Professional Documents
Culture Documents
Primary Sources
Hemingway, Ernest, The Sun Also Rises. New York Charles Scribners Sons, London. 1927
A Farewell to Arms. New York: Charles Scribners Sons, London. 1929.
Arnold, Mathew. The functions of criticism in Out Lime. Essays OUP, 1914.
Aldridge, John. Hemingway Between Triumph and Diastcr, Saturday Review 1970.
Green hills of Africa. New York and London: Charles Scribners Sons, London, 1936
To Have and Have not. New York: Charles Scribners Sons, London, 1937.
For Whom the Bell Tolls. New York: Charles Scribners Sons, London, 194!.
Across the River and info the Trees. London: Jonathan Cape. New York: Charles Scribners
Sons, 1950.
The Old man and the Sea. New York: Charles Scribners Sons, London. 1952,
A Moveable Feast. New York: Charles Scribners Sons, London. 1964.
The Complete Short Stories. The Finca Vigia Edition. New York: Charles Scribners Sons,
1987.
Shakespeare, William Alls Well That Ends well. W.W. Norton Press, Jan. 2004.
As You Like It. USA: Oxford University Press, 2005.
The comedy of Errors. USA: Oxford University Press, 2005.
Baker, Carlos. Ernest Hemingway: A Life Story. New York: Charles Scribners Sons,
1969.
__________ Ernest Hemingway: Selected Letters, 1917-1961. Ed. Carlos Baker. New
York: Charles Scribners Sons, 1981.
__________ Hemingway: The Writer as Artist. Princeton. NJ: Princeton University Press.
1952.
__________. The Two African Stories. Hemingway: A Collection of Essays. Ed. Robert
P. Weeks. Englewood Cliffs, NJ: Prentice Hall, Inc., 1962.
Bauer, Margaret D. Forget the Legend and Read the Work: Teaching Two Stories by Ernes:
Hemingway. College Literature 30.3 (2003): 124-137.
Baym, Nina. Actually I Felt Sorry For the Lion. New Critical Approaches to The Short
Stories of Ernest hemingway. Ed. Jackson J. Benson. Durham: Duke
University Press. 1990: 112-120.
Barry, P. Beginning Theory: An Introduction to Literary and Cultural theory. Manchester
University Press, 1995.
Barthes, Roland. Introduction to Structural Analysis of Narrative in Image Music
Text selected and translated by Stephen Heath (London, 1977)
____________. The Death of the Author, London, 1968 rpt. (1984).
____________. From Work to Text, Textual Strategies, Ithaca. New York: Cornwell
University Press, 1979.
Bakhtin, Mikhail, The Dialogic Imagination: Four essays. University of Texas Press.
1981.
______________. Problems of Dostoyevsky s Poetics, 1984.
Bakhtin, Mikhail/ V.N. Volorinor. Marxism and the Philosophy of Language. Harvard
University Press, 1986.
Beck Warren. The Shorter Happy Life of Mrs. Macomber. Modern Fiction Studies
21(1955): 28-37.
Beegel, Susan F. The Critical Reputation of Ernest Hemingway. The Cambridge
companion to Hemingway. Ed. Scott Donaldson. New York: Cambridge
University Press, 1996: 269-299.
Bennett, Warren. Thats Not Very Polite: Sexual Identity in Hemingways The Sea
Change. Hemingway s Neglected Short Fiction: New Perspectives. Ed.
Susan F. Beegel. Ann Arbor: UMI Research Press. 1989: 225-245.
Benson, Jackson J. The Writer s Art of Self-Defence. Minneapolis: University of
Minnesota.
1969.
Bloom, Harold. The AnxiLIy of Influence: A Theory of Poetry New York: OUP, 1973.
______ A Map of Misrouding. New York. OUP, 1975.
Boese. Gil K. Under Kilirnanjaro: The Other Hemingway. The Hemingway Review 25:2
(2006): 114-118.
Boutelle, Ann Edwards. Hemingway and Papa: Killing the Father in the Nick Adams
Fiction. Journal of Modern Literature 9 (1981-1982): 133-146.
Brenner, Gerry. Concealments in Hemingways Works. Columbus: Ohio state University
Press, 1983.
