in caelis; SATTB
*Hodie nobis caelorum rex; SATTB
896.R7
897.R7
Magdeburg, J.
3,- 3,--
Joachim Magdeburg
1525? - in or after 1587
"Christliche und trstliche Tischgesenge", Erfurt, 15672
from this collection:
Allein zu dir, Herr jesu Christ, a4:
see: Manuscripts: D-Usch 122 (no. 27)
Malvezzi, C.
Cristofano Malvezzi
1547 - 1599
Gaude quae genuisti Salvatorem; motet a5
see: Prints 1605/6: "Della nova Metamorfosi", Milan, 1605 (no. 2)
Mancini, C.
Curzio Mancini
1550/53 - after 1608
Alius Sanctus & Agnus Dei, from: Missa Cantantibus organis Caecilia, a12
(written by Palestrina with collaboration of his students A. Stabile, G.A.
Dragoni, F. Soriano, R. Givannelli, P. Santini and C. Mancini)
from: I-Rsg A.52-54 and I-Rvat Cap. Giulia V.65
see: Palestrina: Opera Omnia, volume 32
Mancinus, Th.
Thomas Mancinus
1550 - 1611/12
"Cantio funebris in obitum illustrissimae & ...piae heroinae & dominae...Hedwigis...", Helmstedt, 1602
from this collection:
Quic quid erit tandem mea spes
SATTB
*ed. N. Klose
898.R7
Marenzio, L.
4,50
LUCA MARENZIO
1553/54 - 1599
a) Opera Omnia
b) Other Editions
a) Opera Omnia
899.R7
900.R7
105,--
901.R7
902.R7
306.R8
315.R8
316.R8
304.R8
903.R7
904.R7
29,--
4,50
1,50
905.R7
4,--
906.R7
questo il legno che di sacro sangue (no.1 from "Madrigali spirituali", 1584);
SATTB:
*ed. Ledbetter
4,50
907.R7
908.R7
909.R7
910.R7
911.R7
4,50
Hodie Christus natus est (from: "Motecta festorum totius anni", 1585); SATB:
*ed. Meier / Jackson
1,70
*ed. M. Imrie
4,50
see: Collections: "Hodie Christus natus est!": no. 9
*"Regensburger Tradition", volume B 2
1,50
see: Collections: "Cantual": no. 13
see: Collections: "Chester Books of Motets", volume VI
912.R7
913.R7
914.R7
1,70
3,20
4,50
1,20
915.R7
O sacrum convivium
motet for Corpus Christi a4 (SATB)
*ed. M. Imrie from: "Motecta festorum totius anni...liber primus...", 1585
916.R7
3,--
917.R7
3,--
4,50
918.R7
1,20
a4
Samuel Mareschall
1554 - 1640
"Psalmen Davids, Kirchen Gesnge und geistliche Lieder von D. Martin
Luther und andern gottsgelehrten Mnner gestellet...", Basel, 1606
from this collection a4:
2 Psalms:
1. Im Frieden dein
2. Nun singt ein neues Lied dem Herren (Preis, Lob und Dank sei Gott)
nos.33 and 36 in: "Kantional: 66 Choralstze alter Meister", ed. Schulze
Im Frieden dein
SATB
*ed. Carus
In Gnaden gibst du Teil
*ed. Carus
354.S11
1017.S11
Massaino, T.
12,50
1,30
1,20
Tiburtio Massaino
before 1550 - in or after 1609
Cantiones, 1592
"Liber Primus Cantionum Ecclesiasticarum...", Prague, 1592
21 motets a4
1. Ego sum panis vivus
2. Verbum caro factum est
3. Illuminare Jerusalem
4. Levitus Laurentinus
5. Stephanus servus Dei
6. Vidi speciosam
7. Exiit sermo
8. Isti qui amicti sunt
9. Salvatorem exspectamus
10. Quanti mercenarii
11. Hic est praecursor dilectus
12-13. Cilicia Caecilia membra domabat / Haec est virgo
14. Ne timeas Maria
15. Per lignum servi servi facti sumus
16. Ego pro te rogavi
17. Ite in universum mundum
18. Virtute magna
19. Si ego non aliero
20. Benedicamus patrem
21. O Domine Jesu Christe
appendix: 3 instrumental canzonas (2 a8; 1 a16) from Raverii's 1608 coll.:
22. Canzona trigesimaterza
23. Canzona trgesimaquarta
24. Canzona trigesimaquinta
Edition:
nos. 1-24:
ed. R. Monterosso; Denkmler der Tonkunst in sterreich, volume 110
920.R7
Meiland, J.
55,--
Jacob Meiland
1542 - 1577
Cantiones a5 (1576)
"Cantiones aliquot novae, quas vulgo motetas vocant, quinque vocibus summo
studio compositae: Quibus adiuncta sunt officai duo, de S. Iohanne Evangelista, & Innocentibus...", Frankfurt am Main, S. Feyerabend, 1576
19 motets a5:
1. Quam pulchra es et quam decora
2. Ecce petit Catharina
3. Ego sum resurrectio et vita
4. Edite clarisona nova cantica
5. Parvulus natus est nobis
6. Disquirant alii
7. Memento domine David
8. Inclyta magnanimi soboles (Cantio in gratiam ilustriss. principis ac domini
Gulielmi Landgravii Hassiae...)
9. Salve Musarum culto (motet on Johannes a Cronberg)
10. Aulam qui sequeris
11. Heugelio genitore satus (motet on Johannes Heugel, the court chapell
master at Kassel)
De S. Iohan Evangelista:
12. Vox tonitrui deus
13. In medio ecclesiae
14. Alleluia. Hic est discipulus
15. In navi parentem liquisti
De Innocentibus:
16. Centum quadragnita
17. Ex ore infantium
18. Alleluia. Te martyrum candidatus
19. Famulatu cuius omnis competit
Edition:
Facsimile of the 5 partbooks of the 1575 edition
129,--
921.R7
922.R7
923.R7
924.R7
Mel, R. del
20 motets: nos. 1-6: a4; nos. 7-16: a5; nos. 17-18: a6; no.19: a7; no.20: a8
1. O magnum mysterium
2. Veni sponsa Christi
3. Domine, quando veneris
4. Leva in circuitu
5. Nunc dimittis
6. O Rex gloriae
7. O dulcissime Domine
8. Factum est silentium
9. Sanctificavit Dominus
10. Homo quidam fecit
11. Beatus Laurentius
12. Exsurge quare obdormis / Quoniam humiliata est
13. Hodie caeli aperti sunt
14. Haec dies, quam fecit Dominus
15. O quam gloriosum
16. Ecce Maria genuit
17. O sacrum convivium
18. Veni Creator Spiritus
19. O quam suavis est, Domine
20. Laudate Dominum in sanctis eius
Edition:
nos. 1-20:
ed. O. Kongsted
925.R7
33,--
Manuel Mendes
c.1547 - 1605
Alleluia
a4
see: Collections: Portuguese Polyphony: an anthology
Mergot, F.
926.R7
Merulo, C.
11,--
Sacred Works
a) Opera Omnia
b) Other Editions
a) Opera Omnia; ed. J. Bastian; volumes I - VI
(vols. VII-IX contain the secular works)
CMM 5151
per collection titles in alphabetical order
927.R7
928.R7
929.R7
96,--
135,--
99,--
169,--
a8
112,--
932.R7
156,--
b) Other Editions
see nos. in Opera omnia
no. 71: Adoramus te, a6:
*ed. A. Lumsden; SSAABarB
933.R7
5,--
934.R7
Micheli, D.
5,--
Domenico Micheli
c.1540 - c.1590
2 Motets a5:
1. Exaudi quia clamavi ad te
2. En dilectus meus
see: Prints 1605/6: "Della nova Metamorfosi", Milan, 1605 (nos. 1 and 3)
Monte, Ph. de
PHILIPPE DE MONTE
1521 - 1603
Sacred Works
a) New complete edition; ed. Lenaerts e.a.
b) Opera Omnia; ed. Van den Borren / Van Nuffel
c) Other Editions
a) New Complete Edition; ed. Lenaerts e.a.
935.R7
936.R7
937.R7
938.R7
939.R7
940.R7
941.R7
942.R7
943.R7
944.R7
945.R7
Volume I
Missa Inclina cor meum a5 (from: B-Bc 27089)
Volume II
(from: "Sacrae symphoniae diversorum authorum"
Nrnberg, P. Kaufmann, 1598)
68,--
a6
946.R7
a4
Volume III
(B-Bc 27089)
947.R7
68,--
a5
68,--
Volume IV
(B-Bc 27089)
68,--
Volume V
(A-Wn 15948; B-Bc 27089)
68,--
Volume VI
"Il 1 libro de madrigali spirituali a 6 voci", Venice, 1583
"Il primo libro de madrigali spirituali a sei voci. Da lui novamente composti, &
dati in luce", Venice, A. Gardano, 1583
1. Sparse il bel
2. E parea in vista (2da parte)
3. Donna del ciel
4. Vergine pura
5. Stella del nostro mar
6. Vedea l'alto Signor
7. Nuovo trionfo (2da parte)
8. Dimmi lume
9. Io sol ti scorgo (2da parte)
10. Mentre sperai
11. E si come augellin (2da parte)
12. Quando tutto d
13. Credo ben io (2da parte)
14. Son questi i chiari
15. Ahi che spietata (2da parte)
16. E morte o vita
17. E vita a chi (2da parte)
18. Quando l'anima mia
19. E vuol che sian (2da parte)
20. Io che lieto
21. Che poi ch'a (2da parte)
22. Fu sempre chiara
23. Anzi vittoria (2da parte)
24. In questo d
25. A l'apparir del
26. Tutta lieta il (2da parte)
27. Alma felice
28. Sento squarciar
29. Con negra benda
68,-Volume VII
950.R7
a6
68,--
951.R7
Volume VIII
Missa Anchor che col partire a4 (B-Bc 27089; D-B Z 25; SI-Lng)
Volume IX
(B-Bc 27089)
952.R7
Volume X
(A-Wn; B-Bc; D-B; PL-WRu)
68,--
Volume XI
(B-Bc 27089)
68,--
954.R7
955.R7
Magnificat
a4
Volume XII
(A-Gmi; D-As 24)
68,--
Volume XIII
(A-Wn 15948)
68,--
956.R7
Volume XIV
(A-Wn; B-Bc 27086)
957.R7
68,--
Volume XVII
"Sacrarum cantiones cum quinque vocibus...liber septimus", Venice, 1600
68,--
Volume XVIII
961.R7
a6 (D-Nst)
68,--
Volume XXI
(A-Wn 15951; SI-Lng)
68,--
Volume XXII
"Libro quarto de motetti a cinque voci", Venice, 1575
68,--
962.R7
964.R7
966.R7
68,--
Volume XVI
(B-Bc 27089)
959.R7
965.R7
68,--
Volume XV
958.R7
963.R7
68,--
953.R7
960.R7
68,--
Volume XXIII
(A-Wn 15948)
Volume XXIV
Missa Cum sit omnipotens rector Olympi (from: "Liber primus missarum",
Antwerpen, 1587)
68,--
68,--
Volume XXV
Cantiones ad testudinis usum accommodatae (lute arrangements by Adriaensen,
Volume XXVI
(A-Wn; D-Mbs; D-Z; H-Bn)
Volume XXVII
Missa Quomodo dilexi (from: "Liber primus missarum", Antwerpen, 1587)
Volume XXVIII
a5 (D-B)
a8
a6
a6
969.R7
970.R7
Volume XXIX
(A-Wn)
68,--
68,--
68,--
68,--
68,--
Volume XXX
971.R7
68,-Volume XXXI
972.R7
68,--
c) Other Editions
973.R7
"Il primo libro de madrigali spirituali a sei voci", Venice, A. Gardano, 1583
29 madrigals a6 (see for lists of contents: ed. van den Borren / van Nuffel, VI)
Edition:
Facsimile of the partbooks of the 1583 edition; set of 6 boxed volumes
48,--
" Il secondo libro de madrigali spirituali a sei, & sette voci. Novamente da lui
composti, & dati in luce", Venice, A. Gardano, 1589
21 madrigals; nos. 1-14: a6; nos. 15-21: a76; in alphabetical order:
a6:
1. Celestis sponsa
2. Dal fermo stato (2a parte)
3. En Samsonem (2a parte)
4. Giace nel mezzo
5. La bella Donna
6. L' ardente robo
7. Non son degn' io
8. Padre del cielo
9. Padre nostro e del ciel
10. Proh quae tenero
11. Prova ben degna (2a parte)
12. Signor cui fui gi
13. Signor cui paicque (3a parte)
14. Suignor la notte' l (2a parte)
a7:
15. Arente visum (3a parte)
16. Hos inter e nos (5a parte)
17. Instructa sacri (6a parte)
18. Quanta gioia
19. Sic experitur (4a parte)
20. Tu Diva saevis (2a parte)
974.R7
975.R7
35,--
6,--
THOMAS MORLEY
1557/58 - 1602
Sacred Music
a) Services
b) English Anthems and Liturgical Music
c) Motets
a) Services
1. First Service SAATB, organ
a. Venite
b. Te Deum
c. Benedictus
d. Kyrie eleison (first setting)
e. Kyrie eleison (second setting)
f. Kyrie eleison (third setting)
g. Kyrie eleison (fourth setting, by W. Child)
h. Credo
i. Magnificat
j. Nunc dimittis
2. Second Service SAATB, organ
a. Magnificat (a' = opening verse for solo voice and organ in 3 sources)
b. Nunc dimittis
3. Short Evening Service SATB, organ
a. Magnificat
b. alternative opening of a
c. Nunc dimittis
Sources:
976.R7
a) manuscripts:
GB-Ckc 9: organ (6) and 10-17 (1, 4)
GB-Cp the "former" set: 3 parts missing (1) and the "latter" set (1, 6, 7)
GB-DRc A1: organ (5), A2: organ (1), A5: organ (1, 6), C1: M (1, 6), C2: Ct
(5), C4: CtD2 (1, 5, 6), C5: CtC2 (1, 5, 6), C6: CtD1 (1, 5, 6),
C7: CtC1 (1, 5, 6), C9: TD (1, 6), C10: TC (1, 6), C11: TD (1, 5,
6), C12: T (5), C15: TD (5), C16: BD (1, 5, 6), C17: BC (5), and
C19: B (1, 6)
GB-EL 28: T (7)
GB-GL TD, c.1660 (6), TC, c.1660 (6), and organ part, c.1670 (6)
GB-Lbl Add. 17784: B (6), 17842 (8), 29372:-5: CATB of Myriell's "Tristitiae
Remedium (3), 30087: score (6), 30478: TC (1, 5, 6), 30479: TC
(1, 5, 6), 31443: score (5)
GB-Lbl Harley 7337: score (2)
GB-Lcm 1045-51: BD lacking (1, 6, 9)
GB-Llp 764: B (1, 6)
GB-Ob mus. d.162: BD (5)
GB-Ob Tenbury 791: organ (4, 6; 9: ps. 119: 169 only), 859: score (2),
1382: T (1, 6), and 1442: B (6)
GB-Och mus. 6: organ (6), 47: organ (6), 88: organ (6), and 1220-4: 3 parts
missing (6)
GB-Ojc 181: B (1, 6) and 315: organ (2)
GB-WB P 14: T (6) and P 15: B (6)
GB-Y M.1/1-8: the Gostling partbooks (1, 6), and M.29: B (1, 5, 6)
977.R7
978.R7
979.R7
980.R7
981.R7
US-NYp Drexel 5469: organ (1, 6), and the Chirk Castle partbooks (6)
b) prints:
1589: W. Byrd: "Songs of sundrie natures", London (6)
1599: "The whole book of psalmes...", London, W. Barley (10-12, 14)
1621: "The whole book of psalmes...", London, for the Co. of Stationers (13)
1641: J. Barnard: "The first book of selected church musick", London (6)
1663: J. Clifford: "The divine services and anthems usually sung in the cathdrals and collegiate choirs of the Church of England" (1, 4)
1760-78: W. Boyce: "Cathedral music", London (2, 8)
Editions:
nos. 1-14:
ed. J. Morehen; Early English Church Music, volume 38
no. 3:
*ed. Morehen ATTB
see: Collections: "A Sixteenth-century Anthem Book"
no. 6:
*ed. le Huray
no. 7:
*ed. Greening
no. 8:
see: 18th Century: Prints 1760-1773: W. Boyce: "Cathedral Music"
no. 9f: Let my complaint:
*ed. for ATBB and organ
115,- 4,--
5,- 5,--
4,50
c) Motets
1. Agnus Dei SATB
2. De profundis clamavi SSAATB
982.R7
983.R7
984.R7
985.R7
Mundy, J.
35,- 4,--
4,--
5,--
John Mundy
c.1555 - 1630
Songs and Psalmes, 1594
"Songs and Psalmes composed into 3.4. and 5. parts, for the use and delight
of all such as either love or learne Musicke by John Mundy Gentleman,
bachiler of Musicke, and one of the Organest of hir Maiesties free Chappell
of Windsor", London, Th. East, 1594
31 Songs and psalms, in alphabetical order by titles:
1. As I sent walking SAT
2. Blessed art thou SAT
3. Have mercy on me, o Lord SSATB
4. Hear my prayer,. o Lord STB
986.R7
Mundy, W.
987.R7
58,--
WILLIAM MUNDY
c.1529 - in or before 1591
a) Latin Antiphons and Psalms
ed. F. Ll. Harrison
listed alphabetically:
1. Adhaesit pavimento (ps. 118: 25-32) SATBB
2. Adolescentulus sum ego / Tribulacio (ps. 118: 137-144) SAATBB
3. Beati immaculati (ps. 118: 1-8) SAATB
4. Domine, non est exaltatum (ps. 130) SATTBB
5. Domine, quis habitabit / Ad nihilum deductus (ps. 14) SSAATB
6. Eructavit cor meum (ps. 44: 2-5) SATTBB
7. In aeternum (instrumental?; no words) SAATBB
8. Maria virgo sanctissima SATTBB
9. Memor esto verbi tui (ps. 118: 49-56) SATBB
10. Noli aemulari (ps. 36) SAATB
11. Vox patris caelestis SATTBB
Sources:
GB-Lbl Add. 17792-7: CATQB: Sx lacking (1, 2, 4), 18936-7 & 189369:
CAB (11: Surge propera only), 29246: lute (11: Vox patris
caelestis & Favus distillans only), 31390: table book, no words
(4, 7), 32377: CC only (5)
GB-Lbl RM. 24.d.2: score (1, 2; 8: Maria virgo sanctissima & Ex quibus only;
10; 11: Vox patris caelestis & Surge propera only) and 24.h.11:
score (11: Vox patris caelestis & Favus distillans only)
GB-Lcm 2035: CAB only (6: Eructavit cor meum & Audi filia only; 11)
GB-Ob mus.sch. e.423: Ct only (2, 6, 11)
GB-Ob Tenbury 1486: T only (11)
GB-Och 979-983: SDCtSxB, T lacking (1-6, 8-11)
US-NYp Drexel 4180-4185: CATBQSx (1, 2, 4)
private collection: the Willmott manuscript: Ct only (11)
115,--
b) Other Works
Ah, helpless wretch (verse anthem) (Hunnis after Savonarola)
SAATB and organ
Sources:
GB-DRc C4 (CtD2), C5 (CtC2), C6 (CtD1), C7 (CtC1),C9 (TD),C10 (TC)
GB-GL: bass part, c.1640, and TD part (Barnard, c.1660)
GB-Lbl Add. 30087 (after Barnard; 19th c.), 30478 (TC, c.1670)
GB-Lcm 1046, 1048 and 1051 (MC, TC and BC, early-17th c.)
GB-Ojc mus. 181: B, c.1630
GB-Ob Tenbury 791: the Batten organ book, c.1630
1641: J. Barnard: "The first book of selected church musick", London
1664: J. Cliford: "The divine services and anthems usually sung in the cathedrals and collegiate choirs of the church of England", London
Edition:
see: Collections: "Savonarolan laude , motets & anthems"
O Lord, I bow the knee of my heart
full anthem for SAATB
Sources:
GB-Cfm 88 (score, c.1675) and 117 (score, c.1683)
GB-Cpc 6.1-6 (attr. to Tallis)
GB-DRc A1 (organ), C2, C4-7, C10-12, C15-17,
GB-EL (in: Cu) 4 (organ) and 28 (T)
GB-GL B (c.1640), TD & TC (c.1660)
GB-LF BC (c.1665)
GB-Lbl Add. 17784 (B)17792-17797, 25597 (T), 30087 (score)30478
(TC) and 30479 (TC)
GB-Lbl Harley 7337 (score)
GB-Llp 764 (B)
GB-Lsp TD & BC, c.1670-90
GB-Ob d.162 (BD) and f.11-15 (CQATB, c.1630)
GB-Ob Tenbury 1382 (T) and 1442 (B)
GB-Och mus. 6 (organ), 56-57 & 59-60 (CQCtT; B lacking), 1001 (organ),
and 1220-1224
GB-Ojc mus. 180 (B)
GB-WRch 48-50 (CtC, TD, TC)
GB-Y M.1/2 & 5-8 (Gostling partbooks) and M.29 (B)
US-BEm M2. C645 Case B: organ part, late-17th c.
