Right-Angle Weave:

beadingdaily Presents

5 Free Beadweaving Patterns

2
1

1
2
3

Silver Comet
Leslie Rogalski

Ribbons
Chris Prussing

Archimedess Star
Gwen Fisher

Triple Quatrefoil

Egyptian Cuff

Tina Koyama
Shelley Nybakke

Right-Angle Weave:

beadingdaily Presents

5 Free Beadweaving Patterns

Theres something about right-angle weave that brings out
my silly side. Every word or phrase that popped into my
head while writing this made me laugh. Righteous, right on,
all the right moves, in your right mind . . . ridiculous!
Silliness aside, right-angle weave is a lacy, geometric, sculptural, flexible stitch. Im honestly puzzled why Ive only dabbled
with it. Especially considering that the few right-angle weave
bracelets that Ive made are the ones that get the most compliments! Its also the stitch that most often prompts people
to ask me, Can you teach me that?
Thanks to this ebook Right-Angle Weave: Beading Daily Presents
5 Free Beadweaving Patterns, the answer is yes! Here are five
right-angle weave patterns that youre sure to enjoy. Learn
the basics of right-angle weave with the sparkling Comet
Right-Angle Weave Earrings by Step by Step Beads editor
Leslie Rogalski. Then create a long ribbon of inch-wide

beadwork with the colorful Ribbons necklace by Chris Prussing. The Achimedess Star bracelet by Gwen Fisher uses a
technique variation that produces a lacy star pattern. Tina
Koyamas Triple Quatrefoil Wrap features fire-polished
rounds to create a pretty cuff. Wrap up your right-angle
weave exploration with the bold Egyptian Cuff by Shelley
Nybakke. Shelleys project is currently the most popular free
project on Beading Daily with more than 60,000 downloads!
After making the projects in this collection, youll be on the
right track with right-angle weave! (You knew that was coming, right?)

Michelle Mach, Beading Daily editor

1 Silver Comet

Leslie Rogalski . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 3

2 Ribbons

Chris Prussing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 5

3 Archimedess Star

Gwen Fisher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 6

4 Triple Quatrefoil

Editor, beading DAILY

Tina Koyama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 9

Michelle Mach

C reati v e ser v ices

Designer

Mark Dobroth

photography

Jim Lawson,
Ann Swanson, Joe Coca

Egyptian Cuff

Illustration

Shelley Nybakke. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 11

Basic Techniques. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 13

Contents

R ight-A ngle W E av e :
B ea d ing Daily P resents
5 free B ea d wea v ing P atterns

presented by beadingdaily

Dustin Wedekind, Bonnie Brooks

Projects and information are for inspiration

and p
ersonal use only.

Silver Comet
design by Leslie Rogalski

Originally published in Step By Step Beads, January/February 2008.

These dramatic earrings are actually

just 90 turns of basic flat right-angle
weave; they hang askew on the ear wire
like zigzags of the night sky!
Technique
right-angle weave

Materials
Jim Lawson

32 Swarovski Jet 4mm bicones

18 Swarovski Comet Argent light 4mm bicones
2 closed 3mm silver jump rings
FireLine 6lb fishing line
1 pair silver ear wires

Tools
Scissors
#12 bead needle

Finished size: 1"

Leslie Rogalski is editor in chief of Step by Step Beads, and a
contributing editor to Step by Step Wire Jewelry and Creative
Jewelry. She has been an artist and writer (among other
things) all her life.

Artists Tip
Rightangle weave is always worked in a circular
motion, changing from clockwise to counterclockwise
with each round. Each round includes 4 beads but will
share beads with the previous round: You actually pick
up 3 new beads, not 4, with each round in this project.
Notice in Steps 3 and 5 when the color turns the
corners to keep the mirror stripe of Comet Argent light
in the middle of your zigzag!

Step 1: Thread your needle on a 4 length of FireLine. String

4 crystals, leaving a 6 tail: 1 light, 1 Jet, 1 light, 1 Jet. Tie a knot
with your working thread and tail, forming a snug circle of
bicones (beads 14).
Step 2: Working counterclockwise around this circle, pass
through beads 1, 2, and 3. Pick up 1 Jet, 1 light, and 1 Jet (beads
5, 6, and 7) and pass clockwise through beads 3, 5, and 6.
Step 3: Pick up 1 light and 2 Jet (beads 8, 9, and 10) so your
colors turn the corner, and pass counterclockwise through
beads 6 and 8.

