Professional Documents
Culture Documents
Edited by
Hanna Havnevik
Charles Ramble
Contents
Acknowledgements ............................................................................ xi
editorial note ..................................................................................... xii
Tabula Gratulatoria ........................................................................... xiii
HAnnA HAvnevikindologist, tibetologist
and Historian of Religions: the Academic
Career of Per kvrne.......................................................................... 1
Rinzin tHARgyAlA Poem Written in Honour of
Professor Per kvrne on his 70th Birthday......................................... 19
JeAn-luC ACHARdles enseignements de lA khrid
selon g.yor po Me dpal (11341169) et leurs
dveloppements ultrieurs................................................................. 21
AgAtA BAReJA-stARzyskAA Bonpo text on the
Propitiation of serpent deities
(Klu bum dkar po) in Mongolian...................................................... 39
CHRistoPHeR i. BeCkWitH And MiCHAel l. WAlteRdating
and Characterization of the Old Tibetan Annals
and the Chronicle ............................................................................... 53
yAel BentoRWomen on the Way to enlightenment..................... 89
dAniel BeRounskyA dialogue between
the Priest and the deer....................................................................... 97
Henk BlezeRnotes on an unidentified thangka
of the Black-Cloak Mahkla............................................................113
kAtiA BuffetRillesome Remarks on Bya rung
kha shor and other Buddhist replicas in A mdo................................. 133
CAtHy CAntWell And RoB MAyeRthe Winged
and the fanged ..................................................................................153
viii
TaBlE oF ConTEnTs
TaBlE oF ConTEnTs
aCKnowlEDGEmEnTs
The editors wish to thank The institute for Comparative Research in
Human Culture, oslo, and the Department of Culture studies and
oriental languages, University of oslo, for their generous contribution
to the cost of producing this volume. we are grateful to anna Filigenzi
and alice Travers for proof-reading the contributions in italian and
French. The layout of the book was done by Kemi Tsewang. For reasons beyond the editors control it was necessary to impose a limit on
the length of the contributions. in some cases these constraints created
additional work for the authors, and we appreciate their understanding
in complying with our request.
EDiToRial noTE
a certain latitude has been allowed for the presentation of Tibetan
terms: we have accommodated authors preferences concerning phonetic rendering, hyphenation and transliteration (notably with regard to the
capitalisation of root or initial letters of names).
TaBUla GRaTUlaToRia
iv
TaBUla GRaTUlaToRia
TaBUla GRaTUlaToRia
insTiTUTions
The institute for Comparative Research in Human Culture, oslo
Department of Culture studies and oriental languages, University of
oslo
ludwig-mamilians-Universitt, mnchen
mongolian and Tibetan studies Program, Department of Turkish
studies and inner asian Peoples, Faculty of oriental studies,
University of warsaw
Universitt Bonninstitut fr orient- und asienwissenschaften,
abteilung fr mongolistik und Tibetstudien
382
GIACOMELLA OROFINO
ponents of the Bon School, informed me that the dbal chu rite is traditionally prescribed to prevent and control the calamities which, according to popular beliefs, might occur to a family in the case of the birth of
an illegitimate child. The ritual is performed for four to seven days and
at the end, to test the power gained by the recitation of the mantras, one
of the officiants has to plunge a butter effigy of a garua (Tib. khyung),
the mythical bird, into the dbal zangs, a ritual cauldron filled with boiling water. Then the officiant, with his bare hands, has to take it out. If
the butter effigy has not melted, it means that the magical powers will
work and the officiant can sprinkle the boiling water (dbal chu) with
juniper twigs in every corner of the house to purify all contaminations.5
The dbal chu practices are classified and prescribed in the Phrul
gshen theg pa as actions in the threefold subdivision of veneration
(bsnyen pa), accomplishment (bsgrub pa) and actions (las sbyor).
Although its categorization conforms to the Buddhist tantric systems,
we can detect different (indigenous?) languages and ideas.
The magical actions (las sbyor) are included in the 12 tantras of
the Magic Net of Ferocity (brngag pa sgyu phrul dra bai rgyud)
which are divided into outer, inner and secret series: 1) the four tantras
of mKha gying dBal, 2) the four tantras of dBal gsas drag po, and 3)
the four tantras of the Sphere of Action (las kyi thig le).6
In the titles of the first and second series of these tantras, the word
dbal reappears. This is the name of a class of archaic warrior divinities,
belonging to the pantheon of Zhang zhung gods. Its feminine form dbal
mo denotes a class of powerful flesh-eating goddesses7 who also, as
Henk Blezer notes in a comparative study of their corresponding wrathful Buddhist deities, belong to a genre of origin myths found in several
Bon cosmological or theogonic treatises.8
The term dbal also has the connotation of burning, boiling,
blazing, incandescent as well as infuriated, powerful and
cutting and recurs in Bon ritual literature as a substantive meaning
special wrathful power, magic blazing missile, sharp blade or
summit.