US-NYp Drexel 4180-4183 (CATB) and 5469 (organ, c.1630)
988.R7
989.R7
This is my commandment a4
(also attr. to Tallis and to Johnson; authorship not established)
Sources ( without attr. = by Tallis):
GB-Cp the "latter" set
GB-DRc A1 (organ; attr. to Tallis), A3 (organ; attr. to Tallis), C11 (TD),
C17 (BC) and C19 (B)
GB-Lbl Add. 29289 (A; attr. to Johnaon), 30478 (TC), 30479 (TC)
GB-Ob mus.sch. e.420-422 (Wanley ms..: Ct1, Ct2, B; T lacking)
US-NYp Drexel 4180-4183 (CATB)
Edition:
*ed. Greening as by Tallis; AATB
990.R7
Musculus, B.
5,--
5,--
Balthasar Musculus
c.1540? - 1595/97?
Geistliche Gesenglein, 1597
"Viertzig schne geistliche Gesenglein mit vier Stimmen der lieben Jugend zum
besten inn Druck verfertiget durch Blathasarum Musculum Schulmeister zu
Zigenrck. jetzt aber von neuem bersehn corrigirt und mit etlichen Gesenglein gemehrt, durch Georgium Krberum noribergens", Nrnberg, A.P.
Dietirch, 1597
(the first edition of this print: "35 kurze christliche Gesnglein", Nrnberg, 1575
is lost; the transcriptions in the ms. D-Usch 235 seem to have been made
from this lost early edition)
90 songs by B. Donato, Dressler (7), G. Krber (13), Magdeburg (2), Meiland (7), Musculus (40), Reusch, Scandellus, Selneccer (2), Tritonius, Vecchi
(8), J. Walter and anonymous composers (10)
Editions:
Lieder by Musculus from this collection:
13 Lieder; see: Manuscripts: D-Usch 235 (nos. 5, 7-9, 11, 13, 14, 16-19,
21 and 38):
1. Herzlich lieb hab ich dich o herr
2. Also sehr jamert gott des snders nott
3. Wer gott vertraut hat woll gebaut
4. In dich hab ich gehoffet herr
5. Gedult ich beger von dir o Herr
6. Christ der du bist der helle tag
7. Ich danckh dir lieber herre
8. Nun last uns gott dem herren
9. Wir leben wie ein wandersman
10. Hats gott versehn wer will uns wehrn
11. Danckhet dem herren den er ist
12. Bleib bey uns herr den es will
13. O Herre Gott erbarm dich uber unss
2 Lieder; see: Manuscripts: D-Usch 122 (nos. 10-11):
1. Hertzlich lieb hab ich dich o Herr
2. In dich hab ich gehoffet Herr
Nanino, G.M.
991.R7
c) Psalms:
12. Beatus vir
13. Cantate Domino canticum novum
14. Domine, quis habitabit
Adoramus te, Christe:
see: Collections: "Chester Books of Motets", volume X
Hic est beatissimus evangelista a3
Collections: "Historical anthology of music", vol. I
Hodie Christus natus est
*ed. D. Hellmann; SSAB
992.R7
54,--
6,--
3 Motets a4:
1. Diffusa est
2. Hodie nobis coelorum rex
3. Stabat mater
see: Collections: "Florilegium cantuum sacrorum"
Gavisi sunt discipuli a4:
see: Collections: "Das Musikwerk", volume IV
Gloria in excelsis ( = pars II of: Hodie nobis) SMsMsATB
source: I-Rvat Cap. Sistina 72
see: Collections: "Chester Books of Motets": volume XVI
994.R7
6,- 1,60
995.R7
1,20
996.R7
1,20
993.R7
Juan Navarro
c.1530 - 1580
998.R7
999.R7
997.R7
7,- 4,50
7,--
Nitzsch, P.
Peter Nitzsch
4 Chorale settings a4:
1. Christ, der du bist der helle Tag
2. Ich danck dir lieber Herre
3. Aller Augen o Herr auf dich halten
4. Dancket dem Herren den er ist
see: Manuscripts: D-Usch 123
Nola, G.D. da
Nucius, J.
JOHANN NUCIUS
c.1556 - 1620
Motets:
Book I
"Modulationes Sacrae, modis musicis, quinque et sex vocum recens compositae
per F. Ioannem Nicus Gorlicensem Lusacium", Prague, typis Nigrinianis, 1691
(2nd imprint as: Johannis Nucii Gorlicensis Lusatii Abbatis Gemielnicensis Cantionum sacarum quinque et sex vocum. Liber primus. Editione Pragensi emaculatior et nitidior", Liegnitz, N. Sartorius, 1609)
Nos. 1-41 for 5 voices; nos. 42-66 for 6 voices:
I/1. Si bona suscepimus (1. pars)
2. Nudus egressus sum (2. pars)
3. Quam pulchrae sunt
4. Surge propera amica mea (1. pars)
5. Tota pulchra es amica mea (2. pars)
6. Ecce Dominus veniet
7. facta est cum Angelo
8. Baptizat miles regem
9. Domine non secumdum peccata nostra
10. Vinea mea electa
11. Mane nobiscum Domine
12. Ite in mundum universum
13. Dum complerentur dies Pentecostes
14. Puer qui natus est nobis
15. Quae est ista quae processit (1. pars)
16. Quae est ista quae ascendit (2. pars)
17. Quid vultus lacrymis oraque per luis (1. pars)
18. Omnes mortiferum hic petimus diem (2. pars)
19. Factum est silentium (1. pars)
20. Millia millium ministrabant ei (2. pars)
21. Dixerunt discipuli (1. pars)
22. Scimus quidem desiderare Christum (2. aprs)
23. Missus est angelus Gabriel (1. pars)
24. Ave Maria gratia plena (2. pars)
25. Dixit autem Maria ad Angelum (3. pars)
1000.R7
155,--
1159.S11
1,70
1001.R7
no. II/52:
*ed. Haberl / Quack; SSATTB
1,60
Orologio, A.
Alessandro Orologio
c.1550 - ?1633
Opera Omnia in 8 volumes; ed. F. Colussi
388.R8
Volume VI:
"Cantica Sion in terra aliena a mysticis israelitis octo vocibus concinenda",
Venice, G. Vincenti, 1627
13 Motets a8, in alphabetical order of titles:
1. Benedictus Deus et pater Domini nostri
2. Cantate Domino canticum novum
3. Dominus in caelo paravit sedem suam
4. Ecce nunc benedicite Dominum
5. Exsultate, iusti, in Domino
6. Iubilate Deo, omnis terra, cantate
7. Iubilate Deo, omnis terra, psalmum diciate
8. Iubilate Deo, omnis terra, servite
9. Laudate Dominum in sanctis eius
10. Paratum cor meum, Deus
11. Regna terrae, cantate Deo, psallite Dominus
12. Tota pulchra es anima mea
13. Vivit Dominus, et benedictus Deus meus
Other sources consulted:
D-B mus.ms. 40039 (2, 6); D-Kl 2 mus.ms. 8 (2, 6); D-Dl mus.ms. Gri 49
(2, 6).
Volume VIII:
56,--
Miscellaneous Works
1. Soden passions (a5)
2. Amorosi pastori e accorte ninfe (a5)
3. Magnificat (a5)
4. Te fontem sitio, o Deus (a5)
5. Duae mentes seraphico de choro (a5)
6. O Domine, qui sponte omne tui (a5)
7a. Miserere mei, Deus (a6)
7b. Miserere mei, Deus: keyboard intabulation by D. Fabris
8a. Videns Christum in patibulo (a6)
8b. Videns Christum in patibulo: keyboard intabulation
9. Fortunae domitrix Virtus (a6)
10. Man spricht was Gott zuammen fgt (a6)
11. Ich hab mir eine ausserlesen (a6)
12. Sich da, mein Schatz auff erden liebet mich (a6)
13. Mir ist ein feins brauns mgdelein (a6)
14. Frlich und frey (a6)
15. Ich spring und sing (a6)
16. Quid gloriae aec nostra? (a7)
17. Deus det tibi (a8)
18. Missa super Quando fra bianche perle: facsimile of the 2 available parts
(altus and quintus), and edition in score of the beginning of G.M. Nanino's
madrigal a6
19. "Terzo libro de madrigali a 5 et a 6 voci", Venice, G. Vincenti, 1616:
facsimile of the sole part that has survived in I-Bc (Canto), containing 15
madrigals: Faciam cara mia File; O miracol d'amore; Ondeggiavan a l'aura;
Se di pingere Amore; Amorosi pastori; Canta mia musa; I sospiri i dolor;
Ben de la cara bocca; Dolcemente dormia; soglion l'antiche carte; fu gi
bandito amore; Donna giovane e bella; Un vostro s; Venerande sacrate;
Ma nemica; Nelle guancie leggiadre; Candide pi che cigno; Quando nel
bel seren; Per doglia gelosia
Sources:
a) manuscripts:
A-KR Chorbuch L 5 (3)
D-B Slg. Bohn mus.ms. 99 (18)
D-B mus.ms. Commer 146 (7)
D-Kl 2 mus.ms. 57k (2) and 2 mus.ms. 8 (17)
D-Mbs mus.ms. 259 (4-6, 16)
GB-Lbl E 7 (7, 8)
PL-Wn mus.ms. 327 Cim (7, 8)
b) prints:
1598: "Madrigals to five voyces. Celected out of the best approved Italian authors by Th. Morley", London, Th. East, 1598 (1)
1616: "Newe knstliche musicalische Intraden, Pavanen, Galliarden, Passamezen, Courante unnd Uffzg zu 4, 5, und 6 Stimmen darunter etliche
Phantasien oder Fugen mit 2 und 3 Stimmen zu finden, welche von
unterschiedenen Authoren, theils mit unnd ohne Text, gar newlich componirt, dass sie mit menschlicher Stimm unnd auff Instrumentenmgen
gebraucht werden...", Nrnberg, A. Wagenmann, 1616 (10-15)
63,--
1161.S11
Osiander, L.
Lucas Osiander
1534 - 1604
354.S11
1002.R7
1003.R7
1004.R7
1005.R7
Pacelli, A.
Asprilio Pacelli
1570 - 1623
Bogu w Trjcy jedynemu i Swietemu Stanislawowi
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. III: 84
Padovano, A.
Annibale Padovano
1527 - 1575
"Liber motectorum...5 et 6 vocum", Venice, 1567
from this collection:
Magnificat tertii toni
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
Palestrina, G.P. da
1. Collections
2. Single Works
I. COMPLETE WORKS
ed. L. Bianchi, R. Casimiri, K. Jeppesen and L. Virgili
(see for vols. 2 and 31 the section "Secular music")
1006.R7
Volume I
"Missarum Liber Primus", Rome, 1554
ed. R. Casimiri, 1939; 2/1975
(vocal models of 3 masses from: "Mottetti del fiore. Primus liber", Lyon, 1532)
1. Missa Ecce sacerdos magnus a4 (on antiphon)
2. Missa O Regem coeli a4 (on motet by A. De Silva, 1532)
3. Missa Virtute magna a4 (on motet by M. Lasson, 1532)
4. Missa Gabriel Archangelus a4 (on motet by Verdelot, 1532)
5. Missa Ad coenam Agni providi a5 (on hymn)
6. Missa Pro defuncits a5 (from the enlarged 1591 reprint)
7. Missa Sine nomine (Beata Dei genetrix) a6 (on anon. motet) (from the
enlarged 1591 reprint)
55,--
Volume III
Motets a4, book I
ed. R. Casimiri, 1939; 2/1966
"Motecta festorum totius anni cum communi sanctorum quaternis vocibus.
Liber Primus", Rome, 1563:
1. Dies sanctificatus
2. Lapidabant Stephanum
3. Valde honorandus est
4. Magnum haereditatis mysterium
5. Tribus miraculis
6. Hodie beata Virgo Maria
7. Ave Maria
8. Jesus junxit se discipulis
9. O Rex gloriae
10. Loquebantur variis linguis
11. Benedicta sit sancta Trinitas
12. Lauda Sion
13. Fuit homo missus a Deo
14. Tu es pastor ovium
15. Magnus sanctus Paulus
16. Surge, propera amica mea
17. In diebus illis
18. Beatus Laurentius
19. Quae est ista
20. Misso Herodes speculatore
21. Nativitas tua
22. Nos autem gloriari
23. Salvator mundi, salva nos
24. O quantus luctus
25. Congratulamini mihi omnes
26. Dum aurora finem daret
1008.R7
1009.R7
55,--
Volume IV
"Missarum Liber Secundus", Rome, 1567
ed. R. Casimiri; 1939; 2/1967
1. Missa De beata Virgine a4
2. Missa Inviolata a4
3. Missa Sine nomine a4
4. Missa Ad fugam a4
5. Missa Aspice Domine a5 (on a motet by Jacquet of Mantua, 1532)
6. Missa Salvum me fac a5 (on a motet by Jacquet of Mantua, 1538)
7. Missa Papae Marcelli a6
Appendix:
1a. Gloria from Missa De beata Virgine (1600)
55,--
Volume V
Motets a5-a7, book I; Rome, 1569
ed. R. Casimiri; 1939; 2/1968
"Liber Primus...Motettorum, quae partim quinis, partim senis, partim septenis
vocibus concinantur", Rome, 1569:
1. O admirabile commercium a5
2. Stella quam viderant magi a5
3. O Antoni eremita a5
4. Senex puerum / Hodie beata Virgo Maria a5
5. Suscipe verbum Virgo Maria / Paries quidem filium a5
6. Alleluia! Tulerunt Dominum meum a5
7. Crucem sanctam subiit a5
8. O beata et gloriosa Trinitas / O vera summa sempiterna Trinitas a5
9. Ego sum panis vivus / Panis quem ego dabo a5
10. Puer, qui natus est a5
11. Beatae Mariae Magdalenae a5
12. Sancte Paule apostole a5
13. Beatus Laurentius a5
14. Hodie nata est beata Virgo a5
15. O beatum virum a5
16. Venit Michael Archangelus a5
17. O beatum pontificem a5
18. Deus, qui dedisti legem a5
19. Lapidabant Stephanum a5
20. Hic est discipulus ille a5
21. Sicut lilium inter spinas a5
22. Quam pulchri sunt gressus a5
23. Unus ex duobus / Cum pervenisset beatus Andreas a5
24. Viri Galilaei / Ascendit Deus a6
25. Dum complerentur dies pentecostes / Dum ergo essent in unum discipuli a6
26. Pulchra es, o Maria Virgo a6
27. Solve, jubente Deo / Quodcumque ligaveris a6
28. Vidi turbam magnam / Et omnes Angeli stabant a6
29. O magnum mysterium / Quem vidistis pastores a6
30. O Domine Jesu Christe a6
31. Tu es Petrus a7
32. Virgo Prudentissimia / Maria Virgo a7
55,-1010.R7
1011.R7
Volume VI
"Missarum Liber Tertius", Rome, 1570
ed. R. Casimiri; 1939; 2/1973
1. Missa Spem in alium a4 (on motet by Jacquet of Mantua, 1539)
2. Missa Primi toni (Io mi son giovinetta) a4 (on madr. by Ferrabosco, 1642)
3. Missa Brevis a4
4. Missa De feria a4
5. Missa L'homme arm a5
6. Missa Repleatur os meum a5 (on a motet by Jacquet of Mantua, 1538)
7. Missa De Beata Virgine a6
8. Missa Ut re mi fa sol a6
68,--
Volume VII
Motets a5-a8, book II, Venice, 1572
ed. R. Casimiri; 1940; 2/1967
"Motettorum quae partim quinis, partim senis, partim octonis vocibus concinantur. Liber secundus", Venice, 1572:
1. O Virgo simul et Mater a5
2. Memor esto verbi tui servo tuo a5
3. Corona aurea / Domine praevenisti eum a5
4. In illo tempore egressus a5
5. O sacrum convivium a5
6. Coenantibus illis accepit Jesus a5
7. Derelinquat impius viam a5
8. Ascendo ad Patrem / Ego rogabo Patrem a5
9. Homo quidam fuit a5
10. Canite tuba in Sion / Rorate coeli a5
11. Exi cito in plateas a5
12. Circuire possum Domine / In hac cruce a5
13. Gaude Barbara beata / Gaude, quia meruisti a5
14. Domine pater a5
15. Confitebor tibi, Domine a5
16. Peccantem me quotidie a5
17. Dominus Jesus in qua nocte a5
18. Tribularer si nescirem / Secundum multitudinem dolorum a6
19. Veni, Domine et noli tardare / Excita, Domine a6
20. Hierusalem, cito veniet salus tua / Ego enim sum Dominus a6
21. Beata Barbara / Gloriosam mortem a6
22. Sancta et immaculata Virginitas / Benedicta tu a6
23. Cantabo Domino in vita mea / Deficiant peccatores a6
24. Tu es Petrus / Quodcumque ligaveris a6
25. Nunc dimittis a6
26. Confitebor tibi Domine / Notas facite in populis a8
27. Laudate pueri / Quis sicut Dominus Deus a8
68,--
1012.R7
Volume VIII
Motets a5-a5, book III, Venice, 1575
ed. R. Casimiri; 1940; 2/1975
"Mottetorum quae partim quinis, partim senis, partim octonis vocibus concinantur. Liber Tertius", Venice, 1575:
1. Pater noster a5
2. Ave Maria a5
3. Cantantibus organis / Biduanis ac triduanis a5
4. Caro mea vere est cibus a5
5. Angelus Domini descendit de coelo / Et introeuntes in monumentum a5
6. Congrega Domine / Afflige opprimentes nos a5
7. Inclytae sanctae virginis Catherinae a5
8. Fuit homo missus a Deo / Erat Joannes in deserto a5
9. O lux et decus Hispaniae a5
10. Quid habes, Hester? / O singulare praesiduum a5
11. Tradent enim vos a5
12. Sanctificavit Dominus a5
13. O quam metuendus est a5
14. Jubilate Deo omnis terra / Laudate nomen ejus a5
15. Omnipotens sempiterne Deus a5
16. O sancte praesul Nicolae / Gaude praesul optime a5
17. Domine Deus, qui conteris / Tu Domine a5
18. Manifesto vobis veritatem / Pax vobis a5
19. Susanna ab improbis / Postquam autem a5
20. Cum ortus fuerit sol a6
21. Rex pacificus a6
22. Haec dies, quam fecit Dominus a6
23. Columna es immobilis a6
24. Judica me Deus a6
25. Accepit Jesus calicem a6
26. O bone Jesu a6
27. Deus qui Ecclesiam tuam a6
28. Surge illuminare Hierusalem a8 (2nd part: Et ambulabunt gentes in lumine:
see vol. XXXIII: no. 6)
29. Lauda Sion Salvatorem a8
30. Veni, Sancte Spiritus a8
31. Ave Regina coelorum a8
32. Hodie Christus natus est a8
33. Jubilate Deo a8
55,--
1013.R7
Volume IX
Sacred Madrigals, book I, Venice, 1581
ed. R. Casimiri; 1940; 2/1964
A. "Il Primo Libro di Madrigali (spirituali) a cinque voci", Venice, 1581:
1. Vergine bella
2. Vergine saggia
3. Vergine pura
4. Vergine santa
5. Vergine sola al mondo
6. Vergine chiara
Volume X
Missarum Liber Quartus, Venice, 1582
ed. R. Casimiri; 1940; 2/1989
"Missarum cum quatuor et quinque vocibus Liber Quartus", Venice, 1582:
1. Missa Prima a4 (Lauda Sion) a4 (on his own motet, 1563)
2. Missa Secunda a4 (Primi toni) a4
3. Missa Tertia a4 (Jesu nostra redemptio) a4 (on hymn)
4. Missa Quarta a4 (L'homme arm) a4
5. Missa Prima a5 (Eripe me de inimicis meis) a5 (on motet by Maillard, 1559)
55,--
Volume XI
Motets a4, book II & Motets a5, book IV
ed. R. Casimiri; 1941; 2/1966
a) "Motectorum quatuor vocum partim plena voce et partim paribus vocibus.