Right-Angle Weave: beadingdaily Presents 5 free beadweaving patterns

Interweave Press Not to be reprinted All rights reserved www.beadingdaily.com

Step 4: Heres your first 90 turn, where you start working the
second leg of your zigzag: Pick up 1 Jet, 1 light, and 1 Jet (beads
11, 12, and 13) and pass clockwise through beads 8, 11, and 12.
Pick up 1 Jet, 1 light, and 1 Jet (beads 14, 15, and 16) and pass
counterclockwise through beads 12, 14, and 15.
Step 5: Heres another corner turn for color: Pick up 1 light and
2 Jet (beads 17, 18, and 19). Pass clockwise through beads 15
and 17. Youre now ready to start working your third leg of the
zigzag.

Step 8: Gently twist open the loop of one ear wire, string on
the jump ring and earring, and close the earwire loop. Repeat
for your second earring. F

Resources

Check your local bead store.

Watch, Learn
and Create

An all new season of Beads,

Baubles and Jewels awaits
beaders who want to take their
jewelry making to the next level.

Step 6: Pick up 1 Jet, 1 light, and 1 Jet (beads 20, 21, and 22).
Pass counterclockwise through beads 17, 20, and 21.
Step 7: In this last round, you attach the closed jump ring for
your ear wire. Pick up 1 Jet, 1 light, 1 jump ring, and 1 Jet. Pass
twice clockwise through beads 21, 23, 24, the jump ring, and
25. Knot the thread discretely but securely between beads 25
and 21 and weave the end through existing thread paths, in a
circular motion. Trim carefully.

Leslie Rogalskis Silver Comet

Our team of experts will show

you how to use a variety of
elements to create smart and
fashion-forward designs.
Use metals, wire, recycled
beads, resins, polymer clay,
and PMC, to design jewelry
that only looks difcult
to create.
13 fabulous episodes
in this 4 DVD set

Order your copy today online at interweavestore.com

presented by beadingdaily

Ribbons

design by Chris Prussing

Originally published in Beadwork Creates Necklaces, 2002.

The design possibilities of this simple technique are

endless! The basic necklace is a long ribbon of inch-wide
beadwork with the ends joined at a right angle.
Technique

Tools

right-angle weave

2 size 12 beading needles

Beading mat
Sharp scissors
Masking tape
Hypo-tube cement

Materials
7 colors of pinch beads, 100 for
each color (A, B, C, D, E, F, G)
4 strands of size 11 seed beads
1012 yards of 10# test Power Pro

Chris Prussing is the author of Beading with

Right Angle Weave (Interweave, 2004).

Step 1: Using 5 of thread, string a needle on each end. For

the vertical pattern, string 1 B and let it fall to the center of the
thread. String a seed bead on each needle. On the right needle,
string 1 C and a seed bead. On the left needle, string 1 A, a seed
bead, and 1 B. Cross the right needle through the B on the left.
For the horizontal pattern, string 1 A and let it fall to the center
of the thread. On the right needle, string 1 A and a seed bead.
On the left needle, string 1 A, 1 seed bead, and 1 A. Cross the
right needle through the last A on the left.
Step 2: Work three eighty-unit-long
rows of double-needle right-angle weave
(Figure 1). Use a piece of masking tape at
the bottom of the first row to keep the
beadwork in place on the work surface.
The blocks of the horizontal pattern are
worked as little U-shapes for the first
half of the ribbon, then reversed for the
second half. The sequence shown starts
with 3 strips of each color, then 2 strips

Figure 1

of each color, reversing to 2 strips of each color, then 3, and

ending with 4 strips of G. G beads are also used to join the
two ends.
Step 3: Once the ribbon is complete with the thread exiting
from the side of the third row, bring the other end around (be
careful not to twist it) and butt it up against the end of the third
row. Use the threads from the end of the third row to add an
additional row to connect the two ends (Figure 2). Then work
into the body of the necklace, tie a knot, and pass through
several beads and pull tight
to hide the knot.
When youre joining the
ends, select beads to
maintain the color pattern
or use different accent
beads. The diagrams show
Figure 2
the relationship between
the center of the necklace
and the joining beads. F

Right-Angle Weave: beadingdaily Presents 5 free beadweaving patterns

Interweave Press Not to be reprinted All rights reserved www.beadingdaily.com

Archimedess Star
design by Gwen Fisher

Originally published in Beadwork, August/September 2009.