____________.From Sepi Jingan to The Mother of a Queen: Hemingways Three
Epistemologic Formulas for Short. Fiction. New Critical Approaches to the
Short Stories of Ernest Hemingway. ed. Jackson J. Benson. Durham, NC:
Duke University Press, 1990: 156-17 I.
Brian, denis. The True Gen: An Intimate Portrait of Hemingway by Those Who Knew Him.
New York: Grove Press, 1988.
Burwell, Rose Marie. Hemingways The Garden of Eden: Resistance of Things Pastand
Protecting the Masculine Test. Texas Studies in Literature and Language 35:2
(Summer 1993): 198-225.
Burgers, Anthony. Ernest Hemingway and this world, NY: Charles Suibners Sons 1978.
_____________. Hemingway: The Postwar Years and the Posthumous Novels, Cambridge:
Cambridge University Press, 1996
_____________ Somethings Lost and Somethings Gained. The Hemingway Review 19:1
(FaIl 1999): 20-23.
Crane, R.S. The Concept of Plot and the Plot of Tom Jones, Chicago Uni. Press.
Cheatham, George. The Unhappy Life of Robert Wilson. Studies in Short Fiction 26:3
(Summer 1989): 34 1-345.
Cowley, Malcom. Potrait Mister Papa, from life rpt. In McCaffery 1969.
____________. A Double Life, Half Told, Atlantic Monthy 1970.
DeFalco, Joseph. The Hero in Hemingways Short Stories. Pittsburgh: University of
Pittsburgh Press, 1963.
_____________ Initiation (Indian Camp and The Doctor and the Doctors Wife). The
Short Stores of Ernest Hemingway: Critical Essays. Ed. Jackson J. Benson.
Durham. NC: Duke University Press, 1975: 159-167
Del Gizzo, Suzanne. Going Home: Hemingway, Primitivism, and Identity. Modern Fiction
Studies 49:3 (2003): 496-523.
___________.A Lie By Noon? The Hemingway Review 19:1 (Fall 1999).
Devost, madine. Hemingways Girls: Unnaming and Renaming Hemingways Female
Characters. The Hemingway Review 14:1 (Fall 1994): 46-59.
Dahiya, B.S. The Hero in Heminmgway. Bahri Publications, 1978.
Dodsworth. Martin. Criticism Now: The Abandonment of Tradition, New Palican Guide to
English Literature. London Pelican Books, 1987.
Donaldson, Scott. Ed., The Cambridge Companion to Hemingway. Cambridge: Cambridge
University Press, 1996.
Flora, Joseph M. Hemingway s Nick Adams. Baton Rouge: Louisiana State University Press,
1982.
Flower. Dean. Desegregating the Syllabus. Hudson Review 46:4 (Winter 1994):680-690.
Frohock, W.M. Ernest Hemingway: Videnu and Discipline, Review, xxxii(1947)
Gadjusek, Robert. Elephant Hunt in Eden: A Study of Old and New Myths and Other
Strange Beasts in Hemingways Garden. The Hemingway Review 7 (FaIl
1987): 15-19.
Gates, Henry Louis, Jr. The Masters Pieces: On Canon Formation and the AfricanAmerican Tradition. South Atlantic Quarterly 89 (1990): 89-111.
Geinsmar, Maxwell. Hemingway: You Couls Always Come Back. CUP, 1942.
Girard, Rene. Deceit. Desire, and the Novel: Self and Other in Literary Structure. Tr. Yvonne
Frcecero. Baltimore: Johns Hopkins University Press, 1972.
Gladwell, Malcolm blink: the Power of Thinking Without Thinking. New York: Little. Brown
and Company, 2005.
Gordon, David J. Some Recent Novels: Connoisseurs of Chaos, Yale Review, 1971.
Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago: The
University of Chicago Press, 1991.
Habennas J, Legitimation Crisis. Boston: Beacom Press. 1975.
Hannum, Howard, Nick Adams and the Search for Light. New Critical Approaches to the
Short Stories of Ernest Hemingway. Ed. Jackson .1. Benson, Durham. NC:
Duke University Press, 1990: 45-54.