Liber Secundus", Rome, 1584 (1581?)
1. Domine quando veneris / Commissa mea
2. Heu mihi Domine / Anima mea turbata
3. Super flumina Babylonis
4. Ecce nunc benedicite Dominum
5. Ad te levavi oculos meos / Miserere nostri Domine
6. Ad Dominum cum tribularer / Sagittae potentis acutae
7. Fundamenta ejus / Numquid Sion dicet
8. Quia vidisti me, Thoma
9. Ego sum panis vivus
10. Sicut cervus / Sitivit anima mea
11. Ave Regina coelorum / Gaude Virgo gloriosa
12. Alma Redemptoris Mater / Tu quae genuisti
13. Salve Regina / Eja ergo
14. Ave Maria
15. Haec dies quam fecit Dominus
16. Confitemini Domino
17. Pueri Hebraeorum
18. Sub tuum praesiduum
19. Adoramus te Christi
20. Surrexit pastor bonus
21. Gloriosi Principes terrae
b) "Motettorum quinque vocibus. Liber Quartus ex cantis Salomonis", Rome,
1583/84:
29 Motets on The Song of Songs:
22. Osculetur me osculo oris suii
23. Trahe me post te
24. Nigra sum, sed formosa
25. Vineam meam non custodivi
26. Si ignoras te
27. Pulchrae sunt genae tuae
28. Fasciculus myrrhae
29. Ecce tu pulcher es, dilecte mi
30. Tota pulchra es, amica mea
31. Vulnerasti cor meum
32. Sicut lilium inter spinas
33. Introduxit me rex
34. Laeva ejus sub capite meo
35. Vox dilecti mei
36. Surge, propera amica mea
37. Surge, amica mea, speciosa mea
38. Dilectus meus mihi et ego illi
39. Surgam et circuibo civitatem
40. Adjuro vos, filiae Hierusalem
41. Caput ejus aurum optimum
42. Dilectus meus descendit in hortum suum
1016.R7
1017.R7
55,--
Volume XII
Motets a5, book V
ed. R. Casimiri; 1941; 2/1975
"Motettorum quinque vocibus. Liber Quintus", Rome, 1584:
1. Laetus Hyperboream / O patruo periterque
2. Paucitas dierum meorum / Manus tuae Domine
3. Tempus est ut revertar / Nisi ego abiero
4. Domine secundum actum meum
5. Ave Trinitatis sacrarium
6. Parce mihi Domine / Peccavi quid faciam tibi
7. Orietur stella
8. Aegypte noli flere
9. Ardens est cor meum
10. Sic Deus dilexit mundum
11. Surge Petre
12. Apparuit caro suo Joanni
13. Ecce merces Sanctorum
14. Videns secundus
15. Rex Melchior
16. Ave Regina coelorum / Gaude Virgo gloriosa
17. Exsultate Deo
18. Tribulationes civitatum / Peccavimus
19. Surge sancte Dei / Ambula sancte Dei
20. Salve Regina / Eja ergo
55,--
Volume XIII
Lamentations a4 - a8
ed. R. Casimiri; 1943. 2/1978
A. "Lamentationum Hieremiae Prophetae Liber Primus", Rome, 1588:
1. Feria V. in coena Domini: Lectio I-III a4
2. Feria VI. in Parasceve: Lectio I-III a4
3. Sabbato sancto: Lectio I-III a4
B. 3 Manuscript cycles of Lamentations:
a) "Lamentationum Liber Secundus":
4. Feria V. in coena Domini: Lectio I-III a4
5. Feria VI. in Parasceve: Lectio I-III a4
6. Sabbato sancto: Lectio I-III a4 (Recordare: a6; Jerusalem convertere a8)
b) "Lamentationum Liber Tertius":
7. Feria V. in coena Domini: Lectio I-II a5; Lectio III a6
8. Feria VI. in Parasceve: Lectio I-II a5; Lectio III a6
9. Sabbato sancto: Lectio I-II a5; Lectio III a6
c) "Lamentationum Liber Quartus":
10. Feria VI. in Parasceve: Lectio I a5; Lectio II-III a6
11. Sabbato sancto: Lectio I-II a5; Lectio III a6
68,--
Volume XIV
Hymns, Rome, 1589
ed. R. Casimiri; 1942; 2/1965
"Hymni totius anni secundum sanctae romanae ecclesiae consuetudinem. Quatuor vocibus cincinendi, necnon hymni religionum", Rome, 1589:
45 Hymns a4 - a6:
1. Conditor alme siderum a6
2. Christe redemptor...ex Patre a6
3. A solis ortus cardine a5
4. Salvete flores Martyrum a4
5. Hostis herodes impie a6
6. Lucis creator optime a5
7. O lux beata Trinitas a4
8. Ad preces nostras a5
9. Vexilla regis prodeunt a5
10. Ad coenam agni providi a5
11. Jesu nostra redemptio a6
12. Veni Creator Spiritus a5
13. Pange lingua gloriosi a5
14. Quodcumque vinclis a4
15. Doctor egregie Paule a4
16. Ave maris stella a5
17. Vexilla regis prodeunt (tempore Paschalis) a5
18. Ut queant laxis a5
19. Aurea luce a5
20. Lauda mater Ecclesiae a4
21. Petrus beatus a4
22. Quicumque Christum quaeritis a4
23. Tibi Christe, splendor Patris a4
24. Christe redemptor...conserva a5
25. Exsultet coelum laudibus a5
26. Tristes erant Apostoli a5
27. Deus tuorum militum a5
28. Deus tuorum militum (Tempore paschale) a4
29. Sanctorum meritis a4
30. Rex gloriose martyrum a4
31. Iste confessor a5
32. Jesu, corona Virginum a5
33. Jesu, corona Virginum (Tempore paschale) a5
34. Hujus obtentu a4
35. Urbs beata Jerusalem a5
36. Magne Pater Augustine a5
37. Laudibus summis a5
38. En gratulemur hodie a5
39. Proles de coelo prodiit a5
40. Decus morum dux minorum a5
1019.R7
1020.R7
1021.R7
55,--
Volume XV
Missarum Liber Quintus, 1590
ed. R. Casimiri; 1941; 2/1975
"Missarum Liber Quintus, quatuor, quinque, ac sex vocibus concinendarum",
Rome, 1590:
1. Missa Aeterna Christi munera a4
2. Missa Jam Christus astra ascenderat a4
3. Missa Panis quem ego dabo a4 (on a motet by L. Hellinck, 1532)
4. Missa Iste confessor a4
5. Missa Nigra sum a5 (on a motet by Lhritier, 1532)
6. Missa Sicut lilium inter spinas a5 (on his own motet, 1569)
7. Missa Nasce la gioia mia a6 (on a motet by G.L. Primavera, 1565)
8. Missa Sine nomine (Je suis dshrite) a6 ( = volume I, no.8)
55,--
Volume XVI
Magnificat settings
ed. L. Virgili; 1949; 2/1985
A. "Magnificat octo tonum. Liber Primus", Rome, 1591:
1-8. Magnificat 1./2./3./4./5./6./7./8. toni: 6 uneven verses
9-16. Magnificat 1./2./3./4./5./6./7./8. toni: 6 even verses
B. 2 Manuscript cycles of Magnificat settings:
a) "Il II Libro dei Magnificat 4 vocum"
"17-24. Magnificat 1./2./3./4./5./6./7./8. toni: 6 even verses
b) "Il III Libro dei Magnificat":
25-32. Magnificat 1./2./3./4./5./6./7./8. toni: 6 even verses
C. Single settings from manuscripts:
33. Magnificat IV. toni cum quatuor vocibus paribus: 6 even verses
34. Magnificat VI. toni 4 vocum: 6 even verses
35. Magnificat I. toni 8 (satb / satb): all 12 verses
76,--
Volume XVII
Offertories
ed. L. Virgili; 1951; 2/1971
A. "Offertoria totius anni secundun sanctae romanae ecclesiae consuetudinem
quinque vocibus concinenda Pars Prima", Rome, 1593
40 Offertories a5:
1. Ad te levavi (Dominica I Adventus - Dom. X post. Pentec.)
2. Deus tu conversus (Dom. II Adv.)
3. Benedixisti Domini (Dom. III Adv.)
4. Ave Maria (Dom. IV Adv.)
5. Tui sunt caeli (In Nativitate Domini ad tertiasm missam et in Circumcisione)
6. Elegerunt Apostoli (In festo S. Stephani protomart.)
7. Justus ut palma (In festo S. Joannis Ap. et Ev.)
8. Anima nostra (In festo SS. Innocentium)
9. Posuisti Domine (In festo S. Thomae Archiep. et M.)
10. Deus enim firmavit (Dom. infra Oct. Nativ. Domini)
11. Inveni David (In festo S. Silvestri Pape)
1022.R7
1023.R7
1024.R7
68,--
Volume XVIII
Messe di Mantova, part I
ed. K. Jeppesen; 1953; / 2/1978
Alternatim masses a4 and a5, composed in 1578/79, edited from the Mantuan
manuscripts at the Archivio di Santa Barbara, Mantua
1. Missa In duplicibus minoribus I a5
2. Missa In duplicibus minoribus II a5
3. Missa De Beata Maria I a5
4. Missa De Beata Maria II a5
5. Missa De Beata Maria III a5
55,--
Volume XIX
Messe di Mantova, part II
ed. K. Jeppesen; 1954; 2/1977
Alternatim masses a4 and a5, composed in 1578/79, edited from the Mantuan
manuscripts at the Archivio di Santa Barbara, Mantua
1. Missa In festis Apostolorum I a5
2. Missa In festis Apostolorum II a5
3. Missa In semiduplicibus majoribus I a5
4. Missa In semiduplicibus majoribus II a5
5. Missa Sine nomine a4 "a voci mutati"
55,--
Volume XX
Litanies a3 - a8
ed. L. Bianchi; 1955; 2/1989
A. Litanies from prints:
from: "Litaneae Deiparae Virginis, quae in sceliis Deiparae Virginis ubique dictatis concinnuntur Musica cum quatuor vocibus. Liber Primus", Rome
1593; reprint Venice, 1600, with Lassus in appendix
1. Litaniae de Beata Virgine Maria a4 (pars I-V & Ave Maria)
from: "Litaniae Liber Secundus ternis & quaternis vocibus equalibus, si relinquatur superior pars", Rome, 1593; lost; however, the following works occurs as well in: "Thesaurus litaniarum...", Mnchen, A. Berg, 1596:
2. Litaniae de Beata Virgine Maria a3 (pars I-V & Ave Maria)
B. Litanies from manuscript sources:
3. Litaniae de Beata Virgine Maria a5
4. Litaniae de Beata Virgine Maria a6
5. Litaniae de Beata Virgine Maria a8 I
6. Litaniae de Beata Virgine Maria a8 II
7. Litaniae Domini (Litanie del nome di Ges) I a8
8. Litaniae Domini (Litanie del nome di Ges) II a8
9. Litaniae Domini (Litanie del nome di Ges) III a8
10. Litaniae Sanctissimi Corporis Christi (Litanie del Sacramento) I a8
11. Litaniae Sanctissimi Corporis Christi (Litanie del Sacramento) II a8
55,--
1025.R7
1026.R7
1027.R7
Volume XXI
Missae... Liber Sextus
ed. L. Bianchi; 1956; 2/1985
"Missae quinque - quatuor et quinque - vocibus concinendae Liber Sextus",
Rome, 1594:
1. Missa Dies sanctificatus a4 (on his own motet, 1563)
2. Missa In te Domine speravi a4 (on J. Lupi's motet, 1532)
3. Missa Sine nomine (Je suis dshrite) a4 (on motet, 1533, by Lupi or
Cadac)
4. Missa Quam pulchra es a4 (on Lupi's motet, 1532)
5. Missa Dilexi quoniam a5 (on G.F. Maffoni's motet)
6. Missa Ave Maria a6 (this mass occurs only in the revised 1596 edition)
68,--
Volume XXII
Madrigali spirituali, libro 2
ed. L. Bianchi; 1957; 2/1983
"Madrigali Spirituali a cinque voci. Libro Secondo", Rome, 1594:
1. Figlio immortal d'immortal Padre, e figlio
2. E, se mai voci di qua gi son grate
3. Hor tu, sol, che di vivi almi splendori
4. Dammi, scala del ciel e del ciel porta
5. E, se fur gi de le mie mani immonde
6. Dammi, vermiglia Rosa e bianco e puro
7. E se'l pensier de la futura morte
8. Eletta Mirra, che soave odore
9. Cedro gentil, da gli amorosi vermi
10. Fa, che con l'acque tue splendenti e vive
11. S'amarissimo fele e mortal tosco
12. Horto che sei si chiuso e s serrato
13. E, se nel foco di lascivie ardendo
14. Vincitrice de l'empia hidra infernale
15. Citt di Dio, cui fan tempi e fortezze
16. Santo Altare, d'odor pi veri e degni
17. Tu di fortezza torre e torre eburna
18. Specchio che fosti s polito e terso
19. Vello di Gedeon, cui Dio si largo
20. Novella Aurora, che nascend'allegri
21. E questo spirito, de la propria sede
22. E dal letto di mille e mille colpe
23. Ed arda ogn'hor sopra 'l lapideo altare
24. E tua merc da cos cieca e folta
25. E quella certa speme e quella fede
26. Anzi, se foco e ferro e se veleno
27. E con i raggi tuoi splendenti e chiari
28. Regina delle vergine e di tute
29. Al fin, Madre di Dio, che n pi bella
30. E tu Signor, tu la tua grazia infondi
55,--
Volume XXIII
Missae...Liber Septimus
ed. L. Bianchi; 1958; 2/1975
A "Missae quinque - quatuor ac quinque - vocibus concinendae. Liber Septimus", Rome, 1594:
1028.R7
1029.R7
1030.R7
1031.R7
55,--
Volume XXIV
Missarum Liber Octavus
ed. L. Bianchi; 1958; 2/1974
A. "Missarum cum quatuor, quinque & sex vocibus. Liber Octavus", Venice,
1599.
1. Missa Quem dicunt homines a4 (on Richafort's motet, 1532)
2. Missa Dum esset summus pontifex a4
3. Missa O admirabile commercium a5 (on his own motet, 1569)
4. Missa Memor esto a5 (on his own motet, 1572)
5. Missa Dum complerentur a6 (on his own motet, 1569)
6. Missa Sacerdotes Domini a6
B. 7. Missa Beatus Laurentius a5 (from ms. source)
C. 8. Missa O sacrum convivium a5 (from ms. source; on Morales motet)
68,--
Volume XXV
Missarum Liber Nonus
ed. L. Bianchi; 1958; 2/1974
A. "Missarum cum quatuor, quinque, & sex vocibus Liber Nonus", Venice,
1599.
1. Missa Ave Regina coelorum a4
2. Missa Veni sponsa Christi a4 (on his own motet, 1564)
3. Missa Vestiva i colli a5 (on his own madrigal, 1566)
4. Missa Sine nomine a5
5. Missa In te Domine speravi a6 (on Lupi's motet, 1532)
6. Missa Te Deum laudamus a6
B. 7."Missa Assumpta est Maria sex": printed edition (no place, no publisher,
no date), added to ms. I-Rvat Ottob. Lat. 3391 a6
C. 8. Missa Veni creator Spiritus a6 (from ms. source)
68,--
Volume XXVI
Missa Tu es Petrus a18
ed. L. Bianchi; 1959; 2/1973
Missa Tu es Petrus a18 for 3 choirs a6 (from ms.; authentic?)
55,--
Volume XXVII
Missarum Liber Decimus
ed. L. Bianchi; 1960; 2/1977
A. "Missarum cum quatuor, quinque & sex vocibus Liber Decimus", Venince,
1600:
1. Missa In illo tempore a4 (on Moulu's motet, 1518)
2. Missa Gia fu chi m'ebbe cara a4 (on his own madrigal, 1555)
3. Missa Petra sancta a5 (on his own madrigal: Io son ferito, 1561)
4. Missa OVirgo simul et Mater a5 (on his own motet, 1572)
5. Missa Quinti toni a6
1032.R7
1033.R7
1034.R7
68,--
Volume XXVIII
Missarum Liber Undecimus
ed. L. Bianchi; 1960; 2/1977
A. "Missarum cum quatuor, quinque & sex vocibus Liber Undecimus",
Venice, 1600:
1. Missa Descendit Angelus Domini a4 (on H. Penet's motet, 1532)
2. Missa Regina coeli a5
3. Missa Quando lieta sperai a5 (on C. de Rore's madrigal, 1552)
4. Missa Octavi toni (Festum nunc celebre) a6
5. Missa Alma Redemptoris mater a6
B. 6. Missa Salve regina a5 (from ms. source)
C. 7. Missa Benedicta es a6 (from ms. source; on Josquin's motet, 1520)
D. 8. Missa Tu es Petrus a6 (from ms. source; on his own motet, 1572)
68,--
Volume XXIX
Missarum Liber Duodecimus
ed. L. Bianchi; 1961; 2/1979
A. "Missarum cum quatuor, quinque & sex vocibus. Liber Duodecimus",
Venice, 1601:
1. Missa Regina coeli a4
2. Missa O Rex gloriae a4 (on his own motet, 1563)
3. Missa Ascendo ad Patrem a5 (on his own motet, 1572)
4. Missa Qual' il pi grande Amor a5 (on C. de Rore's madrigal, 1550)
5. Missa Tu es Petrus a6
6. Missa Viri Galilaei a6 (on his own motet, 1569)
B. 7. Missa Ecce ego Joannes a6 (from ms. source)
55,--
Volume XXX
Missae a8
ed. L. Bianchi; 1962; 2/1979
"Missae quatuor octonis vocibus concinendae", Venice, 1601:
1. Missa Laudate Dominum omnes gentes a8 (on his own motet, 1572)
2. Missa Hodie Christus natus est a8 (on his own motet, 1575)
3. Missa Fratres ego enim accepi a8 (on his own motet)
4. Missa Confitebor tibi, Domine a8 (on his own motet, 1572)
55,--
Volume XXXII
Latin Compositions a12
SATB / SATB / SATB
ed. L. Bianchi (1972)
1. Ecce, nunc benedicite Dominum a12
2. Secundum verbum tuum a12
3. (Nunc dimittis servum tguum Domine) a12
4. Laudate Dominum in tympanis a12
5. O gloriosa domina a12
6. Miserere mei Deus a12
7. Missa Cantantibus organis Caecilia
Volume XXXIII
Latin Compositions a8-a9
ed. L. Bianchi (1981)
1. Surrexit pastor bonus / Etenim Pascha nostrum a8
2. Jesus iunxit se discipulis / Et increpavit eos a8
3. Stabat Mater dolorosa / (Eia Mater) a8
4. Hodie gloriosa Virgo / Regina mundi a8
5. Spiritus sanctus replevit a8
6. Et ambulabunt gentes a8 (2nd part of: Surge illuminare Ierusalem; see vol.
VIII: no. 28)
7. O pretiosum et admirandum a8
8. O admirabile commercium a8
9. Videntes stellam Magi a8
10. Miserere mei Deus I (falsobordone) a9
11. Miserere mei Deus II (falsobordone) a9
12. Qui statis in domo Domin (falsobordone) a9
13. Quia viderunt oculi mei (falsobordone) a9
14. Benedictus pro Hebdomada Sancta (falsobordone) a9
Sources:
I-Rc 2760 (3) and 2852 (3)
I-Rsc G.792-795 (7-9: S1, A1, T1 and B2 only)
I-Rsg 59: autograph (12-13)
I-Rvat Cap. Sistina 29 (1-6), 97 (1-2), 205-206 (10-11) and 293 (3)
1862-1903: Opera Omnia, ed. Haberl e.a., vol. 7, ed. F. Espagne (7-9: after
a lost ms from I-Rv) and vol. 32 (14: after a lost ms. from coll.
maior Altemps)
69,--
Volume XXXIV
Latin Compositions a8
SATB / SATB
ed. L. Bianchi (1987)
1037.R7
1. Regina caeli I a8
2. Regina caeli II a8
3. (Alma) Redemptoris mater a8
4. Ave mundi spes, Maria a8
5. Beata es virgo Maria / Ave maria a8
6. O quam suavis est a8
7. Disciplinam et sapientiam a8
8. Nunc dimittis a8
9. Omnes gentes plaudite a8
10. Fratres ego enim accepi a8
11. Expurgate vetus fermentum a8
12. Laudate Dominum de caelis a8
13. Sub tuum praesidium confugimus a8
14. Pater noster a8
15. Apparuit gratia Dei a8
16. Caro mea vere est cibus / Hic est panis a8
17. Dies sanctificatus a8
18. Hic est dies praeclarus a8
19. Congratulamini mihi omnes a8
20. Magnus Sanctus Paulus / Sancte Paule Apostole a8
21. Victimae paschali I a8
22. Benedictus Dominus a8
23. Popule meus I a8
24. Popule meus II a8
25. Vos amici mei estis a8
26. Tria sunt munera pretiosa a8
27. Haec dies, quam fecit Dominus a8
28. Lauda Sion Salvatorem a8
29. Victimae paschali laudes II a8
30. Veni Sancte Spiritus a8
Sources:
I-Rn 127-128 (24)
I-Rsg 59: autograph (22-23)
I-Rvat Barberini Lat. 4184 (3, 6, 8-11, 13-21)
I-Rvat Cap. Giulia XIII,18 (5, 10, 11, 13, 14), XIII,24 (1-14), XV,62 (13)
I-Rvat Cap. Sistina 117 (10), 205-206 (24), 215 (10: S1 only), 308 (10)
and 484: S1 and S2 only (2-4)
1592: "Psalmi, motecta, magnificat, et antiphona, salve regina, diversorum
auctorum, 8 vocibus concinenda, selecta a Io. Luca Conforti", Rome
F. Coattini (25)
1614: "Selectae cantiones excellentissimorum auctorum 8 vocibus concinendae.