The intricate weaving used to

create this bracelet forms an
Archimedean-tiling pattern with
hexagons and triangles. The
clasp employs fringeto create
button toggles that attach right
into the holes in the weave.

Artists Tips
Make your bracelet wider or thinner by
changing the number of stars in each row.
Use the pattern to create a snowflake
ornament by making one star, then
surrounding it with six more stars.

Techniques

Tools

right-angle weave variation

fringe

Size 11 or 12 beading needle

Scissors

Materials

Finished size: 6"2"

4 g light silver sage iris size 15 seed

beads (A)
8 g light silver sage iris size 11 seed
beads (B)
8 g metallic red size 11 seed beads (C)
3 light amethyst 153mm
semiprecious discs
Smoke size D nylon or 6 lb braided
beading thread

Step 1: Base. Use 3 of thread and tight

tension to work a base of adjoining stars,
leaving a 6 tail:
Star 1: String {1B and 1C} three times; pass
through the first B just strung to form a
loop. String 2A, 1B, and 2A. Repeat five
times to form a total of 6 loops. Pass
through the first B strung in this step to
complete the first star (Fig. 1).

Fig. 1: Working the first star

Right-Angle Weave: beadingdaily Presents 5 free beadweaving patterns

Interweave Press Not to be reprinted All rights reserved www.beadingdaily.com

Star 2: Pass through the adjacent 2A and 1B to exit between

the first two loops. String 2A; pass through the third B of
Star 1s second loop. String 2A, 1B, 2A, 1B, 1C, 1B, 1C, 1B,
and 1C and pass through the second B just strung to form a
loop; repeat three times to form a total of 4 loops. String 2A,
1B, and 2A; pass through the second B of Star 1s first loop.
String 2A; pass through the B between Star 1s first and
second loops (Fig. 2).
1

1
2

4
4

1
3

Fig. 2: Adding Star 2

Star 3: Weave through beads to exit from the B between Star

2s third and fourth loops. String 2A; pass through the third
B of Star 2s fourth loop. String 2A, 1B, 2A, 1B, 1C, 1B, 1C,
1B, and 1C and pass through the second B just strung to
form a loop; repeat three times to form a total of 4 loops.
String 2A, 1B, and 2A; pass through the second B of Star 2s
third loop. String 2A; pass through the B between Star 2s
third and fourth loops (Fig. 3).

2
3

3
1

Star 5: Weave through beads to exit the B between Star 2s

second loop and Star 4s first loop. String 2A; pass through
the third B of Star 4s first loop. String 2A, 1B, 2A, 1B, 1C,
1B, 1C, 1B, and 1C and pass through the second B just
strung to form a loop; repeat twice for a total of 3 loops.
String 2A, 1B, and 2A; pass through the second B of Star 2s
first loop. String 2A; pass through the B between Star 2s
first and second loops (Fig. 5a).
Star 6: Weave through beads to exit from the B between Star
2s first loop and Star 5s third loop. String 2A; pass through
the third B of Star 2s first loop. String 2A; pass through
the B between Star 2s first loop and Star 1s second loop.
String 2A; pass through the second B in Star 1s second
loop; pass through the B between Star 1s second and third
loops. String 2A; pass through the third B of Star 1s third
loop. String 2A, 1B, 2A, 1B, 1C, 1B, 1C, 1B, and 1C and pass
through the second B just strung to form a loop; repeat once
for a total of 2 loops. String 2A, 1B, and 2A; pass through
the second B of Star 5s third loop. String 2A; pass through
the B between Star 5s third loop and Star 2s first loop
(Fig. 5b). Weave through beads to exit from the last B added
to Star 6. Flip the beadwork over, side to side, keeping the
tail thread toward the bottom of the work.
2

