OM ESL Ie aoe ae Su), oe ero pe eee eae Ea eee) pvsraratsibartrs coer ier cara Sacks i oe resin furore POL recy Ren eee Cee eo eckercatee aes Peete Eee ery Cd oe prey parent ree Cee ons coe eee en Ee orto 7 mel erry amend Cote eed ere ae aed oes oot eaters eee ee en etd PaeeeL OCA ae cto Ce meer nee ena ena Cy Ls rarer peter ieee Piatt nh A ie oe eee nhce reg Se ne aad ee eae ED Fone pats anne erik Sorter we APR Sosa Ren eNO Se CL TD feo reek oa ce Cy er ene ee area ne ie Deny feeqobte pent mn etn Carn Fan al eT Ne Eo EterniaDIRECTOR'S STATEMENT in 1966, | borrowed a camera, figured out how to Use it and shot people coming through my living room in Berkeley. Then | forgot about all that footage and it was stored in boxes in my studio until | found it in 2004. | felt it had become even more relevant and it was a personal imperative that | complete the project! | felt 2 tremendous responsi- bility to find the story inside that raw footage and to honor the women who struggled to invent themselves and who introduced the concepts of social protest, collaboration and public art that /es of social addressed directly the political imper justice and civil rights. This film took forty-two years and it needed all that time to find the optimistic and uncompromising legacy. —Lynn Hershman Leeson More than 12,000 minutes of interviews were conducted for this flm. The footage can be viewed at lib.stanford.edu/women-artrevolution ‘a excerpt rom Nomen Art Revolton, a graphic novel wten by Lynn Hershman {eeson and Alexandra Chowanie, ond lusated by Spin Rstigues