A Fabio Constantino Romano...in lucem aeditae. Cum basso ad organum", Rome, B. Zannetti (10, 13, 16)
1862-1903: Opera Omnia, ed. Haberl e.a., vol. 7, ed. F. Espagne (26-30:
after lost mss from the Collegio Romano)
128,-1038.R7
Voume XXXV
Latin & Italian Compositions / Instrumental Works
ed. L. Bianchi and G. Rostirolla
set of 2 volumes; incl. index to all 35 volumes
a) Masses
1. Missa Dominicalis a5
2. Missa sine titulo (on D. Ferrabosco's madrigal: Io mi son giovinetta) a6
b) Sacred canzonettas
I-Rvat Cap. Sistina 29: damaged (104), 38 (32), 72 (31), 76 (100), 135
(25), 219 (6), 296 (28-29), 292 (3) and 484-489 (27)
I-Rvat Ottoboni Lat. 3387 (24)
I-Rvat Santa Maria Maggiore 29 (2)
I-SPd s.s., dated 1564 (58-59)
I-Tfanan S.III.4 (14-21, 33-34) & ms. from coll. Altemps minor (22-23,
51, 53, 105).
1562: "Di Francesco Rosselli il primo libro de madrigali a cinque voci insieme
de altri autori", Venice, A. Gardano (72)
1563: "Liber primus Musarum cum quattuor vocibus sacrarum cantionum que
vulgo mottetta vocantur", Venice, F. Rampazzetto (7)
1563: "Il terzo libro delle Muse a quattro voci, madrigali ariosi di diversi eccell.
musici...", Venice, F. Rampazzetto (64-66)
1568: "Corona della morte dell'illustre signore il sig. Commendator Anibal
Caro, di novo posta in luce...", Venice, G. Scotto (76)
1570: "I dolci frutti primo libro de vaghi et dilettevoli madrigali di diversi auttori
a cinque voci...", Venice, G. Scotto (75)
1582: "I dolci affetti, madrigali a cinque voci di diversi eccellenti musici di
Roma", Venice, heirs of G. Scotto (70)
1583: "Li amorosi ardori di diversi eccellentissimi nusici. Libro primo", Venice,
A. Gardano (68)
1585: "De floridi virtuosi d'Italia il secondo libro de madrigali a cinque voci di
diversi autori", Venice, G. Vincenti / R. Amadino (67)
1586: "Diletto spirituale. Canzonette a tre e a quattro voci composte da diversi
ecc.mi musici", Rome, S. Verovio (3-5)
1586: "Corona di dodici sonetti di Gio Battista Zuccarini...Posta in musica da
diversi eccelentiss. auttori a 5 voci", Venice, A. Gardano (71)
1586: "De floridi virtuosi d'Italia il terzo libro di madrigali a cinque voci",
Venice, G. Vincenti / R. Amadino (78)
1589: "Ghirlanda di fioretti musicali composta da ecc.ti musici a 3 voci con
l'intavolatura del cembalo et liuto", Rome, S. Verovio (60-61)
1592: "Il trionfo di Dori descritto da diversi et posto in musica a sei voci da
altrettanti autori", Venice, A. Gardano (79)
1594: "Le Gioie, madrigali a cinque voci di diversi eccell.mi musici della Compagnia di roma. Libro primo", Venice, R. Amadino (74)
1591: "Canzonette a quattro voci composte da diversi ecc.ti musici con l'intavolatura del cimbalo e del liuto", Rome, S. Verovio (62-63)
1592: "Missae Dominicales quinis vocibus diversorum auctorum a F. Iulio
Pellino...", Milan, M. Tini (1)
1594: "Melodia Olympica di diversi eccellnetissimi musici a 4, 5, 6 e 8 voci
nuovamente raccolta da Piero Philippi inglese...", Antwerpen, P. Phalse
& J. Belle (69)
1594: "Il Quarto libro di Madrigali a cinque voci di Gio. Andrea Dragoni...",
Venice, G. Vincenti (77)
1596: "Vittoria amorosa di diversi authori a cinque voci nuovamente stampata",
Venice, G. Vincenti: ABQ only (73)
1600: "De floridi virtuosi d'Italia madrigali a cinque voci ridotti in corpo...",
Antwerpen, P. Phalse (73)
1609: "Florilegium sacrarum cantionum quinque vocum pro diebus dominicis et
festis totius anni, e celeberrimis nostri temporis musicis", Antwerpen,
P. Phalse (26)
1616: "Les Rossignols spirituels. Liguez en duo, dont les meilleurs accords,
nommmant le bas, relevent du seigneur Pierre Philippes, organiste de
189,--
1039.R7
1040.R7
1041 to
1069.R7
1070.R7
ed. A. Jancsovics
22,--
1071.R7
1072.R7
120,--
4 Motets a4:
1. Alma redemptoris mater
2. Ego sum panis vivus
3. Sicut cervus
4. Super flumina Babylonis
see: Collections: "Chester Books of Motets", volume I
2 Motets and a Mass section:
1. Nigra sum a5
2. Dum compleruntur a6
3. Missa Dum compleruntur: Gloria a6
see: Collections: "Anthology of Renaissance Music", ed. Atlas
2 Sacred canzonettas for SSA:
1. Jesu rex admirabilis
2. Tua Jesu dilectio
see: Collections: "Chester Books of Motets", volume VII
2 Sacred canzonettas for 3 voices and keyboard or lute accompaniment:
1. Jesu Rex admirabilis
2. Jesu flos matris virginis
see: Prints 1586: "Diletto Spirituale": nos. 4 and 9
2. Single Works
in alphabetical order
1073.R7
Ad te levavi; SATTB:
*"Regensburger Tradition", volume B 33
1074.R7
Adoramus Te a4:
*ed. Sargent SATB
1075.R7
1076.R7
8,--
1077.R7
3,--
1078.R7
2,50
1079.R7
1,60
1080.R7
2,80
1081.R7
1,60
1,60
3,--
2,20
1082.R7
Benedixisti; SATTB:
*"Regensburger Tradition", volume B 35
1,60
1083.R7
1,60
1084.R7
8,--
1085.R7
2,20
1086.R7
1,60
1087.R7
De profundis; SATTB:
*ed. Haberl / Quack
1,60
1088.R7
1,60
1089.R7
1,60
1090.R7
1,60
1091.R7
1092.R7
2,70
1,60
1,60
1095.R7
2,20
1,60
1096.R7
2,20
1097.R7
2,70
1098.R7
1093.R7
1094.R7
5,--
1099.R7
1100.R7
1101.R7
2,70
2,20
1,60
1102.R7
1103.R7
2,50
4,--
1104.R7
2,50
1105.R7
1,60
1106.R7
2,80
1107.R7
1,60
1108.R7
1,60
1109.R7
2,20
1110.R7
1111.R7
2,70
1112.R7
1,60
1113.R7
2,70
1114.R7
9,--
1115.R7
5,--
8,--
1116.R7
1117.R7
1118.R7
1119.R7
1120.R7
1121.R7
1122.R7
1123.R7
1124.R7
1125.R7
1126.R7
1127.R7
1128.R7
1129.R7
1,60
7,50
7,- 6,50
21,- 7,50
1132.R7
1133.R7
5,80
1134.R7
5,80
1135.R7
1136.R7
16,--
1137.R7
3,50
4,- 12,--
1130.R7
1131.R7
1138.R7
1139.R7
5,--
1140.R7
98,--
1145.R7
1146.R7
4,50
1147.R7
13,--
1141.R7
1142.R7
1143.R7
1444.R7
1149.R7
1150.R7
1151.R7
1148.R7
6,- 14,50
12,--
5,--
1152.R7
1153.R7
1154.R7
1,70
1,70
1155.R7
2,50
1156.R7
7,--
9.--
1157.R7
1158.R7
3,- 8,--
1159.R7
1,60
1160.R7
1,60
1161.R7
2,50
1162.R7
1,60
1163.R7
1,60
1164.R7
1,60
1165.R7
1,60
Reges Tharsis
*ed. R. Ewerhart; SATTB
"Regensburger Tradition", volume B 39
2,20
1,60
1166.R7
1167.R7
1168.R7
1169.R7
2,20
1,60
1170.R7
1,60
1171.R7
1,60
1172.R7
Si ambulavero; SATTB:
*ed. Haberl / Quack
1,60
1173.R7
1174.R7
1175.R7
1176.R7
2,80
1,60
6,- 3,50
2,50
1179.R7
3,60
11,--
1180.R7
2,20
1177.R7
1178.R7
1181.R7
1182.R7
1183.R7
1,60
2,20
1,60
1184.R7
Tu es Petrus, a6:
*ed. R. Ewerhart; SSATBarB
see: Collections: "Chester Books of Motets": volume XIV
1185.R7
1186.R7
1187.R7
1188.R7
3,20
1189.R7
2,80
1190.R7
1,60
Palestrina, R.P.
3,50
2,20
1,60
4,--
Paligon, M.
Marcin Paligon
fl late 16th c. and early 17th c.
Rorate caeli a5
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. I: no. 10
Pallavicino, B.
BENEDETTO PALLAVICINO
1551 - 1601
Sacred Works
a) Opera omnia; ed. P. Flanders and K.B. Monteath
CMM 89
1191.R7
1192.R7
1594/6: "Madrigali pastorali, descritti da diversi, et posti in musica da altri tanti autori sei voci, intitolati il bonbacio...", Venice, A. Gardano (200)
1595/2: "Il trionfo di dori descritto da diversi, et posto in musica, da altretanti
autori. A sei voci", Antwerpen, P. Phalse (202)
1604/8: "Musica de diversi eccellentiss. autori. A cinque voci. Sopra i pietosi
affetti, del M.R.P.D. Angelo Grillo...", Venice, A. Gardano (201) reprinting
Panhormitano, M.
Patrick, N.
Nathaniel Patrick
fl c.1590
Short Service:
Te Deum-Benedictus-Kyrie-Credo-Magnificat-Nunc dimittis
Sources:
GB-Cp the "latter" set, c.1635 (without Kyrie & Credo)
GB-DRc A1 (organ; Credo by Derrick), C8 (Ct; without Kyrie & Credo),
C12-13 & E11a (T, T, Ct; without Kyrie & Credo)
GB-EL (in: Cu) 4 (organ; mid-17th c.; without Kyrie & Credo)
GB-LF CtC1, TD, TC, BD, BC (c.1665)
GB-Lbl Harley 7337: score by Tudway, c.1715
GB-Lbl RM. 23.m.3 (BD of the Chapel Royal Books; without Kyrie & Credo)
GB-Lsp TD (c.1670/90)
GB-Ob c.38 (score; Te Deum & Ben. only), c.48 & e.24-25 (BD, T, B)
GB-Ob Tenbury: Kyrie & Credo only in: 791 (organ), 796 (score),
807-811 (c.1610; one part missing), 859 (score, c.1700),
and 1442 (B, c.1665; without Kyrie & Credo)
GB-Y M.1/1-8 (the Gostling partbooks; without Kyrie & Credo)
1760/78: W. Boyce: "Cathedral Music", London
Edition:
*Magnificat & Nunc dimittis only; ed. Shaw
1193.R7
Peebles, D.
7,--
David Peebles
fl 1530 - 1576; died before 1592
4 Psalm settings a4:
1. The man is blest (ps.1)
2. O God, my strength and fortitude (ps.18)
3. Ye Children, which do serve the Lord (ps.113)
4. Now Israel may say (ps.124)
see: Collections: "Music of Scotland 1500-1700".
Peetrinus, J.
Jacobus Peetrinus
c.1553 - c.1591
3 Laude a3 from his: "Il primo libro del Iubilo di S. Bernardo con alcune
canzonette spirituali...a tre et quatttro voci", Roma, 1588:
1. Signor io t'ho confitto
2. Ohime tu d'ogni vena
3. S'io di te penso
see: Collections: "Roman Laude , 1563-1591"
In nomine Jesu
canon a4 in unisono
see: A. Gumpelzhaimer: "Compendium musicae" (no. 196)
Perez, J.G.
Perini, A.
Annibale Perini
c.1560 - 1596
Perfice gressus meos a8
SSAT / ATBB
in: Three Motets for 8 voices by Rovigo, Gatto and Perini; ed. M. Fink;
MAM 47:
3 Motets a8 by masters from the court chappell at Graz:
1. F. Rovigo: Laudate Dominum in sanctis ejus (satb / satb)
2. S. Gatto: Obsecro vos fratres (satb / satb)
3. A. Perini: Perfice gressus meos (ssat / atbb)
Sources:
A-Wn Cod. 16703 (1-3)
PL-Legnica 98/52 (2; lost)
1604: "Motectorum 4, 5, 6, 7, 10 & 12 vocibus Simonis Gatti...tum Annibalis Perini...insequens opus hoc levidense noviter collectorum
autore Horatio Sardena...", Venice, Amadino, 1604: only T2 and
B1 have survived (2-3)
1611/1: "Promptuarii musici, sacras harmonias sive motetas 4, 5, 6, 7 & 8
vocum, e diversis, iisque clarissimis hujus et superioris aetatis
autoribus...pars prima...Collectore Abrahame Schadeo Senfftebergensi...", Strasbourg, Kieffer, 1611 (2)
1621/2: "Florilegii Musici Portensis, sacras harmonias sive motetas 5, 6, 7,
8, 10 vocum e diversis, iisque praestantissimis aetatis nostrae autoribus collectus comprehendientis. Pars altera...Collectore et editore
M. Erhardo Bodenschatzio...", Leipzig, Lamberg (2)
498.R7
Pevernage, A.
23,--
ANDREAS PEVERNAGE
1543 - 1591
a) The complete chansons; ed. Hoekstra
b) Other editions
a) The Complete Chansons
ed. G.R. Hoekstra
400.R8
65,--
402.R8
403.R8
59,--
59,--
1194.R7
Pezzani, P.
11,--
Pietro Pezzani
Missa Die Saturni SATTB
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume II
Pinheiro, A.
Antnio Pinheiro
c.1550 - 1617
Lauda Jerusalem
a4
see: Collections: Portuguese Polyphony: an anthology
Pinello di Ghirardi
a6
1195.R7
Porta, C.
115,--
COSTANZO PORTA
1529/29 - 1601
a) Opera Omnia; ed. Cisilino
b) Other Editions
a) Opera Omnia; ed. S. Cisilino; 2nd ed. (1971)
1196.R7
1197.R7
1198.R7
1199.R7
Volume I
"Liber Primus Motectorum quatuor vocum", Venice, 1559
26 Motets a4:
1. Pater noster
2. Stella quam viderunt Magi
3. Vox de coelis Catharinae redditur
4. Pater peccavi
5. Vidi turbam magnam
6. Aspice Domine / Qui regis
7. Haec dies
8. O Rex gloriae
9. Ostendit mihi angelus
10. Tempus est ut revertar
11. Hodie nobis de coelo
12. Ne abscondas me
13. Domine non secundum / Adiuva nos Deus
14. Domine Deus qui conteris
15. Intuens in coelum
16. Sanctificamini hodie
17. Hodie Christus natus est
18. Derelinquat impius
19. Simeon justus et timoratus
20. Memor esto verbi tui
21. Haec dies quam fecit Dominus
22. Adorna thalamum tuum, Sion / Induere vestimentis
23. Fili, in tua infirmitate
24. Regina coeli
25. Tribularer si nescirem / Secundum multitudinem (by. P. Animuccia)
26. Tempus est ut revertar (by P. Animuccia)
Volume II
"Motecta 5 vocum. Liber primus", Venice, 1555
37 motets a5
Volume III
"Motecta 5 vocum. Liber secundus", Venice, 1605
23 motets a5
Volume IV
"Motecta sex vocum. Liber primus", Venice, 1571
29 motets a6
out of pr.
out of pr.
out of pr.
45,--
1200.R7
1201.R7
1202.R7
1203.R7
1204.R7
1205.R7
1206.R7
1207.R7
1208.R7
1209.R7
1210.R7
1211.R7
1212.R7
1213.R7
Volume V
"Motecta 4, 5, 6, 7, 8 vocum. Liber secundus", Venice, 1580
52 motets a4-a8
Volume VI
"Motecta sex vocum. Liber tertius", Venice, 1585
29 motets a6
Volume VII
"Litaniae deiparae virginis Mariae 8 vocum", Venice, 1575
This volume contains as well some manuscripts works:
Lamentations a5 & Responsories a4
Volume VIII-IX
"Missarum liber primus 4-6 vocum", Venice, 1578
12 Masses a4-a6; published in 2 fascicles:
volume VIII
volume IX
Volume X
Masses from manuscripts
1. Missa ducalis a13
2. Missa Da pacem a8
3. Missa mortuorum a4
4. Missa a4
sources: mss. in I-Fl (1), I-LT (2, 3)
Volume XI
Magnificats a8
Volume XII
"Antiphonae 4 vocum super canto plano"
antiphons a4 from manuscripts in I-Ac, I-Bc, I-RA and I-TVca
Volume XIII
"Hymnodia sacra totius per anni circulum 4 vocum", Venice, 1602
44 Hymns a4
Volume XIV
"Introitus missarum quae in diebus dominicis celebrantur 5 vocum",
Venice, 1566; 2nd rev. ed. 1588
44 Introits a5
Volume XV
"Introitus missarum quae in solemnitatibus sanctorum omnium
celebrantur 5 vocum", Venice, 1566; 2nd rev. ed. 1588
40 Introits a5
Volumes XVI-XVII
"Psalmodia vespertina omnium solemnitatem decantanda cum 4
canticis beatae virginis 8 & 16 vocum", Venice / Ravenna, 1605
Volume XVI
Volume XVII
Volume XVIII
Sacred works from contemporaneous manuscripts and prints
a) Motets a4:
1. Salve Regina
2. Virtute magna
3. Praeparte corda vestra
4. Si bona suscepimus
5. Vobis datum est I
6. Vobis datum est II
7. Invitatorium nativitatis Domini
50,--
out of pr.
45,--
45,- 48,--
58,- 58,--
out of pr.
45,--
50,--
out of pr.
50,- 50,--
8. Adoramus te Domine
9. Ave Domine Jesu Christe
10. Misit me pater
b) Ricercari a4:
11. Ricercare from the Bourdenay Codex
12. Ricercare from Bologna Q 38
c) Falsibordoni:
13. Falsibordoni a4: 6 series of 8 (one in each tone): series 1, 2 and 6 for
mixed voices, series 3-5 for equal voices
14-15. In exitu, mixti toni I-II a4
16. Falsibordoni a5: 5 series of 8 (1 in each tone)
17. Tres falsibordoni in tono peregrino a5
18. In exitu mixti toni a5
19. Miserere secundi toni a5
20. Eigth falsibordoni a6 (one in each tone)
d) Psalms a5a6:
21. Dixit Dominus, primi toni a5
22. Confitebor, secundi toni a5-a6
23. Introitus in dominica Pentecostes: Spiritus Domini replevit a6
e) Motets a7:
24. Locutus est ad me
25. Judica me Deus
26. Descendi in hortum meum
27. Percussit Saul
28. Egressae sunt mulieres (2 choirs)
f) Motets a8:
29. Christus natus est nobis
30. Sitibundus anhelo
31. Benedictus Deus
32. Canite tuba in Sion
33. Beata es virgo Maria
34. Magnum haereditatis misterium
35. Ardens est cor meum
36. Tu Domine qui misisti angelum
37. Ecce vicit leo (prima pars)
38. Dignis est agnus (secunda pars)
39. Benedicam Dominum
g) Canzona:
40. Gerometta a8
Appendix: ascribed to Porta, but probably not by him:
41. Cantabant sancti a8
Sources:
D-Mbs (35)
F-Pn the Bourdeney Codex (8, 9, 11, 31)
I-Bc Q 33 (5, 6), Q 35 (24-29, 32, 33), Q 38 (12, 35, 40, 41), Q 39 (31,
36-39), and Q 41 (34, 35)
I-MOd 7 (7, 13, 16, 17, 20)
I-Tagliacozzo: convento S. Francesco: ms. by B. Agricola, 1600 (23)
1563: "Motetta D. Cipriani de Rore, et aliorum auctorum, 4 vocibus paribus
cantanda...", Venice, G. Scotto (1-4)
1590: "Liber primus psalmorum qui in Eccelsia decantantur ad vesperas, quinque vocibus, ex variis excellentissimis viris dessumptus..", Venice, R.