2
5

Fig. 3: Adding Star 3

Star 4: Weave through beads to exit from the last B added to

Star 3. String 2A; pass through the third B of Star 2s third
loop. String 2A; pass through the B between Star 2s second
and third loops. String 2A; pass through the second B of Star
2s second loop. *String 2A, 1B, 2A, 1B, 1C, 1B, 1C, 1B, and
1C and pass through the second B just strung to form a loop;
repeat from * twice for a total of 3 loops. String 2A, 1B, and
2A; pass through the second B of Star 3s fourth loop. String
2A; pass through the B between Star 2s third loop and Star
3s fourth loop (Fig. 4).
Gwen Fishers Archimedes Star

Fig. 4: Starting the next row with Star 4

5
4

4
4

2
1

Fig. 5: Star 5 (indicated in red); Star 6 (indicated in blue)

presented by beadingdaily

Stars 7 and on: Repeat Stars 4, 5, and 6 eight times for a total of
30 stars or for the desired length.
Step 2: Border. Weave through beads to exit from 1B between
two loops of the bases side edge. String 2A and pass through
the first B of the nearest loop. String 1A, 1B, and 1A and pass
through the next B of the loop to create a point. String 2A; pass
through the next edge B. Repeat this step down the bases side
edge (Fig. 6). Note: The base end edge has a slightly different
bead count; some loops require an extra 2B to connect them.
Just keep in mind that when adding the border, partially
exposed loops require 2B between and fully exposed loops
require the 1A/1B/1A sequence to form the points. Secure the
thread and trim.

edge B between the next two loops; add another disc as before.
Repeat once more between the remaining two end loops to
add the remaining disc. Secure the thread and trim. F

Resources

Check your local bead shop or contact: All beads and findings:
Naturally Jennifers Beads and Gallery, (805) 547-1578, www
.naturallyjennifer.com.
Gwen Fisher works full-time as an artist, using her background
in mathematics to create innovative beadweaving designs and
write patterns for them. You can see more of Gwens beadwork
and purchase her kits and patterns at www.beadinfinitum.com;
contact Gwen at gwen@beadinfinitum.com.

Fig. 6: Adding the edge beads

Step 3: Clasp. Start 2 of thread that exits from 2A at the edge

of one end of the bracelet, between two loops, toward the
beadwork. String 9A, 1 disc, and 1B; pass back through the disc.
String 9A; pass through the edge B between the loops (Fig. 7a).
Repeat the thread path to secure the disc and pass through the
next several beads on the end edge (Fig. 7b). Continue to weave
through beads along the end of the bracelet to exit from the

Fig. 7: Creating the clasp

Gwen Fishers Archimedes Star

presented by beadingdaily

Triple Quatrefoil
design by Tina Koyama

Originally published in Beadwork, June/July 2009.

When Tina chose to work

with this pretty pattern,
she immediately saw rightangle-weave stitches. The
quatrefoil shape can be
seen in the bracelet base,
in the three-dimensional
embellishments, and even in
the clasp attachment (thus,
the project name).

Techniques
right-angle weave
picot

Materials & Tools

Tina Koyama is a bead artist, instructor, and writer in

Seattle, Washington. View more of Tinas beadwork
and kits at www.tinakoyama.com.

1 g lime green size 13 Czech charlottes (A)

1 g semi-matte luster peach size 11 Czech seed
beads (B)
2 g orange size 10 Czech seed beads (C)
202 peridot 4mm fire-polished rounds (D)
1 sterling silver 821mm 3-strand magnetic
slide clasp
White size B nylon beading thread
Thread conditioner
Size 10 beading needles
Scissors

Finished size: 6"

Right-Angle Weave: beadingdaily Presents 5 free beadweaving patterns
Interweave Press Not to be reprinted All rights reserved www.beadingdaily.com

Step 1: Base. Leaving a 12 tail, use 5 of conditioned thread

and 4D to stitch a right-angle-weave strip 4 units wide and 22
rows long (or as many rows needed to reach the desired length
minus the width of the clasp). Secure the thread and trim.
Step 2: Edging. Start 5 of conditioned thread that exits from
a D at one corner of the bracelet on the opposite end from the
tail. String 1C and pass through the adjacent edge D. Repeat
around the outside edge of the base. Weave through beads to
exit from the left-side D of the unit at the top right corner of
the base, toward the beadwork (Fig. 1).

