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MAGICAL NOTIONS
BY
LOUIS F. CHRISTIANER
To
MR. F. G. THAYER
Inventor, manufacturer and publisher of things magical,
this volume is appreciatively dedicated.
Magical Notions
Louis F. Christianer
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Call attention to the left hand being empty by pointing at same with
right hand. Then close left hand. Just at this moment the right hand
passes over same and drops the palmed thimble into same. Now drop
ball into top of hand and let it roll into thimble. Replace cone over
thimble on table. Command the objects to return to their former
positions.
Push second finger into left hand and into thimble with ball inside as
before opening the hand at the same time. Then lift up cone with left
hand, taking thimble with it, exposing the ball. Place cone over
thimble on finger, leaving the one inside there.
Readers are referred to the writer's "Modern Magical Effects" for
another method of placing the thimble from the right hand into the
left. By palming out the inner thimble and the ball, the duplicate ball,
cone and thimble may be examined. This little effect forms a dandy
pocket trick and is readily worked with a little practice.
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Magical Notions
Louis F. Christianer
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Magical Notions
Louis F. Christianer
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the right pocket for the rubber band, leaving box behind and placing
band around the handkerchief and box, which is given to lady to hold.
She shakes same to prove that ring is still there, the coin sounding just
like the ring.
The egg cup is then passed for examination, during which the ring is
removed from the box in Pocket and stuck in wax in lining of cup,
same being then palmed: Egg is next passed out and egg cup taken
back, opportunity being afforded to palm lining into same. This is
placed on the table.
The quarter is then wrapped in the paper, using the coin fold familiar
to all magicians. All that then remains is to tear up paper, palming the
coin. Lady finds coin in box which she thought contained the ring.
Ring is found in the egg. The beauty of this combination is that it is
done with the help of the audience.
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Magical Notions
Louis F. Christianer
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Reference to Fig. 3 will help make the trick clear. A plain gold watch
must be procured, one of the closed case variety, as shown in "A." The
cover is so arranged that when released by pressing the stem, a spring
pulls it out flat. A special card is then made to fold and go inside the
watch. This card will fold up small, but as soon as the cover is
released the card expands and covers the watch. Fig. "D" shows the
card folded lengthwise. It is again folded in the center from edge to
edge. A face card is best used. To help in the construction of this card
it is best to procure a folding card from a dealer in magical apparatus
and use it as an example.
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The frame as shown in "C" is merely a board with a trap, set in a neat
gold frame, Fig. "E" shows the principles of the trap. It revolves on
two pins in the center of top and bottom. "X" is a rubber band attached
to the trap and to the side of frame.
"Y" is a small catch to hold the trap in place. A piece of string is
attached to the catch and when pulled releases the trap. The board and
trap is covered with black velvet. To prepare for the trick, the watch is
placed on the trap in the center by means of a small pin. The trap is
then brought around the back and held at "y" by means of the catch.
The rubber of course stretches over the back and when catch is pulled,
trap flies around and watch appears in frame.
To work the trick, a duplicate of the card is first forced. This is torn up
and loaded into the pistol tube. A plain gold watch of closed case
variety is borrowed, and when performer goes back to stage it is an
easy matter to make the exchange. The wand is taken up from table,
during which action the borrowed watch is dropped behind some
object thereon. Assistant comes out and removes table to back center
of stage during which he procures the watch and taking it behind the
stage places it on hook on frame.
The performer is holding the attention of the audience during this time
by instructing the person to tear up card and he (performer) loads into
pistol tube.
Performer then holds prepared watch, presumably the borrowed one in
his hand with thumb on stem, and requests person to fire at same. As
soon as he fires, the stem of watch is pressed and cover springs down
and card unfolds, thus transferring watch to card. At the same time,
assistant pulls thread and watch appears in center of frame.
The card is verified and placed on table so watch behind same will
drop into well, while performer removes borrowed watch from the
frame.
The watch is then given to its owner with thanks. Performer can then
pick up a duplicate card and casually give to person holding gun,
when pistol is returned.
The use of the frame is an adaptation of The Demon Frame, which is
the origination of Mr. F. G. Thayer.
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Magical Notions
Louis F. Christianer
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the upper half, leaving at the same time, the selected card on top of
same, thus causing the change. The upper half is at once turned over to
show that the six of hearts is still there.
This is really a brilliant change and should be studied with cards in
hands. After a little practice the moves will be understood and easily
worked.
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Magical Notions
Louis F. Christianer
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attached to the silk in the knife, and pulling same out. From the
audience the silk appears to come from the orange.
The knife is purely a magical accessory and no originality is claimed
for same.