Amadino (21)
1214.R7
58,--
70,--
b) Oher Editions
1. Collection
1215.R7
33 Motets a4; practical edition for SATB by A. Brunelli after the edition of S.
Cisilino:
1. Pater noster
2. Stella quam viderant magi
3. Vox de coelis
4. Pater peccavi
5. Vidi turbam magnam
6. Aspice Domine
7. Qui regis Israel
8. Haec dies
9. Tempus est ut revertar
10. Hodie nobis de coelo
11. Ne abscondas me
12. Domine non secundum peccata
13. Adiuva nos Deus
14. Domine Deus qui conteris bella
15. Intuens in coelum beatus Stephanus
16. Sanctifcamini hodie
17. Hodie Christus natus est
18. Simeon iustus et timoratus
19. Derelinquat impius
20. Memor esto verbi tui
21. Haec dies (alio modo)
22. Fili, in tua infirmitate
23. Adorna thalamum
25. Decantabat populus
26. Sanctificati sunt
29,50
2. Single Works
Ego sum pastor bonus; SSAATB
from his: "Musica sex canenda vocibus...liber tertius", Venice, 1585
see: Collections: "Chester Books of Motets": volume XIV
1216.R7
1217.R7
11,--
1218.R7
4,50
1219.R7
7,--
2,50
Voce mea a5
from: E-Bc Q 28
see: Collections: "Chester Books of Motets", volume X
Praetorius, A.
1220.R7
Prenner, G.
1221.R7
Abraham Praetorius
fl 1587 - 1592
GEORG PRENNER
died 1590
a) Motets; ed. J. Sivec
Monumenta artis musicae Sloveniae, volume XXIV
1-5. Motets a3 (STB):
1. Vita in ligno moritur
2. O Deus
3. Confitebor tibi Domine
4. O sacrum convivium
5. Sancta Trinitas
6-14. Motets a4 (SATB):
6. Peccantem me quotidie
7. Peccavi Domine
8. Factum est silentium
9. Conceptio est hodie
nos. 1-39:
ed. L. Marshall
1222.R7
reprinting
9,- 4,--
1226.R7
nos. 9 and 24: Conceptio est hodie, a4 & Hodie natus est, a5:
from: "Novi thesauri musici liber primus...", Venice, A. Gardano, 1568
ed. W. Pass:
score
*choral score
9,- 4,--
1227.R7
10,--
1223.R7
1224.R7
1225.R7
no. 39:
see: Collections: "Staatsmotten fr Erzherzog Karl II von Innersterreich"
Quartieri, P.P.
1228.R7
Rasch, J.
3,50
Johann Rasch
c.1540 - ?1612
Andreas Raselius
c.1563 - 1602
"Psalmen und geistliche Lieder", 1591 (manuscript in D-Rp)
from this collection:
Nun komm der Heiden Heiland, a5:
see: Collections: "Antiqua Chorbuch": part I, volume 4: no. 117
Deutsche Sprche, 1594
"Deutsche Sprche aus den sonntglichen Evangeliis durchs gantze Jar mit
sonderm fleiss gezogen und mit fnff stimmen gesetzt...In welchem viva
exempla dodecachordi Glareani in utraq. Scala gefunden werde...",
Nrnberg, K. Gerlach, 1594
53 motets a5: all SSATB (unless otherwise indicated); alphabetical list of titles:
1. Also auch, sage ich euch
2. Also werden die Letzten
3. Also wird euch mein himmlischer Vater SATTB
4. Da nun die Menschen das Zeichen sahen
5. Darum seid barmherzig
6. Das aber auf dem guten Land
7. Denn gleich wie der Blitz ausgehet
8. Denn wer sich selbst erhhet
9. Der Herr hat gesagt zu meinem Herren
10. Die Hochzeit ist zwar bereit
11. Du sollst Gott, deinen Herren, lieben
12. Er hat alles wohlgemacht
13. Erstanden ist der heilig Christ
14. Es ist ein grosser Prophet unter uns
15. Es werden nicht alle, die zu mir sagen
16. Frchtet euch nicht
17. Geh aus auf die Landstrassen
18. Geht hin und saget Johannes
19. Heb dich von mir, Satan
20. Herr, hilf uns wir verderben
21. Herr, komm hinab, ehe denn mein Kind stirbt
22. Hoasianna dem Sohn Davids
23. Ich bin der gute Hirte
24. Ich habe euch noch viel zu sagen
25. Ich sage euch: Viel werden kommen
26. Ich taufe mit Wasser
27. Ihr werdet seinen und heulen
28. Jedermann gibt zuerst den guten Wein
29. Meister, wir haben die ganze Nacht SATTB
30. Mich jammert des Volks SATTB or SSATB
31. Nehmet hin den Heiligen Geist
32. Sammelt zuvor das Unkraut
33. Sehet, wir gehen hinauf nach Jerusalem
34. Sei willfhrig deinem Wiedersacher
35. Selig ist der Leib, der dich getragen
36. Siehe, dieser wird gesetzt zu einem Fall
37. Sind ihr' nicht zehn rein geworden SATTB or SSATB
38. So jemand mein Wort wird halten SATTB
39. So steht geschrieben: Mein Haus ist
40. Solches habe ich zu euch geredet
41. Steh auf und nimm das Kindlein
42. Trachtet am ersten nach dem Reich Gottes
43. Und es begab sich, nach dreien Tagen
44. Und ich asge euch auch: Mache euch
45. Und siehe, ein kanaanisch Weib SATTB
46. Und wie Moses in der Wste
47. Vater Abraham, erbarm dich mein SATTB
48. Wahrlich, ich sage euch
49. Warum denket ihr so Arges in euren Herzen SATTB
50. Wenn du geladen wirst, so gehe hin
51. Wenn ihr den Vater etwas bitten werdet
52. Wer mich liebet, der wird mein Wort
1229.R7
27,--
1230.R7
Eripe me de inimicis a5
source: D-Rp A.R.774
see: Collections: "Chester Books of Motets", volume XI
Gelobet seistu Jesu Christ SAATB
see: Collections: "Leise settings of the Renaissance & Reformation era"
Jesus Christus, unser Heiland a5
see: Collections: "Die Kurrende", volume II (no. 182)
Rauch, W.
Wolfgang Rauch
O Herr, ich rief dein Namen an, a5:
see: Manuscripts: D-Usch 122 (no. 30)
Raval, S.
Sebastin Raval
c.1550 - in or before 1604
"Il primo libro di ricercari a quattro voci cantabili, et liuti, cimbali & viole
d'arco, quattro sei opere con parole spirituali, in canoni ad eccho, ad otto
& dodici voci, che cantano in quattro parte coniunti, & diversi in chori.
E ricercar in contraponti osservati sciolti, & in quattro fughe d'accordio di
studi particulari, & utilissimi per studiosi", Palermo, G.A. de Franceschi,
1596.
from this opus:
6 canons:
1. Congregatae sunt gentes SATB / SATB
2. Haec dies SATB / SATB / SATB
3. Da pacem Domine SATB / SATB
4. Misit Dominus SATB / SATB / SATB
5. Fuga octo vocum SATB / SATB
6. Fuga octo vocum SATB / SATB
ed. and canons solved by M. Pajares Barn; introduction (in Spanish)
1231.R7
Razzi, G.
24,--
6 Laude a2-a4 from his : "Libro primo delle laudi spirituali da diversi eccell.
e divoti autori antichi e moderni composte. Le quali si usano cantare in Firenze nelle Chiese dopppo il Vespro la Compieta...raccolta dal R.P. Fra Serafino Razzi...", Venice, Giunti, 1563/6:
1. Giesu sommo conforto a3
2. Cuor maligno, e pien di fraude a4
3. Ogni giorno tu mi di' a2
4. Gia fu presa da te a4
5. Ecco'l Messia a3
6. Deh venitene Pastori a3
see: Collections: "Roman Laude , 1563-1591"
Jes, sommo conforto (Savonarola) AST
see: Collections: "Savonarolan laude , motets & anthems"
Regnart, F.
Franois Regnart
24 Motets from "Novae cantiones", 1590
"Novae cantiones sacrae quator, quinque et sex vocum, tum instrumentorum
cujus generi, tum vivae voci aptissimae", Douai, J. Bogard, 1590
This collection contains 40 motets by the Regnar brothers Franois (24), Jacob
(10), Charles (2) and Pascasius (2).
The 24 motets by Franois Regnart are:
1. Benedictus Dominus, Deus Isral a4
2. Ave Maria a4
3. Vita dulcedo (Salve Regina) a4
4. Qua es effecta (Inviolata, integra) a4
5. Exultate justi a5
6. Super flumina Babylonis a5
7. Lux de caelo a5
8. Initium lamentationum Hieremiae
9. Inclina Deus meus a5
10. Exaudi Domine a5
11. Timor et tremor a5
12. Usquequo Domine a5
13. Domine exaudi orationem meam
14. In te Domine speravi a5
15. Tulerunt Dominum meum a5
16. Cum crucifixissent Jesum a5
17. Nisi quia Dominus a5
18. Congregati sunt a5
19. Beatus qui intelligit a5
a5
a5
1232.R7
1233.R7
1234.R7
1235.R7
Regnart, J.
69.50
94.-106.-81.-JACOB REGNART
1540/45 - 1599
a) Opera Omnia
b) Other Editions
a) Opera omnia; ed. W. Pass
CMM 62
Volumes I-III: not yet published
1236.R7
1237.R7
118,--
8. Emendemus in melius
9. In tribulatione mea invocabo Dominum
10. Laetamini in Domino
11. Ne derelinquas me, Domine
12. Ne remiscaris, Domine
13. Orat bis, qui corde canit
14. O ovs omnes, qui transitis per viam
15. Pater noster
16. Peccantem me quotidie
17. Prope est Domino omnibus invocantitus eum
18. Quare tristis es, anima mea
19. Qui confidunt in Domino
20. Qui diligitis Dominum
21. Qui vult vitam deligere
22. Sana me, Domine
23. Stella, quam viderant Magi
24. Usquequo, Domine, obivisceris
88,--
1239.R7
1240.R7
1238.R7
25,- 10,--
6,--
1241.R7
10,--
a6
1242.R7
1243.R7
9,50
5,--
1244.R7
11,--
Stetit Jesus a5
from: "Sacrae aliquot cantiones...5 et 6 vocum", Mnchen, 1575
see: Collections: "Chester Books of Motets", volume XI
Reiner, J.
Jacob Reiner
before 1560 - 1606
Expandi manus meas ad te SS
see: A. Gumpelzhaimer: "Compendium musicae" (no. 197)
Infelix ego (Savonarola) SSATTB
see: Collections: "Savonarolan laude , motets & anthems"
Maria gut, du bist die Glut, a5:
see: Prints 1604: "Rosetum Marianum"
Rivulo, F. de
329.S11
Francesco de Rivulo
fl 1560 - 1566
Four Works:
1. Verbum caro factum est
Christmas motet for SATB from PL-GD 4003
2. A solis ortus cardine / Beatus autor saeculi
Christmas hymn for SATB from PL-GD 4003
3. Alleine Gott in der Hhe sei Ehr for SATB (from PL-GD 4003)
4. Descendit angelus Domini
Motet for SATB / SATB from "Thesaurus musicus...Tomus I...", Nrnberg,
Montanus & Neuber, 1564; ms. sources: PL-GD 4003, D-Rp A.R. 791,
D-Mbs 1536, and D-Dl Grimma 49/50
Editions:
nos. 1-4:
Included in:
"Danziger Kirchenmusik. Vokalwerke des 16. bis 18. Jahrhunderts"
Critical edition in score, and introduction (in German) by F. Kessler:
1. F. de Rivulo: Verbum caro factum est SATB (from PL-GD 4003)
2. F. de Rivulo: A solis ortus cardine/Beatus autor saeculi SATB (same source)
3. F. de Rivulo: Alleine Gott in der Hhe sei Ehr SATB (same source)
4. F. de Rivulo: Descendit angelus Domini SATB / SATB from "Thesaurus
musicus...Tomo I...", Nrnberg, Montanus & Neuber, 1564 and from mss.:
PL-GD 4003, D-Rp A.R. 791, D-Mbs 1536 and D-Dl Grimma 49/50.
5. H. Lampadius: Victimae paschali laudes / Agnus redemit oves.
Easter motet for SSATTB from PL-GD mss: 4005 and 4007
6. H. Lampadius: Gratos nunc omnes reddamus
Christmas motet for SSATTB from PL-GD ms. 4005
7. J. Wanning: Judica me Deus
Psalm motet for SSAATTBB from his : "Sacrae Cantiones 5, 6, 7 et 8
vocibus...", Nrnberg, C. Gerlach & heirs of J. Montanus, 1580
8. J. Wanning: Ascendo ad patrem
Ascension motet for SATTB from his: "Sacrae Cantiones 5 et 6 vocum accomodatae ad dies festos totius anni...", Venice, A. Gardano, 1590
9. N. Zangius: Deus misereatur nostri
Psalm motet for SSAB / ATTB from his: "Harmonia votiva pro felici fato...",
Bautzen, N. Zipser, 1602
10. A. Hakenberger: Dulcis jesu pie Deus
Passion motet for SATB / SATB from his: "Sacri modulorum concentus de
festis solennibus totius anni,...8 vocibus...", Stettin, J. Duber, 1615
11. G. Bohle: Ad Dominum cum tribularer
Psalm motet for SATB / SATB and bc from PL-GD ms. 4035
12. Ch. Werner: O du allersssester und freundlichster Herr Jesu
Sacred concerto for Alto, 2 violins and bc from his: "Praemessa Musicalia in
quibus motetae singulae vel un duabus vocibus, & duobus vel tribus instrumentis musicis modulandae un cum basso ad organum...Pars secunda (quarta et ultima)...", Knigsberg, P. Mensius, 1646 (only and incomplete
copy at S-V; completed after D-Lr ms. KN 206 (nos.51-64: complete
copy of the whol opus)
13. Ch. Werner: In dir ist Freude
Sacred concerto for 2 Sopranos and bc (same sources as for no.12)
14. D. Jacobi: Preise, Jerusalem, den Herren
Psalm concerto for SSATTB, 2 violins, bassoon or cello, 4 trombones (attb)
and bc; edited from D-B ,is/,s/ 30210
15. C. Btner: Wirf dein Anliegen auf den Herren
Sacred concerto for 2 Tenors, 2 violins, viola da gamba and bc; from his:
"Geistliche Concerte mit zwey Tenren, zweyen Violinen, einer Violdegamm
oder Dulcian, und einem Generalbass....", Hamburg, M. Pfeiffer, 1651 (unique copy in GB-Lbl)
16. P. Siefert: Singet ein neues Lied dem Herrn
Motet for SSAT(B) and bc, from his: "Psalmen Davids nach Franzsischer
Melodey oder Weise in Music componirt, unterschidliche Theil mit 4 und 5
Stimmen zu singen, und mit allerhand Instrumenten zu gebrauchen, nebenst
einem General-Bass...", Gdansk, printed for the author by G. Rheten, 1640
17. P. Siefert: Lobt den Herren inniglich / Exsultate tam bonum
Sacred concerto for SSATTB, 2 violins or cornetts, tenor viola or trombone,
and bc; from his: "Psalmorum Davidicorum, ad Gallicam melodiam arte compositorum musicali, qui diversis sistuntur partibus, 4.5.6.7.8. vocibus decantandi, cum praeviis symphoniis sonandis, ut & Germanicis Latinisque textibus metric suppositis cum basso generali. Pars Secunda...", Gdansk, printed by G. Rheten for the author, 1651
18. C. Frster: Jesu, dulcis memoria
Sacred concerto for Bass, 2 violins and bc; ed. from S-Uu Dben collection:
ms. 54: 9, from D-B mus.ms. 30298 and D-Dl Grimma coll. Jacobi U 455 /
P 11.
19. Th. Strutius: O hilf, Christe, Gottes Sohn
Passion motet for SSATB amd bc; from his: "Zweyfache Christliche Auffmunterung zur Gottseeligen Betrachtung des bittern Leydens und Sterbens
unsers Herrn und Heylandes Jesu Christi...", Gdansk, D.F. Rheten, 1664
20. Th. Strutius: Da Jesus an dem Kreuze stund
Chorale concerto for SSATB (soli for S and B), 2 violins, viola and bc
(same source as for no.19)
21. J.B. Erben: Herr Christ, der ein'ge Gottes Sohn
Chorale concerto for SATB soli, violin, 2 violas and bc; edited from S-Uu
Dben collection ms. 20: 7, and from D-B mus.ms. 30249
22. J.V. Meder: Ach Herr, strafe mich nicht in deinem Zorn
Psalm concerto for Soprano, 2 violins and bc; ed. from S-Uu Dben collection ms. 28: 5.
23. J.B.Chr. Freisslich: Magnificat anima mea Dominum
Sacred concerto for (virtuoso) Bass, 2 violns, 2 violas and bc; ed. from
PL-GD ms. Joh. 443
24. J.J. du Grain: Willkommen, Erlser der Erden
Christmas cantata for solo Bass, SATB, 2 trumpets, 2 oboes, 2 violins, viola
and bc; edited from PL-GD ms. Joh. 188
25. J.D. Pucklitz: O Lamm Gottes unschuldig
Chorale cantate for SBar solo, SATB, 2 alto recorders, 2 bassoons and/or
cellos, 2 violas ad libitum and bc; edited from PL-GD ms. Joh. 264
26. F.Ch. Mohrheim: Preise, Jerusalem, den Herrn
Opening choir from a New Year cantata for SATB, 2 trumpets, timpani, 2
violins, viola and bc; edited from PL-GD ms. Joh. 60
27. B.G. Siewert: Gelobet sei der Herr
Opening choir from a cantata for St. John's Day for SATB, 2 trumpets, timpani, 2 oboes, 2 violins, viola, and bc (organ/cello/violone/bombardo);
edited from PL-GD ms. Joh. 121
138,- nos.1 and 3:
*ed. F. Kessler
2,--
1245.R7
Rogier, Ph.
PHILIPPE ROGIER
c.1561 - 1596
a) Opera Omnia
b) Other Editions
a) Opera omnia; ed. L. Wagner
CMM 61
1246.R7
1247.R7
Volume I: Masses a4 - a6
1. Missa Philippus Secundus Rex Hispaniae a4
2. Missa Inclita stirps Jesse
3. Missa Dirige gressus meos
4. Missa Ego sum qui sum
5. Missa Inclina Domine aurem tuam
Volume II: Masses a8 - a12 & 12 Motets
6. Missa Domine Dominus noster a8, bc
7. Missa Domine Dominus noster a12, bc
8. Cantate Domino canticum novum, cantate Domino omnis terra
158,--
a5
1248.R7
9. Da pacem Domine a6
10. Descendit angelus Domini a5
11. Heu mihi Domine a5
12. Justus es Domine III a5
13. Justus es Domine II a5
14. Laudate Dominum a8
15. Pereat dies a5
16. Respice in me a5
17. Venit lumen tuum a5
18. Verba mea auribus percipe a5
19. Verbum caro factum est a12 (3 choirs, harp, 2 organs, guin)
164,-Volume III: Motets & Chansons
a) Motets:
20. Caligaverunt oculi mei a6
21. Cantantibus organis a6
22. Cantate Domino canticum novum, cantate Domino omnis terra a6
23. Cantate Domino canticum novum, quia mirabilia fecit a6
24. Clamavi ad te a4
25. Credo quod Redemptor meus vivit a5 (leccin I)
26. Da pacem Domine a5
27. Delicta inventutis meae
28. Domine, si fuises hic a5 (leccin II)
29. Dominus regit me a4
30. Ecce nunc
31. Erat Jesus ejiciens a5 (leccin III)
32. Inclina cor meum a4
33. Laboravi a6
34. Locutus sum in lingua mea a6
35. Modicum, et non videbitis me a5 (leccin IV)
36. Paries quidem filium a5
37. Peccavi a6
38. Qui consolabatur me
39. Recordatus est
40. Regina caeli a8
41. Salva nos, Domine a4 (aequales)
42. Sancta Maria a6 ex 5
43. Sit gloria Domini a6
44. Super aquam
45. Tedet animam meam a5 (leccin V)
46. Veruntamen
47. Vias tuas Domine a6
b) 4 Chansons a5 - a6:
48. Amour et la plaisir a5
49. Leal amour a5
50. Tout le plaisir a6
51. Veu que de vostr'amour a6
Principal sources:
1595: Ph. Rogier: "Sacrarum modulationum quas vulgo motecta apellant...
liber primus", Naples (20-24, 26, 29, 32-34, 36, 37, 40,
42, 43, 47).
