4

JAZZ MINUET No. l

Performance Suggestions:
The right han d should be legato and well brought out aver the left hand. The left hand boogie
pattem is generally fingered 5-2-1-2, but here it can be 5-1-2-1 to keep a more legato line. The
low notes of each measure (first an d third beats) can be held aver far a fuller so un d.

By OSCAR PETERSON
Arranged by fOHN LAMPKIN

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Copyright 1965 by Tomi Music Co . and Doe Music Co .

This arrangement Copyright 1980
Used by Permission
lnternational Copyright Secured
Made in U.S.A.
Ali Rights Reserved

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8695

JAZZ ETUDE No. l

The only waltz in this collection, this is another blues study with an ostinato left hand. Once
again, hold aver the bottom note of each left han d phrase.

By OSCAR PETERSON
Arranged by JOHN LAMPK!N

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Copyright 1965 by Tomi Music Co. and Doe Music Co .
This arrangement Copyright 1980
Used by Permission
International Cop yright Secured
Made in U.S.A.
Ali Rights Reserved

5
3

JAZZ MINUET No. 2

A study in pedal, dynamic contrast. A piece to strengthen the fourth and fifth fingers of the
right hand.
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ALI R igh ts Reser ved

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JAZZ PIECE No. l

The right hand syncopation is not difficult because of the left hand ostinato, but pay attention
to the phrasing, accenting the off beats. Keep the left hand perfectly legato, practicing it alone
untU the hand position changes are mastered.
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Made in U.S.A.
Ali Rights Reserved

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8695

JAZZ EXERCISE No. l

An excellent uniso n study much easier than it looks, this pieces uses the rhythmic device

t f + f + f You may be tempted to "straighten out" this first pattem to

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Co p yright 1966 by Tomi Music Co . and Doe Music Co .
This arr angement Copyright 1980
Used by Perm ission
lnternational Copyright Secured
Made in U.S. A.
Ali Right s Reserved

9
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