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Voice and Acting MUTM016 | University of Surrey - Reading Lists

Voice and Acting MUTM016

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1.Caldarone M. & Lloyd-Williams M. Actions: the actors thesaurus. (Nick Hern, 2004).
2.Hagen, Uta and Frankel, Haskel. Respect for acting. (John Wiley, 2008). at
<http://lib.myilibrary.com/?id=212315&entityid=https://oala.surrey.ac.uk/oala/metadata>
3.Rodenburg P. The right to speak: working with the voice. (Methuen Drama, 2005).
4.Kissel, Howard. Stella Adler: the art of acting. (Applause, 2000). at
<http://lib.myilibrary.com/?id=539172&entityid=https://oala.surrey.ac.uk/oala/metadata>
5.Benedetti J. Stanislavski: an introduction. (Methuen Drama, 2008).
6.Benedetti J. Stanislavski: an introduction. Theatre arts book, (Routledge, 2000).
7.Alfreds, Mike. Different every night: freeing the actor. (Nick Hern Books, 2009).
8.Boal A. Games for actors and non-actors. (Routledge, 2002).
9.Bogart A. & Landau T. The viewpoints book: a practical guide to viewpoints and
composition. (Nick Hern Books, 2014).
10.Boleslavsky, Richard. Acting: the first six lessons. A Theatre arts book, (Routledge,
2003).
11.Bruder M. A Practical handbook for the actor. (Vintage Books, 1986).
12.Donnellan, Declan. The actor and the target. (Nick Hern Books, 2005). at
<http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&
AN=689978>
13.Grotowski J. & Barba E. Towards a poor theatre. (Routledge, 2002). at
<https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://oala.surrey.ac.u
k/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstra
ctView/S9780203819814>
14.Oida Y. & Marshall L. An actors tricks. (Methuen Drama, 2007). at
<https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://oala.surrey.ac.u
k/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstra
ctView/S9781408140963>
15.Meisner, Sanford and Longwell, Dennis. Sanford Meisner on acting. Vintage original,
(Random House, 1987).
16.Moseley, Nick. Acting and reacting: tools for the modern actor. (Nick Hern, 2005).
17.Silverberg L. The Sanford Meisner approach: an actors workbook. (Smith and Kraus,
1994).
18.McCallion M. The voice book: for everyone who wants to make the most of their
voice. (Faber and Faber, 1998).
19.Rodenburg P. The need for words: voice and the text. (Methuen Drama, 2005).
20.Chekhov M. To the actor. (Routledge, 2002). at
<https://www.dawsonera.com/abstract/9780203378724>
21.Churcher M. Acting for film: truth 24 times a second. (Virgin, 2003).
22.Hodge A. Twentieth century actor training. (Routledge, 2000).
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Voice and Acting MUTM016 | University of Surrey - Reading Lists

23.Lecoq J. The moving body: teaching creative theatre. (Methuen Drama, 2009).
24.Merlin, Bella. Beyond Stanislavsky: the psycho-physical approach to actor training.
(Nick Hern, 2001). at
<http://lib.myilibrary.com/?id=568745&entityid=https://oala.surrey.ac.uk/oala/metadata>
25.Merlin, Bella. The complete Stanislavsky toolkit. (Nick Hern, 2007).
26.Berry C. & Berry C. The actor and the text. (Virgin Books, 1993).
27.Callery D. Through the body: a practical guide to physical theatre. (Nick Hern, 2001).
28.In contact with the Gods?: directors talk theatre. (Manchester University Press,
1996).
29.Gillett A. Acting on impulse: reclaiming the Stanislavski approach: a practical
workbook for actors. (Methuen Drama, 2007).
30.Hagen U. A challenge for the actor. (Scribner, 1991).
31.Richards T. & Grotowski J. At work with Grotowski on physical actions. (Routledge,
1995). at <http://site.ebrary.com/lib/surreyuniv/Doc?id=10097422>
32.Berry C. Voice and the actor. (Virgin Books, 2000).
33.Houseman B. Finding your voice: a step-by-step guide for actors. (Nick Hern Books,
2002).
34.Linklater K. & Slob A. Freeing the natural voice: imagery and art in the practice of
voice and language. (Nick Hern Books, 2006).
35.Braun E. Meyerhold: a revolution in theatre. (Methuen Drama, 1998).
36.Brecht B. Brecht on theatre: the development of an aesthetic. (Bloomsbury, 2013).
37.Brestoff R. The great acting teachers and their methods. Career development book,
(Smith and Kraus, 1995).
38.Brook P. The shifting point. (Harper & Row, 1987).
39.Goorney H. The Theatre Workshop story. (Methuen, 2008).
40.Littlewood J. Joans book: the autobiography of Joan Littlewood. (Methuen, 2003).
41.Huxley M. & Witts N. The Twentieth-century performance reader. (Routledge, 2002).
42.Zarrilli P. B. Acting (re)considered: a theoretical and practical guide. Worlds of
performance, (Routledge, 2002).
43.Zarrilli P. B. Acting: psychophysical phenomenon and process: intercultural and
interdisciplinary perspectives. (Palgrave Macmillan, 2013).
44.Rodenburg P. The actor speaks: voice and the performer. (Methuen Drama, 1997).
45.Turner J. C. & Boston J. Voice and speech in the theatre. (Methuen Drama, 2007).
46.Honey J. Does accent matter?: the pygmalion factor. (Faber and Faber, 1991).
47.Berry C. From word to play: a handbook for directors. (Oberon Books, 2008).
48.Dennis A. The articulate body: the physical training of the actor. (Nick Hern, 2002).
49.Kiernan P. Filthy Shakespeare: Shakespeares most outrageous sexual puns.
(Gotham Books, 2008).
50.Marshall L. The body speaks. (Methuen Drama, 2008).
51.Shakespeare W., Hill W. F. & ttchen C. J. Shakespeares insults: educating your wit.
(Ebury Press, 1996).
52.Oida Y. & Marshall L. The invisible actor. (Methuen, 1997).
53.Sharpe E. & Haydn Rowles J. How to do accents. (Oberon, 2009).
54.GSA - University of Surrey - Guildford.

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