Harland, Richard. Introduction; Superstructuralism. London: Mcthwn 1987 Hawthorne,
American Literature, U.S.A. Co. 1964.
Hays, Peter L. Hemingways Use Of A Natural Resource: Indians. Hemingway and the
Natural World. Ed. Robert E. Fleming. Moscow, Idaho: University Of Idaho
Press, 1999: 4554.
Halliday, E.M. Hemingway: You Could Always come Back. CUP. 1942.
Hemingway, Ernest The Art of Fiction XXI: Ernest Hemingway. Interview by George
Plimption. Paris Review 18 (Spring 1958): 61-89.
Hemingway, Jack. Misadvenuires of a Fly Fisherman: My Life with and Without Papa. New
York: McGraw-Hill. 1987.
Hemingway, Leicester. My Brother Ernest Hemingway. London: Weidenfeld & Nicolson,
1962.
Hemingway, Lorian, Ernest Hemingways Farewell to Art. Rolling Stone, June 5, 1986
Hlemingway, Marcelline. At the Hemingways. Boston and Toronto: Little, Brown and
Company, 1961.
Hemingway, Mary Welsh. How It Was. New York: Alfred A. Knopf, 1976.
Hemingway, Patrick. An Evening with Patrick Hemingway. The Hemingway Review 19:1
(Fall 1999): 8-16.
Howe, Irving, New Republic rept. In Meyers 1985.
Hooks, bell. Talking Back Boston South End, 1989.
Hovey, Richard. Hemingway: The inward Terrain: University of Washington Press, 1968.
Hotchncr, A.E. Papa Hemingway, NY: Random House, 1966.
Hutton. Virgil The Short Happy Life of Francis Macomber University Review (Kansas
City) 30 (Summer 1964): 253-263.
Jenks, Tom. An Interview with Tom Jenks. Dictionary of Literary Biography: Yearbook
1986, Ed. J.M. Brook. Detroit: Gale. 1987: 79-87.
Johnston, K.J. In Defense of the Unhappy Margot Macomber. The Hemingway Review
2:11(1983:44-47.
Johnson, Edger. Farewell the Separate Peace: The Rejections of Ernest Hemingway in The
Man and His Work ed. John K.M. Mc Caffery, NY: The World Publishing Co.,
1950.
Josephs, Allen. In Papas Garden. The Hemingway Review 6 (1986): 113.
Kaplan, Harold, The Death of Love in Sun Also Rises, Charles Scribners Sons 1962.
Kashkeen, Ivan. Alive in the Midst of Death ed. Carlos Baker 1961.
Kemp, Peter. Chopping and Changing. Times Literary Supplement, 63:2 (1991): 187- 207.
Kert, Bernice. The Hemingway Women. New York: W.W. Norton & Company, 1983.
Kolodny Annette. The Lay of the Laid. Metaphor as Experience and History in American
Life and Letters. Chapel Hill, NC. The University of North Carolina Press,
1975.
Kristcva, Julia, The Bounded Text, New York International Publishers, 1973.
Lawrence, D.H. Classic American Literature, Penguin Group. 1977.
Lee, Robert. Ernest Hemingway: New Critical Essays Totowa vision 1983.
Lewis, R. W. B. The American Adam: Innocence, Tragedy and Tradition in the Nineteenth
Century. Chicago: The University of Chicago Press 1955.
Lewis Robert W. Long Time Ago Good, Now No Good: Hemingways Indian Stories.
New Critical Approaches to the Short stories of Ernest Hemingway. Ed.
Jackson J. Benson. Durham: Duke University Press, 1990: 200-2 12.
___________The Making of Under Kilimanjaro. The Hemingway Review 25:2 (2006):8790.
Lynn. Kenneth. Hemingway. New York: Simon and Schuster, 1987.
Maeir, Kevin. Hemingways hunting: An Ecological Reconsideration. The Hemingway
Review 25:2 (2006): 1 19-122.
Magaw, Malcolw. The Fusion of History and Immediacy: Hemingways Artist-Hero in The
Garden of Eden. Hemingwav: Seven Decades of Criticism. Ed. Linda
___________.The Young Hemingway. New York: W.W. Norton & Company, 1986.
Rich, Adrienne. On Lies, Secrets, and Silence. New York: W.W. Norton & Company, 1979.