Fig. 3: Adding picots

Step 5: Clasp. String 1C, the top loop of one half of the clasp,
and 1C. Pass through the last C exited on the bracelet to form a
loop. Repeat the thread path several times to reinforce. Weave
through beads to exit the next 1C at the end of the bracelet
(Fig. 4). Repeat to connect the 2 remaining clasp loops. Secure the
thread and trim. Use the tail thread to repeat the entire step at the
other end of the bracelet, using the other half of the clasp. F
Fig. 1: Adding the edging

Step 3: Inside corners. String 1C and pass through the left-side

D of the second unit in the row. String 1B and pass through
the third left-side D in the row. String 1C and pass through the
fourth left-side D in the row.
To work a turnaround, pass through the next 2D of the nearest
unit in the next row (Fig. 2a). Add seed beads between the
rows left-side Ds in this order: 1B, 1C, and 1B.
Continue adding seed beads in the corners of each unit down
the center of the strip, alternating the 1C/1B/1C sequence
with the 1B/1C/1B one (Fig. 2b).

Fig. 4: Attaching the clasp

Resources

Check your local bead shop or contact: Fire-polished rounds,

K.O. nylon thread, Thread Heaven thread conditioner, and
clasp: FusionBeads.com, (888) 781-3559. Seed beads: Garden
of Beadin, (425) 482-2323, www.beadinseattle.com.

Free
Projects
at

Fig. 2: Working the inside corners

Step 4: Picots. Weave through beads to exit toward the

beadwork from an inside-corner seed bead added in the
previous step. If the bead you exit is a C, string 1C, 1A, 1C; if
the bead is a B, string 3B. Pass through the same inside-corner
seed bead exited from the previous step, forming a picot. Pass
through the next D and the following inside-corner seed bead
(Fig. 3). Repeat to embellish the strip with picots, following the
same turnaround thread path as in Step 3 to advance to the next
row. Secure the thread but do not trim. Exit from 1C between
the first and second fire-polished rounds at one end of the base.
Tina Koyamas Triple Quatrefoil

Live to Bead?
Join BeadingDaily.com
for FREE!
Its where life meets beading.

presented by beadingdaily

10

Egyptian Cuff
design by Shelley Nybakke

Originally published in Beadwork, December 2008/January 2009.

Technique
right-angle weave

Materials
50 g gold size 11 metal seed
beads
138 Montana blue AB2X
crystal 3mm bicones
1 gold-filled 1020mm
3-strand magnetic tube
clasp
Smoke 10 lb braided beading
thread

Tools
Scissors
Size 12 beading needle

This metal-bead cuff has just the right

amount of crystal sparkle, worthy
of an Egyptian princess. Worked in
segments, the multilayer right-angleweave rectangles are first woven, then
connected with loops of beads.
Shelley Nybakke owns The Bead Parlor in
Bloomington, Illinois, where she also teaches a variety
of classes. As well, she has the wonderful privilege of
traveling and teaching workshops around the country.
She thinks a day without beads is hardly ever worth
getting out of bed for.

Finished size: 7"

Step 1: Rectangle. Use seed beads and

crystals to work a three-layer rectangle
with right-angle weave:
Layer 1: Use 6 of doubled thread and seed
beads to work a rectangle of rightangle weave 8 units long and 4 rows
wide. Weave through the work to exit
toward the work from the bead that
connects the last two units made.
Layer 2 (vertical beads): String 1 seed bead
and pass through the next Layer 1
vertical seed bead; pull the thread tight
until the bead clicks into place. Repeat
to add a total of 3 seed beads. Weave
through the next two Layer 1 beads to
begin the next row (Fig. 1). Repeat this
row six times to add a total of
21 beads.

Fig. 1: Layer 2 vertical

beads indicated in
orange

Right-Angle Weave: beadingdaily Presents 5 free beadweaving patterns

Interweave Press Not to be reprinted All rights reserved www.beadingdaily.com

11

Layer 2 (horizontal beads): Use seed beads to work off the

Layer 2 vertical beads to complete 18 right-angle-weave
units, adding a total of 24 beads (Fig. 2).
Layer 3 (seed beads): Weave through beads to exit toward the
work from the horizontal bead left of center at one end of
Layer 2. String 1 seed bead; pass through the next Layer
2 horizontal bead. Pull tight so the bead clicks into place.
Repeat down the strip to add a total of 5 seed beads (Fig.
3). Weave through the next two Layer 2 beads to begin the
next row. Work back up the rectangle, continuing to add
beads as before for a total of 10 beads.