383
The rTog joms dbal chen wer spungs kyi gzhung, a gter ma by Bon
zhig Blo gros rGyal mtshan (12/13th century?), provides a mythical account of the origin of the dbal chu rite.9
As in most Bon rituals, the archetypal events that precede the original performance of the rite are invoked in order to reactivate the power
of the magical action and bestow on the ritual ceremony the dynamic,
wondrous qualities of the primordial setting. The origin of the ritual
represents a sort of sacred prototype that has to be repeated each time
the ritual is performed.
The structure of the narrative follows this pattern:
i) During the time of the first aeon (skal pa), when the power of g.Yung
drung Bon was great, the power of the kings became widespread and the
Bon masters (gyer spungs) protected the lives of the kings.
ii) From the immense space of darkness (mun pai klong dkyil) the demon Delusion that spreads heavily (gti mug lji la bar ba)10 riding the
musk deer,11 the deer of the hearth, cried to the thirteen demons of the
hearth (thab dre) and devils of scorched substances (gzhob sri) that it
was necessary to destroy the worlds of men and deities.
iii) The demon Anger with nine heads (zhe sdang mgo dgu) riding the
bird of incest (nal bya), the Tibetan snow cock (gong dkar),12 leading the
13 demons of rancour (khon dre) and vow-breaking devils, declared
that it was necessary to destroy the worlds of men and deities.
iv) The demon Desire of the black mountain pass (dod chags ri yol
nag po) riding the Tibetan blue bear (dom sha rgya bo)13 and leading the
13 demons of brown bears (dom dre) and devils of darkness, declared
that it was necessary to destroy the worlds of men and deities.
v) So the demons of existence (srid pai dre) and the evil spirits of astrological art (gtsug lag gdon)14 became widespread. The human gener-
9
This gter ma test was published in India, see Namdak 1973: 120. See also Norbu
1994: 45254.
10
Spelled gti smug in the Tibetan text, ibid.: 2.
11
Lat. Moschus moschiferus, the Siberian musk deer, found in the mountain forest
of Northeast Asia and on the Tibetan plateau. It prefers altitudes of over 2600 m. It is
hunted for its musk gland and for this reason is classified as an endangered species by
the International Union for Conservation of Nature.
12
Lat. Tetraogallus tibetanus is a bird of the pheasant family (Phasianidae) found in
the high altitude region of the Western Himalayas and on the Tibetan plateau.
13
Lat. Ursus arctos pruinosus is one of the rarest subspecies of the brown bear
found on the eastern Tibetan plateau; it is also known as the Himalayan blue bear, or
Himalayan snow bear. Cf. Lydekker 1897: 426.
14
The word gtsug lag has been discussed by Stein who lists several meanings,
among which are wisdom, art, science; he suggests that it was already a part of
the Tibetan religious vocabulary before it was employed to translate the Sanskrit word
ra (Stein 1985; see also Hahn 1997). A very interesting observation was posted in
384
GIACOMELLA OROFINO
ations were about to be exterminated, epidemics and losses struck livestock, and contamination arose.
vi) The Bon master gShen was worried. At that moment the Zhang zhung
king sTag rna offered the Bon master Bya ru gShen a precious white
crystal vase, asking him to find a remedy.
vii) Then the great Bon master prepared the ritual vase for the water purification, but the white and black existential phenomena did not separate
(srid pa dkar nag ma skyes). He performed an exorcism of the negativities of the astrological art (gtsug lag sel), but it had no effect on either the
spirits or the deities. He cast the mantric magic weapons (zor), but could
not subjugate either the devils or the spirits.
viii) Then the great Bon master, playing the drum and the flat bell
(gshang)15 and shouting bswo and he asked for help from the deities and
from gShen rab. Suddenly, from the matrix of space (nam mkhai dbyings
rum) three precious eggs arose, flew into space and fell back down onto
the top of the snow-laden Soul Mountain (bla ri gangs dkar).