1597: "Le Rossignol musical des chansons de di verses et excellens autheurs
de nostre temps a 4, 5 et 6 parties...", Antwerpen, P. Phalse (48-51)
1598: "Missae sex Philippi Rogerii atrebatensis sacelli Regii phonasci musicae
128,--
b) Other Editions
no. 1: Missa Philippus Secundus Rex Hispaniae:
ed. Fiumara; ATBarB
13,50
see: Collections: "Msica para Felipe II Rey de Espaa", ed. Sierra (no. 4)
1249.R7
1250.R7
1251.R7
1252.R7
1253.R7
1254.R7
1255.R7
1256.R7
1257.R7
nos. 21, 22 - 24, 26, 29, 32, 33, 40, 42 and 47:
11 Motets; ed. L.J. Wagner
1258.R7
no. 21:
*ed. Pustet; SSATTB
8,--
reprinting
2,50
no. 22, pars II: Recordatus est ( = 2nd part of: Cantate Domino) SSAATB
from his: "Sacrarum modulationum...liber primus", Naples, 1595
see: Collections: "Chester Books of Motets": volume XV
no. 40:
*ed. L. Wagner from:"Philippi Rogeri...sacrarum modulationum", Naples,
1595; SSAT / SATB
1259.R7
Rossetti, S.
7,--
Stefano Rossetti
fl 1560 - 1580
Sacrae Cantiones, 1573
"Novae quaedam sacrae cantiones, quas vulgo motetas vocant 5 et 6 vocibus,
1260.R7
Rosthius, N.
69,--
Nicolaus Rosthius
c.1542 - 1622
Frhliche neuwe Teutsche Gesng, 1583
"Frhliche neuwe Teutsche Gesng so zum theil Geistlich zum theil auch sonst
kurtzweilig mit vier, fnff und sechss Stimmen. Componiert durch Nicolaum
Rosthium...", Frankfurt am Main, C. Rab fr J. Spiess, 1583
30 Songs: nos.1-4 a6, nos.5-22 a5, and nos.23-30 a4:
1. Alles fleisch ist Heuw / Ja das Volck ist das Heuw
2. All ding auff Erd zergenglich seyn
3. Ewiges Gut macht rechten muth
4. Uns ist ein Kindlein heut geborn
5. Auff dich trauw ich mein Herr und Gott
6. Nun lobt den Herren mit andacht / Auff lobt in mit Posaunen schall
7. O Christlich Hertz in allem leid
8. Herr unser Herrscher wie herrlich ist dein Name
9. Wie lieblich sind deine Wohnunge
10. Das alte Jar vergangen ist
11. Wie ein Rubin in feinem Golde leucht
12. Herr Jesu Christ nimm du mich mir
13. Hosianna dem Son David
14. Proficiat ir lieben Herren
15. Den Bauwren gar gut singen ist
16. Wolauff Gesang mit hellem klang
17. Seyt frlich den Ehestandt preiset
18. Ein Weib kurtzumb ich haben muss
19. Ach weh mir unglckhafften Mann
1261.R7
1262.R7
1560.S11
179,- 48,--
derer gewhnlichsten Evangelischen Kirchen-Gesnge auf verschiedentliche Art Gott zu ehren, und allen Musique-Liebenden, insondertheit aber
denenjenigen, welche in denen Kirchen-Orgeln zu tractiren haben, zum
Vergngen und ntzlichen Gebrauch verfasset. Erste Probe", Weimar,
Verlag des Autoris, 1737:
a) Schmcke dich, o liebe Seele & Choral I
b) Mach's mit mir, Gott, nach deiner Gt & Variatio I-II & Choral II
10. J. Pfeiffer: Concerto in f for violin solo, 2 violins, viola, bc
Allegro-Andante-Allegro
source: D-Dl mus.ms. 2649-O-2 (set of ms. parts; 1726)
11. J.E. Bach: Der Herr ist nahe bei denen
cantata for TB, satb; 2 flutes, 2 oboes, 2 horns; 2 violins, viola, bc
sources: US-AAu M2020.B117 H4 1769 and D-B mus.ms. Bach
P. 403 & 404
12. E.W. Wolf: Christen, auf vom Schlummer
cantata for TB, satb; 2 orns, 2 trumpets, timpani; 2 violins, viola, bc
sources: D-WMtl (in D-WRz) AmB mus. I a: 60
13. Anna Amalia Duchess of Sachsen-Weimar and Eisenach: Sinfonia in G
2 flutes, 2 oboes; 2 violins, viola and bass
Allegro-Andante-Vivace
source: D-WRtl (in D-WRz) AmB Mus. III c: 110
198,-Rovigo, F.
Francesco Rovigo
1541/42 - 1597
3 Masses for SATTB:
1. Missa In duplicibus maioribus
2. Missa Apostolorum
3. Missa Dominicalis
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume I
Missa Die Mercurii SATTB
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume II
Missa in Dominicis diebus a5
(from 1592/1: "Missae dominicales quinis vocibus diversorum auctorum a F.
Iulio Pellino carmel. mant. collectae", Milano, M. Tini)
see: Collections: "Musicians from the Low Countries & Italy at the Court in
Graz of Karl II, 1564-1590"
498.R7
1263.R7
1264.R7
1265.R7
1266.R7
Ruffo, V.
23,--
Symon de Roy
Cantio sacra de visitatione B. Mariae virginis a5
from: "Novi thesauri musici liber primus", Venice, A. Gardano, 1568
ed. W. Pass:
score
*choral score
9,- 4,20
11,- 6,--
VINCENZO RUFFO
c.1508 - 1587
Sacred works
845.R5
846.R5
847.R5
69,--
62,--
219,--
848.R5
849.R5
c) Motetti a6 (1555)
"Motetti a sei voci, composti da Vincentio Ruffo, maestro della capella del
Domo di Verona, dedicati al signor Luca Grimaldi. Novamente posti in luce.
Da li suoi proprij originali, corretti, & stampati", Venice, G. Scotto, 1555
1. Noe noe noe puer natus est nobids
2. Nonitatem fecisti cum servo / Expectans expectavi Dominum
3. Te regina viam / Verum in exilio
4. Gaude mater sanctissima / Has tibi dum canimus laudes
5. Andreas Christi famulus / Orabat dum respiceret in celum
6. Levavi oculos meos in montes / Dominus custodit te
7. Deus in nomine tuo salvum me fac / Averte mala inimicis meis
8. Asumpsit Jesus Petrum & Jacobum / Dixit autem Petrus Domine
9. Letare mater nostra Hierusalem
10. Multiplicati sunt / ne avertas faciem tuam
11. Vidi turbanm magnam / Et omnes angeli
12. Pater peccavi in celum & coram te / Quanti mercenarii in domo patris meis
13. Legem pone mihi Domine / Averte oculos meos
14. Queramus cum pastoribus verbum incarnatum
15. Alma civitas laetare / Eia Verona fortunata civitas
16. Splendro ecclesie martirum / O felix martir quo duce martirum
Edition:
The Sixteenth-century Motet, ed. R. Sherr, volume 19; hardback
219,-d) Psalms a5 (1574)
"Salmi suavissimi et devotissimi a cinque voci...novamente posti in luce",
Venice, appressso l'herede di G. Scotto, 1574
1. Dixit Dominus
2. Confitebor tibi Domine
3. Beatus vir
4. Laudate pueri
5. Credidi
6. Beati omnes
7. Lauda Jerusalem
8. In convertendo
9. Domine probasti me
10. Laudate Dominum
11. Laetatus sum
12. Nisi Dominus
13. In exitu Israel
14. Memento Domine David
15. De profundis
Edition:
Critical edition by C. Berlese; introduction by M.C.T. Monti
42,--
e) Other Editions
4 Sacred madrigals a5:
1. Vergine santa, d'ogni gratia piena
2. Vergine sol' al mondo
3. Deh sparg' o miser' alma
4. I'vo piangendo i miei passati tempi
see: Prints 1563/7: "Musica Spirituale, libro primo"
1012.R5
Sales, F.
1,20
Franz Sales
?c.1550 - 1599
Prospero Santini
fl 1591 - 1614
Sanctus a12, form: Missa Cantantibus organis Caecilia, a12
(written by Palestrina with collaboration of his students A. Stabile, G.A.
Dragoni, F. Soriano, R. Givannelli, P. Santini and C. Mancini)
from: I-Rsg A.52-54 and I-Rvat Cap. Giulia V.65
see: Palestrina: Opera Omnia, volume 32
Sartorius, P.
Paul Sartorius
1569 - 1609
Jesu ich bitt, verschmh mich nit, a5:
see: Prints 1604/7: "Rosetum Marianum"
Sayve, L. de
Lambert de Sayve
1548/49 - 1614
Missa Lyram, lyram pulset a5
see: Collections: "Musicians from the ow Countries & Italy at the Court in
Graz of Karl II, 1564-1590"
Maria rein, mit deim Sohn g'mein, a5:
see: Prints 1604/7: "Rosetum Marianum"
Sayve, M. de
Mathias de Sayve
c.1540 - ?1619
Maria klar, der Engel Schar
see: Prints 1604/7: "Rosetum Marianum"
Scandello, A.
ANTONIO SCANDELLO
1517 - 1580
List of Sacred Works:
a) Masses
1. Missa sex vocum super epitaphium Mauritii
a6
memorial mass dedicated to elector Moritz, who fell in battle in 1553
parody mass (1558) on Scandello's motet: Mauritius cedidit (lost)
2. Missa super Deus qui sedes
a5
3-8. Six Masses printed in 1576 (however, no copy of this print has been
detected):
3. Missa super Aveque vous
a5
D-Rp B.894-907 (6: without Credo and Gloria; 8: without Credo and Gloria)
D-ROu 42/1 (15)
D-ROu ms. 49 (1, 2)
D-Sl mus. 1 (20)
D-Z 12/3 (62)
D-Z 32/33 (10, 24)
D-Z 74/1 (14)
D-Z 104/1A (19: SATB missing)
D-Z 104/1B (14)
H-Bn Brtfa 15 (24)
H-Bn Brtfa 16 (14: SAQB missing)
PL-Wu ms. copy by E. Bohn (25)
1564: "Thesaurus Musicus continens selectissimas 8, 7, 6, 5 et 4 vocum
harmonias, tam veteribus qum recentioribus symphonistis compositas...Tomi promi continenstis cantiones 8 vocum...", Nrnberg, J.
Montanus & U. Neuber (18, 20, 24)
1564: "Thesaurus Musicus tomus secundus continens optimas 7 vocum cantiones ex variis autoribus collectas", Nrnberg, Montanus & Neuber (10)
1568: Scandello: "Newe Teutsche Liedlein mit vier und fnff Stimmen",
Nrnberg, D. Gerlach (17, 42, 52-61)
1568: Scandello: "Melodia epithalamii in honorem nuptiarum...Martini Henrici
Haenensi et...Barbarae...filiae Johannis Schildbergii",
Wittenberg, J. Schwertl: S1, A and B survive only (25)
1568: "Epithalamia, in honorem ornatissimi viri...D. Nicolae Leoparid, symphoniacorum puerorum...principis Georgii Friderici Marchionis brandeburgensis &c. pareceptoris...composita per A. Scandellum, M. le Maistre,
E. de Glein et J. Wesalium", Nrnberg, T. Gerlach (11)
1574: Scandello: "Epithalamium in honorem imperimi iuxta...Christophori
Waltheri, e Catahrinae Tolanae, sponsa, sex vocum": only
S2, T1 and B have survived (26)
1575: Scandello: "Newe schne ausserlesene geistliche deudsche Lieder fr
5 und 6 Stimmen", Dresden (29-51)
1590: "Corollarium cantionum sacrarum 5, 6, 7, 8, et plurium vocum, de festis
praecipuis anni. Quarum quaedam ante, praestantissimis nostra
aetatis musicis, in Itgalia separatim editae sunt, quaedam vero nuperrim concinnatae, nec uspiam typis excusae, at nunc in unum quasi corpus redactae studio & opera F. Lindneri...", Nrnberg, C. Gerlach (14)
1612: Scandello: "Gaudij paschalis Jesu Christi...quatuor evangelistis", ed. S.
Besler; Breslau, G. Bauman (28)
1621: Scandello: "Passio: Das Leyden unsers herrn Jesu Christi nach dem H.
H. Evangelisten Johanne", ed. S. Besler; Breslau, G.
Baumann (27)
1621: Scandello: "Resurrectio Dominica: Die froliche und trostreiche History
von der sieghafften und triumpheirenden Aufferstehung
unsres Herrn und Heylandes Jesu Christe", ed. by O.
Harnisch; Goslar, J. Vogt (28)
Editions:
1195.R7
Sacred Works: nos. 1-8, 10, 14-16, 18, 20, 24, 25, 27-62
Secular Works: nos. 1-48 and 52-71:
ed. in D.O. Heuchemer's dissertation: "Italian musicians in Dresden in the
second half of the sixteenth century, with an emphasis on the lives and
1267.R7
1268.R7
1269.R7
1270.R7
Schede, P.M.
1271.R7
1272.R7
Schieti, C.
Cesare Schieti
died 1600
Missa "Lucubratio" a6
ed. Mischiati from the ms. in I-LT:
score
set of vocal scores
1273.R7
1274.R7
Schott, J.G.
1275.R7
1276.R7
Schramm, M.
36,- 298,--
1,20
1,80
Melchior Schramm
c.1553 - 1619
Maria schon, aus Himmels Thron, a5:
see: Prints 1604/7: "Rosetum Marianum"
Schroeter, L.
Leonhard Schroeter
c.1532 - c.1601
"Hymni sacri", Erfurt, 1587 a4-a6
from this opus:
2 Hymns:
1. Lobt Gott, ihr Christen, alle gleich a5
2. Allein Gott in der Hh sei Ehr a4
see: Collections: "Antiqua Chorbuch": part I, volume 2: nos. 64-65
Allein Gott in der Hh sei Ehr; SATB:
*ed. Carus
no. 62a in: "Kantional: 66 Choralstze alter Meister", ed. W. Schulze
see: Collections: "Chorbuch der losen Bltter" (no. 104)
Lobt Gott, ihr Christen alle gleich SSATB
*ed. Carus
1277.R7
354.S11
1278.R7
1,20
12,50
1,20
1279.R7
1280.R7
1281.R7
14,- 1,20
1,70
1282.R7
Schwaiger, G.
a4
1,20
Georg Schwaiger
died 1581
Caenantibus illis accepit Jesus / Dixerunt viri tabernaculi mei, a4:
see: Manuscripts: D-Usch 235 (no. 62)
Serranus, J.B.
Soriano, F.
Francesco Soriano
1548/49 - 1621
Lauda Jerusalem; motet a8
SSAATTBB and bc
from: "Missa, Motecta, Magnificat, et Litaniae B.M.V. Salvatoris Sacchi cirinolani in Apulea Capellae magistr civitatis Tuscanellae, cum basso continuato ad organum, nec non decem motecta diversorum excellentiss.
auctorum octonis vocibus...", Rome, B. Zanetti, 1607
(this source contains motets by F. Anerio, A. Crivelli, T. Gargario, R.
Giovanelli, G.B.Nanino, G.M. Nanino, S. Sacchi, A. Stabile, Soriano,
G. Troiani Tudertino and C. Zoilo; see for editions under their names)
ed. S. Villani:
score
22,50
set of parts
130,--
2502.S11
2503.S11
220.S11
2504.S11
54,--
12,--
Annibale Stabile
c.1535 - 1595
Kyrie a4, Credo a12 and Crucifixus a4 from: Missa Cantantibus organis
(written by Palestrina with collaboration of his students A. Stabile, G.A.
Dragoni, F. Soriano, R. Givannelli, P. Santini and C. Mancini)
from: I-Rsg A.52-54 and I-Rvat Cap. Giulia V.65
see: Palestrina: Opera Omnia, volume 32
Nos autem gloriari; motet a8
SSAATTBB, bc
from: "Missa, Motecta, Magnificat, et Litaniae B.M.V. Salvatoris Sacchi ciri-
nolani in Apulea Capellae magistr civitatis Tuscanellae, cum basso continuato ad organum, nec non decem motecta diversorum excellentiss.
auctorum octonis vocibus...", Rome, B. Zanetti, 1607
(this source contains motets by F. Anerio, A. Crivelli, T. Gargario, R.
Giovanelli, G.B.Nanino, G.M. Nanino, S. Sacchi, A. Stabile, Soriano,
G. Troiani Tudertino and C. Zoilo; see for editions under their names)
ed. S. Villani:
score
set of parts
2506.S11
2507.S11
Steuerlein, J.
Johann Steuerlein
1546 - 1613
Mit Lieb bin ich omfangen SATB
*ed. Doblinger
1283.R7
19,- 87,--
Stockmann, B.
2,50
Bartholomaeus Stockmann
fl end of the 16th century
Occasional Works
1. Candida lux rediit / Salve, laeta dies
SAATB
2. Congratulare Musa / Ades faveque
SSATB
3. Vulnerasti cor meum
SSATB
4. Veni, dilecte mi
SATTB
5. Inclyte Thespiadum / Nos sponso et sponsae
SATTB
6. Sicut iuvenis amat
SSATB
7. Tota pulchra es
SATTB
8. Tu qui corda creas
SSATB
9. Prospera coniugii
SATTB
10. Commenda Domino viam tuam
SSATTB
11. Commenda Domino viam tuam
SSATB
12. Befiehl dem Herren deine Wege
SATB
Sources:
1590: "Musica Nuptialis. Reverendissimo, illustrissimoque principi ac domino,
domino Henrico Iulio, epsicopo Haberstadensi...dominam Elisabetham
divi Friderici II Daniae...regis fliliam, secundo matrimonio sibi copulanti
die 19. aprilis anno Christi 1590. Quinque vocum harmoni contexta...",
Helmstadt, excudebat Jacobus Lucius (1-9)
D-FLs: autograph score: musical New Year's greeting, 1583/84, from Stockmann to his friend Hartmann: "Spectabilis eruditione, virtute atq: humanitate ornatissimi viri domini Johannis Hartmanni...Symbolum ex
psalmo Davidis 37 desumptum, et in gratiam et honorem...Domini sui
colendissimi, 6, 5 et 4 vocum harmonia concinnatum, auctore Bartholomeo Stockmanno cantore scholae Flensburg" (10-12)
Editions:
nos.1-12:
critical ed. by O. Kongsted; MMRB A/3
36,--
1284.R7
Striggio, A.
Alessandro Striggio
c.1540 - 1592
Ecce beatam lucem
motet for 40 voices
1285.R7
Stuber, C.
22,--
Conrad Stuber
c.1550 - c.1605
Maria wert, so mein Seel kehrt, a5:
see: Prints 1604/7: "Rosetum Marianum"
Suardi, V.
V. Suardi
Missa Die Veneris SATTB
see: Manuscripts: I-Mc: "The Gonzaga Masses", volume II
Surita lo Vell, G.
G. Surita lo vell
4 Bicinia:
1. Peccavimus
2. Domine Deus noster
3. Angel beneit
4. O juge just
see: Collections: "Canoner Catal dels segles XVI-XVIII"
Szadek, T.