Fig. 2: Layer 2
horizontal beads
indicated in green

Fig. 3: Layer 3
horizontal beads
indicated in purple

Step 2: Connecting loops. Connect the rectangles with loops of

seed beads and crystals:
Loop 1: Start 6 of thread that exits up through 1 rectangles top
right horizontal bead on the long side. String 4 seed beads,
1 crystal, and 4 seed beads; pass down through the bead on
a second rectangle that mirrors the one last exited on the
first rectangle (this completes the top half of the loop).
String 4 seed beads, 1 crystal, and 4 seed beads; pass up
through the last bead exited on the first rectangle to form an
oval loop, connecting the rectangles (this completes the
bottom half of the loop). Weave through beads to exit down
through the next Layer 1 horizontal side bead on the long
side of the first rectangle (Fig. 5).

Fig. 5: Connecting 2 rectangles

Loop 2: Repeat the stringing sequence from Loop 1 to connect

the second side beads of the 2 rectangles. For this and the
following loops, be sure that the top half of the loop remains
above the bottom half of the prior loop (the loop halves
will begin to stack). Weave through beads to exit from the
rectangles next side bead.
Loops 38: Repeat Loop 2, connecting the 2 rectangles with
strands of beads.
Repeat entire step to connect a total of 7 rectangles.

Layer 3 (crystals): Use crystals to work

5 right-angle-weave units off the
beads already added in this layer,
adding a total of 6 crystals (Fig. 4).
Secure the thread and trim. Set
aside.
Repeat entire step for a total of 7
rectangles.

Fig. 4: Adding the Layer 3

crystals

Step 3: Ends. Stitch one half of the clasp to one end of the
band. Repeat the thread path several times to reinforce. Repeat
for the other end, making sure the clasp is oriented correctly.
Secure the thread and trim. F

Resources

Check your local bead shop or contact: FireLine braided beading

thread and all beads and findings: The Bead Parlor, (309) 8277708, www.thebeadparlor.com.

Shelly Nybakkes Egyptian Cuff

presented by beadingdaily

12

Basic Techniques
These basic instructions are adapted from The Beaders Companion (Interweave, 2005).
Dont have this popular book? Call (800) 272-2193 or visit interweavestore.com.

Pa ss T h r o u g h v s
Pa ss B a ck T h r o u g h

F r i ng e

Pass through means to move your needle in the

same direction that the beads have been strung.
Pass back through means to move your needle in
the opposite direction.
F i n i s h i ng a n d S ta rt i ng
New Threads

Tie off your old thread when its about 4" long by
making a simple knot between beads. Pass through
a few beads and pull tight to hide the knot. Weave
through a few more beads and trim the thread close
to the work. Start the new thread by tying a knot
between beads and weaving through a few beads.
Pull tight to hide the knot. Weave through several
beads until you reach the place to resume beading.

Exit from your foundation

row of beads or fabric. String
a length of beads plus 1 bead.
Skipping the last bead, pass
back through all the beads just
strung to create a fringe leg.
Pass back into the foundation
row or fabric.

R i g h t- Angl e W e a v e

For single-needle
right-angle weave,

string 4 beads and

C
pass through the first
3 beads again to form
D
the first unit (A). For
the rest of the row,
A
string 3 beads, pass
through the last bead
passed through in the previous unit, and the first
2 just strung; the thread path will resemble a figure eight, alternating directions with each unit.
To begin the next row, pass through beads to exit
the side bead of the last unit. String 3 beads, pass
through the last bead passed through, and the first
bead just strung (B). *String 2 beads, pass through
the next edge bead of the previous row, the last bead
passed through in the previous unit, and the last
2 beads just strung (C). Pass through the next
edge bead of the previous row, string 2 beads,
pass through the last bead of the previous unit, the
edge bead just passed through, and the first bead
just strung (D). Repeat from * to complete the row,
then begin a new row as before.

Basic Techniques

presented by beadingdaily

13