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2015/8/25

KeithJarrett'suptempojazztrioplaying:Transcriptionandanalysisofperformancesof"JustInTime"

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PhillipMichaelStrange

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KeithJarrett'suptempojazztrioplaying:Transcriptionand
analysisofperformancesof"JustInTime"
PhillipMichaelStrange

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ABSTRACTThepurposeofthisstudyistoexaminespecificmusicaltechniquesKeithJarrett
employswhenplayinguptempojazzstandardsintheinteractiveenvironmentofajazztrio.The
essaycontainsaninvestigationofKeithJarrett'smusicalphilosophy,ananalysisof"JustIn
Time"byJuleStyne,transcriptionandanalysesoftwoperformancesof"JustInTime,"as
performedbytheKeithJarrettTrio,andpedagogicalsuggestionsderivedfromtheresultsofthe
analyses.InitialchapterscontainaseventypageexaminationofJarrett'sgoalsandideas
compiledfromoveronehundredsources.Alsoincludedinthedocumentare208pagesof
analysisofJarrett'srecordingsof"JustInTime,"andeightysevenpagesoftranscription.Inthe
finalchapter,theresultsoftheanalysesaresummarized,andpedagogicalsuggestionsare
offered.TheanalysesrevealedthatJarrettfocuseshisattentiononmelodyandrhythminhisup
tempoimprovising.HissolosdevelopvariousmotivicpotentialsofStyne'smelody.Jarrett's
improvisationisorganizedbymelodicvoiceleading,andimprovisedmotivesareelaborated
usingawidepaletteoftechniques.Strongandweakbeatrhythmsalternateduringmelody
statements,enhancingrhythmiccontrast.Overall,Jarrett'smelodicandrhythmiclanguage
containsacarefulbalanceofcompositionalelements.

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