Thomas Szadek
died 1612
Dies est laetitiae (officium): Kyrie-Gloria-Credo-Sanctus a4
see: Collections: "Musica Antiqua Polonica": The Renaissance, vol. II: 16
Tejeda, A. de
ALONSO DE TEJEDA
c.1556 - 1628
a) Complete Works; ed. D. Preciado
1287.R7
Volume I
incl. biography and study on motets, book I (in Spanish): pp.1-153
"Libro primus sacrarum cantionum quatuor vocum vulgo moteta vocant Alfonde Texeda" (from ms. in E-ZAc)
no. 1 a5; all others a4
1. O beate Iacobe SSATB
2. Exiit qui seminat
3. Ductus est Iesus
4. Iuxta vestibulum
5. Ecce rex tuus
6. Quemadmodum desiderat
7. De profundis
8. Aspice, Domine SSAT
9. Exaltata est
10. Hoc est praeceptum meum
11. Simile est regnum caelorum
12. O beatum pontificem (incomplete)
13. Orante sancta Lucia SSAT (T incomplete)
14. O bone Iesu
15. O quam admirabilis est SSAT
1288.R7
39,--
Volume II
"Liber secundus sacrarum cantionum quinque vocum vulgo moteta vocant
Alfonsus de Texeda" (ms. in E-ZAc)
no. 18 a6; all others a5
1. Paterfamilias
2. Hodie in monte
3. Erat Iesus
4. Cum sublevasset
5. Angelus autem
6. Antequem comedam
7. Hei mihi, Domine
8. Pater, peccavi
9. Miserere mei, Deus
10. O sacrum convivium
11. Rex autem
12. Duo Seraphim
13. Ecce sacerdos magnus
14. Salvum me fac
15. Veni, Domine
16. Laboravi
17. Domine, ostende nobis
18. Audite, insulae a6
19. Iste sanctus
20. Stetit Angelus
21. Domine, quinque
22. Recordare
23. Ambualsn Iesus
24. Ascendens Christus in altum
25. Beata Mater
26. Adest nobis
27. Gaude, Maria
28. Nativitatem hodiernam
29. Exurgens Maria
30. Ave, Sanctissima Maria
31. Ave, Sanctissima
32. Elevans autem oculos
33. O felix Anna
34. Amen dico vobis
35. Domine, memento mei
39,--
b) Other Editions
1289.R7
1,20
Pedro Thalesio
c.1563 - c.1629
In exitu Israel de Aegypto
a5
see: Collections: Portuguese Polyphony: an anthology
Tollius, J.
JAN TOLLIUS
c.1550 - in or after 1603
Motets a5, I (1591)
1290.R7
42,--
1291.R7
301.R7
1292.R7
1293.R7
301.R7
Tonsor, M.
Trehou, G.
301.R7
Gregorius Trehou
1540/50 - 1621
In dedicatione templi
SSATBB
ed. in: Motets by G. Trehou, J. Tollius & V. Bertolusi; ed. by O. Kongsted;
Musik i Danmark p Christian IV's tid, volume V
1-2. G. Trehou: In dedicatione templi: prima pars / Haec est Domini: secunda
pars (ssatbb); 3-5. J. Tollius: Audite, stirps Levitica (prima pars) / ut curam
habeatis (secunda pars) / Sacerdotes Dei, benedicite Dominum (stb); 6-7. J.
Tollius: Petrus, amas me? (prima pars) / Bonus Pastor (secunda pars) (stb);
8. J. Tollius: Ego flos campi (saatb); 9. V. Bertolusi: Ego flos campi (ssattb)
Sources:
"Novi atque catholici thesauri musici. Liber Quartus", Venice, A. Gardano,
1568 (1-2); Tollius: "Moduli trium vocum", Heidelberg, Commelinus, 1597
(3-7); Tollius: "Motectorum 5 vocum liber secundus", Venice, 1591 (8); Bertholusius: "Sacrarum cantionum 6, 7, 8 et 10 vocibus; Liber primus", Venice,
A. Gardano, 1601 (9)
Trombetti, A.
Ascanio Trombetti
1544 - 1590
"Di Ascanio Trombetti musico della illustrissima signoria di Bologna il primo
libro de motetti accomodati per cantare et far concerti a 5. 6. 7. 8. 10. et 12.
Novamente composti et dati in luce", Venice, A. Gardano, 1589
36 motets: 33 by A. Trombetti, 3 by G. Trombetti
from this collection:
Ad te levavi oculos, a12
SATB / SATB / TTBB
ed. in score and parts by B. Thomas
Da pacem, a6
SSATTB
ed. in score and parts by B. Thomas
Derelinquat impius, a10
SATTB / SATTB
ed. in score and parts by B. Thomas
Jubilate Deo, a8
SATB / ATBB
ed. in score and parts by B. Thomas
Jubilate Deo, a10
SSATB / ATTTB
ed. in score and parts by B. Thomas
Misericordiae tuae, a12
SATB / STB / TTBB
ed. in score and parts by B. Thomas
Regna terrae SATB / SATB
ed. in: 3 Double-choir motets for Bolognese nuns; ed. Smith / Dickey:
1. A. Trombetti: Regna terrae
2. G. Fattorini: Preparate corda vestra
3. G.B. Cesena: Cantabant sancti
Salve Regina, a8
SATB / ATTB
ed. in score and parts by B. Thomas
Tulerunt Dominum, a8
SATB / SATB
ed. in score and parts by B. Thomas
1294.R7
1295.R7
1296.R7
1297.R7
1298.R7
1299.R7
667.S11
1300.R7
1301.R7
Trujillo, A. de
26,--
Antonio de Trujillo
Asperges me SATB
see: Manuscripts: GCA-Gc 4: "A New World collection of polyphony for
Holy Week", ed. Snow: no. 25
Turini, G.
1302.R7
1303.R7
Gregorio Turini
c.1560 - c.1600
"Cantiones admodum devotae com aliquot psalmis Davidicis", Venice, 1589
motets for 4 equal voices
Editions:
Facsimile of the 3 partbooks of the ed. by Raveri, Venice, 1606
Hodie Christus natus est; TTTT; *ed. Haberl / Quack
68,- 1,20
b) Sources
c) Editions
a) List of Works
a) Mass:
1. Missa O Maria vernans rosa a5
b) Latin songs a2:
2. Fortitudo mea et laus
3. Qui capit uxorem
4. Vino nil salubrius / Non durant acquae diu
c) Chansons a2:
5. A demy mort par maladie
6. Amy de moy obly ne sois (response to: Sebille...)
7. Belles donns moy un regard
8. Cessez mes yeulx de tant vous tourmenter
9. En regardant par une traille
10. Je fais ma penitence
11. Las vols vous qu'une persone chante
12. Mon cueur se recommand' vous
13. Secours moy madame par amours
14. Sebille oyant d'un chascun
15. Susann' un iour
c) Latin songs a3:
16. Adesto dolori meo
17. Adiuro vos filiae Ierusalem
18. Angelus Domini
19. Benedic nos Domine
20. Deus virtutum convertere
21. Emendemus in melius
22. Erravi sicut ovis
23. Gratias agimus tibi
24. Heu mihi Domine
25. Ierusalem luge
26. In lectulo meo
27. In te Domine speravi
28. Mane nobiscum Domine
29. Nigra sum sed formosa
30. Pastores quidnam vidistis
31. Pater peccavi
32. Sancta Maria
33. Servus tuus ego sum
34. Veni in hortum meum
35. Venit ergo rex die septimo
d) Chansons a3:
36. Amour et crainte
37. A qui me dois je retirer
38. Celle qui m'a tant promenez
39. Cessez mes yeux
40. Craint' et espoir
41. Dueil double dueil
42. Du fond de ma pense
43. En attendant
1304.R7
nos. 5, 7 - 10, 12, 13 and an anonymous song from the same source (Je suis
deshrite; a2):
ed. B. Thomas
1305.R7
61,--
1306.R7
61,--
1307.R7
48 and 49:
ed. B. Thomas (set of 3 scores)
Utendal, A.
1308.R7
9,--
7,--
ALEXANDER UTENDAL
c.1530/40 - 1581
a) Motets; ed. I. Bossuyt
Monumenta Flandriae Musica, part 5
1. Plangent eum quasi unigenitum / Mulieres stantes et flentes SSATTB
2. Iubilate Deo omnis terra SSAATTBB
3. Ferdinande / Si tamen haec nequeant SSATB
4. Domine ne in furore / Miserere mei, Domine / Convertere SAATB
5. Introduxit me rex SATTB
6. Oculi omnium in te sperant / Iustus Dominus SATTB
7. Benedictus Dominus Deus Israel SATTB
8. In principio erat Verbum / Hic venit testimonium / In sua venit SAATTB
9. Mors tua / Quidquid erit tandem SSATBB
10. O Domine multi dicunt SATTBB
11. Fratres expurgate SSATTB
12. Adesto dolori meo SSATTB
13. Haec dicit Dominus SSAATTBB
14. Ecce quam bonum SATBB
15. Respice in me SATTB
16. Infima contemptum pariunt SSATB
Sources:
1568: "Novi thesauri musici liber primus...", Venice, A. Gardano (1)
1568:
1571:
1573:
1577:
86,--
1309.R7
c) Other editions
Ich ruf zu dir, Herr Jesu Christ, a5:
see: Collections: "8 Lied- & Choralmotetten", ed. Osthof
Plangent eum quasi unigenitum a6
from: "Novi thesauri musici liber primus...", Venice, A. Gardano, 1568
in: "Thesaurus musicus", volume 34; ed. W. Pass
1310.R7
11,--
1311.R7
Orazio Vecchi
1550 - 1605
"Missarum senis et octonis vocibus. Liber primus. Per Paulum Bravusium
mutimensem eius discipulum amantissimum. Nunc primum in lucem editus",
Venice, A. Gardano et fratres, 1607
4 masses by Vecchi, and 1 by his pupil P. Bravusi
from this collection:
Missa in Resurrectione Domini, a8 SATB / SATB
Cantate Domino
30,--
SATB
1312.R7
Vento, I. de
1,80
IVO DE VENTO
c.1543/45 - 1575
a) Complete Works; ed. A. de Groote / N. Schwindt-Gross
1313.R7
1314.R7
1315.R7
192,--
Volume II
a) "Latinae cantiones...quinque vocum", Mnchen, A. Berg, 1570
b) "Mutetae aliquot sacrae quatuor vocum...", Mnchen, A. Berg, 1574
in prep.
in prep.
b) Other Edition
"Quinque motetae, duo madrigalia, gallicae cantiones duae et quatuor germanicae...", Mnchen, 1575
from this collection:
2 German motets a5:
1. Mit Gott so wll'n wir's heben an
2. Fried gib mir, Herr, auf Erden
see: Collections: "8 Lied- & Choralmotetten", ed. Osthoff
Verdonck, C.
Cornelis Verdonck
1563 - 1625
Ave gratia plena a4
source: copper engraving by J. Sadeler after a painting of M. de Vos, 1584
see: Collections: "Chester Books of Motets", volume VI
Verovio, S.
Simone Verovio
fl 1575 - 1608
Giesu sommo conforto
SST and keyboard or lute accompaniment
see: Prints 1586/3: "Diletto Spirituale": no. 11
see: Collections: "Savonarolan laude , motets & chansons"
Vicentino, N.
NICOLA VICENTINO
1511 - c.1576
971.R5
mus.ms. 4480; D-Rp: AN 1, B: 237-240, 271274, A.R.: 853-854, 942-946, 985-986, 9861010, 1011-1017; PL-Wn 41958
60. Congratulamini mihi a6 P: 1, 6, 8-10, 14
61. Credidi propter quod, sexti toni a4 M: 151, 209; AW 24
62. Credo quod redemptor a5 P 11
63. Cum beatus Ignatius / Ignis a5 P: 1, 6, 9, 10, 14
64. Date ei de fructu a4 M 73; AW 25
65. De beata Maria a5 (mass) P: 2, 5
Decus egregie see: Doctor egregie
66. Descendit angelus / Ne timeas a5 P: 1, 6, 8-10, 14
67. Deus tuorum a4 P: 3, 13
68. Dic nobis Maria (Victimae Paschali) a8 P 12
69. Dies irae a5 M 158; AW 26
70. Dixit, I. Dominica adventus, octavi toni a4 (falsob.) M 199; AW 29
71. Dixit, II. Dominica adventus, secundi toni a4 (falsob.) M 199; AW 130
72. Dixit, III. Dominica adventus, primi toni a4 (falsob.) M 199; AW 131
73. Dixit, IV. Dominica adventus, primi toni a4 (falsob.) M 199; AW 132
74. Dixit, in Dominicis per annum ad vesperas, septimi toni a4 (falsobordone)
M: 141, 199; AW 28
75. Dixit Dominus a8 P: 3, 6, 9, 10, 12, 14
76. Dixit Dominus, primi toni a4 M 209; AW 27
77. Doctor bonus a4 P: 1, 6, 8-10, 14
78. Doctor egregie a4 P: 3, 13
79. Domine, ad adjuvandum a4 M: 135, 141, 199; AW 33
80. Domine in virtute tua a8 M: 154, 208; AW 34
81. Domine, non sum dignus / Miserere mei a4 P: 6, 9, 10, 14; PA 2
82. Dum complerentur a6 (mass) P: 2, 5
83. Dum complerentur / Dum ergo essent a5 (motet) P: 1, 6, 8-10, 14
84. Duo seraphim / Tres sunt a4 P: 6, 8-10, 14
85. Ecce Dominus veniet / Ecce apparebit a5 P: 1, 6, 8-10, 14; PA 4
86. Ecce nunc benedicte a8 P 12
87. Ecce nunc tempus acceptabile a4 M 154; AW 35
88. Ecce quomodo moritur justus a4 P 7
89. Ecce sacerdos magnus a4 P 8
90. Ego sum panis vivus a4 M: 137-139, 146, 148, 190, 199, 243; AW 36
91. Eram quasi agnus a4 P 7
92. Estote fortes in bello a4 P 8
93. Et Jesum I M 89 (lute tablature); AW 37
94. Et Jesum II a4 M 54; AW 38
95. Et miserecordia a3 P 12
96. Exultet coelum a4 P: 3, 13
97. Falsobordone octavi toni a5 M: 136, 199, 267; AW 43
98. Falsobordone primi et sexti toni a5 M: 136, 199, 267; AW 39
99. Falsobordone quarti toni a5 M: 136, 199, 267; AW 40
100. Falsobordone septimi toni a5 M: 136, 199, 267; AW 42
101. Falsobordone sexti toni a5 M: 136, 199, 267; AW 41
102. Gaude Maria virgo a5 P: 1, 6, 8-10, 14
103. Gaudeamus a6 (mass) P: 2, 5
104. Gaudent in coelis a4 P 8
105. Gloria, laus et honor a4 M 153; AW 44
106. Hic vir despiciens mundum a4 P 8
107. Hostis Herodes a4 P: 3, 13
li/Resurrexit 19.Alma redemptoris mater/Tu quae genuisti 20.Ecce Dominus veniet/Ecce aparebit Dominus 21.Cum beatus Ignatius/Ignis crux 22.Descendit
angelus Domine/Ne timeas 23.Gaude Maria virgo 24.Quem vidistis, pastores/
Dicite quidnam vidistis 25.Vadam et circuibo/Qualis est dilectus 26.Tu es Petrus/Quodcumque ligaveris 27.Vidi speciosam/Quae est ista 28.Benedicta sit
sancta Trinitas 29.O sacrum convivium 30.Surrexit Pastor bonis 31.Congratulamini mihi 32.Salve regina/Ad te suspiraumus/Et Iesum/O Clemens 33.Ave
Maria
P 2:
II: "...Liber Primus. Qui Missas, Psalmos, Magnificat, ad Virginem Dei Matrem
Salutationes. Alia que complectitur", Venice, A. Gardano, 1576
1.Missa Ave maris stella (a4) 2.Missa Simile est regnum coelorum (a4) 3.Missa
De Beata Maria (a5) 4.Missa Gaudeamus (a6) 5.Missa Dum complerentur (a6)
6.Ave maris stella (a4) 7.Anima mea Dominum, 1i. toni (a4) 8.Et exaltavit, 4i.
toni (a4) 9,Anima mea Dominum, 4i toni (a4) 10.Et exaltavit, 4i toni (a4) 11.Anima mea Dominum, 8i toni (a4) 12.Et Exaltavit, 8i toni (a4) 13.(I-19) 14.(I-17)
15.(I-18) 16.Salve regina/Ad te suspiraums/Et Iesum/O clemens (a5) 17.Salve
regina/Ad te suspiraums/Et Iesum/O clemens (a6) 18.(I-27) 19,Ardens est cor
meum (a6) 20.Nigra sum sed formosa (a6) 21.(I-29) 22.O Domine Jesu Christe (a6) 23a. Nisi Dominus (a8) 23b. Beatus vir qui implevit desiderium suum
(a8) 24.(I-33) 25.(I-32) 26.Regina coeli/Resurrexit (a8) 27.Super flumina Babilonis (a8)
P 3:
III: "...Hymni totius anni secundum sanctae Romanae Ecclesiae consuetudium,
qui quottuor concinuntur vocibus una cum quattuor Psalmis, pro praecipuis
festivitatibus, qui octo vocibus modulantur...", Rome, F. Zanietti, 1581
32 Hymns a4 & 4 Psalms a8:
1.Conditor alme 2.Christe redemptor, I 3.Salvete flores 4.Hostis Herodes 5.Lucis creator 6.Ad preces 7.Vexilla regis (Roman) 8.Ad cenam 9.Jesu nostra 10.
Veni creator 11.O lux beata 12.Pange lingua (Roman) 13.Quodcumque 14.
Doctor egregie 15.(II-6) 16.Ut queant laxis 17.Aurea luce 18.Lauda mater 19.
Petrus beatus 20.Quicumque Ghristi 21.Tibi Christe 22.Christe redemptor, II
23.Exultet coelum 24.Tristes erant 25.Deus tuorum 26.Sanctorum meritis 27.
Rex gloriae 28.Iste confessor 29.Jesu corona 30.Huius obtenu 31.Urbs beata
32.Pange lingua 33.Dixit Dominus (a8) 34.Laudae pueri Dominum (a8) 35.(II23a) 36.Laudate Dominum omnes gentes (a8)
P 4:
IV: "...Cantica B. Virginis vulgo Magnificat quatuor vocibus una cum quatuor
antiphonis beatae Virginis per annum: quae quidem, partim quinis, partim
octonis vocibus concinuntur...", Rome, F. Zanetti, 1581
20 Magnificat & 4 Marian Antiphones:
(nos. 1-16: a4; nos. 17, 19, 21, 23: a5; nos. 18, 20, 22, 24: a8)
1.(II-7) 2.(II-8) 3.Anima mea, 2i toni 4.Et exaltavit, 2i toni 5.Anima mea, 3i toni 6.Et exaltavit, 3i toni 7.(II-9) 8.(II-10) 9.Anima mea, 5i toni 10.Et exaltavit,
5i toni 11.Anima mea, 6i toni 12.Et exaltavit, 6i toni 13.Anima mea, 7i toni 14.
Et exaltavit, 7i toni 15.(II-11) 16.(II-12) 17.(I-19) 18.Alma redemptoris mater
19.(I-17) 20.Ave regina coelorum 21.(I-18) 22.(II-27) 23.(II-16) 24.(I-32)
P 5:
V: "...Missarum Libri Duo quae partim quaternis, partim quinis, partim senis
ii. Anthologies
PA 1:
G.B. Bovicelli: "Regole, passagi di musica, madrigali, e motetti passeggiati",
Venice, G. Vincenti, 1594
includes an embellished cantus part for "Vadam et circuibo"
PA 2:
"Florilegium omnis fere generis cantionum suavissimarum ad testudinis tabulaturam ac commodatarum, longe iucundissimum. In quo praeter fantasias lepidissimus, continentur diversorum authorum cantiones...redacta per Adrianum
Denss", Kln, G. Grevenbruck, 1594
lute tablature including the motet: O quam gloriosum & Domine non sum dignus
PA 3:
"Thesaurus litaniarum. Quae a praecipuis hoc aevo musicis, tam in laudem
sanctiss. Nominis Iesu, quam in honorem Deiparae Coelitumqeu omnium,
quatuor, quinque, sex, plurium vocum compositae: ad communem vero Ecclesiae usum collectae, opera & studio Georgi Victorini in aede D. Michaelis",
Mnchen, A. Berg, 1596
includes: Litanie a8
PA 4:
"Florilegium sacrarum cantionum quinque vocum pro diebus dominis & festis
totius anni, e celeberrimis nostri temporis musicis", Antwerpen, Phalse, 1609
includes nos.: 6, 13, 26, 85, 188 and 224 (see alphabetical list above)
PA 5:
"Promptuari musici concentus ecclesiasticus II. III. et IV vocum cum basso
continuo & generali, organo applicato, ediversis, usque illustrissimis et musica
laude praestantissimus juius statis authoribus collectos exhibentis. Pars Prima.