Riley, Denise. Am I That Name? : Feminism and the category of Woman in History.
London: The Macmillan Press, 1988.
Rouch Johns. Jake Barnes as Narrator, Modern Fiction Studies 1956-66.
Roe. Steven C. Opening Bluebeards Closet: Writing and Aggression in Hemingways The
Garden of Eden Manuscript. The Hemingway Review 12:1 (Fall 1992): 5266.
Romines, Ann. The Home Plot: Women, Writing and Domestic Ritual, Amherst: University of
Massachusetts Press, 1992.
Rubin, Gaylc. The Traffic in Women: Notes on the Political Economy of Sex. Toward an
Anthropology of Women. Ed. Rayna R, Reiter. New York: Monthly Review
Press, 1996: 170-196.
Sanderson, Stewart. Hemingway. Writers and Critics Series. Edinburgh: Oliver and Boyd,
1961.
Sassure, Ferdinand de. The Structuralist: From Marx to Levi-Strauss, cd. Richard T. De
George, New York, Double Day 1972.
___________ Course in General Linguistics, Fontana, Lopndon 1974.
Savage, D.S. Ciphers at the front: Twentieth Century Interpretation of A farewell to Arms,
NJ: Prentice Hall Inc. 1970.
Taylor, Paul. A Long Post-Mortem. Literary Review 103 (January 1987): 5-6.
Theorux, Paul. Lord of the Ring: Hemingways Last Novel, encounter 1971.
Torgovnick, Marianna. Gone Primitive: Savage Intellects, Modem Lives. Chicago: The
University of Chicago Press, 1990.
Todorov. The Dialogical Principle, Minnepolis: University of Minnesota, 1984.
Updike John. In Meyers, Critical Heritage.
Ulrich, Laurel Thatcher. A Midwfe s Tale: The Life of Martha Ballard, Based on Her Diary.
l785-1812. New York: Alfred A. Knopf. 1991.
Voellcr, Carey. He Only Looked Sad (he Same Way I Felt: Thc Textual Confessions of
Hemingways Hunters. The Hemingway Review 25:1 (Fall 2005): 63-76.
Wagen Knecht, Edward. Cavalcade of the American Novel, OUP 1969.
Wagner-Martin, Linda. Ed. Hemingway: Five Decades of Criticism. East Lansing: Michigan
State University Press, 1974.
____________Ed. Hemingway: Seven Decades of Criticism. East Lansing: Michigan State
University Press. 1998.
___________ Ed. Hemingway: Six Decades of Criticism. East Lansing: Michigan State
University Press. 1987.
___________ Proud and Friendly and Gently: Women in Hemingways Early Fiction.
Ernest Hemingway: The Papers of a Writer. Ed. Bernard Oldsey. New Work:
Garland, 1981: 63-71.
Warren. Beach. American Fiction 1920-1940, NY: Russell & Russell 1960.
Weeks, Robert, Ed. Hemingway: A Collection of Critical Essays, Englewood Cliffs. NJ:
Prentice Hall, Inc., 1962.
West, RB. The Unadulterated Sensibility, 20th Century Interpretation of A Farewell to Arms,
Prentice Hall, 1970.
Wexler, Joyce. E.R.A. for Hemingway: A feminist Detnse of A Farewell to Arms. Georgia
Review 35:1 (1981): 111-23.
Wilder, Thornton. Ernest Hemingway. Albuquerque: University of New Mexico Press. 1969.
Williams, Win. The Tragic Art of Ernest Hemingway, Baton Rouge: Louisiana State
University Press, 1981.
Willingham. Kathy. Hemingways The Garden of Eden: Writing with the Body. The
Hemingway Review 12:2 (Spring 1993): 46-61.
Wilson, Edmond. Ernest Hemingway: Bourdon Gauge of Morale, The Atlantic Monthly,
CLXIV (July, 1939).
Wolter, Jurgen C. Caesareans in an Indian Camp. The Hemingway Review 13:1 (Fall 1993)
92-94.
Wylder, Delbert. Hemingways Heroes. Albuquerque: University of Mexico Press, 1969.