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Magical Notions
Louis F. Christianer
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A Novel Production
A small Chinese basket, of the flat telescopic variety, is introduced
and proven to be empty. One half of it is then filled with confetti after
which it is covered with the other half of the basket. Three of four
handkerchiefs are then placed in a glass, The silks are commanded to
leave the glass and appear in the basket.
Upon uncovering the glass, it is found empty, while the handkerchiefs
are found in the basket in place of the confetti. The handkerchiefs are
removed from the basket, after which an endless amount of paper
ribbon is taken out, from the center of which is produced a number of
pigeons.
Reference to Fig. 4 will make
matters clear. The style basket
used is illustrated in "a." It may be
purchased from any dealer of
oriental goods, and costs about
twenty-five cents.
A tin fake as illustrated in "b" is
constructed to fit in the inner
compartment of the basket. The
fake has a removable top which is
easily removed. Some confetti is
glued on this top. First fill the fake
with duplicate handkerchiefs,
paper ribbon and other articles it
will be desired to produce. Then
place the fake upright in a box
containing the confetti.
A glass known as the Demon Glass can be procured at any dealers. It
has a celluloid insert and a cardboard cylinder cover. The table used
must have a servante at back, or a black art well.
To work the trick, first introduce the basket. Then fill the smaller
compartment with confetti by dipping same in the box. During this the
fake is slipped into the basket, and the confetti on top of same gives
the impression that the basket is full.
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Slip the cover over the basket and place it against some object on the
table. Then show the glass: The celluloid being transparent, no one
detects the presence of the same. Place the handkerchiefs in the glass,
really in the insert. Then cover over with the cylinder. To cause silks
to vanish, simply grip insert between finger and cylinder and withdraw
from the glass while removing the cylinder. The insert with the silks is
then dropped into the servante or black art well, so as tO show the
cylinder empty.
Open the basket by gripping the cover of same tightly so as to remove
the top of the fake and thus cause the confetti to vanish. Produce the
handkerchiefs and follow up with the ribbons. It would make a fine
finish to have a bag loaded with doves or a duck at back of chair, or
flowers, to load into paper ribbon to produce.
This production will be found to be a novelty and a departure from the
well-known box and bag effects.
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Magical Notions
Louis F. Christianer
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Magical Notions
Louis F. Christianer
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A Watch Move
The performer removes his watch and fob from the vest pocket and
shows same. The watch and fob are then placed in the left hand so the
fob hangs out over the top of hand.
The watch is then commanded to vanish from the hand, which is at
once opened and shown empty.
The watch is taken from the coat pocket.
The illustration in Fig. 5 will make
matters clear. The secret lies in the
hook-swivel of the fob. This is shown in
Fig. "c." It is the ordinary swivel, but
spread open so as to allow the thumb to
slip it off the ring off the watch easily.
To begin the trick, the watch and fob are
taken from the vest pocket and held on
the right hand as shown in "a." The left
hand is then shown empty, and a move
made to put the watch into the left hand.
While the left hand is being shown
empty, the right thumb presses down on
the hook-swivel and slips it off the ring of
the watch, so when right hand pretends to
place watch in left, the fob only goes, the watch being palmed in right
hand. The left hand is at once closed and held as in "b."
The right hand rubs the back of the left hand and commands the watch
to vanish. Of course left hand is opened to show the watch gone.
Watch is then reproduced from the coat pocket or elsewhere as the
performer desires.
A good variation would be to have one of the old style coin purses in
the right trousers pocket, and which is held open by means of a small
piece of cork, as described in Hoffman's "Later Magic." The watch is
easily slipped into the purse when hand is placed in the trousers
pocket.
The purse is then taken from the pocket, presumably to show that the
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performer has money enough to buy another watch, the purse, when
opened, discloses the watch.
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Louis F. Christianer
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Louis F. Christianer
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The performer asks for loan of white glove and goes into audience
after same, carrying his wand with him. While standing in audience he
folds it up, stating he will cause it to vanish. He then goes back to
stage, during which journey he has ample opportunity to get glove
from vest, and hide borrowed one in hand with wand. This is placed
on table, and while performer is talking, assistant takes wand, glove,
and other articles from same, and places glove in frame which he later
brings out and rests on table to back of stage.
Performer then pretends to find articles in glove, from which much
comedy can be obtained. Then he rolls up glove, ribbon and the like
and pretends to wrap in paper. Glove is really dropped in scrvante and
bouquet wrapped up and given to lady.
After lady finds bouquet performer offers his excuse and fires at
frame. Assistant pulls the thread and glove appears.
As before stated only the arrangement is considered original, but
suffice it to say, that this is an effect capable of much variation and
one that is always a success.
End of Magical Notions
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