Collectore Joanne Donfrido Scholaebec caro-Rottenburgensium rectore",
Strasbourg, P. Ledertz, 1622
includes the motet: O magnum mysterium with an added figured bass
PA 6:
"Officium Majoris Hebdomadae...Brigantiae Dis. Vincentius Perez Petroch
Valetinus Sacrosanctae Basiliae Patriarchalis Ulixbonen. ...", Lissabon,
1735-1736
Volume 12 in this series contains nos.46, 127, 133, 211 and 215 (see alphabetical list above); volume 15 contains nos. 185 and 218, and vol. 16 no. 211
c) MANUSCRIPT SOURCES
NB: numbers in parentheses refer to the alphabetical list above)
Only the manuscript sources containing works not included in early printed
editions are listed here (works in these manuscripts which were printed are
mentioned as well)
A-Wn: mus. 16698 (97-101)
B-Bc: XY 15018 (84, 120, 156, 166, 192, 201, 212, 215, 272)
D-B: mus.ms.: 22341 (42, 263, 272), 30372 (120, 211)
D-B: mus.ms. Alfieri 2, Raccolta di musica sacra, vol. 2 (120, 201)
D-B: mus.ms. Landsberg 211 (42, 81)
D-B: mus.ms. Winterfeld 2 (4, 201, 250, 263, 272) and 37 (4, 215, 272)
D-Mbs: Cod.Lat. 1512/3 (33), Ed 444 (18), Mk 805 (18) and 2 Mus. Pr. 23
Handschriftlicher Beiband (= Meier 13; 21, 18, 79, 110)
D-Mbs: mus.ms.: 72 (79), 89 (18, 97-101, 240, 258), 263 (organ tablature;
279), 1073 (33, 42, 90), 1076 (90), 1536 (20, 43, 90, 200,
268, 279, 281), 1640 (organ tablature; 11, 13, 43, 59, 63,
66, 81, 83, 84, 185, 197, 200, 201, 219, 250, 253, 263,
268, 272, 281), 4784 (all 33 hymns; 22, 28, 33, 42, 90,
226, 235, 250, 263).
D-Md: Santini: 1200 (33, 42, 90)1209 (280), 1218 (40, 56, 61, 141, 148,
136, 179), 1525 (32, 81, 254), 2762 (77, 105, 151, 176,
195, 201, 207, 208, 211, 215, 238, 272), 3590 (63, 80, 81,
84, 87, 195, 197, 247, 272) and 4984 (69)
D-Rp: C.101 (90), M Mattei 32 (225), M Palestrina I (16), M Palestrina VI
(27, 109, 117, 181, 249) and M Victoria I (all 33 hymns from the
1581 print; all works from "Officium hebdomadae sanctae", 1585;
1, 5-7, 11, 13-15, 18, 20, 24, 26, 28, 33-38, 42, 43, 51-55, 60, 63,
66, 70-75, 77, 79, 81, 84, 85, 87, 89, 90, 92, 97-102, 104, 106,
110-115, 118, 125, 138, 140, 142-147, 149, 152, 154, 176-178,
180, 185, 188, 189, 190, 192, 193, 195, 197, 200, 201, 211, 215,
219, 226, 228, 232, 235, 238, 40, 241, 243, 247, 250, 251, 253,
255, 258, 261, 263, 268, 271, 275, 279.
D-Rtt: F.K. Musik Nos: 21 (organ tablature; 59), 22 (organ tablature; 6, 26,
26, 59, 66, 102, 177, 185, 241, 263) and 24 (13, 63, 77, 177, 192,
199, 217, 253).
E-CU: Libro 5 (206, 218)
GB-Lbl: Add.: 18936-9 (3, 12, 14, 63, 102, 124, 188, 189, 212, 218, 236,
260, 277, 278) and 29246 (lute tablature: 93, 176, 231, 241)
GB-Lcm: 2041 (missing since the 1960s; medius only of: 7, 11, 28, 82, 103,
200, 226, 234, 235) and 2089 (lute tablature; 6, 85, 182)
GB-Ob: Tenbury: 590-597 (25, 32, 77, 84, 85, 89, 92, 102, 104, 106, 154,
190, 192, 193, 198, 225, 228, 241, 271), 628 (32) and
740 (44)
I-Bc: Q 37 (126)
I-Fa: Antologia 174-1584 (21, 269) and 223-2249 (1, 21, 48, 50, 67, 96,
107, 117, 119, 121, 153, 269).
I-Fc: A.921 (212) and E.117 (13, 64, 77, 83, 89, 92, 104, 106, 118, 154,
162, 176, 183, 190, 192, 193, 198, 201, 215, 217, 238, 241, 271, 272
I-Rc: 2295 (280)
I-Rli: misc. N.2. Musica M 14 (42, 177)
I-Rn: mus.: 117-121 (80, 247) and 130 (39, 40, 56, 57, 61, 76, 136, 141,
148, 179).
I-Rvat: Cap. Giulia 484-489 (31, 32, 77, 273)
I-Rvat: Chigi Q.IV.19 (1, 21, 47, 117, 153, 206)
MEX-Pc: 1 (230)
PL-LEtpn: 111 (19, 224, 232)
S-E: s.s. (206)
S-Skma: K-R (90, 250)
US-BE: 342 1846 (42, 120 and 192)
US-NH: Rinck Collection: Ma 21-Y 11-A 16-LM 661 (13, 66, 83, 120, 151)
d) MODERN EDITIONS
work numbers refer to the alphabetical list above
1316.R7
1317.R8
1318.R7
1319.R7
1320.R7
1321.R7
1322.R7
1323.R7
1324.R7
46,--
39,--
89,--
23,--
23,--
23,--
23,--
15 Motets a4:
reprint of (ed. H. Buerle)
nos. 89, 92, 104, 106, 118, 176, 190, 192, 193, 201, 211,238, 241, 271,272
14,50
Officium defunctorum
nos. 151, 213, 251 and 273; see: P15
ed. S. Rubio, rev. by A. de Vincente
135,--
1325.R7
7,--
1326.R7
8,--
1327.R7
SATB / SATB
1328.R7
1329.R7
1330.R7
17,50
7,--
16,--
7,--
1332.R7
1333.R7
7,--
1334.R7
7,--
1335.R7
1336.R7
1337.R7
4,50
1338.R7
14,--
1339.R7
1340.R7
4,50
1341.R7
1,20
1342.R7
16,--
1343.R7
1,60
1344.R7
1,20
1331.R7
2,50
1,60
11,50
7,--
5,--
1345.R7
1346.R7
*ed. Haberl
from no. 99: Laetatus sum, quarti toni
*ed. th. Schrems
1,60
SATBB
1,20
1347.R7
1348.R7
1349.R7
4,50
4,- 2,--
1350.R7
21,--
1351.R7
12,--
1352.R7
9,--
1353.R7
8,--
1354.R7
1355.R7
7,--
1356.R7
8,--
SATB:
10,--
1357.R7
10,--
1358.R7
12,--
1359.R7
1360.R7
5,--
7,--
1361.R7
4,--
12,--
1366.R7
1367.R7
12,--
1369.R7
16,- 2,80
1370.R7
nos. 191 and 192: O quam gloriosum (mass & motet); SATB:
ed. Rive in pocket score
1371.R7
18,--
1372.R7
3,60
1,60
3,--
1362.R7
1363.R7
1364.R7
1365.R7
1368.R7
1373.R7
1374.R7
1375.R7
1376.R7
1377.R7
1378.R7
1379.R7
11,50
4,- 2,50
7,--
SATB:
2,50
1,60
1380.R7
SATB:
1381.R7
15,--
1382.R7
4,50
1383.R7
1384.R7
7,--
1385.R7
8,--
1386.R7
8,--
1387.R7
9,--
2,50
11,50
1389.R7
16,- 16,--
1390.R7
4,50
1391.R7
4,50
1392.R7
1388.R7
SATB:
5,--
1395.R7
19,- 73,--
1396.R7
15,--
1397.R7
1398.R7
1393.R7
1394.R7
8,--
7,--
1,60
*ed. Haberl
1399.R7
1,60
1400.R7
1401.R7
4,50
1402.R7
2,50
1403.R7
9,--
1404.R7
7,--
1405.R7
7,--
1406.R7
6,--
1407.R7
4,--
11,50
SATB:
1409.R7
4,50
1,60
1410.R7
no. 275: O crux ave ( = 6th verse of the hymn: Vexilla regis) SATB:
*ed. P.M. Young
2,50
1411.R7
7,--
1412.R7
8,--
1408.R7
Villanueva, M. de
Martn de Villanueva
died 1605
List of works:
1. Missa de Nuestra Seora, con el canto llano SATB
2. Kyries con el canto llano SATB
3. Passio Domini Nostri Jesu Christi secundum Matthaeum SATB
4. Christus factus est SATB
5. Ps. 50: Miserere SATB
6. De lamentatione Jermiae prophetae. Feria VI in parasceve, ad matutinum
Lectio prima: Teth (Cogitavit dominus) SATB
7. Passio Domini Nostri Jesu Christi secundum Joannem SATB
8. Positus Jesus in agnoia SATB
1413.R7
Vinci, P.
42,--
PIETRO VINCI
c.1535 - 1584
"Il secondo libro dei motetti a cinque voci", Venice, 1572
from this book:
Mirablie mysterium
see: Collections: "Chester Books of Motets", volume X
Sonetti spirituali, 1580
1414.R7
49,--
"Di Pietro Vinci siciliano della citt1a di Nicosia il secondo libro de motetti e
ricercari a tre voci con alcuni ricercari di Antonio il Verso suo discepolo.
Nuovamente dati in luce...", Venice, herede di G. Scotto, 1591
This collections contains 7 ricercari a3 by Vinci and 7 ricercari a3 by Il Verso
ed. Sciarrino/Carapezza
from this collection:
Angelus ad pastores ait; SAT:
*ed. Haberl
Ave Maria gratia plena; SAT:
*ed. Haberl
Gaude, Barbara beata; 3 equal voices:
*ed. Haberl
O admiralibe; SAT:
*ed. Haberl
Quem vidistis pastores; SAT:
*ed. Haberl
Surrexit pastor bonus; 3 equal voices:
*ed. Haberl
454.R8
1415.R7
1416.R7
1417.R7
1418.R7
1419.R7
1420.R7
Vivanco, S. de
63,--
1,20
1,60
1,60
1,20
1,20
1,60
SEBASTIAN de VIVANCO
C.1551 - 1622
1. List of Works
2. Editions
1. List of Works
a) "Libro de Misas", Salamanca, A. Taberniel, 1608:
1. Missa Assumpsit Jesus a5
2. Missa in festo Beata Maria Virgine a4
3. Missa Beata Virgine in sabbato a4
4. Missa Crux fidelis a6
5. Missa Doctor bonus a4
6. Missa In manus tuas a8 (incomplete)
7. Missa O quam suavis es, Domine a4
8. Missa quarti toni a4
9. Missa sexti toni a4
10. Missa super octos tonos a4
b) from E-GU s.s. (2), olim II:
11. Officium et Missa defunctorum
c) "Liber Magnificarum...", Salamanca, A. Taberniel, 1607:
12a-r. Eighteen Magnificat settings
d) "Liber motectorum...", Salamanca, A. Taberniel, 1610:
unique copy (cathedral of Toledo) is incomplete: the title page and pages 1-2,
17-36 and 59-112 are missing; 30 motets have survived complete, 6 are
incomplete and ca. 15 are lost.
contents (works in italics are incomplete):
13. Benedictus Deus a6 SAB
14. Aperi oculos tuos Domine SAATB
15. Domine Pater et Deus vitae meae SATB
16. Ibant apostoli guadentes a5 ST
17. ? Amen, amen dico vobis SSAATTBB
18. Haec est vera fraternitas SSATB
19. Ecce sacerdos magnus SSATTB
SATB
2627.S11
54,--
1421.R7
no. 4:
ed. B. Turner
2628.S11
11,--
2629.S11
no. 19:
*ed. M. Imrie
4,50
2630.S11
no. 24:
*ed. M. Imrie
7,--
1422.R7
no. 33:
*ed. L.D. Nuernberger
7,--
2631.S11
no. 45:
*ed. M. Imrie
2632.S11
no. 47:
*ed. B. Turner
7,--
1423.R7
no. 50:
*ed. B. Turner; SSATBarB
7,--
2633.S11
10,--
2634.S11
14,--
1424.R7
no. 51:
*ed. L.D. Nuernberger
4,50
1425.R7
no. 52:
*ed. L.D. Nuernberger
8,--
1426.R7
no. 53:
*ed. L.D. Nuernberger
7,--
1427.R7
no. 54:
*ed. L.D. Nuernberger
1428.R7
no. 55:
*ed. L.D. Nuernberger
7,--
1429.R7
no. 56:
*ed. L.D. Nuernberger
7,--
1430.R7
no. 57:
*ed. L.D. Nuernberger
20,50
4,50
4,50
4,50
2635.S11
nos. 58-60:
ed. L.D. Nuernberger
14,--
1431.R7
no. 58:
*ed. L.D. Nuernberger
7,--
1432.R7
no. 59:
*ed. L.D. Nuernberger
7,--
1433.R7
no. 60:
*ed. L.D. Nuernberger
7,--
2636.S11
no. 61:
*ed. L.D. Nuernberger
7,--
1434.R7
no. 62:
*ed. L.D. Nuernberger
Vogelhuber, G.
4,50
Georg Vogelhuber
Johannes Wanning
1537 - 1603
1435.R7
2,50
1436.R7
2,50
329.S11
2 Motets:
1. Judica me Deus
Psalm motet for SSAATTBB from his : "Sacrae Cantiones 5, 6, 7 et 8
vocibus...", Nrnberg, C. Gerlach & heirs of J. Montanus, 1580
2. Ascendo ad patrem
Ascension motet for SATTB from his: "Sacrae Cantiones 5 et 6 vocum accomodatae ad dies festos totius anni...", Venice, A. Gardano, 1590
Included in:
"Danziger Kirchenmusik. Vokalwerke des 16. bis 18. Jahrhunderts"
Critical edition in score, and introduction (in German) by F. Kessler:
1. F. de Rivulo: Verbum caro factum est SATB (from PL-GD 4003)
2. F. de Rivulo: A solis ortus cardine/Beatus autor saeculi SATB (same source)
3. F. de Rivulo: Alleine Gott in der Hhe sei Ehr SATB (same source)
4. F. de Rivulo: Descendit angelus Domini SATB / SATB from "Thesaurus
musicus...Tomo I...", Nrnberg, Montanus & Neuber, 1564 and from mss.:
PL-GD 4003, D-Rp A.R. 791, D-Mbs 1536 and D-Dl Grimma 49/50.
5. H. Lampadius: Victimae paschali laudes / Agnus redemit oves.
Easter motet for SSATTB from PL-GD mss: 4005 and 4007
6. H. Lampadius: Gratos nunc omnes reddamus
Christmas motet for SSATTB from PL-GD ms. 4005
GIACHES DE WERT
1535 - 1596
Sacred Works
A. Opera Omnia
B. Works not included in the Opera Omnia
C. Other Editions
A. Opera Omnia
ed. C. MacClintock (secular works) & M. Bernstein (sacred works
Volumes I-X, XII, XIV and XV: see section Secular Music
1437.R7
Volume XI
Motets a5, book I (1566)
"Iaches Vuert Musici suavissimi ac chori illustriss. et excellentiss. Ducis Mantua
Magistri musices, vel (ut dicunt) Motectorum quinque vocum liber primus nunc
primum in lucem editus. Cum privilegio. Venetiis apud Claudium Coregiatem,
et Faustum Bethanium Socios, 1566
1. Omnia in vero iudicio
2. Noli timere, populus meus
3. Omnis homo
4. Clama ne cesses / Me etenim
5. Cum intrasset Jesus / Et intravit Jesus
6. Nolite esse prudentes / Non vos metipsos / Sed si esurierit
7. Domine, si tu es / Cumque vidisset
9. Tu Deus clemens
8. Transeunte Domino
10. Qui vindicari vult
1438.R7
1439.R7
1440.R7
88,--
Volume XIII
Motets a5, book II (1581)
"Il Secondo Libro de Motetti a cinque voci novamente posti in luce",
Venice, the heirs of G. Scotto, 1581
20. Hoc est praeceptum meum / Vos amici
21. Hoc enim sentite in vobis / Propter quod
22. Hora est iam nos / Sicut in die
23. Providebam Dominum / Quoniam non derlinques
24. Obsecro vos fratres / Nolite conformari
25. Jerusalem, Jerusalem / Ecce relinquetur
26. Amen, amen dico vobis / Mulier cum parit
27. Domine, tu es qui fecisti / Quaere fremuerunt
28. O crux ave, spes unica
29. Angelus Domini astitit
30. Benedicta sit sancta Trinitas
31. Gaudete in Domino
32. Vox in rama
69,--
Volume XVI
Motets a6, book I (1581)
"Iaches Vuert, Modulationum cum sex vocibus. Liber Primus.
Nunc primum in lucem aeditus", Venice, heirs of G. Scotto, 1581
33. Deus iustus et salvans
34. Quiescat vox tua a ploratu / Revertentur filia
35. O Altitudo / Quis enim cognavit
36. Ascendente Jesu in naviculam / Domine salva nos
37. Contendite intrare / Domine aperi nobis
38. Peccavi super numerum / Quoniam iniquitatem
- (Adesto dolori meo = no. 19)
39. Vox clamantis in deserto
40. Tamquam ovis / In humilitate
41. Beata Barbara / Gloriosam mortem
42. Virgo Maria hodie / Quasi flos rosarum
43. Egressus Jesus a7
44. Saule, Saule
88,--
Volume XVII
Two Masses & Lesser Liturgical Works
45. Missa dominicalis a5
46. Missa Transeunte Domino a5
47. Magnificat I a4
48. Magnificat V a4
49. Magnificat VII a4
82,--
1441.R7
7,--
no. 16:
see: Collections: "Das Musikwerk", volume X
1442.R7
1443.R7
1444.R7
1445.R7
4,50
7,--
4,50
7,--
1446.R7
8,--
ROBERT WHITE
c.1538 - 1574
a)
b)
c)
d)
1447.R7
1448.R7
115,--
GB-Ob Tenbury: 341: S (11a), 354-358: CQATB (9a-b), 389: C (14), and
1464: B (9) and 1486: T (11)
GB-Och 45: table book (9a-b) and979-983: T lacking (7-14)
US-NYp Drexel 4180-4185: CATBQSx (8)
private collection: the Willmott ms.: Ct (11)
1449.R7
115,--
1450.R7
17,50
Wolkenstein, D.
David Wolkenstein
1534 - 1592
editor of the collection of psalms:
"Psalmen: mit 4 Stimmen zu singen in den Kirchen und schulen in Strassburg",
Strasbourg, 1577
from this collection:
3 Psalms a4 by Wolkenstein:
1. Wol dem menschen der wandelt nit
2. Hilff Gott wie geht es immer zu
3. Ach Her wie sind meiner Feind so viel
see: Manuscripts: D-Usch 235 (nos. 39-41)
Wullinus, H.
H. Wullinus
Maria Freud, ohn alles Leid, a5:
see: Prints 1604/7: "Rosetum Marianum"
Zacchino, G.
1451.R7
Zacharia, C. de
1452.R7
1453.R7
1454.R7
1455.R7
15.--
Cesare de Zacharia
fl 1590 - 1597
"Intonationes vespertinarum", Mnchen, A. Berg, 1596
falsobordoni a5 and hymns a4
from this opus:
4 Hymns a4:
1. Danket dem Herrn, denn er ist gtig
2. Ihr Vlker alle, klatscht in die Hnde
3. Lobe den Herrn, meine Seele
4. Von den Taten deiner Huld, Herr
*ed. Carus SATB
3 Hymns a4 (SATB):
1. Gott sei uns gndig und segne uns
2. Singet...alle Lnder
3. Singet...denn er hat
4. Verleih dein Richteramt, o Gott
*ed. Carus
Der Herr ist Knig SATB
*ed. Carus
Eile, Gott, mich zu erretten SATB
*ed. Carus
1,80
1,80
1,80
1,80
SATB
1456.R7
1,20
1457.R7
Zngel, N.
SATB
1,20
Narcissus Zngel
c.1555 - after 1607
Matthias Zaphelius
before 1550 - after 1572
1458.R7
10,--
1459.R7
10,--
Zappler, A.
Augustin Zappler
Congratulamini nunc omnes, a5
(sources: D-Mbs mus. 1640 and 4480; D-Rp A.R. 854-854 and 996-1010)
see: Manuscripts: D-Usch 122 (no. 21)
Zindelin, Ph.
Philipp Zindelin
c.1550 - 1622
Maria fein, dein Gnad mich b'schein, a5:
see: Prints 1604/7: "Rosetum Marianum"