ix) The eggs naturally hatched. When the red copper egg hatched a red
blazing man (dbal gyi mi pho dmar po) appeared emanating magical, incandescent sparks (dbal gyi tsha tsha). When the blue metal egg hatched
a in blue blazing man (dbal gyi mi pho sngon po) appeared wearing a
dazzling blue coat. And when the white crystal egg hatched a white blazing man (dbal gyi mi pho dkar po) appeared with nine heads and eighteen
arms. From the three men 360 emanations manifested.
x) Then the Bon master called upon the three blazing men (dbal mi gsum)
for help and on the eighth day of the first month of each of the four seasons, on the white altar (lha gzhi dkar po), he sprinkled three measures of
blazing barley (dbal nas), having the yak, the sheep and the goat effigies
as support for the sacrifice. On the right side of the altar he placed the
ritual offering (gtor ma) for the three supports of the three white deities,
at the centre the gtor ma of the three great dbal men, on the left side the
expanded chest-shaped gtor ma (brang rgyas)16 and the gtor ma of the
offerings of the five senses, and in the front the gtor ma of the ambrosia
feast offering. In the middle he placed the boiling blazing cauldron (dbal
zangs), subduer of the demons, into which he poured water from snow,
slate rock and rain. Then he prepared the blazing heart (dbal snying) with
the five precious substances and the 360 dbal yaks. With precious wood
2007 by van Schaik on his blog earlytibet.com: Buddhism and Bn II: What is tsuglag? Here he comments on one of the Dunhuang mss (IOL Tib J 339) which mentions
two kinds of gtsug lag: the right gtsug lag which corresponds to Buddhism itself and the
wrong gtsug lag which refers to astrological and divinatory sciences (http://earlytibet.
com/2007/07/31/buddhism-and-bon-ii/, consulted 25 January 2013).
15
The gshang is a musical instrument used by the Bonpos as a substitute for the
Buddhist bell (ghaa). It looks like a small cymbal equipped with a clapper, cf. Helffer
1981.
16
On the word brang rgyas, see Martin 2013: 160 ff.
385
sticks he fashioned the nest of the glorious subjugator eagle (zil gnon
khyung).
He then prepared the nine different weapons of existence (srid pai mtshon cha).
He collected the 13 poisons of existence and so all the poisons were
purified.
He collected the 13 different types of blood of existence and so all the
contaminated hands were purified.
He collected the 13 substances of existence, and so all the bodies were
purified.
He collected the 13 incenses of existence, and everything inside and outside was purified.
Then the great Bon master played the precious, well-adorned drum and
flat bell and entered into the profound meditative state of the great blazing ferocious deity (dbal chen khro bo).
Another interesting myth about the origin of the dbal chu rite can be
found in the dBal shel rgyung dkar poi sgrub pa dzwo dmar glang chen
gying ba.17 This myth describes the creation of the boiling cauldron
(dbal zangs) which represents, as seen above, the focus of the dbal chu
ritual.
Again the narration follows a very widespread structuring of the Bon
theogonical mythographies.
1) In the pristine land of Zhang zhung, the blazing power of the sTa sgo
mountain and the foam of the great lake Manasarovar were united with
a miraculous wind. Then a light arose from the snow and a ray glowed
from the rock and they shone on the lake, giving origin to three eggs that
emerged from the water.
2) The largest dbal egg hatched in the dimension of space and from its
shell the great continent of the blazing cauldron (dbal zangs) came into
being.
From the albumen that spilled onto the ground the blazing water of the
oceans (dbal chui rgya mtsho) was produced.
From the intermediate membrane the dbal rocks and dbal mountains
came into being.
From the yolk, the father Shel rdung dkar po and the mother Dzwo lcam
thang mo came into being.
3) The middle dbal egg hatched in the intermediate space (bar snang)
and from its shell the face of the sun of the boiling blazing cauldron (dbal
zangs khol mo) came into being.
From the albumen that spilled onto the ground the boiling blazing water
was produced.
17
386
GIACOMELLA OROFINO
From the yolk the fierce dbal eagle was born, its right wing bursting with
flames, its left wing boiling over with blazing water, and from the vase
of its body all wishes fell like rain. In this way the dbal lake took form
inside the boiling cauldron.
387
For a description of a different Bon version of the bhavacakra, see Kvrne 1981.
See Kvrne 1987.
20
ibid.: 166.
19
388
GIACOMELLA OROFINO
389
390
GIACOMELLA OROFINO
391
gave birth to a religious tradition that, while not part of the Buddhist
mainstream schools, and existing on the margins of the theocratic power which was gradually coming into being in post-12th-century Tibet,
has played an important role in the intellectual, religious and literary
history of that civilization.
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