THE FALLS: CHAPTERS THE FALLS ‘etn drceted by Peter Grovoairay less otters neaied: Potion Cnpary MPL Production Board (VERTICAL FEATURES REMAKE DVD CREDITS For Te British Fim tnstute ww zeigtstvidee com1980 tat precedes Tre raugtsman's Contract my fit te nate fetre fim, that pen eldence of painter ink Ing he could poly be a fmmaker On {hs DVD ae ao imi esys of tha pero. Painting does. not_ characteristically fenbvace muse (though | remember 2 FRouschonbarg panting that had ulin tronstor radios not dots dealin tes {hough might recy Mustate tem, Aso Biting does ot “embrace "quence fvougime.* bat, confess, Thad as ‘much trest in mui, et ad eeralty 2 in pnd mages Socnema was atv {he to ma, sheet seemed tobe tle fo tain a these eneractrstics. Gut the frie aeendnsieaye hd tobe the man. {eet of the image, and tht meant hat ees to utlize he though. practices and esthets of patng ate than of cna. Frail feel Mapper taking about chema thveugh te exparenee cf 3000 years of ‘sem pointing than I do conierng ‘rout some 100 years of erema ete. i hemi Sie andy, Svein Minimalism and Conceptuatism, and fnjyed. continuing farenation with Marcel Duchamp. These movers hoped Create enema angioge tat con be seen Stn imate Nl ramp rd hese “sources, aided. by the. ltrary txperimants of og Luls Borges and Mage Ream, ond all the musica experts ot Soin Cage, and expeily the Sect use oF landscape meters, mips iaerams Dtotgrapnie receding stippes down staking he ecarat caioguing, the ‘icons mack equoc estan ‘ditioaries and cectonis Tz as 2 body of work fom 1963 | was ant-naatve in pice making. and therfore in cinema’ you want % tll ‘Soni be a novel). | wae nots =miten with the exhibttonsm and presumption of Seo whe ae trained to bows a they Senet berg watehe, ana there ha Yo be 2 Nery er od reason Indes to mave 8 ental: it me, wy shad these ideas covered. some of the Intelectual ambitions, ten the practi Imitation wee no Tes tnget ane een Imoe constreing. Not surprngy. hase fms were primiively manufactured ith ‘ery low outs. With the exceptan of Wisk trough H (aussie on Zeng Greenaway The Shorts DVD), Vera! Features Remake and The Fal ney were Scumentary film edt wasing for ‘ganzstions including Thames Teleisin, the BBC and most significant tne CO (he ‘Cental Offs of Inferior, whose rae, leat, wh I had vents, Fr aime had access to the British Fim Instte Fim Library and a key to the projcton rom, Gre wo jens of nigh time. wewing. I cras-coused in world Etna sory and care to reais that ig ‘nonay, impressive Metworkng and > union Crd wan never a erates of aly, txctement or cematicnligence ft nat fom very aapinting but aso encouraging. forin-tich a world might not be 35 Impossible "make some. sort of 2 entribton With my own nate eptins nd with Wwepidaton becouse had m0 Fol to flow tare making i. VERTICAL FEATURES REMAKE ic both 2 aeration and a rite of structural {ear unthinkney ard stupiiy dominant invim eles nthe Seventies. The subject Is landscape, serupulously med ane barn natreceated and man-made The ‘ganization based. on_ rig tame umbercounte Afterall cinema is both Sth at 24 frames 2 secon” ond 2 process fo. create the ison of overeat rowvelle vague rose with bit poee However, a the tmakers cant age ‘amongst themselves the fim’ erica! Features hae to be! made four tes. Ereryone na his or hr nee nd eveyone Should be" secommodstes.. The waring Academies wore an sxese texan the Imetodoogy, vaya stucturlst bane The explanation, fected onscrean between the thes fime—wth copaut Spceyphal diagrams, Wal is, schival rpestton and subjectively wewed ‘anasrpt text and rawings ay wel be the highlights ofthe work and teint that tere sna such thing as story. ony storms. the end Though ifthe Tandscape "is" that win ct ana it i the Components of Tangscape tat excite, please, srs, console ana delight us THE FALS is the magnum opus of this riod which hs raw ban retested wth Sth new echrlopes in The Tulse Ler Sutcass(2003)—a project of peat Dicaresque eneyclopesia. The. Pals 6 {ced ino 52 Bographis of people whe ine! wey eesti Unknown Event paenomenn connected ‘wn basin Ting or noting char Stora, thee woes and ong their Indiv! species hats, heir mythology. very ciilzation in geography and isto hae hag ambitions to fy” re 8 Compendium of human tragedies and xlebratins, accompanied bythe notion of fara s Ste personal mytolgy of Tulse Lier olmath oigt and sometimes: fiesomeautosidsct who ‘hod @ mocking ‘ary about amet eveything ‘The vocabulary of carefully conscte, lrg state ages (A Mak reg he titers of English landscape paling (Windows, 5 fr House, Vertes Feature: omaha the mi-wertith contr hast sara parting (feral, Dear Phone Vertical Feature Roma the. scknow eigerent ofthe sereen a8" sree and fet a se trough window nthe wens {Gear Prone andthe numerous conc, ‘sal puns and provecatve seconscaus, en-lluslnst_devces. which are 50 Conroe cinema oils developed ‘rer 108 yen alo hase doves take their cue trom. panting, ives and technues whieh preceded the lecl teh logy of claema by more than 5000 yes, Bd wip doubt prs ong after Trust once sis that 2 faker aways ‘boosie away with ne fm tee at ear rs an two DYDs etbish al the obsession ofa the subsequet years bf fmmoting. Here athe beginnings of @ Singular cheractrte,wopete. cat foge moi. Most of my werk structured ound alist or 3 eaalgue, whee the tome or events or iese ate approaches, tehe of ard’ mored an Naratve od oncogene ae ued necssay ut away uling te again to com plete a it hat Is oduced im same frm Sf arginating prlogue, withthe unspoken but clear celraton that what you wil see Fema about "now than “wha Peter Grenanoy